The new urban house
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Architects face many challenges when designing a modern urban house. Environmental performance, aesthetics, technical logistics, material concerns, site constraints—these are all considerations that have the potential to limit what architects can achieve, but that also can inspire creative solutions. In addition, each city’s history, obstacles, and opportunities influence(...)
The new urban house
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Architects face many challenges when designing a modern urban house. Environmental performance, aesthetics, technical logistics, material concerns, site constraints—these are all considerations that have the potential to limit what architects can achieve, but that also can inspire creative solutions. In addition, each city’s history, obstacles, and opportunities influence local design approaches. Jonathan Bell and Ellie Stathaki have selected urban structures from around the world to serve as both exemplary solutions and standout works of art—in Beijing and Mexico City, Athens and Tokyo, Los Angeles and Cape Town. By examining buildings on six continents, from both emerging architects and established studios such as Zaha Hadid Architects, MVRDV, and Johnston Marklee, this stunning volume explores the many ways in which architecture can enhance the experience of dwelling in a modern city by responding to traditional styles and challenges of site and providing a broader understanding of place.
Architecture résidentielle
livres
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International in scope, the book is an A to Z of ideas for the twenty-first century, from a pavilion in Argentina to a forest house in New Zealand, all designed to have minimal architectural traces--made with local materials that harmonize with the surrounding environment. An outdoor care retreat outside Oslo provides space where visitors can benefit from the therapeutic(...)
Into the woods: retreats and dream houses
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International in scope, the book is an A to Z of ideas for the twenty-first century, from a pavilion in Argentina to a forest house in New Zealand, all designed to have minimal architectural traces--made with local materials that harmonize with the surrounding environment. An outdoor care retreat outside Oslo provides space where visitors can benefit from the therapeutic qualities of nature; a residence in Tottori, Japan, adapts with the changing seasons; a treehouse in Cape Town uses cylindrical towers that are elevated on stilts, offering views among the trees; and in Quebec, three geodesic domes were designed as part of an eco-tourism project to highlight the area's natural beauty. Each house is paired with photographs and plans.
livres
mars 2020
Architecture résidentielle
Mark 71
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This latest issue takes us to Shenzhen to check out some of the latest projects to be completed in the Chinese city nearby Hong Kong. With the Sea World Culture and Arts Center, Maki and Associates adds an important cultural space to Shenzhen’s waterfront. Elsewhere, the architects of the Shenzhen-based firm Urbanus added a new typology to Chinese urban landscapes: an(...)
Mark 71
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This latest issue takes us to Shenzhen to check out some of the latest projects to be completed in the Chinese city nearby Hong Kong. With the Sea World Culture and Arts Center, Maki and Associates adds an important cultural space to Shenzhen’s waterfront. Elsewhere, the architects of the Shenzhen-based firm Urbanus added a new typology to Chinese urban landscapes: an urban village on the roof of a conventional mall. Heatherwick Studio shows us the art of reinvention with the conversion of a decommissioned grain silo in Cape Town. The imposing silo has been turned into an art gallery with a hotel. Mark asks how works of art can compete with the building’s compelling transformation.
Revues
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In this personal account of A.J. Diamond’s life and work, he shares how he came to be the founder of the leading architecture firm Diamond Schmitt, one of Canada’s most successful architecture companies. He also explains his principles of design, which at their core are about making a positive impact in the world, considering the needs of the content, client, and context.(...)
Context and content: The memoir of a fortunate architect
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In this personal account of A.J. Diamond’s life and work, he shares how he came to be the founder of the leading architecture firm Diamond Schmitt, one of Canada’s most successful architecture companies. He also explains his principles of design, which at their core are about making a positive impact in the world, considering the needs of the content, client, and context. Diamond gives insight into his design principles in relation to some of his most notable projects, including the Four Seasons Centre for the Performing Arts in Toronto, la Maison symphonique de Montréal, the Mariinsky II Theatre in Saint Petersburg. Diamond also chronicles his family ancestry, his childhood in South Africa, from his birth in his grandfather’s study in the small provincial town of Piet Retief on the borders of Eswatini (Swaziland) and Mozambique, to his university days at the University of Cape Town and Oxford and the University of Pennsylvania. His memoir traces his immigration to the U.S. and, eventually, Canada as well as his growing architectural practice in Toronto, where he focused on the issues facing his chosen city.
