2956 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1982.PR13
Description:
This project series documents revisions made to the physical training facilities at the Canadian Coast Guard College in Sydney, Nova Scotia in 1982. The office identified the project number as 8215. The physical training facilities, constructed by Parkin Architects Planners in 1981, consisted primarily of a swimming pool, gymnasium and change rooms, among other spaces. This project documents revisions made to that building, including alterations to the west entrance, alterations to the women's change room and the installation of new lockers. The project is recorded through drawings and textual records dating from 1982. The drawings are of details and are arranged within the textual materials. The textual records include meeting and site reports and correspondence.
AP018.S1.1982.PR13
Description:
This project series documents revisions made to the physical training facilities at the Canadian Coast Guard College in Sydney, Nova Scotia in 1982. The office identified the project number as 8215. The physical training facilities, constructed by Parkin Architects Planners in 1981, consisted primarily of a swimming pool, gymnasium and change rooms, among other spaces. This project documents revisions made to that building, including alterations to the west entrance, alterations to the women's change room and the installation of new lockers. The project is recorded through drawings and textual records dating from 1982. The drawings are of details and are arranged within the textual materials. The textual records include meeting and site reports and correspondence.
Personnes et institutions:
Date:
1982
1982
Titre:
Canadian Coast Guard College, Revisions to Physical Training Facilities, Sydney, Nova Scotia (1982)
Actions:
AP018.S1.1982.PR13
Description:
This project series documents revisions made to the physical training facilities at the Canadian Coast Guard College in Sydney, Nova Scotia in 1982. The office identified the project number as 8215. The physical training facilities, constructed by Parkin Architects Planners in 1981, consisted primarily of a swimming pool, gymnasium and change rooms, among other spaces. This project documents revisions made to that building, including alterations to the west entrance, alterations to the women's change room and the installation of new lockers. The project is recorded through drawings and textual records dating from 1982. The drawings are of details and are arranged within the textual materials. The textual records include meeting and site reports and correspondence.
Canadian Coast Guard College, Revisions to Physical Training Facilities, Sydney, Nova Scotia (1982)
Actions:
AP018.S1.1982.PR13
Description:
This project series documents revisions made to the physical training facilities at the Canadian Coast Guard College in Sydney, Nova Scotia in 1982. The office identified the project number as 8215. The physical training facilities, constructed by Parkin Architects Planners in 1981, consisted primarily of a swimming pool, gymnasium and change rooms, among other spaces. This project documents revisions made to that building, including alterations to the west entrance, alterations to the women's change room and the installation of new lockers. The project is recorded through drawings and textual records dating from 1982. The drawings are of details and are arranged within the textual materials. The textual records include meeting and site reports and correspondence.
Niveau de description archivistique:
Project
Project
Date:
1982
1982
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP075.S3
Description:
This series documents Cornelia Hahn Oberlander's professional activities as a landscape architect, such as her involvement in professional activities, such as associations or committees, her attendance to landscape architecture seminars or conferences, conferences and lectures she gave, and articles and publications she wrote. It also documents her office records for consultancy work, her professional correspondence and the planning of the projects and other activities. It documents also awards and horours she received during her career, for specific projects, her work as landscape architect or for her involvement in the community. The series contains predomimantly administrative records, such as professional correspondence, documents related to her consultant work for private or public projects, promotional material, and articles written about her, documents related to interviews she gave and recordings of these interviews. It also comprises documents related to her involvement in associations or committees, such as correspondence and meetings documents, documents from her participation to conferences and seminars, such as proceedings, and event planning documents, and her research or draft texts for her lectures and publications. The series also contains awards and honours she received, and related documents, and a collection of Oberlander's industry catalogues she used in her office to order supplies, plants or seeds for her landscape projects.
AP075.S3
Description:
This series documents Cornelia Hahn Oberlander's professional activities as a landscape architect, such as her involvement in professional activities, such as associations or committees, her attendance to landscape architecture seminars or conferences, conferences and lectures she gave, and articles and publications she wrote. It also documents her office records for consultancy work, her professional correspondence and the planning of the projects and other activities. It documents also awards and horours she received during her career, for specific projects, her work as landscape architect or for her involvement in the community. The series contains predomimantly administrative records, such as professional correspondence, documents related to her consultant work for private or public projects, promotional material, and articles written about her, documents related to interviews she gave and recordings of these interviews. It also comprises documents related to her involvement in associations or committees, such as correspondence and meetings documents, documents from her participation to conferences and seminars, such as proceedings, and event planning documents, and her research or draft texts for her lectures and publications. The series also contains awards and honours she received, and related documents, and a collection of Oberlander's industry catalogues she used in her office to order supplies, plants or seeds for her landscape projects.
