Projet
Loewe, Madrid, Spain (2001)
AP164.S1.2001.D5
Description:
The project series documents a competition entry for the facade for the store Loewe, in Madrid, Spain. The firm identified this project as number 140. Documenting the project are presentation drawings, textual records, and photographic and digital materials.
1953, 1956, 2000-2001
Loewe, Madrid, Spain (2001)
Actions:
AP164.S1.2001.D5
Description:
The project series documents a competition entry for the facade for the store Loewe, in Madrid, Spain. The firm identified this project as number 140. Documenting the project are presentation drawings, textual records, and photographic and digital materials.
Project
1953, 1956, 2000-2001
né numérique
Quantité:
5 file
ANY 27
ARCH240726
Description:
ANY 27 Correspondence Wrigley [Wigley] Captions ANY 27 Orders Marzena Pogorzaly - correspondence, post card, CD-Rom SHoP (architects) - laser prints, zip disk with digital files
2000
ANY 27
Actions:
ARCH240726
Description:
ANY 27 Correspondence Wrigley [Wigley] Captions ANY 27 Orders Marzena Pogorzaly - correspondence, post card, CD-Rom SHoP (architects) - laser prints, zip disk with digital files
né numérique
Quantité:
5 file
2000
articles
Des origines du numérique
photographies
AP173.S1.1998.D5.001
Description:
Group consists of 31 slides of design development drawings and working drawings, 3D renderings from digital files. Stored in a binder with the orginial divider entitled "FUTURE.COM".
ca. 1998
Photographs for The Future is Now in Switzerland
Actions:
AP173.S1.1998.D5.001
Description:
Group consists of 31 slides of design development drawings and working drawings, 3D renderings from digital files. Stored in a binder with the orginial divider entitled "FUTURE.COM".
photographies
ca. 1998
Série(s)
AP184.S1
Description:
Series 1, Three Dimensional Trading Floor, 1990 - 2009, relates to Asymptote Architecture’s design of a virtualized NYSE Trading Floor that visualized real-time numerical and statistical data. This series includes textual, born-digital, and audiovisual components, as well as digital artefacts, and chiefly dates from 1997 to 2002. The intent of the New York Stock Exchange Three Dimensional Trading Floor (3DTF) was to detect suspicious trading activity, track the impact of global news events on the market and potentially predict a crash before it happened. In order to achieve this technically, Asymptote worked with Silicon Graphics Incorporated (SGI) RealityEngine hardware which had been built specifically for these visualization-intensive applications. They also worked with Softimage and Alias software for modeling, rendering and animating, and VRML (Virtual Reality Markup Language) and Macromedia Flash in order to integrate real-time data into a navigable three-dimensional environment. The main elements of the virtual environment include posts, containers, and back wall. The two container types, Index Container (IC) and Group Container (GC), allow for visualization and comparison of stock histories and behaviors. The posts display stock information, corresponding heat maps on floors, and alerts. The back wall integrates live news broadcasts. Materials in this series are largely digital and primarily include still raster images and video demonstrating 3DTF functionality. There is also a small body of CAD material in Maya, Alias, Microstation, and Form-Z formats. Other digital materials include Virtual Reality Markup Language (VRML) files, HTML files, Silicon Graphics Images databases, research material, press kits, presentations, and handout files. The textual records are largely materials that were handed out at presentation meetings for each phase of the project. These typically illustrate major virtual components of 3DTF, like the heat maps and posts, and overlap significantly with the related digital files. There is also one VHS tape which compiles nearly twenty minutes of animated renderings. Finally, this series includes 43 CDs. The CDs were processed and are included as part of the digital records; the CDs themselves were kept in instances where they may have artefactual value, especially if they were visually interesting or informationally important.
1990-2009
Three Dimensional Trading Floor
Actions:
AP184.S1
Description:
Series 1, Three Dimensional Trading Floor, 1990 - 2009, relates to Asymptote Architecture’s design of a virtualized NYSE Trading Floor that visualized real-time numerical and statistical data. This series includes textual, born-digital, and audiovisual components, as well as digital artefacts, and chiefly dates from 1997 to 2002. The intent of the New York Stock Exchange Three Dimensional Trading Floor (3DTF) was to detect suspicious trading activity, track the impact of global news events on the market and potentially predict a crash before it happened. In order to achieve this technically, Asymptote worked with Silicon Graphics Incorporated (SGI) RealityEngine hardware which had been built specifically for these visualization-intensive applications. They also worked with Softimage and Alias software for modeling, rendering and animating, and VRML (Virtual Reality Markup Language) and Macromedia Flash in order to integrate real-time data into a navigable three-dimensional environment. The main elements of the virtual environment include posts, containers, and back wall. The two container types, Index Container (IC) and Group Container (GC), allow for visualization and comparison of stock histories and behaviors. The posts display stock information, corresponding heat maps on floors, and alerts. The back wall integrates live news broadcasts. Materials in this series are largely digital and primarily include still raster images and video demonstrating 3DTF functionality. There is also a small body of CAD material in Maya, Alias, Microstation, and Form-Z formats. Other digital materials include Virtual Reality Markup Language (VRML) files, HTML files, Silicon Graphics Images databases, research material, press kits, presentations, and handout files. The textual records are largely materials that were handed out at presentation meetings for each phase of the project. These typically illustrate major virtual components of 3DTF, like the heat maps and posts, and overlap significantly with the related digital files. There is also one VHS tape which compiles nearly twenty minutes of animated renderings. Finally, this series includes 43 CDs. The CDs were processed and are included as part of the digital records; the CDs themselves were kept in instances where they may have artefactual value, especially if they were visually interesting or informationally important.
Series
1990-2009
Projet
AP041.S1.2000.D3
Description:
File documents Melvin Charney’s unexecuted plans for "Factories, signposts, houses, flags - a popular celebration" submitted to a design competition commissioned by the City of Montréal. Includes photographic materials, presentation materials, and a floppy disk of digital material.
2000
Factories, signposts, houses, flags - a popular celebration
Actions:
AP041.S1.2000.D3
Description:
File documents Melvin Charney’s unexecuted plans for "Factories, signposts, houses, flags - a popular celebration" submitted to a design competition commissioned by the City of Montréal. Includes photographic materials, presentation materials, and a floppy disk of digital material.
Project
2000
photographies
AP173.S1.2001.D4.002
Description:
Group consists of 16 slides of design development drawings and working drawings, in 3D renderings from digital files. Stored in a binder with the orginal divider entitled "WTC".
ca. 2001
Photographs for the ObliqueWTC in New York, United States
Actions:
AP173.S1.2001.D4.002
Description:
Group consists of 16 slides of design development drawings and working drawings, in 3D renderings from digital files. Stored in a binder with the orginal divider entitled "WTC".
photographies
ca. 2001
Série(s)
Projects
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
1995-2000
Projects
Actions:
AP194.S1
Description:
Series contains records associated with three OCEAN North projects to which Johan Bettum brought a significant insight: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (1997) and Töölö Football Stadium (1997). The collaborative process around these projects allowed exploring design methods through the usage of digital tools. In discussions with Greg Lynn, Johan Bettum and Kivi Sotamaa have expressed that they had broached Töölö as a landscape and Jyväskylä as a cloud. Particle streaming and Channelling Systems approaches were applied in these projects and further developed in the third phase of the Synthetic Landscape project and its Pavilion. The Synthetic Landscape project also featured usage of polymer composite materials. All records are born-digital, except for one 1995 drawing from the Synthetic Landscape project. Records include CAD models, raster and vector images, textual records and animated renderings from Channelling Systems studies. CAD models and drawings show design process of the projects, and range from the abstract (particle streaming) to very detailed plans (Jyväskylä). They were created using form*Z, Microstation, Alias, 3D Studio, AutoCAD and Rhinoceros. Some files were saved in IGES and DXF formats. Most CAD drawings have been saved as raster images. Drawings and models might have been saved in more than one file format. Digital textual records include project descriptions, presentations and reports, budgets and meeting notes, often created using the Microsoft Office software suite. Sources: Bettum, Johan and Michael Hensel. “Channelling Systems: Dynamic Processes and Digital Time-Based Methods in Urban Design.” AD Architectural Design 70, no.3 (June 2000): 36-43. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Series
1995-2000
photographies
AP173.S2.2004.D1.002
Description:
Group consists of 89 slides of conceptual and design development drawings, predominantly 3D renderings from digital files. Stored in a binder with the orginial divider entitled "D-TOWER".
ca. 2004
Photographs for the D-Tower in Doetinchem, Netherlands
Actions:
AP173.S2.2004.D1.002
Description:
Group consists of 89 slides of conceptual and design development drawings, predominantly 3D renderings from digital files. Stored in a binder with the orginial divider entitled "D-TOWER".
photographies
ca. 2004
photographies
AP173.S1.2001.D3.002
Description:
Group consists of 18 slides of design development drawings and working drawings, predominantly 3D renderings from digital files. Stored in a binder with the orginial divider entitled "ALICE".
ca. 2001
Photographs of the La Tana Di Alice in Italy
Actions:
AP173.S1.2001.D3.002
Description:
Group consists of 18 slides of design development drawings and working drawings, predominantly 3D renderings from digital files. Stored in a binder with the orginial divider entitled "ALICE".
photographies
ca. 2001