Architectes canadiens
Planet of slums
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Urban theorist Davis takes a global approach to documenting the astonishing depth of squalid poverty that dominates the lives of the planet's increasingly urban population, detailing poor urban communities from Cape Town and Caracas to Casablanca and Khartoum. Davis argues health, justice and social issues associated with gargantuan slums (the largest, in Mexico City, has(...)
Planet of slums
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Urban theorist Davis takes a global approach to documenting the astonishing depth of squalid poverty that dominates the lives of the planet's increasingly urban population, detailing poor urban communities from Cape Town and Caracas to Casablanca and Khartoum. Davis argues health, justice and social issues associated with gargantuan slums (the largest, in Mexico City, has an estimated population of 4 million) get overlooked in world politics: "The demonizing rhetorics of the various international 'wars' on terrorism, drugs, and crime are so much semantic apartheid: they construct epistemological walls around gecekondus, favelas, and chawls that disable any honest debate about the daily violence of economic exclusion." Though Davis focuses on individual communities, he presents statistics showing the skyrocketing population and number of "megaslums" (informally, "stinking mountains of shit" or, formally, "when shanty-towns and squatter communities merge in continuous belts of informal housing and poverty, usually on the urban periphery") since the 1960s. Layered over the hard numbers are a fascinating grid of specific area studies and sub-topics ranging from how the Olympics has spurred the forceful relocation of thousands (and, sometimes, hundreds of thousands) of the urban poor, to the conversion of formerly second world countries to third world status. Davis paints a bleak picture of the upward trend in urbanization and maintains a stark outlook for slum-dwellers' futures
Théorie de l’urbanisme
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An early version of the slide projector and an immediate predecessor of narrative cinema, the magic lantern provided the lens through which late-nineteenth century Europe and America viewed and imagined the world. Magic lantern slide shows were a popular, entertaining and educational way for people to learn about the world beyond their own horizons, and from Cairo to(...)
Memories of a lost world : travels through the magic lantern
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An early version of the slide projector and an immediate predecessor of narrative cinema, the magic lantern provided the lens through which late-nineteenth century Europe and America viewed and imagined the world. Magic lantern slide shows were a popular, entertaining and educational way for people to learn about the world beyond their own horizons, and from Cairo to Delhi to Adelaide and Cape Town, intrepid European and American photographers traveled to all corners of the world to document its peoples and customs. Now, for the first time, images of original magic lantern slides have been brought together in a single publication. Memories of a Lost World: Travels through the Magic Latern takes the reader back to a pre-globalised world in which regional customs and national cultures were as distinctive as they were diverse. From the bustling streets of Victorian London and the ruins of ancient Egypt to the temples of Japan and the tribesmen of New Guinea, Memories of a Lost World explores the world through a captivating collection of over 800 magic lantern slide images. This volume is not only an important source of primary historical information, but also conveys something of what the world was like before the advent of television and mass travel.
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Cities are becoming increasingly fragmented materially, socially, and spatially. From broken toilets and everyday things, to art and forms of writing, fragments are signatures of urban worlds and provocations for change. In "Fragments of the city," Colin McFarlane examines such fragments, what they are and how they come to matter in the experience, politics, and(...)
Fragments of the city: making and remaking urban worlds
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Cities are becoming increasingly fragmented materially, socially, and spatially. From broken toilets and everyday things, to art and forms of writing, fragments are signatures of urban worlds and provocations for change. In "Fragments of the city," Colin McFarlane examines such fragments, what they are and how they come to matter in the experience, politics, and expression of cities. How does the city appear when we look at it through its fragments? For those living on the economic margins, the city is often experienced as a set of fragments. Much of what low-income residents deal with on a daily basis is fragments of stuff, made and remade with and through urban density, social infrastructure, and political practice. In this book, McFarlane explores infrastructure in Mumbai, Kampala, and Cape Town; artistic montages in Los Angeles and Dakar; refugee struggles in Berlin; and the repurposing of fragments in Hong Kong and New York. Fragments surface as material things, as forms of knowledge, as writing strategies. They are used in efforts to politicize the city and in urban writing to capture life and change in the world's major cities. "Fragments of the city" surveys the role of fragments in how urban worlds are understood, revealed, written, and changed.
Théorie de l’urbanisme
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As the world becomes more interconnected through travel and electronic communication, many believe that physical places will become less important. But as Mario Polèse argues in The Wealth and Poverty of Regions, geography will matter more than ever before in a world where distance is allegedly dead. This provocative book surveys the globe, from London and Cape(...)
The wealth & poverty of regions: why cities matter
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As the world becomes more interconnected through travel and electronic communication, many believe that physical places will become less important. But as Mario Polèse argues in The Wealth and Poverty of Regions, geography will matter more than ever before in a world where distance is allegedly dead. This provocative book surveys the globe, from London and Cape Town to New York and Beijing, contending that regions rise—or fall—due to their location, not only within nations but also on the world map. Polèse reveals how concentrations of industries and populations in specific locales often result in minor advantages that accumulate over time, resulting in reduced prices, improved transportation networks, increased diversity, and not least of all, “buzz”—the excitement and vitality that attracts ambitious people. The Wealth and Poverty of Regions maps out how a heady mix of size, infrastructure, proximity, and cost will determine which urban centers become the thriving metropolises of the future, and which become the deserted cities of the past. Engagingly written, the book provides insight to the past, present, and future of regions.
Théorie de l’urbanisme
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What is the role of the museum in society today? In this time of fundamental economic and social change, should museums be safe civic spaces or open a floor for challenge and change? Can museums contribute to the economic development of communities? If so, how best to guard against the effects of gentrification so that they do not further limit opportunity for low-income(...)
New museums: intentions, expectations, challenges
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What is the role of the museum in society today? In this time of fundamental economic and social change, should museums be safe civic spaces or open a floor for challenge and change? Can museums contribute to the economic development of communities? If so, how best to guard against the effects of gentrification so that they do not further limit opportunity for low-income residents? How should museums respond to concerns about environmental sustainability? These are just a few of the questions museum professionals, planners, and architects must carefully consider when developing plans and choosing a location for a new museum. "New museums" explores these questions by talking to the people behind twenty different museums on six continents, both realized projects and speculative design proposals. Among the museums discussed in the book are the Smithsonian Institute’s National Museum of African American History and Culture in Washington, DC, by Adjaye Associates; the Guggenheim Helsinki by Moreau Kusunoki Architectes; the Comic and Animation Museum in Hangzhou by MVRDV; the Munch Museum in Oslo by Estudio Herreros, the Zeitz Museum of Contemporary Art Africa in Cape Town by Heatherwick Studio; the Long Museum West Bund in Shanghai by Atelier Deshaus; and the recent extension of the Art Gallery of New South Wales in Sydney by SANAA. With more than 250 color illustrations and contributions by leading museum and architecture experts, the book sheds light on current trends and the state-of-the-art technological advances in architecture, while also providing insight into the careful thought and decision processes that go into the development of new museums.
Muséologie
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In this story, we meet, among others, the Boston Brahmins Jack Phillips and Nathaniel Saltonstall; the self-taught architect, carpenter and painter Jack Hall; the Finn Olav Hammarström, who had worked for Alvar Aalto; and the prolific Charlie Zehnder, who brought the lessons of both Frank Lloyd Wright and Brutalism to the Cape. Initially, these designers had no clients;(...)
Cape Cod modern: midcentury architecture and community on the outer cape
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In this story, we meet, among others, the Boston Brahmins Jack Phillips and Nathaniel Saltonstall; the self-taught architect, carpenter and painter Jack Hall; the Finn Olav Hammarström, who had worked for Alvar Aalto; and the prolific Charlie Zehnder, who brought the lessons of both Frank Lloyd Wright and Brutalism to the Cape. Initially, these designers had no clients; they built for themselves and their families, or for friends sympathetic to their ideals. Their homes were laboratories, places to work through ideas without spending much money. The result of this ferment is a body of work unlike any other, a regional modernism fusing the building traditions of Cape Cod fishing towns with Bauhaus concepts and postwar experimentation.
Modernisme