Personnes et institutions:
Date:
1949-2019
1949-2019
Titre:
Professional activities and office records
Actions:
AP075.S3
Description:
This series documents Cornelia Hahn Oberlander's professional activities as a landscape architect, such as her involvement in professional activities, such as associations or committees, her attendance to landscape architecture seminars or conferences, conferences and lectures she gave, and articles and publications she wrote. It also documents her office records for consultancy work, her professional correspondence and the planning of the projects and other activities. It documents also awards and horours she received during her career, for specific projects, her work as landscape architect or for her involvement in the community. The series contains predomimantly administrative records, such as professional correspondence, documents related to her consultant work for private or public projects, promotional material, and articles written about her, documents related to interviews she gave and recordings of these interviews. It also comprises documents related to her involvement in associations or committees, such as correspondence and meetings documents, documents from her participation to conferences and seminars, such as proceedings, and event planning documents, and her research or draft texts for her lectures and publications. The series also contains awards and honours she received, and related documents, and a collection of Oberlander's industry catalogues she used in her office to order supplies, plants or seeds for her landscape projects.
Professional activities and office records
Actions:
AP075.S3
Description:
This series documents Cornelia Hahn Oberlander's professional activities as a landscape architect, such as her involvement in professional activities, such as associations or committees, her attendance to landscape architecture seminars or conferences, conferences and lectures she gave, and articles and publications she wrote. It also documents her office records for consultancy work, her professional correspondence and the planning of the projects and other activities. It documents also awards and horours she received during her career, for specific projects, her work as landscape architect or for her involvement in the community. The series contains predomimantly administrative records, such as professional correspondence, documents related to her consultant work for private or public projects, promotional material, and articles written about her, documents related to interviews she gave and recordings of these interviews. It also comprises documents related to her involvement in associations or committees, such as correspondence and meetings documents, documents from her participation to conferences and seminars, such as proceedings, and event planning documents, and her research or draft texts for her lectures and publications. The series also contains awards and honours she received, and related documents, and a collection of Oberlander's industry catalogues she used in her office to order supplies, plants or seeds for her landscape projects.
Niveau de description archivistique:
Series
Series
Date:
1949-2019
1949-2019
Personnes et institutions:
Classification:
documents textuels, né numérique, archives
Niveau de description archivistique:
Fonds
documents textuels, né numérique, archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Anyone Corporation
Fonds Anyone Corporation
Numéro de référence:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Personnes et institutions:
Date:
1990-2001
1990-2001
Titre:
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Fonds Anyone Corporation
Actions:
AP116
Résumé:
The Anyone Corporation fonds is composed primarily of textual and photographic records which document the activities of the Anyone Corporation over the course of its planned ten year life span from 1990 to 2001. The non-profit, New York City based organization, was founded by Peter Eisenman, Cynthia Davidson, Arata Isozaki, and Ignasi de Solà-Morales Rubio in order to stimulate a fruitful dialogue between architecture and general culture at the dawn of the new millennium. To this end, ANY (acronym for Architecture New York) organised ten international conferences and numerous public seminars, as well as publishing conference journals, a series of architecture related books, and ANY, a theory driven bi-monthly magazine.
Classification:
documents textuels, né numérique, archives
Niveau de description archivistique:
Fonds
documents textuels, né numérique, archives
Niveau de description archivistique:
Fonds
Date:
1990-2001
1990-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
University Art Museum
University Art Museum
Numéro de référence:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1986-1988
1986-1988
Titre:
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 65
File 65
Date:
1986-1988
1986-1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1995.PR03
Description:
This project series documents a competition entry for the University of Waterloo Centre for Environmental Sciences and Engineering in Waterloo, Ontario in 1995. The office identified the project number as 9502. This project consisted of a proposal to create a new, environmentally sustainable campus building within the scope of the University's master plan. The integrated complex would consist of the five-storey Research Laboratories building and the four-storey Earth Sciences office building, interconnected by the three-storey Interior Street. Corridors in the Research Laboratories building would separate visitors from the rigorously controlled environments of the labs and act as a hub of student activity. Glazed walls would allow visibility into the labs from the corridor. The office building, with a café and museum at its ground level, would have loft-like offices with operable windows for more eco-friendly temperature control. Other ecological features were proposed including a breathing, green wall, the use of local, sustainable materials and a bio-reactor plant, among others. This proposal was never built. The project is recorded through drawings, presentation paintings, a model and some accompanying textual records dating from on or around 1995. The drawings are predominantly original sketches and presentation drawings.
AP056.S1.1995.PR03
Description:
This project series documents a competition entry for the University of Waterloo Centre for Environmental Sciences and Engineering in Waterloo, Ontario in 1995. The office identified the project number as 9502. This project consisted of a proposal to create a new, environmentally sustainable campus building within the scope of the University's master plan. The integrated complex would consist of the five-storey Research Laboratories building and the four-storey Earth Sciences office building, interconnected by the three-storey Interior Street. Corridors in the Research Laboratories building would separate visitors from the rigorously controlled environments of the labs and act as a hub of student activity. Glazed walls would allow visibility into the labs from the corridor. The office building, with a café and museum at its ground level, would have loft-like offices with operable windows for more eco-friendly temperature control. Other ecological features were proposed including a breathing, green wall, the use of local, sustainable materials and a bio-reactor plant, among others. This proposal was never built. The project is recorded through drawings, presentation paintings, a model and some accompanying textual records dating from on or around 1995. The drawings are predominantly original sketches and presentation drawings.
Personnes et institutions:
Date:
1995
1995
Titre:
University of Waterloo Centre for Environmental Sciences and Engineering Competition, Waterloo, Ontario (1995)
Actions:
AP056.S1.1995.PR03
Description:
This project series documents a competition entry for the University of Waterloo Centre for Environmental Sciences and Engineering in Waterloo, Ontario in 1995. The office identified the project number as 9502. This project consisted of a proposal to create a new, environmentally sustainable campus building within the scope of the University's master plan. The integrated complex would consist of the five-storey Research Laboratories building and the four-storey Earth Sciences office building, interconnected by the three-storey Interior Street. Corridors in the Research Laboratories building would separate visitors from the rigorously controlled environments of the labs and act as a hub of student activity. Glazed walls would allow visibility into the labs from the corridor. The office building, with a café and museum at its ground level, would have loft-like offices with operable windows for more eco-friendly temperature control. Other ecological features were proposed including a breathing, green wall, the use of local, sustainable materials and a bio-reactor plant, among others. This proposal was never built. The project is recorded through drawings, presentation paintings, a model and some accompanying textual records dating from on or around 1995. The drawings are predominantly original sketches and presentation drawings.
University of Waterloo Centre for Environmental Sciences and Engineering Competition, Waterloo, Ontario (1995)
Actions:
AP056.S1.1995.PR03
Description:
This project series documents a competition entry for the University of Waterloo Centre for Environmental Sciences and Engineering in Waterloo, Ontario in 1995. The office identified the project number as 9502. This project consisted of a proposal to create a new, environmentally sustainable campus building within the scope of the University's master plan. The integrated complex would consist of the five-storey Research Laboratories building and the four-storey Earth Sciences office building, interconnected by the three-storey Interior Street. Corridors in the Research Laboratories building would separate visitors from the rigorously controlled environments of the labs and act as a hub of student activity. Glazed walls would allow visibility into the labs from the corridor. The office building, with a café and museum at its ground level, would have loft-like offices with operable windows for more eco-friendly temperature control. Other ecological features were proposed including a breathing, green wall, the use of local, sustainable materials and a bio-reactor plant, among others. This proposal was never built. The project is recorded through drawings, presentation paintings, a model and some accompanying textual records dating from on or around 1995. The drawings are predominantly original sketches and presentation drawings.
Niveau de description archivistique:
Project
Project
Date:
1995
1995
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
Personnes et institutions:
Date:
circa 2003-2004
circa 2003-2004
Titre:
Edificio de equipamiento, Alcalá de Henares, Spain (2004)
Actions:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
Edificio de equipamiento, Alcalá de Henares, Spain (2004)
Actions:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
circa 2003-2004
circa 2003-2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1987.PR01
Description:
This project series documents the design and construction of the Di Stefano residence located at 98 Tetherwood Boulevard in London, Ontario from 1987-1990. The office identified the project number as 8720. This project consisted of a V shaped house with a red brick masonry veneer and cedar shingles that was about 3300 square feet in size. From above, the two arms of the V appeared almost as separate structures, connected only at the front of the home by an entrance hall. However, the front facade of the home joined the two arms fluidly using a curved wall that matched the round street court in front of the home. One arm of the house was two storeys with a garage and kitchen on the ground floor and bedrooms on the second. This arm was shorter than the other but opened onto a patio in the backyard. The other arm contained the master bedroom and great hall on the ground floor and in place of a second storey, had a sloped roof with four chimneys. There was also a basement for storage, with future plans for a rec room and workshop. Several design schemes were investigated for this home, with variations on the floor plan layout, the shape of the house, the number of storeys, and the positioning of the garage and patio. The project is recorded through original drawings used for design and construction which date from 1987-1990. The large part of the drawings consist of sketches, plans, elevations, sections, details, isometrics and perspectives.
AP056.S1.1987.PR01
Description:
This project series documents the design and construction of the Di Stefano residence located at 98 Tetherwood Boulevard in London, Ontario from 1987-1990. The office identified the project number as 8720. This project consisted of a V shaped house with a red brick masonry veneer and cedar shingles that was about 3300 square feet in size. From above, the two arms of the V appeared almost as separate structures, connected only at the front of the home by an entrance hall. However, the front facade of the home joined the two arms fluidly using a curved wall that matched the round street court in front of the home. One arm of the house was two storeys with a garage and kitchen on the ground floor and bedrooms on the second. This arm was shorter than the other but opened onto a patio in the backyard. The other arm contained the master bedroom and great hall on the ground floor and in place of a second storey, had a sloped roof with four chimneys. There was also a basement for storage, with future plans for a rec room and workshop. Several design schemes were investigated for this home, with variations on the floor plan layout, the shape of the house, the number of storeys, and the positioning of the garage and patio. The project is recorded through original drawings used for design and construction which date from 1987-1990. The large part of the drawings consist of sketches, plans, elevations, sections, details, isometrics and perspectives.
Personnes et institutions:
Date:
1987-1992
1987-1992
Titre:
Di Stefano Residence, London, Ontario (1987-1990)
Actions:
AP056.S1.1987.PR01
Description:
This project series documents the design and construction of the Di Stefano residence located at 98 Tetherwood Boulevard in London, Ontario from 1987-1990. The office identified the project number as 8720. This project consisted of a V shaped house with a red brick masonry veneer and cedar shingles that was about 3300 square feet in size. From above, the two arms of the V appeared almost as separate structures, connected only at the front of the home by an entrance hall. However, the front facade of the home joined the two arms fluidly using a curved wall that matched the round street court in front of the home. One arm of the house was two storeys with a garage and kitchen on the ground floor and bedrooms on the second. This arm was shorter than the other but opened onto a patio in the backyard. The other arm contained the master bedroom and great hall on the ground floor and in place of a second storey, had a sloped roof with four chimneys. There was also a basement for storage, with future plans for a rec room and workshop. Several design schemes were investigated for this home, with variations on the floor plan layout, the shape of the house, the number of storeys, and the positioning of the garage and patio. The project is recorded through original drawings used for design and construction which date from 1987-1990. The large part of the drawings consist of sketches, plans, elevations, sections, details, isometrics and perspectives.
Di Stefano Residence, London, Ontario (1987-1990)
Actions:
AP056.S1.1987.PR01
Description:
This project series documents the design and construction of the Di Stefano residence located at 98 Tetherwood Boulevard in London, Ontario from 1987-1990. The office identified the project number as 8720. This project consisted of a V shaped house with a red brick masonry veneer and cedar shingles that was about 3300 square feet in size. From above, the two arms of the V appeared almost as separate structures, connected only at the front of the home by an entrance hall. However, the front facade of the home joined the two arms fluidly using a curved wall that matched the round street court in front of the home. One arm of the house was two storeys with a garage and kitchen on the ground floor and bedrooms on the second. This arm was shorter than the other but opened onto a patio in the backyard. The other arm contained the master bedroom and great hall on the ground floor and in place of a second storey, had a sloped roof with four chimneys. There was also a basement for storage, with future plans for a rec room and workshop. Several design schemes were investigated for this home, with variations on the floor plan layout, the shape of the house, the number of storeys, and the positioning of the garage and patio. The project is recorded through original drawings used for design and construction which date from 1987-1990. The large part of the drawings consist of sketches, plans, elevations, sections, details, isometrics and perspectives.
Niveau de description archivistique:
Project
Project
Date:
1987-1992
1987-1992
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
Personnes et institutions:
Date:
1949-1965
1949-1965
Titre:
Talwara, Inde = Talwara, India
Actions:
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
Talwara, Inde = Talwara, India
Actions:
AP156.S3.SS2
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret et autres architectes à Talwara, en Inde, entre la fin des années 1940s et le début des années 1960s. Le matériel dans cette sous-série a été produit entre 1949 et 1965. La sous-série contient des dessins et des reprograhies, dont des dessins de développement du design, des dessins d'exécution et des dessins de présentation. Il y a aussi des photographies et une chemise. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Talwara, India, between the late 1940s to the early 1960s. Material in this file was produced in between 1949 and 1965. The sub-series contains a reprographic copy of a working drawing. The sub-series contains drawings and reprographic copies, such as design developement drawings, working drawings and presentation drawings. There are also photographs and a folder.
Niveau de description archivistique:
Sous-série 2
Sous-série 2
Date:
1949-1965
1949-1965
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1997.PR10
Description:
This project series documents a competition entry for the Holt Renfrew flagship store on Bloor Street in Toronto in 1997. The office identified the project number as 69705. This project consisted of a proposal for the exterior facades and rooftop terrace for the high-end department store. The proposal focused greatly on movement that would naturally attract passing pedestrians and drivers to the store's entrances and window merchandizing. The main entrance would be comprised of glass doors with custom bronze pulls, sheltered by a steel and glass canopy and sandwiched between limestone surfaces. Above the main doors would be a two-storey window display and surfaces that could be manipulated to display brand logos and other graphics. This also allowed natural light to shine into the main atrium of the store's interior. Windows at street level, used for visual marketing, would be punched into limestone facades and accentuated with canvas awnings, creating an intimate customer experience. The new rooftop terrace would be created through an addition to the fourth floor, setback from the other levels, and sheltered by a projecting roof. The terrace would be lined in a continuous rim of evergreen hedges. Addition entrances, new lighting fixtures, and interior window displays were also proposed in this project. The project is recorded through drawings, watercolour paintings and textual records dating from 1997. The drawings consist of sketch elevations and perspectives, while the paintings were used for presentation purposes. The textual records consist of the project proposal with associated digital renderings.
AP056.S1.1997.PR10
Description:
This project series documents a competition entry for the Holt Renfrew flagship store on Bloor Street in Toronto in 1997. The office identified the project number as 69705. This project consisted of a proposal for the exterior facades and rooftop terrace for the high-end department store. The proposal focused greatly on movement that would naturally attract passing pedestrians and drivers to the store's entrances and window merchandizing. The main entrance would be comprised of glass doors with custom bronze pulls, sheltered by a steel and glass canopy and sandwiched between limestone surfaces. Above the main doors would be a two-storey window display and surfaces that could be manipulated to display brand logos and other graphics. This also allowed natural light to shine into the main atrium of the store's interior. Windows at street level, used for visual marketing, would be punched into limestone facades and accentuated with canvas awnings, creating an intimate customer experience. The new rooftop terrace would be created through an addition to the fourth floor, setback from the other levels, and sheltered by a projecting roof. The terrace would be lined in a continuous rim of evergreen hedges. Addition entrances, new lighting fixtures, and interior window displays were also proposed in this project. The project is recorded through drawings, watercolour paintings and textual records dating from 1997. The drawings consist of sketch elevations and perspectives, while the paintings were used for presentation purposes. The textual records consist of the project proposal with associated digital renderings.
Personnes et institutions:
Date:
1997
1997
Titre:
Holt Renfrew Store Competition, Toronto (1997)
Actions:
AP056.S1.1997.PR10
Description:
This project series documents a competition entry for the Holt Renfrew flagship store on Bloor Street in Toronto in 1997. The office identified the project number as 69705. This project consisted of a proposal for the exterior facades and rooftop terrace for the high-end department store. The proposal focused greatly on movement that would naturally attract passing pedestrians and drivers to the store's entrances and window merchandizing. The main entrance would be comprised of glass doors with custom bronze pulls, sheltered by a steel and glass canopy and sandwiched between limestone surfaces. Above the main doors would be a two-storey window display and surfaces that could be manipulated to display brand logos and other graphics. This also allowed natural light to shine into the main atrium of the store's interior. Windows at street level, used for visual marketing, would be punched into limestone facades and accentuated with canvas awnings, creating an intimate customer experience. The new rooftop terrace would be created through an addition to the fourth floor, setback from the other levels, and sheltered by a projecting roof. The terrace would be lined in a continuous rim of evergreen hedges. Addition entrances, new lighting fixtures, and interior window displays were also proposed in this project. The project is recorded through drawings, watercolour paintings and textual records dating from 1997. The drawings consist of sketch elevations and perspectives, while the paintings were used for presentation purposes. The textual records consist of the project proposal with associated digital renderings.
