219 Résultats
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vidéo
vidéo
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1 online resource (1 video file (1 hr., 21 min., 46 sec.)) : sound, color
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1 online resource (1 video file (1 hr., 21 min., 46 sec.)) : sound, color
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Publication:
[Montréal] : CCA, [2016]
[Montréal] : CCA, [2016]
Titre:
Amy Kulper : architecture's digital turn and the advent of Photoshop.
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1 online resource (1 video file (1 hr., 21 min., 46 sec.)) : sound, color
Amy Kulper : architecture's digital turn and the advent of Photoshop.
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1 online resource (1 video file (1 hr., 21 min., 46 sec.)) : sound, color
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vidéo
vidéo
Publication:
[Montréal] : CCA, [2016]
[Montréal] : CCA, [2016]
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dessins
dessins
Numéro de référence:
AP173.S1.1997.D1.037
Description:
Group consists of 5 drawings (3 drawings and 2 reprographic copies) and an aerial photographs of H2Oexpo in Neeltje Jans, Netherlands, selected for the exhibition of the Canadian Centre for Architecture "Archaeology of the Digital: Media and Machines / Archéologie du numérique : Environnements virtuels, objets interactifs" in 2014.
AP173.S1.1997.D1.037
Description:
Group consists of 5 drawings (3 drawings and 2 reprographic copies) and an aerial photographs of H2Oexpo in Neeltje Jans, Netherlands, selected for the exhibition of the Canadian Centre for Architecture "Archaeology of the Digital: Media and Machines / Archéologie du numérique : Environnements virtuels, objets interactifs" in 2014.
Personnes et institutions:
Date:
between 1993 and 1997
between 1993 and 1997
Titre:
Drawings for the H2Oexpo in Neeltje Jans, Netherlands selected for an exhibition of the Canadian Center for Architecture
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AP173.S1.1997.D1.037
Description:
Group consists of 5 drawings (3 drawings and 2 reprographic copies) and an aerial photographs of H2Oexpo in Neeltje Jans, Netherlands, selected for the exhibition of the Canadian Centre for Architecture "Archaeology of the Digital: Media and Machines / Archéologie du numérique : Environnements virtuels, objets interactifs" in 2014.
Drawings for the H2Oexpo in Neeltje Jans, Netherlands selected for an exhibition of the Canadian Center for Architecture
Actions:
AP173.S1.1997.D1.037
Description:
Group consists of 5 drawings (3 drawings and 2 reprographic copies) and an aerial photographs of H2Oexpo in Neeltje Jans, Netherlands, selected for the exhibition of the Canadian Centre for Architecture "Archaeology of the Digital: Media and Machines / Archéologie du numérique : Environnements virtuels, objets interactifs" in 2014.
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dessins
dessins
Date:
between 1993 and 1997
between 1993 and 1997
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vidéo
vidéo
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1 online resource (1 video file (1 hr., 4 min., 51 sec.)) : sound, color
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1 online resource (1 video file (1 hr., 4 min., 51 sec.)) : sound, color
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Publication:
[Montréal] : CCA, [2016]
[Montréal] : CCA, [2016]
Titre:
Nicholas de Monchaux : local code.
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1 online resource (1 video file (1 hr., 4 min., 51 sec.)) : sound, color
Nicholas de Monchaux : local code.
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1 online resource (1 video file (1 hr., 4 min., 51 sec.)) : sound, color
Classification:
vidéo
vidéo
Publication:
[Montréal] : CCA, [2016]
[Montréal] : CCA, [2016]
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Série(s)
Série(s)
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AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Personnes et institutions:
Date:
1994 - 2004
1994 - 2004
Titre:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
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Series
Series
Date:
1994 - 2004
1994 - 2004
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archives
archives
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Description:
5 items ; 28 cm.
Description:
5 items ; 28 cm.
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archives
archives
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Classification:
périodiques
périodiques
Titre:
Asian perspectives.
Asian perspectives.
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Publication:
Honolulu : University of Hawaii Press
Honolulu : University of Hawaii Press
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périodiques
périodiques
Publication:
Honolulu : University of Hawaii Press
Honolulu : University of Hawaii Press
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livres
livres
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Past presented : archaeological illustration and the ancient Americas / Joanne Pillsbury, editor.
Past presented : archaeological illustration and the ancient Americas / Joanne Pillsbury, editor.
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xix, 498 pages : illustrations (some color), maps ; 29 cm.
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xix, 498 pages : illustrations (some color), maps ; 29 cm.
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Washington, DC : Dumbarton Oaks Research Library and Collection, 2012.
Washington, DC : Dumbarton Oaks Research Library and Collection, 2012.
Titre:
Past presented : archaeological illustration and the ancient Americas / Joanne Pillsbury, editor.
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Description:
xix, 498 pages : illustrations (some color), maps ; 29 cm.
Past presented : archaeological illustration and the ancient Americas / Joanne Pillsbury, editor.
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Description:
xix, 498 pages : illustrations (some color), maps ; 29 cm.
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livres
livres
Publication:
Washington, DC : Dumbarton Oaks Research Library and Collection, 2012.
Washington, DC : Dumbarton Oaks Research Library and Collection, 2012.
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Classification:
périodiques
périodiques
Titre:
Mediterranean archaeology.
Mediterranean archaeology.
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1 online resource
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Publication:
Sydney : [Department of Archaeology, University of Sydney], [1988]-
Sydney : [Department of Archaeology, University of Sydney], [1988]-
Classification:
périodiques
périodiques
Publication:
Sydney : [Department of Archaeology, University of Sydney], [1988]-
Sydney : [Department of Archaeology, University of Sydney], [1988]-
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archives
archives
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1 videocassette (VHS) (approximately 51 min.) : sound, color ; 1/2 in., 1 videocassette (Mini-DV) (approximately 51 min.) : sound, color ; 1/4 in. master, 1 audiocassette...
Description:
1 videocassette (VHS) (approximately 51 min.) : sound, color ; 1/2 in., 1 videocassette (Mini-DV) (approximately 51 min.) : sound, color ; 1/4 in. master, 1 audiocassette...
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On second thoughts : the dissolution of the sacred : recordings, 2001.
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1 videocassette (VHS) (approximately 51 min.) : sound, color ; 1/2 in., 1 videocassette (Mini-DV) (approximately 51 min.) : sound, color ; 1/4 in. master, 1 audiocassette...
On second thoughts : the dissolution of the sacred : recordings, 2001.
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1 videocassette (VHS) (approximately 51 min.) : sound, color ; 1/2 in., 1 videocassette (Mini-DV) (approximately 51 min.) : sound, color ; 1/4 in. master, 1 audiocassette...
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archives
archives
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Classification:
périodiques
périodiques
Titre:
Israel exploration journal.
Israel exploration journal.
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Publication:
Jerusalem, Israel : Israel Exploration Society, 1950-
Jerusalem, Israel : Israel Exploration Society, 1950-
Classification:
périodiques
périodiques
Publication:
Jerusalem, Israel : Israel Exploration Society, 1950-
Jerusalem, Israel : Israel Exploration Society, 1950-
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