179 Résultats
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the(...)
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the(...)
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Eisenman/Krier : two ideologies, a conference at the Yale school of architecture
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the Canadian Centre for Architecture; Joan Ockman and Mark Wigley of Columbia; Demetri Porphyrios and Vincent Scully of Yale; Robert Somol of the University of California, Los Angeles; Anthony Vidler of the Cooper Union; and Sarah Whiting of Harvard. Eisenman and Krier culminated the event with presentations that made evident their lifelong commitment to architectural language, to architectural scholarship, and to architecture itself as a vital element of society and culture.
Eisenman/Krier : two ideologies, a conference at the Yale school of architecture
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the Canadian Centre for Architecture; Joan Ockman and Mark Wigley of Columbia; Demetri Porphyrios and Vincent Scully of Yale; Robert Somol of the University of California, Los Angeles; Anthony Vidler of the Cooper Union; and Sarah Whiting of Harvard. Eisenman and Krier culminated the event with presentations that made evident their lifelong commitment to architectural language, to architectural scholarship, and to architecture itself as a vital element of society and culture.
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livres
livres
Publication:
mai 2004, New York
mai 2004, New York
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livres soldés
livres soldés
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe(...)
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe(...)
Titre:
Reckoning with Colin Rowe: ten architects take position
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe (1920 - 1999) was a leader of this epistemic shift due to his aptitude to connect his historical and philosophical erudition to the visual analysis of architecture. This book unites ten different perspectives from architects whose lives and ideas intersected with Rowe’s, including: Robert Maxwell, Anthony Vidler, Peter Eisenman, O. Mathias Ungers, Léon Krier, Rem Koolhaas, Alan Colquhoun, Robert Slutzky, Bernhard Hoesli and Bernard Tschumi.
Reckoning with Colin Rowe: ten architects take position
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe (1920 - 1999) was a leader of this epistemic shift due to his aptitude to connect his historical and philosophical erudition to the visual analysis of architecture. This book unites ten different perspectives from architects whose lives and ideas intersected with Rowe’s, including: Robert Maxwell, Anthony Vidler, Peter Eisenman, O. Mathias Ungers, Léon Krier, Rem Koolhaas, Alan Colquhoun, Robert Slutzky, Bernhard Hoesli and Bernard Tschumi.
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livres
livres
Publication:
avril 2015
avril 2015
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
On things as ideas
On things as ideas
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This collection of more than thirty texts, which were originally published between 1790 and the present day, explores man’s rich relationship with material things. Devised largely in response to the gradual breakdown of the divide between art and design that began over a century ago, this book sheds light on the ways that the concept of the thing as idea has been(...)
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This collection of more than thirty texts, which were originally published between 1790 and the present day, explores man’s rich relationship with material things. Devised largely in response to the gradual breakdown of the divide between art and design that began over a century ago, this book sheds light on the ways that the concept of the thing as idea has been(...)
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On things as ideas
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This collection of more than thirty texts, which were originally published between 1790 and the present day, explores man’s rich relationship with material things. Devised largely in response to the gradual breakdown of the divide between art and design that began over a century ago, this book sheds light on the ways that the concept of the thing as idea has been considered over time. Writers from different fields explore how things interact with materials, structures, and production processes while defining and registering the intangible qualities of the material world. Each author considers the different relationships between the context of a thing and its thingness, describing the ways in which things and ideas intersect. Contributions by Carl Andre, Charles Baudelaire, Walter Benjamin, Barbara Bloemink, Jan Boelen, Louise Bourgeois, Sheldon Cheney and Martha Candler Cheney, Alex Coles, Anthony Dunne and Fiona Raby, Hal Foster, Sigmund Freud, Dan Graham, Isabelle Graw, Sebastian Hackenschmidt and Dietmar Rübel, Graham Harman, G. W. F. Hegel, Martin Heidegger, Dave Hickey, Matthew Higgs, Donald Judd, Immanuel Kant, Frederick J. Kiesler, Sven Lütticken, Alessandro Mendini, W. J. T. Mitchell, Jasper Morrison, Bruno Munari, Robert Nickas, Alice Rawsthorn, Jeff Rian, Richard Rinehart, Anthony Vidler.
On things as ideas
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This collection of more than thirty texts, which were originally published between 1790 and the present day, explores man’s rich relationship with material things. Devised largely in response to the gradual breakdown of the divide between art and design that began over a century ago, this book sheds light on the ways that the concept of the thing as idea has been considered over time. Writers from different fields explore how things interact with materials, structures, and production processes while defining and registering the intangible qualities of the material world. Each author considers the different relationships between the context of a thing and its thingness, describing the ways in which things and ideas intersect. Contributions by Carl Andre, Charles Baudelaire, Walter Benjamin, Barbara Bloemink, Jan Boelen, Louise Bourgeois, Sheldon Cheney and Martha Candler Cheney, Alex Coles, Anthony Dunne and Fiona Raby, Hal Foster, Sigmund Freud, Dan Graham, Isabelle Graw, Sebastian Hackenschmidt and Dietmar Rübel, Graham Harman, G. W. F. Hegel, Martin Heidegger, Dave Hickey, Matthew Higgs, Donald Judd, Immanuel Kant, Frederick J. Kiesler, Sven Lütticken, Alessandro Mendini, W. J. T. Mitchell, Jasper Morrison, Bruno Munari, Robert Nickas, Alice Rawsthorn, Jeff Rian, Richard Rinehart, Anthony Vidler.
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livres
livres
Publication:
février 2017
février 2017
Sujet:
Théorie du design
Théorie du design
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livres
livres
Titre:
Austrian phenomenon
Austrian phenomenon
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In the Austria of the 1960s, the visionary designs of architects and artists garnered international attention. Described as the "Austrian phenomenon," these projects and installations contained the concentrated creativity of the Austrian architectural neo-avant-garde between 1956 and 1973. In Vienna, these avant-garde dreams came to be symbolized by Hans Hollein’s Retti(...)
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In the Austria of the 1960s, the visionary designs of architects and artists garnered international attention. Described as the "Austrian phenomenon," these projects and installations contained the concentrated creativity of the Austrian architectural neo-avant-garde between 1956 and 1973. In Vienna, these avant-garde dreams came to be symbolized by Hans Hollein’s Retti(...)
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Austrian phenomenon
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In the Austria of the 1960s, the visionary designs of architects and artists garnered international attention. Described as the "Austrian phenomenon," these projects and installations contained the concentrated creativity of the Austrian architectural neo-avant-garde between 1956 and 1973. In Vienna, these avant-garde dreams came to be symbolized by Hans Hollein’s Retti Candle Shop and Hermann Czech’s many cafés and bars, which are still successful today, including the Kleines Café (Little Café), Wunderbar, and Salzamt. The best-known protagonists of this scene include Hans Hollein, Walter Pichler, Raimund Abraham, Coop Himmelblau, Haus-Rucker-Co, Missing Link, and others. The book consists of two parts. The first contains "Documentation" of important publications from the years 1958–1973 in international trade journals like Archigram, Domus, Architectural Record, and Casabella, in which the young architects sought attention for their programs. The second is "Reconstruction," a cross-section of images and texts from publications on the "Austrian phenomenon," elucidated and situated in the context of international architectural history by authors such as Friedrich Achleitner, Bart Lootsma, Stanislaus von Moos, Joseph Rykwert, Anthony Vidler, and others.
Austrian phenomenon
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In the Austria of the 1960s, the visionary designs of architects and artists garnered international attention. Described as the "Austrian phenomenon," these projects and installations contained the concentrated creativity of the Austrian architectural neo-avant-garde between 1956 and 1973. In Vienna, these avant-garde dreams came to be symbolized by Hans Hollein’s Retti Candle Shop and Hermann Czech’s many cafés and bars, which are still successful today, including the Kleines Café (Little Café), Wunderbar, and Salzamt. The best-known protagonists of this scene include Hans Hollein, Walter Pichler, Raimund Abraham, Coop Himmelblau, Haus-Rucker-Co, Missing Link, and others. The book consists of two parts. The first contains "Documentation" of important publications from the years 1958–1973 in international trade journals like Archigram, Domus, Architectural Record, and Casabella, in which the young architects sought attention for their programs. The second is "Reconstruction," a cross-section of images and texts from publications on the "Austrian phenomenon," elucidated and situated in the context of international architectural history by authors such as Friedrich Achleitner, Bart Lootsma, Stanislaus von Moos, Joseph Rykwert, Anthony Vidler, and others.
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livres
livres
Publication:
décembre 2009
décembre 2009
Classification:
livres
livres
Titre:
The gothic
The gothic
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This collection of writings examines the pervasive and influential role of "the Gothic" in contemporary visual culture. The contemporary Gothic in art is informed as much by the stock themes of the eighteenth- and nineteenth-century Gothic novel as it is by more recent permutations of the Gothic in horror film theory, Lacanian psychoanalysis, and Goth subcultures. This(...)
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This collection of writings examines the pervasive and influential role of "the Gothic" in contemporary visual culture. The contemporary Gothic in art is informed as much by the stock themes of the eighteenth- and nineteenth-century Gothic novel as it is by more recent permutations of the Gothic in horror film theory, Lacanian psychoanalysis, and Goth subcultures. This(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
octobre 2007, Whitechapel London Cambridge
octobre 2007, Whitechapel London Cambridge
Titre:
The gothic
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This collection of writings examines the pervasive and influential role of "the Gothic" in contemporary visual culture. The contemporary Gothic in art is informed as much by the stock themes of the eighteenth- and nineteenth-century Gothic novel as it is by more recent permutations of the Gothic in horror film theory, Lacanian psychoanalysis, and Goth subcultures. This reader from London's Whitechapel Gallery brings together artists as different as Matthew Barney, Gregor Schneider, Louise Bourgeois, and Douglas Gordon; its intent is not to use "the Gothic" to group together dissimilar artists but rather to shed light on a particular understanding of their practice. Anthony Vidler looks at ideas of the uncanny to explore Rachel Whiteread's House, and Jeff Wall uses the motif of vampirism to analyze fellow artist Dan Graham's Kammerspell; Hal Foster considers Robert Gober's recent work--laden with Christian symbolism, criticism of America as a nexus of power, and fragmented bodies--as an updated American Gothic, and Kobena Mercer examines the Gothic's depiction of the Other in relation to Michael Jackson's pop video Thriller. Texts by artists including Mike Kelley, Damien Hirst, Tacita Dean, Jonathan Meese, and Catherine Sullivan are complemented by extracts from Walpole's genre-establishing gothic novel The Castle of Otranto, William Gibson, Bret Easton Ellis, and Stephen King, among others, and theoretical writings by such key thinkers as Carol Clover, Beatriz Colomina, Julia Kristeva, Eve Kosofsky Sedgwick, Marina Warner, and Slavoj Zizek. The Gothic provides the first comprehensive overview of the uses of Gothic in contemporary visual culture.
The gothic
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This collection of writings examines the pervasive and influential role of "the Gothic" in contemporary visual culture. The contemporary Gothic in art is informed as much by the stock themes of the eighteenth- and nineteenth-century Gothic novel as it is by more recent permutations of the Gothic in horror film theory, Lacanian psychoanalysis, and Goth subcultures. This reader from London's Whitechapel Gallery brings together artists as different as Matthew Barney, Gregor Schneider, Louise Bourgeois, and Douglas Gordon; its intent is not to use "the Gothic" to group together dissimilar artists but rather to shed light on a particular understanding of their practice. Anthony Vidler looks at ideas of the uncanny to explore Rachel Whiteread's House, and Jeff Wall uses the motif of vampirism to analyze fellow artist Dan Graham's Kammerspell; Hal Foster considers Robert Gober's recent work--laden with Christian symbolism, criticism of America as a nexus of power, and fragmented bodies--as an updated American Gothic, and Kobena Mercer examines the Gothic's depiction of the Other in relation to Michael Jackson's pop video Thriller. Texts by artists including Mike Kelley, Damien Hirst, Tacita Dean, Jonathan Meese, and Catherine Sullivan are complemented by extracts from Walpole's genre-establishing gothic novel The Castle of Otranto, William Gibson, Bret Easton Ellis, and Stephen King, among others, and theoretical writings by such key thinkers as Carol Clover, Beatriz Colomina, Julia Kristeva, Eve Kosofsky Sedgwick, Marina Warner, and Slavoj Zizek. The Gothic provides the first comprehensive overview of the uses of Gothic in contemporary visual culture.
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livres
livres
Publication:
octobre 2007, Whitechapel London Cambridge
octobre 2007, Whitechapel London Cambridge
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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One of the most profound thinkers of the modern age, Friedrich Wilhelm Nietzsche (1844-1900) has been the subject of volumes of literature that document his life and work. Until now there has been no in-depth study devoted to Nietzsche's thoughts and impact on architecture, (...)
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One of the most profound thinkers of the modern age, Friedrich Wilhelm Nietzsche (1844-1900) has been the subject of volumes of literature that document his life and work. Until now there has been no in-depth study devoted to Nietzsche's thoughts and impact on architecture, (...)
Titre:
Nietzsche and an architecture of our minds
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One of the most profound thinkers of the modern age, Friedrich Wilhelm Nietzsche (1844-1900) has been the subject of volumes of literature that document his life and work. Until now there has been no in-depth study devoted to Nietzsche's thoughts and impact on architecture, specifically his far-reaching notion of an architecture commensurate with the modern mind. In the essays that comprise this book, thirteen contributors from a wide variety of disciplines (including art history, architecture and architectural theory, literature, philosophy, and city planning) assess the relationship of Nietzschean philosophy to art and architecture, elucidate frequent misunderstandings, and determine patterns of influence. The book is divided into three parts: "The Metaphors of Architecture," "Between Art, Literature, and Architecture," and "Nietzsche and the Architects." Contributors include Paolo Baldacci, the Giorgio and Isa de Chirico Foundation, Rome; Hanne Bergius, Hochschule fur Kunst und Design Burg Giebichenstein, Halle, Germany; Rolf Bothe, Kunstsammlungen zu Weimar, Germany; Claudia Brodsky Lacour, Princeton University; Tilmann Buddensieg, Humbolt-Universität Berlin; Jean-Louis Cohen, Université de Paris and Institute of Fine Arts, New York University; Karsten Harries, Yale University; Werner Hofmann, Germany; Fritz Neumeyer, Technische Universität Berlin; Léon Ploegaerts, University of Ottawa, Canada; and Anthony Vidler, University of California at Los Angeles. Edited by Alexandre Kostka and Irving Wohlfarth.
Nietzsche and an architecture of our minds
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One of the most profound thinkers of the modern age, Friedrich Wilhelm Nietzsche (1844-1900) has been the subject of volumes of literature that document his life and work. Until now there has been no in-depth study devoted to Nietzsche's thoughts and impact on architecture, specifically his far-reaching notion of an architecture commensurate with the modern mind. In the essays that comprise this book, thirteen contributors from a wide variety of disciplines (including art history, architecture and architectural theory, literature, philosophy, and city planning) assess the relationship of Nietzschean philosophy to art and architecture, elucidate frequent misunderstandings, and determine patterns of influence. The book is divided into three parts: "The Metaphors of Architecture," "Between Art, Literature, and Architecture," and "Nietzsche and the Architects." Contributors include Paolo Baldacci, the Giorgio and Isa de Chirico Foundation, Rome; Hanne Bergius, Hochschule fur Kunst und Design Burg Giebichenstein, Halle, Germany; Rolf Bothe, Kunstsammlungen zu Weimar, Germany; Claudia Brodsky Lacour, Princeton University; Tilmann Buddensieg, Humbolt-Universität Berlin; Jean-Louis Cohen, Université de Paris and Institute of Fine Arts, New York University; Karsten Harries, Yale University; Werner Hofmann, Germany; Fritz Neumeyer, Technische Universität Berlin; Léon Ploegaerts, University of Ottawa, Canada; and Anthony Vidler, University of California at Los Angeles. Edited by Alexandre Kostka and Irving Wohlfarth.
Classification:
livres
livres
Publication:
juillet 1999, Los Angeles
juillet 1999, Los Angeles
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Today, architecture schools are truly international in their intake, as students are able to select from courses worldwide. For school leavers and undergraduates, the choice is bewildering. Where different institutions provide very different courses and ultimately very different architects, the very act of shopping for a degree is an incredibly important stage in an(...)
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Today, architecture schools are truly international in their intake, as students are able to select from courses worldwide. For school leavers and undergraduates, the choice is bewildering. Where different institutions provide very different courses and ultimately very different architects, the very act of shopping for a degree is an incredibly important stage in an(...)
Publication:
novembre 2004, Chichester
novembre 2004, Chichester
Titre:
Back to school : architectural education - the information and the argument
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Today, architecture schools are truly international in their intake, as students are able to select from courses worldwide. For school leavers and undergraduates, the choice is bewildering. Where different institutions provide very different courses and ultimately very different architects, the very act of shopping for a degree is an incredibly important stage in an architecture student’s career. This book is set to become a touchstone publication for anyone involved in architectural education, from the academic to the aspiring student. It provides interviews with four of the most influential educators/heads of schools around the world: Peter Cook, Chair, the Bartlett School of Architecture, London, UK; Bernard Tschumi, Dean, School of Architecture at Columbia University, USA; Leon van Schaik, Innovation Professor of Architecture, Royal Melbourne Institute of Technology, Australia; Elia Zenghelis, Berlage, Dusseldorf. This is followed by short self-biographies of eleven further prominent figures including Rem Koolhaas, Anthony Vidler and Paul Virilio. It is the first publication of its kind to comprehensively cover architectural education in its current context as an international market. It will feature the first invaluable listing of architectural schools worldwide: no dedicated listing currently exists in printed form or on the web, giving students a useful reference from which to start the decision making process.
Back to school : architectural education - the information and the argument
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Today, architecture schools are truly international in their intake, as students are able to select from courses worldwide. For school leavers and undergraduates, the choice is bewildering. Where different institutions provide very different courses and ultimately very different architects, the very act of shopping for a degree is an incredibly important stage in an architecture student’s career. This book is set to become a touchstone publication for anyone involved in architectural education, from the academic to the aspiring student. It provides interviews with four of the most influential educators/heads of schools around the world: Peter Cook, Chair, the Bartlett School of Architecture, London, UK; Bernard Tschumi, Dean, School of Architecture at Columbia University, USA; Leon van Schaik, Innovation Professor of Architecture, Royal Melbourne Institute of Technology, Australia; Elia Zenghelis, Berlage, Dusseldorf. This is followed by short self-biographies of eleven further prominent figures including Rem Koolhaas, Anthony Vidler and Paul Virilio. It is the first publication of its kind to comprehensively cover architectural education in its current context as an international market. It will feature the first invaluable listing of architectural schools worldwide: no dedicated listing currently exists in printed form or on the web, giving students a useful reference from which to start the decision making process.
Classification:
livres
livres
Publication:
novembre 2004, Chichester
novembre 2004, Chichester
Classification:
livres
livres
Prix:
$34.50
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"Transmission: the art of Matta and Gordon Matta-Clark" presents the first comprehensive examination of the overlapping spheres of art and architecture in the work of two pioneering father and son artists: the Surrealist painter Matta (Roberto Sebastin Antonio Matta Echaurren) (1912-2002) and the multifaceted urban Conceptualist Gordon Matta-Clark (1943-1978). Organized(...)
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"Transmission: the art of Matta and Gordon Matta-Clark" presents the first comprehensive examination of the overlapping spheres of art and architecture in the work of two pioneering father and son artists: the Surrealist painter Matta (Roberto Sebastin Antonio Matta Echaurren) (1912-2002) and the multifaceted urban Conceptualist Gordon Matta-Clark (1943-1978). Organized(...)
Titre:
Transmission : the art of Matta and Gordon Matta-Clark
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"Transmission: the art of Matta and Gordon Matta-Clark" presents the first comprehensive examination of the overlapping spheres of art and architecture in the work of two pioneering father and son artists: the Surrealist painter Matta (Roberto Sebastin Antonio Matta Echaurren) (1912-2002) and the multifaceted urban Conceptualist Gordon Matta-Clark (1943-1978). Organized by Betti-Sue Hertz, "Transmission" offers new perspectives on the impact of Matta's role in the development of late Surrealism and Matta-Clark's influence on the 1970s SoHo art scene. Both artists were originally trained as architects, and though they ostensibly rejected the profession in favor of art, each relied strongly on concepts of architectural space as they forged new practices in art. This illustrated publication compares Matta's metaphysical concepts and gestural pictorial practice with Matta-Clark's conceptually driven drawings and cut buildings; illustrates how aspects of Surrealism, especially as filtered through the work of Marcel Duchamp, were adopted by Matta-Clark and his circle; and explores the commonalities and differences in Matta's depictions of interior mindscapes and Matta-Clark's physical actions on buildings in the urban milieu. The catalogue presents essays and research by art historian Briony Fer, art critic Justo Pastor Mellado, architectural theorist Anthony Vidler, and the San Diego Museum of Art's curator of contemporary art, Betti-Sue Hertz.
Transmission : the art of Matta and Gordon Matta-Clark
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"Transmission: the art of Matta and Gordon Matta-Clark" presents the first comprehensive examination of the overlapping spheres of art and architecture in the work of two pioneering father and son artists: the Surrealist painter Matta (Roberto Sebastin Antonio Matta Echaurren) (1912-2002) and the multifaceted urban Conceptualist Gordon Matta-Clark (1943-1978). Organized by Betti-Sue Hertz, "Transmission" offers new perspectives on the impact of Matta's role in the development of late Surrealism and Matta-Clark's influence on the 1970s SoHo art scene. Both artists were originally trained as architects, and though they ostensibly rejected the profession in favor of art, each relied strongly on concepts of architectural space as they forged new practices in art. This illustrated publication compares Matta's metaphysical concepts and gestural pictorial practice with Matta-Clark's conceptually driven drawings and cut buildings; illustrates how aspects of Surrealism, especially as filtered through the work of Marcel Duchamp, were adopted by Matta-Clark and his circle; and explores the commonalities and differences in Matta's depictions of interior mindscapes and Matta-Clark's physical actions on buildings in the urban milieu. The catalogue presents essays and research by art historian Briony Fer, art critic Justo Pastor Mellado, architectural theorist Anthony Vidler, and the San Diego Museum of Art's curator of contemporary art, Betti-Sue Hertz.
Classification:
livres
livres
Publication:
octobre 2006, San Diego
octobre 2006, San Diego
Classification:
livres
livres
Titre:
Anymore
Anymore
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At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious (...)
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At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious (...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
septembre 2000, Cambridge, Mass.
septembre 2000, Cambridge, Mass.
Titre:
Anymore
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At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious period known as modernism. Can we assume that a simple calendar change signals an end or a time of end? Is there anymore? The contributions in "Anymore" are by architects, critics, historians, philosophers, sociologists, urbanists, and others. They include Akira Asada, Hubert Damisch, Peter Eisenman, Arata Isozki, Rem Koolhaas, Rosalind Krauss, Ignasi de Solà-Morales, Mark C. Taylor, Bernard Tschumi, and Anthony Vidler, as well as young architects from France whose work many American readers will encounter here for the first time. Anymore is the ninth book in the ongoing series that began in 1991 with "Anyone" and was followed by "Anywhere", "Anyway", "Anyplace", "Anywise", "Anybody", "Anyhow", and "Anytime". Each volume is based on a conference at which architects and leaders in other fields come together to present papers and discuss a particular idea in architecture from a cross-cultural and multidisciplinary perspective. The conference upon which "Anymore" is based took place in Paris in June 1999 and will be followed by "Anything".
Anymore
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Résumé:
At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious period known as modernism. Can we assume that a simple calendar change signals an end or a time of end? Is there anymore? The contributions in "Anymore" are by architects, critics, historians, philosophers, sociologists, urbanists, and others. They include Akira Asada, Hubert Damisch, Peter Eisenman, Arata Isozki, Rem Koolhaas, Rosalind Krauss, Ignasi de Solà-Morales, Mark C. Taylor, Bernard Tschumi, and Anthony Vidler, as well as young architects from France whose work many American readers will encounter here for the first time. Anymore is the ninth book in the ongoing series that began in 1991 with "Anyone" and was followed by "Anywhere", "Anyway", "Anyplace", "Anywise", "Anybody", "Anyhow", and "Anytime". Each volume is based on a conference at which architects and leaders in other fields come together to present papers and discuss a particular idea in architecture from a cross-cultural and multidisciplinary perspective. The conference upon which "Anymore" is based took place in Paris in June 1999 and will be followed by "Anything".
Classification:
livres
livres
Publication:
septembre 2000, Cambridge, Mass.
septembre 2000, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