Holt Renfrew Store Competition, Toronto (1997)
Actions:
AP056.S1.1997.PR10
Description:
This project series documents a competition entry for the Holt Renfrew flagship store on Bloor Street in Toronto in 1997. The office identified the project number as 69705. This project consisted of a proposal for the exterior facades and rooftop terrace for the high-end department store. The proposal focused greatly on movement that would naturally attract passing pedestrians and drivers to the store's entrances and window merchandizing. The main entrance would be comprised of glass doors with custom bronze pulls, sheltered by a steel and glass canopy and sandwiched between limestone surfaces. Above the main doors would be a two-storey window display and surfaces that could be manipulated to display brand logos and other graphics. This also allowed natural light to shine into the main atrium of the store's interior. Windows at street level, used for visual marketing, would be punched into limestone facades and accentuated with canvas awnings, creating an intimate customer experience. The new rooftop terrace would be created through an addition to the fourth floor, setback from the other levels, and sheltered by a projecting roof. The terrace would be lined in a continuous rim of evergreen hedges. Addition entrances, new lighting fixtures, and interior window displays were also proposed in this project. The project is recorded through drawings, watercolour paintings and textual records dating from 1997. The drawings consist of sketch elevations and perspectives, while the paintings were used for presentation purposes. The textual records consist of the project proposal with associated digital renderings.
Niveau de description archivistique:
Project
Project
Date:
1997
1997
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP196.S1
Description:
Series 1, Project files for competition, 2003-2004, documents the first design phase of the project originally titled Best Nest, which would later become the Ford Calumet Environmental Center. The records consist largely of digital photographs documenting the original state of the site and its surroundings. AutoCAD drawings and physical early design sketches, research and studies document the design for bird screen, column bundles, roof and environmental systems. The records also include study models for column bundles and pod layout with the screen representing the early stages of the design. The records also contain email correspondence between Studio Gang Architects and other project stakeholders, budget records, and a PowerPoint presentation and presentation model for competition final presentation.
AP196.S1
Description:
Series 1, Project files for competition, 2003-2004, documents the first design phase of the project originally titled Best Nest, which would later become the Ford Calumet Environmental Center. The records consist largely of digital photographs documenting the original state of the site and its surroundings. AutoCAD drawings and physical early design sketches, research and studies document the design for bird screen, column bundles, roof and environmental systems. The records also include study models for column bundles and pod layout with the screen representing the early stages of the design. The records also contain email correspondence between Studio Gang Architects and other project stakeholders, budget records, and a PowerPoint presentation and presentation model for competition final presentation.
Personnes et institutions:
Date:
2003-2004
2003-2004
Titre:
Project files for competition
Actions:
AP196.S1
Description:
Series 1, Project files for competition, 2003-2004, documents the first design phase of the project originally titled Best Nest, which would later become the Ford Calumet Environmental Center. The records consist largely of digital photographs documenting the original state of the site and its surroundings. AutoCAD drawings and physical early design sketches, research and studies document the design for bird screen, column bundles, roof and environmental systems. The records also include study models for column bundles and pod layout with the screen representing the early stages of the design. The records also contain email correspondence between Studio Gang Architects and other project stakeholders, budget records, and a PowerPoint presentation and presentation model for competition final presentation.
Project files for competition
Actions:
AP196.S1
Description:
Series 1, Project files for competition, 2003-2004, documents the first design phase of the project originally titled Best Nest, which would later become the Ford Calumet Environmental Center. The records consist largely of digital photographs documenting the original state of the site and its surroundings. AutoCAD drawings and physical early design sketches, research and studies document the design for bird screen, column bundles, roof and environmental systems. The records also include study models for column bundles and pod layout with the screen representing the early stages of the design. The records also contain email correspondence between Studio Gang Architects and other project stakeholders, budget records, and a PowerPoint presentation and presentation model for competition final presentation.
Niveau de description archivistique:
Series
Series
Date:
2003-2004
2003-2004
Personnes et institutions:
