51661 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP143.S6.D13
Description:
File documents the exhibition Paper Art Installation at Düren, Germany, 1986. File contains 1 model of the installation, more than 2 study models in multiple pieces and 1 roll.
AP143.S6.D13
Description:
File documents the exhibition Paper Art Installation at Düren, Germany, 1986. File contains 1 model of the installation, more than 2 study models in multiple pieces and 1 roll.
Personnes et institutions:
Date:
1996
1996
Titre:
Paper Art Installation
Actions:
AP143.S6.D13
Description:
File documents the exhibition Paper Art Installation at Düren, Germany, 1986. File contains 1 model of the installation, more than 2 study models in multiple pieces and 1 roll.
Paper Art Installation
Actions:
AP143.S6.D13
Description:
File documents the exhibition Paper Art Installation at Düren, Germany, 1986. File contains 1 model of the installation, more than 2 study models in multiple pieces and 1 roll.
Niveau de description archivistique:
File 13
File 13
Date:
1996
1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP022.S1.1977.PR05
Description:
File documents the conversion of a Beaux-arts courthouse (built 1906-1911, F.M. Rattenbury, architect) on Block 51 into an art gallery (completed 1983), as the last phase of the Robson Square development, Vancouver, British Columbia. File contains design development drawings, working drawings, photographic materials, textual records (includes photographs).
AP022.S1.1977.PR05
Description:
File documents the conversion of a Beaux-arts courthouse (built 1906-1911, F.M. Rattenbury, architect) on Block 51 into an art gallery (completed 1983), as the last phase of the Robson Square development, Vancouver, British Columbia. File contains design development drawings, working drawings, photographic materials, textual records (includes photographs).
Personnes et institutions:
Date:
1977-1984
1977-1984
Titre:
Vancouver Art Gallery
Actions:
AP022.S1.1977.PR05
Description:
File documents the conversion of a Beaux-arts courthouse (built 1906-1911, F.M. Rattenbury, architect) on Block 51 into an art gallery (completed 1983), as the last phase of the Robson Square development, Vancouver, British Columbia. File contains design development drawings, working drawings, photographic materials, textual records (includes photographs).
Vancouver Art Gallery
Actions:
AP022.S1.1977.PR05
Description:
File documents the conversion of a Beaux-arts courthouse (built 1906-1911, F.M. Rattenbury, architect) on Block 51 into an art gallery (completed 1983), as the last phase of the Robson Square development, Vancouver, British Columbia. File contains design development drawings, working drawings, photographic materials, textual records (includes photographs).
Niveau de description archivistique:
Project
Project
Date:
1977-1984
1977-1984
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH216838
Description:
files on various artists (brochures, catalogues, correspondence, photographs), Art (Harlem Station, Chicago), Arcop Associates (structural engineers), aviation
ARCH216838
Description:
files on various artists (brochures, catalogues, correspondence, photographs), Art (Harlem Station, Chicago), Arcop Associates (structural engineers), aviation
Personnes et institutions:
Titre:
Art planning consultants
Actions:
ARCH216838
Description:
files on various artists (brochures, catalogues, correspondence, photographs), Art (Harlem Station, Chicago), Arcop Associates (structural engineers), aviation
Art planning consultants
Actions:
ARCH216838
Description:
files on various artists (brochures, catalogues, correspondence, photographs), Art (Harlem Station, Chicago), Arcop Associates (structural engineers), aviation
Classification:
documents textuels
documents textuels
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP173.S2.1990?.D1
Description:
Series documents Lars Spuybroek's project Art Park, an unidentified project of an exterior installation. Material in this series was produced in the 1990s. The series contains design development drawings, predominantly reprographic copies, and slides of drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S2.1990?.D1
Description:
Series documents Lars Spuybroek's project Art Park, an unidentified project of an exterior installation. Material in this series was produced in the 1990s. The series contains design development drawings, predominantly reprographic copies, and slides of drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Personnes et institutions:
Date:
1990s
1990s
Titre:
Art Park (1990s)
Actions:
AP173.S2.1990?.D1
Description:
Series documents Lars Spuybroek's project Art Park, an unidentified project of an exterior installation. Material in this series was produced in the 1990s. The series contains design development drawings, predominantly reprographic copies, and slides of drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Art Park (1990s)
Actions:
AP173.S2.1990?.D1
Description:
Series documents Lars Spuybroek's project Art Park, an unidentified project of an exterior installation. Material in this series was produced in the 1990s. The series contains design development drawings, predominantly reprographic copies, and slides of drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Niveau de description archivistique:
Project
Project
Date:
1990s
1990s
Personnes et institutions:
Classification:
documents textuels
documents textuels
Classification:
documents textuels
documents textuels
Date:
1965
1965
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Museum of Contemporary Art
Museum of Contemporary Art
Numéro de référence:
AP140.S2.SS2.D38
Description:
File documents a dead project for the Museum of Contemporary Art, in Chicago, Illinois, United States. Material in this file was produced between 1990 and 1991. File contains textual records.
AP140.S2.SS2.D38
Description:
File documents a dead project for the Museum of Contemporary Art, in Chicago, Illinois, United States. Material in this file was produced between 1990 and 1991. File contains textual records.
Personnes et institutions:
Date:
1990-1991
1990-1991
Titre:
Museum of Contemporary Art
Actions:
AP140.S2.SS2.D38
Description:
File documents a dead project for the Museum of Contemporary Art, in Chicago, Illinois, United States. Material in this file was produced between 1990 and 1991. File contains textual records.
Museum of Contemporary Art
Actions:
AP140.S2.SS2.D38
Description:
File documents a dead project for the Museum of Contemporary Art, in Chicago, Illinois, United States. Material in this file was produced between 1990 and 1991. File contains textual records.
Niveau de description archivistique:
File 38
File 38
Date:
1990-1991
1990-1991
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
University Art Museum
University Art Museum
Numéro de référence:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1986-1988
1986-1988
Titre:
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 65
File 65
Date:
1986-1988
1986-1988
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Collections - art and books
Collections - art and books
Numéro de référence:
AP114.S2.SS2
Description:
Sub-series contains material from Summers’ collection of art and books from 1979 – 1984. It includes posters for a Jim Dine exhibit, work by Helmut Jahn and Michael Graves, a series of photographs, and a copy of the 1984 book Building for the Arts by Brown, Fleissig and Morrish.
AP114.S2.SS2
Description:
Sub-series contains material from Summers’ collection of art and books from 1979 – 1984. It includes posters for a Jim Dine exhibit, work by Helmut Jahn and Michael Graves, a series of photographs, and a copy of the 1984 book Building for the Arts by Brown, Fleissig and Morrish.
Personnes et institutions:
Date:
1979 - 1984
1979 - 1984
Titre:
Collections - art and books
Actions:
AP114.S2.SS2
Description:
Sub-series contains material from Summers’ collection of art and books from 1979 – 1984. It includes posters for a Jim Dine exhibit, work by Helmut Jahn and Michael Graves, a series of photographs, and a copy of the 1984 book Building for the Arts by Brown, Fleissig and Morrish.
Collections - art and books
Actions:
AP114.S2.SS2
Description:
Sub-series contains material from Summers’ collection of art and books from 1979 – 1984. It includes posters for a Jim Dine exhibit, work by Helmut Jahn and Michael Graves, a series of photographs, and a copy of the 1984 book Building for the Arts by Brown, Fleissig and Morrish.
Niveau de description archivistique:
Sub-series 2
Sub-series 2
Date:
1979 - 1984
1979 - 1984
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
The Rally, Art Net
The Rally, Art Net
Numéro de référence:
AP140.S2.SS3.D5
Description:
File documents the participation of the office of James Stirling and Partner to The Rally exhibition at Art Net, in London, England, United Kingdom. Material in this file was produced in 1976. File contains textual records, including reprographic copies of drawings for exhibition layout and poster
AP140.S2.SS3.D5
Description:
File documents the participation of the office of James Stirling and Partner to The Rally exhibition at Art Net, in London, England, United Kingdom. Material in this file was produced in 1976. File contains textual records, including reprographic copies of drawings for exhibition layout and poster
Personnes et institutions:
Date:
1976
1976
Titre:
The Rally, Art Net
Actions:
AP140.S2.SS3.D5
Description:
File documents the participation of the office of James Stirling and Partner to The Rally exhibition at Art Net, in London, England, United Kingdom. Material in this file was produced in 1976. File contains textual records, including reprographic copies of drawings for exhibition layout and poster
The Rally, Art Net
Actions:
AP140.S2.SS3.D5
Description:
File documents the participation of the office of James Stirling and Partner to The Rally exhibition at Art Net, in London, England, United Kingdom. Material in this file was produced in 1976. File contains textual records, including reprographic copies of drawings for exhibition layout and poster
Niveau de description archivistique:
File 5
File 5
Date:
1976
1976
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP027.S1.D80
Description:
Competition submission for new Art Gallery.
AP027.S1.D80
Description:
Competition submission for new Art Gallery.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
[1968]
[1968]
Titre:
Winnipeg Art Gallery Competition
Actions:
AP027.S1.D80
Description:
Competition submission for new Art Gallery.
Winnipeg Art Gallery Competition
Actions:
AP027.S1.D80
Description:
Competition submission for new Art Gallery.
Niveau de description archivistique:
File 80
File 80
Date:
[1968]
[1968]
Personnes et institutions:
Sujet:
architecture
architecture
