397 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1985.PR07
Description:
This project series documents a housing study for Dr. Bhimrao Ambedker University in Lucknow, India around 1985. This project consisted of multi-storey buildings arranged in clusters. The buildings had three apartments on each floor and were joined to create common courtyards. Diamond shaped buildings with centre courtyards were also investigated for a different area of the campus, as well as a nursery school, shopping complex, administrative block and information tower. The architect also made recommendations to build facilities near the campus for recycling, waste water, vegetables and livestock, stating that doing so would avoid the natural occurrence of slums that served a similar purpose. The project is recorded through original drawings of site, floor and landscaping plans, as well as elevations and photographic negatives of the project model, likely dating from around 1985.
AP206.S1.1985.PR07
Description:
This project series documents a housing study for Dr. Bhimrao Ambedker University in Lucknow, India around 1985. This project consisted of multi-storey buildings arranged in clusters. The buildings had three apartments on each floor and were joined to create common courtyards. Diamond shaped buildings with centre courtyards were also investigated for a different area of the campus, as well as a nursery school, shopping complex, administrative block and information tower. The architect also made recommendations to build facilities near the campus for recycling, waste water, vegetables and livestock, stating that doing so would avoid the natural occurrence of slums that served a similar purpose. The project is recorded through original drawings of site, floor and landscaping plans, as well as elevations and photographic negatives of the project model, likely dating from around 1985.
Personnes et institutions:
Date:
circa 1985
circa 1985
Titre:
Dr. Bhimrao Ambedker University, housing study, Lucknow, India (circa 1985)
Actions:
AP206.S1.1985.PR07
Description:
This project series documents a housing study for Dr. Bhimrao Ambedker University in Lucknow, India around 1985. This project consisted of multi-storey buildings arranged in clusters. The buildings had three apartments on each floor and were joined to create common courtyards. Diamond shaped buildings with centre courtyards were also investigated for a different area of the campus, as well as a nursery school, shopping complex, administrative block and information tower. The architect also made recommendations to build facilities near the campus for recycling, waste water, vegetables and livestock, stating that doing so would avoid the natural occurrence of slums that served a similar purpose. The project is recorded through original drawings of site, floor and landscaping plans, as well as elevations and photographic negatives of the project model, likely dating from around 1985.
Dr. Bhimrao Ambedker University, housing study, Lucknow, India (circa 1985)
Actions:
AP206.S1.1985.PR07
Description:
This project series documents a housing study for Dr. Bhimrao Ambedker University in Lucknow, India around 1985. This project consisted of multi-storey buildings arranged in clusters. The buildings had three apartments on each floor and were joined to create common courtyards. Diamond shaped buildings with centre courtyards were also investigated for a different area of the campus, as well as a nursery school, shopping complex, administrative block and information tower. The architect also made recommendations to build facilities near the campus for recycling, waste water, vegetables and livestock, stating that doing so would avoid the natural occurrence of slums that served a similar purpose. The project is recorded through original drawings of site, floor and landscaping plans, as well as elevations and photographic negatives of the project model, likely dating from around 1985.
Niveau de description archivistique:
Project
Project
Date:
circa 1985
circa 1985
Personnes et institutions:
Classification:
livres
livres
Numéro de référence:
PHCON2002:0016:025
Description:
Notebook consists of drawings for Garbage Wall (1970) and includes other drawings for other projects, many related to recycling and growth, along with rough drafts for letters (some in shorthand) and lists of names and telephone numbers of New York City, New York contacts. Composition book contains 90 pages of drawings/texts in the front of the book plus 3 pages with drawings/text at the back.
PHCON2002:0016:025
Description:
Notebook consists of drawings for Garbage Wall (1970) and includes other drawings for other projects, many related to recycling and growth, along with rough drafts for letters (some in shorthand) and lists of names and telephone numbers of New York City, New York contacts. Composition book contains 90 pages of drawings/texts in the front of the book plus 3 pages with drawings/text at the back.
Personnes et institutions:
Date:
1970
1970
Titre:
Green composition notebook with Garbage Wall instructions
Actions:
PHCON2002:0016:025
Description:
Notebook consists of drawings for Garbage Wall (1970) and includes other drawings for other projects, many related to recycling and growth, along with rough drafts for letters (some in shorthand) and lists of names and telephone numbers of New York City, New York contacts. Composition book contains 90 pages of drawings/texts in the front of the book plus 3 pages with drawings/text at the back.
Green composition notebook with Garbage Wall instructions
Actions:
PHCON2002:0016:025
Description:
Notebook consists of drawings for Garbage Wall (1970) and includes other drawings for other projects, many related to recycling and growth, along with rough drafts for letters (some in shorthand) and lists of names and telephone numbers of New York City, New York contacts. Composition book contains 90 pages of drawings/texts in the front of the book plus 3 pages with drawings/text at the back.
