3525 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
Personnes et institutions:
Date:
1988-1994
1988-1994
Titre:
The Design Exchange, Toronto (1988-1994)
Actions:
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
The Design Exchange, Toronto (1988-1994)
Actions:
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
Niveau de description archivistique:
Project
Project
Date:
1988-1994
1988-1994
Personnes et institutions:
Classification:
photographies
Quantité:
98 slide(s)
photographies
Quantité:
98 slide(s)
Numéro de référence:
ARCH186826
Description:
exteriors and interiors of various built buildings by Guy Desbarats and Affleck, Desbarats, Dimakopoulos, Lebensold & Sise, architects, including National Arts Centre (Ottawa), Expo 67 Theme Pavilions, Saint Gerard Majella Church, Laval Civic Centre, Place Bonaventure, Place des Arts, Governor-General's Residence, as well as other buildings, projects and residences
ARCH186826
Description:
exteriors and interiors of various built buildings by Guy Desbarats and Affleck, Desbarats, Dimakopoulos, Lebensold & Sise, architects, including National Arts Centre (Ottawa), Expo 67 Theme Pavilions, Saint Gerard Majella Church, Laval Civic Centre, Place Bonaventure, Place des Arts, Governor-General's Residence, as well as other buildings, projects and residences
Personnes et institutions:
Date:
circa 1958 - 1979
circa 1958 - 1979
Titre:
Exteriors and interiors of various built buildings by Guy Desbarats and Affleck
Actions:
ARCH186826
Description:
exteriors and interiors of various built buildings by Guy Desbarats and Affleck, Desbarats, Dimakopoulos, Lebensold & Sise, architects, including National Arts Centre (Ottawa), Expo 67 Theme Pavilions, Saint Gerard Majella Church, Laval Civic Centre, Place Bonaventure, Place des Arts, Governor-General's Residence, as well as other buildings, projects and residences
Exteriors and interiors of various built buildings by Guy Desbarats and Affleck
Actions:
ARCH186826
Description:
exteriors and interiors of various built buildings by Guy Desbarats and Affleck, Desbarats, Dimakopoulos, Lebensold & Sise, architects, including National Arts Centre (Ottawa), Expo 67 Theme Pavilions, Saint Gerard Majella Church, Laval Civic Centre, Place Bonaventure, Place des Arts, Governor-General's Residence, as well as other buildings, projects and residences
Classification:
photographies
Quantité:
98 slide(s)
photographies
Quantité:
98 slide(s)
Date:
circa 1958 - 1979
circa 1958 - 1979
Personnes et institutions:
Classification:
photographies
Quantité:
12 photograph(s)
photographies
Quantité:
12 photograph(s)
Numéro de référence:
ARCH187131
Description:
David & Boulva, architects - exterior and interior views of Montreal Institute of Diagnostic and Clinical Research Building, model of Montreal Urban Renewal project, Dow Planetarium, Place-des-Arts metro station, Theatre Maisonneuve - Place des Arts, perspective drawing of Palais de Justice - Montreal, athletic stadium, interior of hockey arena, other un-identified
ARCH187131
Description:
David & Boulva, architects - exterior and interior views of Montreal Institute of Diagnostic and Clinical Research Building, model of Montreal Urban Renewal project, Dow Planetarium, Place-des-Arts metro station, Theatre Maisonneuve - Place des Arts, perspective drawing of Palais de Justice - Montreal, athletic stadium, interior of hockey arena, other un-identified
Personnes et institutions:
Titre:
Photographs of Miscellaneous Projects
Actions:
ARCH187131
Description:
David & Boulva, architects - exterior and interior views of Montreal Institute of Diagnostic and Clinical Research Building, model of Montreal Urban Renewal project, Dow Planetarium, Place-des-Arts metro station, Theatre Maisonneuve - Place des Arts, perspective drawing of Palais de Justice - Montreal, athletic stadium, interior of hockey arena, other un-identified
Photographs of Miscellaneous Projects
Actions:
ARCH187131
Description:
David & Boulva, architects - exterior and interior views of Montreal Institute of Diagnostic and Clinical Research Building, model of Montreal Urban Renewal project, Dow Planetarium, Place-des-Arts metro station, Theatre Maisonneuve - Place des Arts, perspective drawing of Palais de Justice - Montreal, athletic stadium, interior of hockey arena, other un-identified
Classification:
photographies
Quantité:
12 photograph(s)
photographies
Quantité:
12 photograph(s)
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH273575
Description:
Includes correspondence to Arthur Erickson from professor of Architecture, Andrew Gruft, architect Barry Downs, designer and sculptor Omer Arbel as well as other friends and acquaintances.
ARCH273575
Description:
Includes correspondence to Arthur Erickson from professor of Architecture, Andrew Gruft, architect Barry Downs, designer and sculptor Omer Arbel as well as other friends and acquaintances.
Personnes et institutions:
Date:
1992-2002, predominant 2001-2002
1992-2002, predominant 2001-2002
Titre:
Correspondence, primarily letters, cards and postcards.
Actions:
ARCH273575
Description:
Includes correspondence to Arthur Erickson from professor of Architecture, Andrew Gruft, architect Barry Downs, designer and sculptor Omer Arbel as well as other friends and acquaintances.
Correspondence, primarily letters, cards and postcards.
Actions:
ARCH273575
Description:
Includes correspondence to Arthur Erickson from professor of Architecture, Andrew Gruft, architect Barry Downs, designer and sculptor Omer Arbel as well as other friends and acquaintances.
Classification:
documents textuels
documents textuels
Date:
1992-2002, predominant 2001-2002
1992-2002, predominant 2001-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1979.PR11
Description:
This project series documents long-term planning for airports in Trinidad and Tobago from 1979-1993. The office identified the project number as 7911. This project consisted of the planning of two airports, one in Piarco and the other in Crown Point, financed by the Government of Canada acting as agents for the Government of Trinidad and Tobago. This work was undertaken as a consortium with other Canadian firms who worked together on airport planning projects around the world. The firms consisted of Parkin Architects Planners as the architects, the Montreal Engineering Company Limited, Peat, Marwick and Partners, and IBI Group. At Crown Point, a new 3,300 square metre terminal building was proposed for domestic and some international traffic, as well as a new control tower. The passenger terminal could accommodate 350 enplaning and 350 deplaning passengers. This first phase was said to accommodate growth until 1993. At Piarco, a new 26,000 square foot passenger terminal was proposed, which was said to accommodate about 2/3 of traffic in 1993. This location also proposed a 200 room hotel be built in the future. This project is recorded through textual records dating from 1977-1981 which consist of correspondence between consortium members, billings, the joint venture agreement and financial analysis report.
AP018.S1.1979.PR11
Description:
This project series documents long-term planning for airports in Trinidad and Tobago from 1979-1993. The office identified the project number as 7911. This project consisted of the planning of two airports, one in Piarco and the other in Crown Point, financed by the Government of Canada acting as agents for the Government of Trinidad and Tobago. This work was undertaken as a consortium with other Canadian firms who worked together on airport planning projects around the world. The firms consisted of Parkin Architects Planners as the architects, the Montreal Engineering Company Limited, Peat, Marwick and Partners, and IBI Group. At Crown Point, a new 3,300 square metre terminal building was proposed for domestic and some international traffic, as well as a new control tower. The passenger terminal could accommodate 350 enplaning and 350 deplaning passengers. This first phase was said to accommodate growth until 1993. At Piarco, a new 26,000 square foot passenger terminal was proposed, which was said to accommodate about 2/3 of traffic in 1993. This location also proposed a 200 room hotel be built in the future. This project is recorded through textual records dating from 1977-1981 which consist of correspondence between consortium members, billings, the joint venture agreement and financial analysis report.
Personnes et institutions:
Date:
1977-1981
1977-1981
Titre:
Trinidad and Tobago Airports (1979-1981)
Actions:
AP018.S1.1979.PR11
Description:
This project series documents long-term planning for airports in Trinidad and Tobago from 1979-1993. The office identified the project number as 7911. This project consisted of the planning of two airports, one in Piarco and the other in Crown Point, financed by the Government of Canada acting as agents for the Government of Trinidad and Tobago. This work was undertaken as a consortium with other Canadian firms who worked together on airport planning projects around the world. The firms consisted of Parkin Architects Planners as the architects, the Montreal Engineering Company Limited, Peat, Marwick and Partners, and IBI Group. At Crown Point, a new 3,300 square metre terminal building was proposed for domestic and some international traffic, as well as a new control tower. The passenger terminal could accommodate 350 enplaning and 350 deplaning passengers. This first phase was said to accommodate growth until 1993. At Piarco, a new 26,000 square foot passenger terminal was proposed, which was said to accommodate about 2/3 of traffic in 1993. This location also proposed a 200 room hotel be built in the future. This project is recorded through textual records dating from 1977-1981 which consist of correspondence between consortium members, billings, the joint venture agreement and financial analysis report.
Trinidad and Tobago Airports (1979-1981)
Actions:
AP018.S1.1979.PR11
Description:
This project series documents long-term planning for airports in Trinidad and Tobago from 1979-1993. The office identified the project number as 7911. This project consisted of the planning of two airports, one in Piarco and the other in Crown Point, financed by the Government of Canada acting as agents for the Government of Trinidad and Tobago. This work was undertaken as a consortium with other Canadian firms who worked together on airport planning projects around the world. The firms consisted of Parkin Architects Planners as the architects, the Montreal Engineering Company Limited, Peat, Marwick and Partners, and IBI Group. At Crown Point, a new 3,300 square metre terminal building was proposed for domestic and some international traffic, as well as a new control tower. The passenger terminal could accommodate 350 enplaning and 350 deplaning passengers. This first phase was said to accommodate growth until 1993. At Piarco, a new 26,000 square foot passenger terminal was proposed, which was said to accommodate about 2/3 of traffic in 1993. This location also proposed a 200 room hotel be built in the future. This project is recorded through textual records dating from 1977-1981 which consist of correspondence between consortium members, billings, the joint venture agreement and financial analysis report.
Niveau de description archivistique:
Project
Project
Date:
1977-1981
1977-1981
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2014.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as consulting landscape architect for the revitalisation project of the atrium and garden of the Bank of Canada building in Ottawa, Ontario. Oberlander was included in the project in 2014 as consultant after requests from Heritage Canada and others, including Phyllis Lambert, concerned about the conservation of a landmark building and landscape. She worked with architectural firm Busby Perkins+Will who was in charge of the project for the building. The Bank of Canada building and the exterior and interior landscape were originally designed by Arthur Erickson. The project series contains correspondence with architects and consultants, and also correpondence with Heritage Canada about the protection of the interior and exterior landscape. It also contains project proposal presentation booklets by architects, documentation and press.
AP075.S1.2014.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as consulting landscape architect for the revitalisation project of the atrium and garden of the Bank of Canada building in Ottawa, Ontario. Oberlander was included in the project in 2014 as consultant after requests from Heritage Canada and others, including Phyllis Lambert, concerned about the conservation of a landmark building and landscape. She worked with architectural firm Busby Perkins+Will who was in charge of the project for the building. The Bank of Canada building and the exterior and interior landscape were originally designed by Arthur Erickson. The project series contains correspondence with architects and consultants, and also correpondence with Heritage Canada about the protection of the interior and exterior landscape. It also contains project proposal presentation booklets by architects, documentation and press.
Personnes et institutions:
Date:
2013-2015
2013-2015
Titre:
Bank of Canada, Ottawa, Ontario (2014)
Actions:
AP075.S1.2014.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as consulting landscape architect for the revitalisation project of the atrium and garden of the Bank of Canada building in Ottawa, Ontario. Oberlander was included in the project in 2014 as consultant after requests from Heritage Canada and others, including Phyllis Lambert, concerned about the conservation of a landmark building and landscape. She worked with architectural firm Busby Perkins+Will who was in charge of the project for the building. The Bank of Canada building and the exterior and interior landscape were originally designed by Arthur Erickson. The project series contains correspondence with architects and consultants, and also correpondence with Heritage Canada about the protection of the interior and exterior landscape. It also contains project proposal presentation booklets by architects, documentation and press.
Bank of Canada, Ottawa, Ontario (2014)
Actions:
AP075.S1.2014.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as consulting landscape architect for the revitalisation project of the atrium and garden of the Bank of Canada building in Ottawa, Ontario. Oberlander was included in the project in 2014 as consultant after requests from Heritage Canada and others, including Phyllis Lambert, concerned about the conservation of a landmark building and landscape. She worked with architectural firm Busby Perkins+Will who was in charge of the project for the building. The Bank of Canada building and the exterior and interior landscape were originally designed by Arthur Erickson. The project series contains correspondence with architects and consultants, and also correpondence with Heritage Canada about the protection of the interior and exterior landscape. It also contains project proposal presentation booklets by architects, documentation and press.
Niveau de description archivistique:
Project
Project
Date:
2013-2015
2013-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2003.D3
Description:
The project series documents the competition entry for the plan of the Trejo-Guadalporcún riverside, in Setenil de las Bodegas, Spain. The firm identified this project as number 163. The architects described their project as: “[…] a great public entertainment space, a beach which in one bank would accommodate the main tourist and citizen activity, and on the other bank, covering the terraced parking buildings, with bushes, flowers and trees would create an oceanic garden […]” (ARCH270975). Documenting the project are design development and presentation drawings, correspondence, and reference, photographic, digital and cartographic materials.
AP164.S1.2003.D3
Description:
The project series documents the competition entry for the plan of the Trejo-Guadalporcún riverside, in Setenil de las Bodegas, Spain. The firm identified this project as number 163. The architects described their project as: “[…] a great public entertainment space, a beach which in one bank would accommodate the main tourist and citizen activity, and on the other bank, covering the terraced parking buildings, with bushes, flowers and trees would create an oceanic garden […]” (ARCH270975). Documenting the project are design development and presentation drawings, correspondence, and reference, photographic, digital and cartographic materials.
Personnes et institutions:
Date:
2002-2003
2002-2003
Titre:
Ordenación de la ribera del arroyo Trejo-Guadalporcún, Setenil de las Bodegas, Cádiz, Spain (2003)
Actions:
AP164.S1.2003.D3
Description:
The project series documents the competition entry for the plan of the Trejo-Guadalporcún riverside, in Setenil de las Bodegas, Spain. The firm identified this project as number 163. The architects described their project as: “[…] a great public entertainment space, a beach which in one bank would accommodate the main tourist and citizen activity, and on the other bank, covering the terraced parking buildings, with bushes, flowers and trees would create an oceanic garden […]” (ARCH270975). Documenting the project are design development and presentation drawings, correspondence, and reference, photographic, digital and cartographic materials.
Ordenación de la ribera del arroyo Trejo-Guadalporcún, Setenil de las Bodegas, Cádiz, Spain (2003)
Actions:
AP164.S1.2003.D3
Description:
The project series documents the competition entry for the plan of the Trejo-Guadalporcún riverside, in Setenil de las Bodegas, Spain. The firm identified this project as number 163. The architects described their project as: “[…] a great public entertainment space, a beach which in one bank would accommodate the main tourist and citizen activity, and on the other bank, covering the terraced parking buildings, with bushes, flowers and trees would create an oceanic garden […]” (ARCH270975). Documenting the project are design development and presentation drawings, correspondence, and reference, photographic, digital and cartographic materials.
Niveau de description archivistique:
Project
Project
Date:
2002-2003
2002-2003
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP143.S4.D90
Description:
File documents the unexecuted project for the Rebstockpark Master Plan, Frankfurt am Main, Germany. Material in this file was produced between 1990 and 1994. File includes 1344 drawings comprising design development drawings, competition drawings, presentation drawings, presentation panels, publication drawings, and reference drawings, as well as models and textual records. Presentation drawings include drawings and mock-ups for a number of 1993 project booklets, and panels of computer-generated design images. Some presentation drawings used for the booklets have also been published. Textual documents include other project booklets, site plan prints by Albert Speer & Partners (1994), agreement, design objectives, notes, cost analysis, correspondence, drawings, and project information for Zurich Office Building at Rebstockpark.
AP143.S4.D90
Description:
File documents the unexecuted project for the Rebstockpark Master Plan, Frankfurt am Main, Germany. Material in this file was produced between 1990 and 1994. File includes 1344 drawings comprising design development drawings, competition drawings, presentation drawings, presentation panels, publication drawings, and reference drawings, as well as models and textual records. Presentation drawings include drawings and mock-ups for a number of 1993 project booklets, and panels of computer-generated design images. Some presentation drawings used for the booklets have also been published. Textual documents include other project booklets, site plan prints by Albert Speer & Partners (1994), agreement, design objectives, notes, cost analysis, correspondence, drawings, and project information for Zurich Office Building at Rebstockpark.
Personnes et institutions:
Date:
1990-1994
1990-1994
Titre:
Rebstockpark Master Plan
Actions:
AP143.S4.D90
Description:
File documents the unexecuted project for the Rebstockpark Master Plan, Frankfurt am Main, Germany. Material in this file was produced between 1990 and 1994. File includes 1344 drawings comprising design development drawings, competition drawings, presentation drawings, presentation panels, publication drawings, and reference drawings, as well as models and textual records. Presentation drawings include drawings and mock-ups for a number of 1993 project booklets, and panels of computer-generated design images. Some presentation drawings used for the booklets have also been published. Textual documents include other project booklets, site plan prints by Albert Speer & Partners (1994), agreement, design objectives, notes, cost analysis, correspondence, drawings, and project information for Zurich Office Building at Rebstockpark.
Rebstockpark Master Plan
Actions:
AP143.S4.D90
Description:
File documents the unexecuted project for the Rebstockpark Master Plan, Frankfurt am Main, Germany. Material in this file was produced between 1990 and 1994. File includes 1344 drawings comprising design development drawings, competition drawings, presentation drawings, presentation panels, publication drawings, and reference drawings, as well as models and textual records. Presentation drawings include drawings and mock-ups for a number of 1993 project booklets, and panels of computer-generated design images. Some presentation drawings used for the booklets have also been published. Textual documents include other project booklets, site plan prints by Albert Speer & Partners (1994), agreement, design objectives, notes, cost analysis, correspondence, drawings, and project information for Zurich Office Building at Rebstockpark.
Niveau de description archivistique:
File 90
File 90
Date:
1990-1994
1990-1994
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Gianni Pettena fonds
Gianni Pettena fonds
Numéro de référence:
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Personnes et institutions:
Date:
1960-2019
1960-2019
Titre:
Gianni Pettena fonds
Actions:
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Gianni Pettena fonds
Actions:
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1960-2019
1960-2019
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
Personnes et institutions:
Date:
1953-2009
1953-2009
Titre:
Architectural projects
Actions:
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
Architectural projects
Actions:
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
Niveau de description archivistique:
Series
Series
Date:
1953-2009
1953-2009
Personnes et institutions:
