$48.00
(disponible sur commande)
Résumé:
The idea of public spaces—city parks, waterfront bike paths, and bustling squares—has long been associated with urban environments. Public Spheres After Socialism challenges this idea in light of the end of the cold war and the disintegration of the Soviet Union. Drawing together experiences from across Europe, this innovative volume reconsiders the public sphere as a(...)
Théorie de l’urbanisme
octobre 2008, Bristol, Chicago
Public spheres after socialism
Actions:
Prix:
$48.00
(disponible sur commande)
Résumé:
The idea of public spaces—city parks, waterfront bike paths, and bustling squares—has long been associated with urban environments. Public Spheres After Socialism challenges this idea in light of the end of the cold war and the disintegration of the Soviet Union. Drawing together experiences from across Europe, this innovative volume reconsiders the public sphere as a figurative, or mythical, location where members of society shape and determine its values. This book examines monuments, reconstruction, film, and new media to ask whether public spaces are viable in an age of globalized consumerism.
Théorie de l’urbanisme
$38.95
(disponible en magasin)
Résumé:
In 1927, while a student of architecture at the Moscow Vhutemas, Georgii Krutikov presented a vision for a flying city. More than just a flight of architectural fancy, Krutikov’s flying city was a utopian dream, a plan to solve the seemingly intractable problems of overcrowding and resource depletion by moving humanity’s living quarters to space. Inspired in equal parts(...)
Georgii Krutikov: the flying city and beyond
Actions:
Prix:
$38.95
(disponible en magasin)
Résumé:
In 1927, while a student of architecture at the Moscow Vhutemas, Georgii Krutikov presented a vision for a flying city. More than just a flight of architectural fancy, Krutikov’s flying city was a utopian dream, a plan to solve the seemingly intractable problems of overcrowding and resource depletion by moving humanity’s living quarters to space. Inspired in equal parts by sci-fi dreams of space travel and the revolutionary idealism that still percolated in the Soviet Union at that time, Krutikov created an incredible amount of detailed information about his city: sketches, drawings, plans, and more.
Théorie de l’architecture
$29.95
(disponible sur commande)
Résumé:
'Red Africa' is the culmination of a two-year research programme and exhibition project at Calvert 22, London, and Iwalewa House, Bayreuth. This traced the work of African artists and filmmakers who studied in the Soviet Union and Eastern Bloc under free education schemes originally offered under the Third International. Connections were particularly strong with countries(...)
Red Africa: Affective communities and the cold war
Actions:
Prix:
$29.95
(disponible sur commande)
Résumé:
'Red Africa' is the culmination of a two-year research programme and exhibition project at Calvert 22, London, and Iwalewa House, Bayreuth. This traced the work of African artists and filmmakers who studied in the Soviet Union and Eastern Bloc under free education schemes originally offered under the Third International. Connections were particularly strong with countries such as Mozambique, Ghana, Ethiopia and Angola that were conducting libertarian struggles, or which, post-independence, were part of the Non-Aligned Movement, which held its first Summit conference in Belgrade in 1961.
Théorie de l’art
Bertien van Manen: Archive
$96.95
(disponible en magasin)
Résumé:
Since the 1970s, Dutch photographer Bertien van Manen has created intimate and poignant photographs of commonplace scenes, produced during extended trips to Europe, America, China and the former Soviet Union. Van Manen has established herself as a unique voice in documentary photography, her visual language imbued with empathy and respect for the everyday lives of her(...)
Bertien van Manen: Archive
Actions:
Prix:
$96.95
(disponible en magasin)
Résumé:
Since the 1970s, Dutch photographer Bertien van Manen has created intimate and poignant photographs of commonplace scenes, produced during extended trips to Europe, America, China and the former Soviet Union. Van Manen has established herself as a unique voice in documentary photography, her visual language imbued with empathy and respect for the everyday lives of her subjects. This book presents an extensive overview of Van Manen’s work, alongside diary entries and previously unpublished selections from her archive. The book has been edited and designed by renowned Dutch designer Hans Gremmen to offer a unique insight and overview of Van Manen’s history, establishing this publication as the ultimate reference work on her oeuvre.
Monographies photo
$25.95
(disponible en magasin)
Résumé:
Bus stops are normally mundane structures, standardized and replaceable and therefore scarcely paid any attention. Out on the country roads of the former Soviet Union states, however, lies a treasure trove of unexpected waiting zones for those willing to make the trip - a wide-ranging panoply of socialist architecture. Photographer Peter Ortner offers up a selection of(...)
Back in the USSR: Soviet roadside architecture from Samarkand to Yerevan
Actions:
Prix:
$25.95
(disponible en magasin)
Résumé:
Bus stops are normally mundane structures, standardized and replaceable and therefore scarcely paid any attention. Out on the country roads of the former Soviet Union states, however, lies a treasure trove of unexpected waiting zones for those willing to make the trip - a wide-ranging panoply of socialist architecture. Photographer Peter Ortner offers up a selection of these varied bus stops in this publication. Taken both in Central Asia and in Eastern Europe, in Azerbaijan, Moldova, Uzbekistan, Armenia, Georgia, Ukraine and the Crimea peninsula, Ortner’s photographs illuminate the imaginative variations on this vernacular architecture as well as the more expected works of socialist modernism.
Modernisme
$16.95
(disponible en magasin)
Résumé:
After an issue dedicated to the persistent structures of colonial domination and racialization in western and northern European societies, The Funambulist 55 (Sep-Oct 2024) Asian Imperialisms intends to decenter Europe, and examine historical and present processes of imperial and/or colonial domination by seven arguably ethnocratic Asian states, namely, Japan, the(...)
The Funambulist n.55: Asian imperialisms
Actions:
Prix:
$16.95
(disponible en magasin)
Résumé:
After an issue dedicated to the persistent structures of colonial domination and racialization in western and northern European societies, The Funambulist 55 (Sep-Oct 2024) Asian Imperialisms intends to decenter Europe, and examine historical and present processes of imperial and/or colonial domination by seven arguably ethnocratic Asian states, namely, Japan, the People’s Republic of China, the Russian Federation (and the Soviet Union), India, Pakistan, Iran, and Turkey (alongside Azerbaijan). This “Asian” denomination chosen for this issue’s title follows historic examples of solidarity at this massive continental scale, the most famous one being the 1955 Afro–Asian Conference in Bandung. The cover is an artwork by Korean artist Kyungmi Shin
Revues
$60.00
(disponible sur commande)
Résumé:
Dirk Leyman became interested at a very young age in these peculiar accordion postcard albums, which every self-respecting tourist and souvenir hunter used to take home from their holiday. Dirk started to systematically collect them as time went by. The snapshots, which are folded in zig-zag fashion, are like relics of a long-gone era. Some are veritable typographical and(...)
Europe express: a Grand Tour through time
Actions:
Prix:
$60.00
(disponible sur commande)
Résumé:
Dirk Leyman became interested at a very young age in these peculiar accordion postcard albums, which every self-respecting tourist and souvenir hunter used to take home from their holiday. Dirk started to systematically collect them as time went by. The snapshots, which are folded in zig-zag fashion, are like relics of a long-gone era. Some are veritable typographical and photographic gems. Others are borderline kitsch, with their heavy-handed use of color. Europe Express spans the decades between the two World Wars to the early Eighties, with photos of San Marco in Venice and the elegant Grand Hotels and the utopian, upstanding world of the former Soviet Union.
Arts graphiques imprimés
$80.95
(disponible sur commande)
Résumé:
Photographer Frédéric Chaubin reveals 90 buildings sited in fourteen former Soviet Republics which express what he considers to be the fourth age of Soviet architecture. His poetic pictures reveal an unexpected rebirth of imagination, an unknown burgeoning that took place from 1970 until 1990. Contrary to the 1920s and 1950s, no “school” or main trend emerges here. These(...)
Monographies photo
septembre 2010
Cosmic communist constructions photographed
Actions:
Prix:
$80.95
(disponible sur commande)
Résumé:
Photographer Frédéric Chaubin reveals 90 buildings sited in fourteen former Soviet Republics which express what he considers to be the fourth age of Soviet architecture. His poetic pictures reveal an unexpected rebirth of imagination, an unknown burgeoning that took place from 1970 until 1990. Contrary to the 1920s and 1950s, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Their diversity announced the end of the Soviet Union. Taking advantage of the collapsing monolithic structure, the holes in the widening net, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the "speaking architecture" widespread in the last years of the USSR : a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad). This puzzle of styles testifies to all the ideological dreams of the period, from the obsession with the cosmos to the rebirth of identity. It also outlines the geography of the USSR, showing how local influences made their exotic twists before the country was brought to its end.
Monographies photo
$51.95
(disponible sur commande)
Résumé:
A dacha is a country house, made of wood, used by Soviet citizens to escape the rigors of the city for a rural idyll. Widespread in the countries of the former USSR, this important cultural and architectural form has been largely ignored academically. In ''Dacha'', Fyodor Savintsev documents this particularly Russian phenomenon. His photographs constitute a unique record(...)
septembre 2023
Dacha: the soviet country cottage
Actions:
Prix:
$51.95
(disponible sur commande)
Résumé:
A dacha is a country house, made of wood, used by Soviet citizens to escape the rigors of the city for a rural idyll. Widespread in the countries of the former USSR, this important cultural and architectural form has been largely ignored academically. In ''Dacha'', Fyodor Savintsev documents this particularly Russian phenomenon. His photographs constitute a unique record of a rapidly vanishing fairy-tale wooden world. The word ''dacha'' has been used to describe constructions ranging from grand imperial villas to small sheds. Originally bestowed by the Tsar to reward courtiers, this custom continued following the revolution, with Soviet cooperatives building dachas for their members. Supposedly for the benefit of laborers, in reality they were destined for those favored by the State, including famous writers, architects and artists from Pasternak to Prokofiev. The fall of the Soviet Union accelerated their use, as economic uncertainty forced city dwellers toward self-sufficiency. The dacha tradition has survived revolution, war and the collapse of Communism, becoming an integral part of life in the process. Using contemporary photographs to showcase these uniquely individual buildings for the first time, alongside an introduction explaining their historical and cultural context, Dacha is the only publication of its kind.
$84.95
(disponible sur commande)
Résumé:
Tracing the shifting meanings of photography in the early Soviet Union, Aglaya K. Glebova reconsiders the relationship between art and politics during what is usually considered the end of the critical avant-garde. Aleksandr Rodchenko, a versatile Russian artist and one of Constructivism’s founders, embraced photography as a medium of revolutionary modernity. Yet his(...)
Aleksandr Rodchenko: Photography in the time of Stalin
Actions:
Prix:
$84.95
(disponible sur commande)
Résumé:
Tracing the shifting meanings of photography in the early Soviet Union, Aglaya K. Glebova reconsiders the relationship between art and politics during what is usually considered the end of the critical avant-garde. Aleksandr Rodchenko, a versatile Russian artist and one of Constructivism’s founders, embraced photography as a medium of revolutionary modernity. Yet his photographic work between the late 1920s and the end of the 1930s exhibits an expansive search for a different pictorial language. In the context of the extreme transformations carried out under the first Five-Year Plans, Rodchenko’s photography questioned his own modernist commitments. At the heart of this book is Rodchenko’s infamous 1933 photo-essay on the White Sea–Baltic Canal, site of one of the first gulags. Glebova’s careful reading of Rodchenko’s photography reveals a surprisingly heterodox practice and brings to light experiments in adjacent media, including the collaborative design work he undertook with Varvara Stepanova, Rodchenko’s partner in art and life.
Monographies photo