Classification:
livres
livres
Date:
1970
1970
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Personnes et institutions:
Date:
circa 1975-2003
circa 1975-2003
Titre:
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Niveau de description archivistique:
Project
Project
Date:
circa 1975-2003
circa 1975-2003
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP022.S1.1992.PR09
Description:
File documents a reasearch and conference centre comprised of two joined wings housing offices, meeting and seminar rooms. The building was constructed in 1999-2000 on the footprint of the Pan-Hellenic House using recycled materials from the de-constructed building. Located on the campus of the University of British Columbia, Vancouver, British Columbia. File contains design development drawings and textual records.
AP022.S1.1992.PR09
Description:
File documents a reasearch and conference centre comprised of two joined wings housing offices, meeting and seminar rooms. The building was constructed in 1999-2000 on the footprint of the Pan-Hellenic House using recycled materials from the de-constructed building. Located on the campus of the University of British Columbia, Vancouver, British Columbia. File contains design development drawings and textual records.
Personnes et institutions:
Date:
1992-2000
1992-2000
Titre:
Liu Centre for International Relations, UBC
Actions:
AP022.S1.1992.PR09
Description:
File documents a reasearch and conference centre comprised of two joined wings housing offices, meeting and seminar rooms. The building was constructed in 1999-2000 on the footprint of the Pan-Hellenic House using recycled materials from the de-constructed building. Located on the campus of the University of British Columbia, Vancouver, British Columbia. File contains design development drawings and textual records.
Liu Centre for International Relations, UBC
Actions:
AP022.S1.1992.PR09
Description:
File documents a reasearch and conference centre comprised of two joined wings housing offices, meeting and seminar rooms. The building was constructed in 1999-2000 on the footprint of the Pan-Hellenic House using recycled materials from the de-constructed building. Located on the campus of the University of British Columbia, Vancouver, British Columbia. File contains design development drawings and textual records.
Niveau de description archivistique:
Project
Project
Date:
1992-2000
1992-2000
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Olzweg
Olzweg
Numéro de référence:
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
Personnes et institutions:
Date:
2006
2006
Titre:
Olzweg
Actions:
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
Olzweg
Actions:
AP193.S3
Description:
Series 3, Olzweg, 2006, relates to a competition proposal conceptualized in 2006 for an extension to the Fond Régional d’Art Contemporain (FRAC) in Orléans, France. The records contain images of plans, elevations, sections, and renderings of the project and the robot. There are also pictures of the model and an animated rendering of different 3D model views. The FRAC competition sought an emblematic extension that would complement the original 18th century building hosting the collection. R&Sie(n)’s project earned second place in the competition. The project takes its name from Holzwege a book from Heidegger inspired by the paths that winds through the forest. It consists of a labyrinth of recycled glass sticks, which appeared to be “glued” to the existing building and courtyard. The glass comes from recycled bottles provided by the neighborhood inhabitants. R&Sie(n) sees this as a form of criticism of France’s relation to wine consumption through its materialization. The labyrinth is progressively constructed and rearranged by a robotic arm and randomized, interactive software continuously reprogramming its parameters during construction.
Niveau de description archivistique:
Series
Series
Date:
2006
2006
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP154
Résumé:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
AP154
Résumé:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
Personnes et institutions:
Date:
1955-2007
1955-2007
Titre:
Collection Pasanella + Klein Stolzman + Berg
Actions:
AP154
Résumé:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
Collection Pasanella + Klein Stolzman + Berg
Actions:
AP154
Résumé:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1955-2007
1955-2007
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1987.D3
Description:
This project series documents the design and construction vertical structure prototype to install on skyscrapers and communication towers. This design was recycled for other Abalos & Herreros projects, such as for the Residual water treatment plant, “El Chaparral”, Guadarrama (AP164.S1.1986.D5.SD3) and for the Centro de Calculo de Telefónica, Madrid (AP164.S1.1989.D1). It was also transformed into a water tower (Torre de agua) in 1990. The firm identified this project as number 48. Documenting the project are design development drawings and notes.
AP164.S1.1987.D3
Description:
This project series documents the design and construction vertical structure prototype to install on skyscrapers and communication towers. This design was recycled for other Abalos & Herreros projects, such as for the Residual water treatment plant, “El Chaparral”, Guadarrama (AP164.S1.1986.D5.SD3) and for the Centro de Calculo de Telefónica, Madrid (AP164.S1.1989.D1). It was also transformed into a water tower (Torre de agua) in 1990. The firm identified this project as number 48. Documenting the project are design development drawings and notes.
Personnes et institutions:
Date:
1987-1988
1987-1988
Titre:
Prototipo de estructura vertical, Cáceres, Spain (1987)
Actions:
AP164.S1.1987.D3
Description:
This project series documents the design and construction vertical structure prototype to install on skyscrapers and communication towers. This design was recycled for other Abalos & Herreros projects, such as for the Residual water treatment plant, “El Chaparral”, Guadarrama (AP164.S1.1986.D5.SD3) and for the Centro de Calculo de Telefónica, Madrid (AP164.S1.1989.D1). It was also transformed into a water tower (Torre de agua) in 1990. The firm identified this project as number 48. Documenting the project are design development drawings and notes.
Prototipo de estructura vertical, Cáceres, Spain (1987)
Actions:
AP164.S1.1987.D3
Description:
This project series documents the design and construction vertical structure prototype to install on skyscrapers and communication towers. This design was recycled for other Abalos & Herreros projects, such as for the Residual water treatment plant, “El Chaparral”, Guadarrama (AP164.S1.1986.D5.SD3) and for the Centro de Calculo de Telefónica, Madrid (AP164.S1.1989.D1). It was also transformed into a water tower (Torre de agua) in 1990. The firm identified this project as number 48. Documenting the project are design development drawings and notes.
Niveau de description archivistique:
Project
Project
Date:
1987-1988
1987-1988
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Aditya Prakash fonds
Aditya Prakash fonds
Numéro de référence:
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Personnes et institutions:
Date:
1947-2008
1947-2008
Titre:
Aditya Prakash fonds
Actions:
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Aditya Prakash fonds
Actions:
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1947-2008
1947-2008
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Localisation:
Salles principales
Salles principales
Date:
26 novembre 2008 au 19 avril 2009
26 novembre 2008 au 19 avril 2009
Titre:
Actions : comment s’approprier la ville
Actions:
Description:
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Actions : comment s’approprier la ville
Actions:
Description:
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Classification:
expositions
expositions
Date:
26 novembre 2008 au
19 avril 2009
26 novembre 2008 au
19 avril 2009
Localisation:
Salles principales
Salles principales
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2005.D11
Description:
This project documents the traveling exhibition “Grand Tour” curated by Abalos & Herreros. A book was also published under the same title. The exposition and publication are based on the firm’s projects and they are divided into four themes: pavillions, observatories, recycled landscape and links. It was held, among other places, at the Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria (May 24th to July 10th, 2005) and at the Fundación ICO, Madrid (September 14th to November 27th, 2005). The firm identified this project as number 203. Documenting the exhibition are proofs, sketches, design development, presentation, technical and working drawings, artefacts, press-kits, budgets, dummies, correspondence, reference, digital, graphic and photographic materials, and the publication “Grand Tour”.
AP164.S1.2005.D11
Description:
This project documents the traveling exhibition “Grand Tour” curated by Abalos & Herreros. A book was also published under the same title. The exposition and publication are based on the firm’s projects and they are divided into four themes: pavillions, observatories, recycled landscape and links. It was held, among other places, at the Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria (May 24th to July 10th, 2005) and at the Fundación ICO, Madrid (September 14th to November 27th, 2005). The firm identified this project as number 203. Documenting the exhibition are proofs, sketches, design development, presentation, technical and working drawings, artefacts, press-kits, budgets, dummies, correspondence, reference, digital, graphic and photographic materials, and the publication “Grand Tour”.
Personnes et institutions:
Date:
1993-2006
1993-2006
Titre:
Grand Tour (2005)
Actions:
AP164.S1.2005.D11
Description:
This project documents the traveling exhibition “Grand Tour” curated by Abalos & Herreros. A book was also published under the same title. The exposition and publication are based on the firm’s projects and they are divided into four themes: pavillions, observatories, recycled landscape and links. It was held, among other places, at the Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria (May 24th to July 10th, 2005) and at the Fundación ICO, Madrid (September 14th to November 27th, 2005). The firm identified this project as number 203. Documenting the exhibition are proofs, sketches, design development, presentation, technical and working drawings, artefacts, press-kits, budgets, dummies, correspondence, reference, digital, graphic and photographic materials, and the publication “Grand Tour”.
Grand Tour (2005)
Actions:
AP164.S1.2005.D11
Description:
This project documents the traveling exhibition “Grand Tour” curated by Abalos & Herreros. A book was also published under the same title. The exposition and publication are based on the firm’s projects and they are divided into four themes: pavillions, observatories, recycled landscape and links. It was held, among other places, at the Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria (May 24th to July 10th, 2005) and at the Fundación ICO, Madrid (September 14th to November 27th, 2005). The firm identified this project as number 203. Documenting the exhibition are proofs, sketches, design development, presentation, technical and working drawings, artefacts, press-kits, budgets, dummies, correspondence, reference, digital, graphic and photographic materials, and the publication “Grand Tour”.
Niveau de description archivistique:
Project
Project
Date:
1993-2006
1993-2006
Personnes et institutions:
