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''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art(...)
Duodji reader: Twelve essays on duodji by Sámi writers
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''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art education. As a contribution to this interest in Indigenous art and crafts practices, we offer this book on Sámi duodji. Duodji is the artistic crafts form of the Indigenous people of the European Arctic. Duodji refers not only to the end result, the finished object itself, but also describes the whole process - from the incipient idea to the final product. Duodji demonstrates a holistic circle of creation, how nature and humans collaborate in recognising, visualising, and shaping items that serve the need for both practical use and aesthetic form. ''Duodji reader: Twelve essays on duodji by Sámi writers'' is produced by Sámi Allaskuvla and Norwegian Crafts. The publication is edited by the professors Gunvor Guttorm and Harald Gaski, and contains essays from eleven prominent Sámi scholars, duojárat, and writers from North, South, and Lule Sámi areas. The essays are presented in Lule, South or North Sámi as well as in English. The publication also contains a wide-ranging selection of photographs of duodji by more than thirty contemporary duojárat. The book is well-suited both as background and text material for education in crafts, as well as a resource for the theory and practice of Sámi duodji as an Indigenous art form with long roots in the Arctic North.
Théorie de l’art
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Material objects—things made, used, and treasured—tell the story of a people and place. So it is for the Indigenous Sámi living in Norway, Sweden, Finland, and Russia, whose story unfolds across borders and centuries, in museums and private collections. The objects created by the Sámi for daily and ceremonial use were purchased and taken by Scandinavians and foreign(...)
From Lapland to Sápmi: Collecting and returning Sámi craft and culture
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Material objects—things made, used, and treasured—tell the story of a people and place. So it is for the Indigenous Sámi living in Norway, Sweden, Finland, and Russia, whose story unfolds across borders and centuries, in museums and private collections. The objects created by the Sámi for daily and ceremonial use were purchased and taken by Scandinavians and foreign travelers in Lapland from the seventeenth century to the present, and the collections described in ''From Lapland to Sápmi'' map a complex history that is gradually shifting to a renaissance of Sámi culture and craft, along with the return of many historical objects to Sápmi, the Sámi homeland.
Autochtone
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Introductory essays and selected translations by Samir Younés.
The historical dictionary of architecture of Quatremère de Quincy
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Introductory essays and selected translations by Samir Younés.
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janvier 1900, London
Théorie de l’architecture
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This is the first substantial new book in English on this exceptional artist since the 1930s, published to coincide with a major exhibition at the Tel Aviv Museum of Art in fall 2021. The large-format volume features some one hundred of Aenne Biermann’s photographs in immaculately produced color and quadrotone reproductions, including several from the archive of the(...)
Aenne Biermann: Up close and personal
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This is the first substantial new book in English on this exceptional artist since the 1930s, published to coincide with a major exhibition at the Tel Aviv Museum of Art in fall 2021. The large-format volume features some one hundred of Aenne Biermann’s photographs in immaculately produced color and quadrotone reproductions, including several from the archive of the artist’s family that are published here for the first time ever. This selection is complemented by essays on Biermann’s photography in an art-historical context and on selected aspects of her oeuvre.
Monographies photo
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Finding your way around Sami building culture and architecture can be a challenge, as the material is scattered and sometimes inaccessible. This book is intended as both an introduction and a guide to deepening one's knowledge of the subject - in North Sami, Norwegian and English. In October 2021, the National Museum opened an exhibition of architect and artist Joar(...)
Huksendaidda: Architecture in Sapmi
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Finding your way around Sami building culture and architecture can be a challenge, as the material is scattered and sometimes inaccessible. This book is intended as both an introduction and a guide to deepening one's knowledge of the subject - in North Sami, Norwegian and English. In October 2021, the National Museum opened an exhibition of architect and artist Joar Nango's nomadic architectural library Girjegumpi. During the opening weekend, the museum organized a seminar on Sami architecture, and the lectures from the seminar are the basis for the book. Here you can read more about Nango's work Girjegumpi, Sami building practices, the treatment of the Sami in the history of architecture in Norway, how reconstruction and Norwegianization went hand in hand, the phenomenon of kjempelávvu, and also get an overview of Sami architecture on the Norwegian side of Sápmi.
Architecture autochtone
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For nearly 25 years, Architecture in the Netherlands has provided an essential annual overview of the best in Dutch architecture. This year the editorial team selected 30 projects from over 400 submissions, including work by Atelier Pro, Jan Bakers, Claus en Kaan, Fact Architects, Meyeren Van Schooten, Onix, Marlies Rohmer, SeARCH and WAMArchitecten.
Architecture in the Netherlands
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For nearly 25 years, Architecture in the Netherlands has provided an essential annual overview of the best in Dutch architecture. This year the editorial team selected 30 projects from over 400 submissions, including work by Atelier Pro, Jan Bakers, Claus en Kaan, Fact Architects, Meyeren Van Schooten, Onix, Marlies Rohmer, SeARCH and WAMArchitecten.
$60.00
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In the 1960s the French colonial regime detonated four atmospheric atomic bombs, thirteen underground nuclear bombs, and conducted other nuclear experiments in the Algerian Sahara. This secret, still-classified programme occurred during and after the Algerian War (1954–1962). Meticulously culled together from numerous sources by architectural historian Samia Henni, this(...)
Colonial toxicity: Rehearsing French radioactive architecture and landscape in the Sahara
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In the 1960s the French colonial regime detonated four atmospheric atomic bombs, thirteen underground nuclear bombs, and conducted other nuclear experiments in the Algerian Sahara. This secret, still-classified programme occurred during and after the Algerian War (1954–1962). Meticulously culled together from numerous sources by architectural historian Samia Henni, this publication’s wealth of materials documenting the violent history of France’s activities in the Algerian desert offers a rich repository for all those concerned with histories of nuclear weapons and engaged at the intersections of spatial, social, and environmental justice, as well as anticolonial archival practices.
L'écologie de l'architecure
Deserts are not empty
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Colonial and imperial powers have often portrayed arid lands as “empty” spaces ready to be occupied, exploited, extracted, and polluted. Despite the undeniable presence of human and nonhuman lives and forces in desert territories, the “regime of emptiness” has inhabited, and is still inhabiting, many imaginaries. This volume challenges this colonial tendency, questions(...)
Deserts are not empty
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Colonial and imperial powers have often portrayed arid lands as “empty” spaces ready to be occupied, exploited, extracted, and polluted. Despite the undeniable presence of human and nonhuman lives and forces in desert territories, the “regime of emptiness” has inhabited, and is still inhabiting, many imaginaries. This volume challenges this colonial tendency, questions its roots and ramifications, and remaps the representations, theories, histories, and stories of arid lands—which comprise approximately one-third of the Earth’s land surface. It brings together poems in original languages, conversations with collectives, and essays by scholars and professionals from the fields of architecture, architectural history and theory, curatorial studies, comparative literature, film studies, landscape architecture, and photography. These different approaches and diverse voices draw on a framework of decoloniality to unsettle and unlearn the desert, opening up possibilities to see, think, imagine it otherwise.
L'écologie de l'architecure
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Dans 'Architecture de la contre-révolution' Samia Henni analyse les politiques en matière d’urbanisme et d’architecture mises en œuvre par l’État colonial français pendant la longue guerre d’indépendance algérienne (1954-1962) au croisement des vastes opérations militaires contre-insurectionnelles menées sur l’ensemble du territoire algérien.
Architecture de la contre-révolution
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Dans 'Architecture de la contre-révolution' Samia Henni analyse les politiques en matière d’urbanisme et d’architecture mises en œuvre par l’État colonial français pendant la longue guerre d’indépendance algérienne (1954-1962) au croisement des vastes opérations militaires contre-insurectionnelles menées sur l’ensemble du territoire algérien.
Théorie de l’urbanisme
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Aigi’s journey into the mythical world of the Sami people starts with a race for the first ray of sunlight of the New Year, and continues with a plunge into the mythical Saivo realm to search for a childhood friend. On the journey, for those who know, the knowledge of beings such as the gobmi, skammaidas and other mythical creatures will surely be needed. ''Fathoms of(...)
Aigi 1: Fathoms of Fenlake (signed)
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Aigi’s journey into the mythical world of the Sami people starts with a race for the first ray of sunlight of the New Year, and continues with a plunge into the mythical Saivo realm to search for a childhood friend. On the journey, for those who know, the knowledge of beings such as the gobmi, skammaidas and other mythical creatures will surely be needed. ''Fathoms of the fenlake'' is a ground-breaking fantasy story: strong ties to nature, full of resourcefulness and courage, along with mystical powers have always been present in the Sami culture. The Aigi-saga draws from that legendary folklore.
Littérature et poésie