249 Résultats
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Description:
2 pages 1., vii-xi, 394 pages 1 leaf 22 cm
Description:
2 pages 1., vii-xi, 394 pages 1 leaf 22 cm
Auteur:
Sujet:
- Nature.,
- Nature in literature.,
- Latin literature History and criticism.,
- Nature dans la littérature.,
- Littérature latine Histoire et critique.,
- Latin literature.,
- Criticism, interpretation, etc.
Publication:
London, J. Murray, 1912.
London, J. Murray, 1912.
Titre:
The love of nature among the Romans during the later decades of the republic and the first century of the empire, by Sir Archibald Geikie.
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Description:
2 pages 1., vii-xi, 394 pages 1 leaf 22 cm
The love of nature among the Romans during the later decades of the republic and the first century of the empire, by Sir Archibald Geikie.
Actions:
Exemplaires:
Description:
2 pages 1., vii-xi, 394 pages 1 leaf 22 cm
Classification:
livres
livres
Publication:
London, J. Murray, 1912.
London, J. Murray, 1912.
Auteur:
Sujet:
- Nature.,
- Nature in literature.,
- Latin literature History and criticism.,
- Nature dans la littérature.,
- Littérature latine Histoire et critique.,
- Latin literature.,
- Criticism, interpretation, etc.
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Opera Houses
Opera Houses
Numéro de référence:
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
Personnes et institutions:
- Centre canadien d'architecture (compiler)
- Charles Rohault de Fleury (architect)
Date:
1717-1868
1717-1868
Titre:
Opera Houses
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
Opera Houses
CI001.S2.D3
Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".
Niveau de description archivistique:
File 3
File 3
Date:
1717-1868
1717-1868
Personnes et institutions:
- Centre canadien d'architecture (compiler)
- Charles Rohault de Fleury (architect)
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livres
livres
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Description:
viii, 246 pages ; 19 cm.
Description:
viii, 246 pages ; 19 cm.
Auteur:
Sujet:
- Mumford, Lewis, 1895-1990,
- Cities and towns History.,
- Villes Histoire.,
- Cities and towns.,
- Writings.,
- History.
Publication:
New York : Harcourt, Brace & World, ©1963.
New York : Harcourt, Brace & World, ©1963.
Titre:
The highway and the city / by Lewis Mumford.
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Description:
viii, 246 pages ; 19 cm.
The highway and the city / by Lewis Mumford.
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Description:
viii, 246 pages ; 19 cm.
Classification:
livres
livres
Publication:
New York : Harcourt, Brace & World, ©1963.
New York : Harcourt, Brace & World, ©1963.
Auteur:
Sujet:
- Mumford, Lewis, 1895-1990,
- Cities and towns History.,
- Villes Histoire.,
- Cities and towns.,
- Writings.,
- History.
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livres
livres
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Description:
304 pages : portrait ; 18 cm
Description:
304 pages : portrait ; 18 cm
Auteur:
- Miessen, Markus.,
- Weizman, Eyal,
- Mouffe, Chantal,
- Beaudry, Jeremy,
- El Baroni, Bassam,
- Obrist, Hans Ulrich,
- Chan, Carson
Sujet:
- Political participation.,
- Democracy.,
- Participation politique.,
- Participation,
- Engagement (Philosophy),
- City planning,
- Space (Architecture),
- Interviews.
Publication:
Berlin : Sternberg Press, ©2010, 2011.
Berlin : Sternberg Press, ©2010, 2011.
Titre:
The nightmare of participation / Markus Miessen.
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Description:
304 pages : portrait ; 18 cm
The nightmare of participation / Markus Miessen.
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304 pages : portrait ; 18 cm
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Berlin : Sternberg Press, ©2010, 2011.
Berlin : Sternberg Press, ©2010, 2011.
Auteur:
- Miessen, Markus.,
- Weizman, Eyal,
- Mouffe, Chantal,
- Beaudry, Jeremy,
- El Baroni, Bassam,
- Obrist, Hans Ulrich,
- Chan, Carson
Sujet:
- Political participation.,
- Democracy.,
- Participation politique.,
- Participation,
- Engagement (Philosophy),
- City planning,
- Space (Architecture),
- Interviews.
Classification:
livres
livres
Exemplaires:
Description:
223 pages : illustrations (some color) ; 26 cm
Description:
223 pages : illustrations (some color) ; 26 cm
Auteur:
Sujet:
- Hejduk, John, 1929-2000 Notebooks, sketchbooks, etc.,
- Hejduk, John, 1929-2000.,
- Bouwkunst.,
- Schilderkunst.,
- Tekenkunst.,
- Bouwprojecten.,
- Architects United States 20th century.,
- Notebooks, sketchbooks, etc.
Publication:
New York, N.Y. : Monacelli Press : Distributed by Penguin USA, ©1995.
New York, N.Y. : Monacelli Press : Distributed by Penguin USA, ©1995.
Titre:
Adjusting foundations / John Hejduk ; edited by Kim Shkapich.
Actions:
Exemplaires:
Description:
223 pages : illustrations (some color) ; 26 cm
Adjusting foundations / John Hejduk ; edited by Kim Shkapich.
Actions:
Exemplaires:
Description:
223 pages : illustrations (some color) ; 26 cm
Classification:
livres
livres
Publication:
New York, N.Y. : Monacelli Press : Distributed by Penguin USA, ©1995.
New York, N.Y. : Monacelli Press : Distributed by Penguin USA, ©1995.
Auteur:
Sujet:
- Hejduk, John, 1929-2000 Notebooks, sketchbooks, etc.,
- Hejduk, John, 1929-2000.,
- Bouwkunst.,
- Schilderkunst.,
- Tekenkunst.,
- Bouwprojecten.,
- Architects United States 20th century.,
- Notebooks, sketchbooks, etc.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
349 pages : illustrations (some color) ; 24 cm
- Bibliothèque main 241336 | HT155 .S46 2005 | c. 3 | pbk. | Disponible
- Bibliothèque cage cca productions 244603 | 2005-6 | c. 6 | hd. | Disponible
- Bibliothèque main 244600 | HT155 .S46 2005 | c. 4 | hd. | Disponible
- Bibliothèque cage cca productions 241334 | 2005-6 | c. 2 | pbk. | Disponible
- Bibliothèque study room cca productions 244604 | HT155 .S46 2005 | c. 7 | hd. | Disponible
- Bibliothèque cage cca productions 244601 | 2005-6 | c. 5 | hd. | Disponible
- Bibliothèque cage cca productions 241333 | 2005-6 | c. 1 | pbk. | Disponible
Description:
349 pages : illustrations (some color) ; 24 cm
Auteur:
- Phyllis Lambert -- Mirko Zardini -- Wolfgang Schivelbusch -- Linnaea Tillett -- Pierre-Édouard Latouche -- Norman Pressman -- Emily Thompson -- Mirko Zardini -- Constance Classen -- David Howes -- David Howes --,
- Zardini, Mirko.,
- Schivelbusch, Wolfgang, 1941-2023,
- Classen, Constance, 1957-,
- Howes, David, 1957-,
- Lambert, Phyllis,
- Latouche, Pierre-Edouard,
- Pressman, Norman,
- Schivelbusch, Wolfgang, 1941-,
- Thompson, Emily Ann,
- Tillett, Linnaea,
- Centre canadien d'architecture.
Sujet:
- Cities and towns Canada History Exhibitions.,
- Cities and towns Canada Pictorial works Exhibitions.,
- City and town life Canada History Exhibitions.,
- City and town life Canada Pictorial works Exhibitions.,
- Cities and towns.,
- Villes.,
- Villes Canada Histoire Expositions.,
- Vie urbaine Canada Histoire Expositions.,
- Vie urbaine Canada Ouvrages illustrés Expositions.,
- cities.,
- City and town life.,
- Urbanisme.,
- Art urbain.,
- Organes des sens.,
- Canada.,
- Exhibition Publications.,
- exhibition catalogs.,
- Exhibition catalogs.,
- Exhibition, pictorial works.,
- History.,
- Catalogues d'exposition.,
- Exhibition publications.,
- World Soundscape Project.,
- Centre canadien d'architecture
Publication:
Montréal, QC : Canadian Centre for Architecture = Centre canadien d'architecture, 2005.
Montréal, QC : Canadian Centre for Architecture = Centre canadien d'architecture, 2005.
Titre:
Sense of the city : an alternate approach to urbanism / edited by Mirko Zardini ; with essays by Wolfgang Schivelbusch [and others].
Actions:
Exemplaires:
Description:
349 pages : illustrations (some color) ; 24 cm
Sense of the city : an alternate approach to urbanism / edited by Mirko Zardini ; with essays by Wolfgang Schivelbusch [and others].
Actions:
Exemplaires:
- Bibliothèque main 241336 | HT155 .S46 2005 | c. 3 | pbk. | Disponible
- Bibliothèque cage cca productions 244603 | 2005-6 | c. 6 | hd. | Disponible
- Bibliothèque main 244600 | HT155 .S46 2005 | c. 4 | hd. | Disponible
- Bibliothèque cage cca productions 241334 | 2005-6 | c. 2 | pbk. | Disponible
- Bibliothèque study room cca productions 244604 | HT155 .S46 2005 | c. 7 | hd. | Disponible
- Bibliothèque cage cca productions 244601 | 2005-6 | c. 5 | hd. | Disponible
- Bibliothèque cage cca productions 241333 | 2005-6 | c. 1 | pbk. | Disponible
Description:
349 pages : illustrations (some color) ; 24 cm
Classification:
livres
livres
Publication:
Montréal, QC : Canadian Centre for Architecture = Centre canadien d'architecture, 2005.
Montréal, QC : Canadian Centre for Architecture = Centre canadien d'architecture, 2005.
Auteur:
- Phyllis Lambert -- Mirko Zardini -- Wolfgang Schivelbusch -- Linnaea Tillett -- Pierre-Édouard Latouche -- Norman Pressman -- Emily Thompson -- Mirko Zardini -- Constance Classen -- David Howes -- David Howes --,
- Zardini, Mirko.,
- Schivelbusch, Wolfgang, 1941-2023,
- Classen, Constance, 1957-,
- Howes, David, 1957-,
- Lambert, Phyllis,
- Latouche, Pierre-Edouard,
- Pressman, Norman,
- Schivelbusch, Wolfgang, 1941-,
- Thompson, Emily Ann,
- Tillett, Linnaea,
- Centre canadien d'architecture.
Sujet:
- Cities and towns Canada History Exhibitions.,
- Cities and towns Canada Pictorial works Exhibitions.,
- City and town life Canada History Exhibitions.,
- City and town life Canada Pictorial works Exhibitions.,
- Cities and towns.,
- Villes.,
- Villes Canada Histoire Expositions.,
- Vie urbaine Canada Histoire Expositions.,
- Vie urbaine Canada Ouvrages illustrés Expositions.,
- cities.,
- City and town life.,
- Urbanisme.,
- Art urbain.,
- Organes des sens.,
- Canada.,
- Exhibition Publications.,
- exhibition catalogs.,
- Exhibition catalogs.,
- Exhibition, pictorial works.,
- History.,
- Catalogues d'exposition.,
- Exhibition publications.,
- World Soundscape Project.,
- Centre canadien d'architecture
Classification:
livres
livres
Titre:
Street archives and city life : popular intellectuals in postcolonial Tanzania / Emily Callaci.
Street archives and city life : popular intellectuals in postcolonial Tanzania / Emily Callaci.
Actions:
Exemplaires:
Description:
x, 286 pages : illustrations, map ; 24 cm.
Description:
x, 286 pages : illustrations, map ; 24 cm.
Auteur:
Sujet:
- Chama Cha Mapinduzi,
- Revolutionäre Partei Tansanias,
- City and town life Social aspects Tanzania Dar es Salaam 20th century.,
- City and town life Tanzania Dar es Salaam History 20th century.,
- Intellectuals Tanzania Dar es Salaam History 20th century.,
- Urbanization Tanzania Dar es Salaam History 20th century.,
- Vie urbaine Aspect social Tanzanie Dar es-Salaam 20e siècle.,
- Vie urbaine Tanzanie Dar es-Salaam Histoire 20e siècle.,
- Intellectuels Tanzanie Dar es-Salaam Histoire 20e siècle.,
- Urbanisation Tanzanie Dar es-Salaam Histoire 20e siècle.,
- Tanzania.,
- urban life.,
- urbanization.,
- intellectuals.,
- political parties.,
- ujamaa.,
- City and town life.,
- City and town life Social aspects.,
- Intellectuals.,
- Urbanization.,
- Intellektueller,
- Verstädterung,
- Stadtleben,
- Sozialer Wandel,
- Geistesleben,
- Stadtkultur,
- Tanzania Dar es Salaam.,
- Afrika,
- Tansania,
- Daressalam,
- History.
Publication:
©2017, Durham : Duke University Press, 2017.
©2017, Durham : Duke University Press, 2017.
Titre:
Street archives and city life : popular intellectuals in postcolonial Tanzania / Emily Callaci.
Actions:
Exemplaires:
Description:
x, 286 pages : illustrations, map ; 24 cm.
Street archives and city life : popular intellectuals in postcolonial Tanzania / Emily Callaci.
Actions:
Exemplaires:
Description:
x, 286 pages : illustrations, map ; 24 cm.
Classification:
livres
livres
Publication:
©2017, Durham : Duke University Press, 2017.
©2017, Durham : Duke University Press, 2017.
Auteur:
Sujet:
- Chama Cha Mapinduzi,
- Revolutionäre Partei Tansanias,
- City and town life Social aspects Tanzania Dar es Salaam 20th century.,
- City and town life Tanzania Dar es Salaam History 20th century.,
- Intellectuals Tanzania Dar es Salaam History 20th century.,
- Urbanization Tanzania Dar es Salaam History 20th century.,
- Vie urbaine Aspect social Tanzanie Dar es-Salaam 20e siècle.,
- Vie urbaine Tanzanie Dar es-Salaam Histoire 20e siècle.,
- Intellectuels Tanzanie Dar es-Salaam Histoire 20e siècle.,
- Urbanisation Tanzanie Dar es-Salaam Histoire 20e siècle.,
- Tanzania.,
- urban life.,
- urbanization.,
- intellectuals.,
- political parties.,
- ujamaa.,
- City and town life.,
- City and town life Social aspects.,
- Intellectuals.,
- Urbanization.,
- Intellektueller,
- Verstädterung,
- Stadtleben,
- Sozialer Wandel,
- Geistesleben,
- Stadtkultur,
- Tanzania Dar es Salaam.,
- Afrika,
- Tansania,
- Daressalam,
- History.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
152 pages : illustrations, portraits ; 29 cm
Description:
152 pages : illustrations, portraits ; 29 cm
Auteur:
Sujet:
- Hollywood Bowl (Los Angeles, Calif.),
- Music California Los Angeles History and criticism.,
- Outdoor concert facilities California Los Angeles.,
- Musique Californie Los Angeles Histoire et critique.,
- Équipements de concert de plein air Californie Los Angeles.,
- Music.,
- Outdoor concert facilities.,
- Konzert,
- Geschichte,
- Amphitheaters California Los Angeles.,
- Los Angeles (Calif.) Buildings, structures, etc. Design and construction.,
- California Los Angeles.,
- Los Angeles (Calif.) Hollywood Bowl.,
- Criticism, interpretation, etc.
Publication:
Los Angeles : Balcony Press, ©1996.
Los Angeles : Balcony Press, ©1996.
Titre:
The Hollywood Bowl : tales of summer nights / edited by Michael Buckland and John Henken.
Actions:
Exemplaires:
Description:
152 pages : illustrations, portraits ; 29 cm
The Hollywood Bowl : tales of summer nights / edited by Michael Buckland and John Henken.
Actions:
Exemplaires:
Description:
152 pages : illustrations, portraits ; 29 cm
Classification:
livres
livres
Publication:
Los Angeles : Balcony Press, ©1996.
Los Angeles : Balcony Press, ©1996.
Auteur:
Sujet:
- Hollywood Bowl (Los Angeles, Calif.),
- Music California Los Angeles History and criticism.,
- Outdoor concert facilities California Los Angeles.,
- Musique Californie Los Angeles Histoire et critique.,
- Équipements de concert de plein air Californie Los Angeles.,
- Music.,
- Outdoor concert facilities.,
- Konzert,
- Geschichte,
- Amphitheaters California Los Angeles.,
- Los Angeles (Calif.) Buildings, structures, etc. Design and construction.,
- California Los Angeles.,
- Los Angeles (Calif.) Hollywood Bowl.,
- Criticism, interpretation, etc.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
xxii, 206 pages : illustrations ; 24 cm
Description:
xxii, 206 pages : illustrations ; 24 cm
Auteur:
- Armstrong, Rachel, 1966-,
- Simon F. Park and Victoria Geaney -- Claudia Pasquero and Marco Poletto -- Joyce Hwang -- Jenny Sabin -- Areti Markopoulou -- Alisa Andrasek -- T+E+A+M -- Catie Newell -- Susan Stepney, Ada Diaconescu, René Doursat, Jean-Louis Giavitto, Julian F. Miller and Antoine Spicher -- Françoise Chatelin -- Esther M. Armstrong and Dick Straker -- Simone Ferracina -- Andrew Ballantyne - Rolf Hughes.
Sujet:
Publication:
Abingdon, Oxon ; New York, NY : Routledge, 2020., ©2020
Abingdon, Oxon ; New York, NY : Routledge, 2020., ©2020
Titre:
Experimental architecture : designing the unknown / Rachel Armstrong.
Actions:
Exemplaires:
Description:
xxii, 206 pages : illustrations ; 24 cm
Experimental architecture : designing the unknown / Rachel Armstrong.
Actions:
Exemplaires:
Description:
xxii, 206 pages : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Abingdon, Oxon ; New York, NY : Routledge, 2020., ©2020
Abingdon, Oxon ; New York, NY : Routledge, 2020., ©2020
Auteur:
- Armstrong, Rachel, 1966-,
- Simon F. Park and Victoria Geaney -- Claudia Pasquero and Marco Poletto -- Joyce Hwang -- Jenny Sabin -- Areti Markopoulou -- Alisa Andrasek -- T+E+A+M -- Catie Newell -- Susan Stepney, Ada Diaconescu, René Doursat, Jean-Louis Giavitto, Julian F. Miller and Antoine Spicher -- Françoise Chatelin -- Esther M. Armstrong and Dick Straker -- Simone Ferracina -- Andrew Ballantyne - Rolf Hughes.
Sujet:
Classification:
livres
livres
Actions:
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Description:
xix, 294 pages, 77 pages of plates : illustrations ; 22 cm
Description:
xix, 294 pages, 77 pages of plates : illustrations ; 22 cm
Auteur:
Sujet:
- Myers, George, 1803-1875.,
- Pugin, Augustus Welby Northmore, 1812-1852.,
- Myers, George 1803-1874,
- Pugin, Augustus Welby Northmore 1812-1852,
- Myers, George (Architekt),
- Construction workers Great Britain Biography.,
- Hospital Design and Construction history,
- Ouvriers de la construction Grande-Bretagne Biographies.,
- Construction workers.,
- Architektur,
- Geschichte 1832-1874.,
- Great Britain.,
- England,
- Großbritannien,
- Buildings Construction,
- Biographies.
Publication:
[Hull?] : University of Hull Press, 1993.
[Hull?] : University of Hull Press, 1993.
Titre:
Pugin's builder : the life and work of George Myers / Patricia Spencer-Silver.
Actions:
Exemplaires:
Description:
xix, 294 pages, 77 pages of plates : illustrations ; 22 cm
Pugin's builder : the life and work of George Myers / Patricia Spencer-Silver.
Actions:
Exemplaires:
Description:
xix, 294 pages, 77 pages of plates : illustrations ; 22 cm
Classification:
livres
livres
Publication:
[Hull?] : University of Hull Press, 1993.
[Hull?] : University of Hull Press, 1993.
Auteur:
Sujet:
- Myers, George, 1803-1875.,
- Pugin, Augustus Welby Northmore, 1812-1852.,
- Myers, George 1803-1874,
- Pugin, Augustus Welby Northmore 1812-1852,
- Myers, George (Architekt),
- Construction workers Great Britain Biography.,
- Hospital Design and Construction history,
- Ouvriers de la construction Grande-Bretagne Biographies.,
- Construction workers.,
- Architektur,
- Geschichte 1832-1874.,
- Great Britain.,
- England,
- Großbritannien,
- Buildings Construction,
- Biographies.