1519 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Leal, Porto
Leal, Porto
Numéro de référence:
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
1975
1975
Titre:
Leal, Porto
Actions:
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
Leal, Porto
Actions:
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
1975
1975
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH267827
Description:
Notes concern density, the orientation and use of buildings.
ARCH267827
Description:
Notes concern density, the orientation and use of buildings.
Personnes et institutions:
Titre:
Calculations, notes, and some sketches likely pertaining to the Chandigarh Project
Actions:
ARCH267827
Description:
Notes concern density, the orientation and use of buildings.
Calculations, notes, and some sketches likely pertaining to the Chandigarh Project
Actions:
ARCH267827
Description:
Notes concern density, the orientation and use of buildings.
Classification:
documents textuels
documents textuels
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
Personnes et institutions:
Date:
1953-2009
1953-2009
Titre:
Architectural projects
Actions:
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
Architectural projects
Actions:
AP164.S1
Description:
This series documents the architectural projects of Ábalos&Herreros from 1986 to 2006 and represents over 150 projects, including exhibitions. The firm worked on a wide variety of projects from commercial and residential structures to libraries and sewage treatment plants. The firm's design process was research oriented and involved conversations between Ábalos and Herreros, office collaborators, artists who partook in the projects, as well as other architects. Several projects found in this series were developed in collaboration with other architects including: José Manuel Ábalos; Salvador Pérez Arroyo; Filippo Costi; Ángel Jaramillo Esteban; Javier Fresneda; Eduardo Horta; Martín Marciano; Ángel Jaramillo Sánchez; Renata Sentkiewicz; and Héctor Vigliecca. Most projects were designed for the city of Madrid and the Community of Madrid. Projects were also developed for other sites in Spain, including the Canary Islands, as well as for sites in Portugal, Germany, the United States, and Brazil. Ábalos & Herreros often created new projects from the firm's existing work. The firm also identified their projects numerically. These identification numbers are documented at the project series level for each project. Among the materials documenting the firm's projects are conceptual, design development, presentation, and working drawings, as well as panels. There are also several CAD drawings and prints of born digital drawings. Documenting the firms conceptual process are collages and photomontages. Photographic materials included in this series depict project sites and built projects. Also included are a variety of research reference materials, correspondence, project documentation, and project submissions. Although creating models was not a common practice for the firm, there are a few project series which include models.
Niveau de description archivistique:
Series
Series
Date:
1953-2009
1953-2009
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
IBA
IBA
Numéro de référence:
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
Personnes et institutions:
Date:
1980-1988
1980-1988
Titre:
IBA
Actions:
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
IBA
Actions:
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
Niveau de description archivistique:
File 32
File 32
Date:
1980-1988
1980-1988
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH261373
Description:
Construction schedule for water tower (December-January) and antenna orientation plan on Burnaby Mountain. Including lists of furniture for residences.
ARCH261373
Description:
Construction schedule for water tower (December-January) and antenna orientation plan on Burnaby Mountain. Including lists of furniture for residences.
Personnes et institutions:
Date:
1968
1968
Titre:
Construction schedule for water tower and antenna orientation plan
Actions:
ARCH261373
Description:
Construction schedule for water tower (December-January) and antenna orientation plan on Burnaby Mountain. Including lists of furniture for residences.
Construction schedule for water tower and antenna orientation plan
Actions:
ARCH261373
Description:
Construction schedule for water tower (December-January) and antenna orientation plan on Burnaby Mountain. Including lists of furniture for residences.
Classification:
dessins
dessins
Date:
1968
1968
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
La tendance en design urbain est passée, dans les années 80 et 90, du concept globalisant de planification ─ pensons aux plans d’ensemble des années cinquante et soixante ─ à une approche sectorielle favorisant l’évolution plutôt que la reconstruction des villes. Stratégies urbaines : projets récents propose de nouvelles approches à l’aide de projets en cours(...)
La tendance en design urbain est passée, dans les années 80 et 90, du concept globalisant de planification ─ pensons aux plans d’ensemble des années cinquante et soixante ─ à une approche sectorielle favorisant l’évolution plutôt que la reconstruction des villes. Stratégies urbaines : projets récents propose de nouvelles approches à l’aide de projets en cours(...)
Localisation:
Salles principales
Salles principales
Date:
19 octobre 1994 au 8 janvier 1995
19 octobre 1994 au 8 janvier 1995
Titre:
Stratégies urbaines : projets récents
Actions:
Description:
La tendance en design urbain est passée, dans les années 80 et 90, du concept globalisant de planification ─ pensons aux plans d’ensemble des années cinquante et soixante ─ à une approche sectorielle favorisant l’évolution plutôt que la reconstruction des villes. Stratégies urbaines : projets récents propose de nouvelles approches à l’aide de projets en cours(...)
Stratégies urbaines : projets récents
Actions:
Description:
La tendance en design urbain est passée, dans les années 80 et 90, du concept globalisant de planification ─ pensons aux plans d’ensemble des années cinquante et soixante ─ à une approche sectorielle favorisant l’évolution plutôt que la reconstruction des villes. Stratégies urbaines : projets récents propose de nouvelles approches à l’aide de projets en cours(...)
Classification:
expositions
expositions
Date:
19 octobre 1994 au
8 janvier 1995
19 octobre 1994 au
8 janvier 1995
Localisation:
Salles principales
Salles principales
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Une architecture des humeurs
Une architecture des humeurs
Numéro de référence:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Personnes et institutions:
Date:
2008-2011
2008-2011
Titre:
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2008-2011
2008-2011
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2003.D9
Description:
The project series documents Abalos & Herreros’ competition entry organised by the Cabinet of Andalucia for the underground in Málaga, Spain. The firm identified this project as number 172. “The stations are the masterpieces of the interaction between the peasant and the new infrastructure. […] A diversity of additive materials – combinations opaque or luminous, translucent or transparent, vegetal or aerial – make of [Abalos & Herreros’] proposal an elaborate sting operation that can adaptate [sic] to every imaginable circumstances looking for an agreement of highest coincidence between underground stations and the surface. The building and finishing coincidence between underground stations and the surface. The building and finishing system not only pretends [sic] an unitary image for all the underground web, but also constitutes itself an orientation code, an indicator for movement, a locator of accesses and a resource of orientation in town.” (ARCH270975). The firm worked with Mike Schlaich and Schlaich Bergermann und Partner (Stuttgart). Documenting the project are conceptual drawings, correspondence, specifications, cartographic and digital materials.
AP164.S1.2003.D9
Description:
The project series documents Abalos & Herreros’ competition entry organised by the Cabinet of Andalucia for the underground in Málaga, Spain. The firm identified this project as number 172. “The stations are the masterpieces of the interaction between the peasant and the new infrastructure. […] A diversity of additive materials – combinations opaque or luminous, translucent or transparent, vegetal or aerial – make of [Abalos & Herreros’] proposal an elaborate sting operation that can adaptate [sic] to every imaginable circumstances looking for an agreement of highest coincidence between underground stations and the surface. The building and finishing coincidence between underground stations and the surface. The building and finishing system not only pretends [sic] an unitary image for all the underground web, but also constitutes itself an orientation code, an indicator for movement, a locator of accesses and a resource of orientation in town.” (ARCH270975). The firm worked with Mike Schlaich and Schlaich Bergermann und Partner (Stuttgart). Documenting the project are conceptual drawings, correspondence, specifications, cartographic and digital materials.
Personnes et institutions:
Date:
2002-2003
2002-2003
Titre:
Metro de Málaga, Spain, (2003)
Actions:
AP164.S1.2003.D9
Description:
The project series documents Abalos & Herreros’ competition entry organised by the Cabinet of Andalucia for the underground in Málaga, Spain. The firm identified this project as number 172. “The stations are the masterpieces of the interaction between the peasant and the new infrastructure. […] A diversity of additive materials – combinations opaque or luminous, translucent or transparent, vegetal or aerial – make of [Abalos & Herreros’] proposal an elaborate sting operation that can adaptate [sic] to every imaginable circumstances looking for an agreement of highest coincidence between underground stations and the surface. The building and finishing coincidence between underground stations and the surface. The building and finishing system not only pretends [sic] an unitary image for all the underground web, but also constitutes itself an orientation code, an indicator for movement, a locator of accesses and a resource of orientation in town.” (ARCH270975). The firm worked with Mike Schlaich and Schlaich Bergermann und Partner (Stuttgart). Documenting the project are conceptual drawings, correspondence, specifications, cartographic and digital materials.
Metro de Málaga, Spain, (2003)
Actions:
AP164.S1.2003.D9
Description:
The project series documents Abalos & Herreros’ competition entry organised by the Cabinet of Andalucia for the underground in Málaga, Spain. The firm identified this project as number 172. “The stations are the masterpieces of the interaction between the peasant and the new infrastructure. […] A diversity of additive materials – combinations opaque or luminous, translucent or transparent, vegetal or aerial – make of [Abalos & Herreros’] proposal an elaborate sting operation that can adaptate [sic] to every imaginable circumstances looking for an agreement of highest coincidence between underground stations and the surface. The building and finishing coincidence between underground stations and the surface. The building and finishing system not only pretends [sic] an unitary image for all the underground web, but also constitutes itself an orientation code, an indicator for movement, a locator of accesses and a resource of orientation in town.” (ARCH270975). The firm worked with Mike Schlaich and Schlaich Bergermann und Partner (Stuttgart). Documenting the project are conceptual drawings, correspondence, specifications, cartographic and digital materials.
Niveau de description archivistique:
Project
Project
Date:
2002-2003
2002-2003
Personnes et institutions:
Classification:
événements
événements
Titre:
L'enseignement du... Caire
L'enseignement du... Caire
Actions:
Description:
Nasser Rabbat questionne la définition binaire opposant l’Orient et l’Occident ou encore le traditionnel et le moderne, et aborde la relation dialectique entre modernité et histoire dans la composition de la ville contemporaine du Caire. Façonnée par différentes périodes de modernité, depuis l’invasion coloniale napoléonienne de 1789 jusqu’à la révolution et(...)
Nasser Rabbat questionne la définition binaire opposant l’Orient et l’Occident ou encore le traditionnel et le moderne, et aborde la relation dialectique entre modernité et histoire dans la composition de la ville contemporaine du Caire. Façonnée par différentes périodes de modernité, depuis l’invasion coloniale napoléonienne de 1789 jusqu’à la révolution et(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
15 septembre 2011 , 19h
15 septembre 2011 , 19h
Titre:
L'enseignement du... Caire
Actions:
Description:
Nasser Rabbat questionne la définition binaire opposant l’Orient et l’Occident ou encore le traditionnel et le moderne, et aborde la relation dialectique entre modernité et histoire dans la composition de la ville contemporaine du Caire. Façonnée par différentes périodes de modernité, depuis l’invasion coloniale napoléonienne de 1789 jusqu’à la révolution et(...)
L'enseignement du... Caire
Actions:
Description:
Nasser Rabbat questionne la définition binaire opposant l’Orient et l’Occident ou encore le traditionnel et le moderne, et aborde la relation dialectique entre modernité et histoire dans la composition de la ville contemporaine du Caire. Façonnée par différentes périodes de modernité, depuis l’invasion coloniale napoléonienne de 1789 jusqu’à la révolution et(...)
Classification:
événements
événements
Date:
15 septembre 2011
19h
15 septembre 2011
19h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH270334
Description:
This group is composed of 2 articles about Shoei Yoh from the periodicals "ABC cultural" (marzo 2000) and "Abitare la terra" (primavera/estate 2004). There is also a printed description of the "Solar Oriented City 2001" project.
ARCH270334
Description:
This group is composed of 2 articles about Shoei Yoh from the periodicals "ABC cultural" (marzo 2000) and "Abitare la terra" (primavera/estate 2004). There is also a printed description of the "Solar Oriented City 2001" project.
Personnes et institutions:
Titre:
articles about Shoei Yoh from the periodicals "ABC cultural" and "Abitare la terra"
Actions:
ARCH270334
Description:
This group is composed of 2 articles about Shoei Yoh from the periodicals "ABC cultural" (marzo 2000) and "Abitare la terra" (primavera/estate 2004). There is also a printed description of the "Solar Oriented City 2001" project.
articles about Shoei Yoh from the periodicals "ABC cultural" and "Abitare la terra"
Actions:
ARCH270334
Description:
This group is composed of 2 articles about Shoei Yoh from the periodicals "ABC cultural" (marzo 2000) and "Abitare la terra" (primavera/estate 2004). There is also a printed description of the "Solar Oriented City 2001" project.
Classification:
documents textuels
documents textuels
Personnes et institutions:
