Factories in the snow
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This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and(...)
Factories in the snow
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This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and formal properties of his materials. Gillick appeared on the scene at the beginning of the 1990s, right in the middle of the YBA phenomenon, and has since had wide exposure in exhibitions like Documenta, Manifesta and the Venice Biennale, and in being nominated for the 2002 Turner prize.
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Hearing Cultures is a timely examination of the elusive, often evocative, and sometimes cacophonous auditory sense. It answers such intriguing questions as: Did people in Shakespeare's time hear differently from us? In what way does technology affect our ears? Why do people in Egypt increasingly listen to taped religious sermons? Why did Enlightenment doctors believe that(...)
Hearing cultures: essays on sound, listening and modernity (wenner gren international symposium series)
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Hearing Cultures is a timely examination of the elusive, often evocative, and sometimes cacophonous auditory sense. It answers such intriguing questions as: Did people in Shakespeare's time hear differently from us? In what way does technology affect our ears? Why do people in Egypt increasingly listen to taped religious sermons? Why did Enlightenment doctors believe that music was an essential cure? What happens acoustically in cross-cultural first encounters? The ear, as much as the eye, nose, mouth and hand, defines experience. This book shows how sound offers a refreshing new lens through which to examine culture and complex social issues.
Acoustique
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The works of Mies van der Rohe are often described as silent, or as withdrawal or negation, as the last line of resistance against the forces of technology and capitalism, precisely because they interiorize these forces, but thereby also allow us to reflect on them. This essay attempts to understand the unavoidable plurality of this silence, to unearth its philosophical(...)
The silences of Mies: 02.AKAD
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The works of Mies van der Rohe are often described as silent, or as withdrawal or negation, as the last line of resistance against the forces of technology and capitalism, precisely because they interiorize these forces, but thereby also allow us to reflect on them. This essay attempts to understand the unavoidable plurality of this silence, to unearth its philosophical genealogy, and to connect it to the present moment, when the possibility and very sense of criticality as a strategy of negativity seem more questinable than ever. Sven-Olov Wallenstein teaches philosophy and aesthetics at the University College of Södertörn in Stockholm, and is the editor-in-chief of Site magazine.
Théorie de l’architecture
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This book explores connections between the modern city, its architecture, and its citizens, by questioning traditional conceptualizations of public and private. Rather than focusing purely on public spaces—such as streets, cafés, gardens, or department stores—or on the domestic sphere, the book investigates those spaces and practices that engage both the urban and the(...)
Théorie de l’urbanisme
avril 2008, New York
Intimate metropolis: urban subjects in the modern city
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This book explores connections between the modern city, its architecture, and its citizens, by questioning traditional conceptualizations of public and private. Rather than focusing purely on public spaces—such as streets, cafés, gardens, or department stores—or on the domestic sphere, the book investigates those spaces and practices that engage both the urban and the domestic, the public and the private. The legal, political and administrative frameworks of urban life are seen as constituting private individuals’ sense of self, in a wide range of European and world cities from Amsterdam and Barcelona to London and Chicago.
Théorie de l’urbanisme
Cildo Meireles
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An important theme in the Brazilian postwar avant-garde, from which Meireles emerged at the end of the 1960s, was the relationship between the sensual and the cerebral, the body and the mind. Other works play with the sense of space or scale. Fully illustrated, this volume includes 10 short thematic essays by leading scholars - including Moacir dos Anjos, Guy Brett,(...)
Cildo Meireles
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An important theme in the Brazilian postwar avant-garde, from which Meireles emerged at the end of the 1960s, was the relationship between the sensual and the cerebral, the body and the mind. Other works play with the sense of space or scale. Fully illustrated, this volume includes 10 short thematic essays by leading scholars - including Moacir dos Anjos, Guy Brett, Okwui Enwezor, Maaretta Jaukkuri, Bartomeu Mar', Lu Menezes, Suely Rolnik, Sônia Salzstein and Lynn Zelevansky - as well as previously unpublished commentaries on each work by the artist.
The bench in the garden
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The bench, an apparently small and almost irrelevant object, appears to function as a significant object in both through specific physical placement and in a more general sense- that of the blended domain of aesthetics, garden history, architecture, spatiality and subjectivity. The bench acts as a powerful visual machine, regulating the reception of a landscape in what it(...)
The bench in the garden
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The bench, an apparently small and almost irrelevant object, appears to function as a significant object in both through specific physical placement and in a more general sense- that of the blended domain of aesthetics, garden history, architecture, spatiality and subjectivity. The bench acts as a powerful visual machine, regulating the reception of a landscape in what it has to offer to its visitors. By transmitting verbal messages through inscriptions, citing other benches as part of a complex walk circuit, providing rest and inviting users to discover new aspects of the site, this highly polysemic element orients and disorients the visitor at the same time.
Théorie du paysage
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Each year the Wouter Mikmak Foundation invites a designer to lecture for the series ‘Designers of the Future’. This publication presents that of the Tokyo-based office Atelier Bow-Wow, founded in 1992 by Yoshiharu Tsukamoto and Momoyo Kaijima. Their vision calls for a shift in architectural design from individuality based to commonality based, through the notion of(...)
Architecture, monographies
novembre 2016
Atelier Bow-Wow: commonalities of architecture
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Each year the Wouter Mikmak Foundation invites a designer to lecture for the series ‘Designers of the Future’. This publication presents that of the Tokyo-based office Atelier Bow-Wow, founded in 1992 by Yoshiharu Tsukamoto and Momoyo Kaijima. Their vision calls for a shift in architectural design from individuality based to commonality based, through the notion of architectural ‘behaviorology’. Behaviour in this sense is an inclusive term that not only denotes human practice, but also a building’s behaviour as material typology, as well as phenomena produced by natural elements like light, air, heat, and water. An architecture based on commonalities is key to their discussion.
Architecture, monographies
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This issue explores two themes, each through five recent projects. The terms culture and city both contain an element of opposition against two words that are often mistaken as their synonyms: civilisation and urbanisation. In this sense, culture can be considered a strategy of resistance. Recent examples that reflect this trend are SANAA’s Tsuruoka Cultural Hall, Caixa(...)
C3 395 : Learning cities / Culture for resistance
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This issue explores two themes, each through five recent projects. The terms culture and city both contain an element of opposition against two words that are often mistaken as their synonyms: civilisation and urbanisation. In this sense, culture can be considered a strategy of resistance. Recent examples that reflect this trend are SANAA’s Tsuruoka Cultural Hall, Caixa Forum Sevilla by Guillermo Vázquez Consuegra, and La Seine Music Hall by Shigeru Ban. Secondly, the school as social playground is examined in the Skovbakke School by CEBRA, German School Madrid by Grüntuch Ernst Architects, and the Copenhagen International School Nordhavn by C.F. Møller Architects.
Revues
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White Arkitekter, Scandinavia's leading interdisciplinary architecture practice, create environments that inspire sustainable ways of living. An employee-owned company, White is a collective of people interested in people. They are architects, anthropologists, planners, engineers, artists, sustainability experts, researchers, and more. In their new book, White showcase(...)
Make sense: architecture by White
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White Arkitekter, Scandinavia's leading interdisciplinary architecture practice, create environments that inspire sustainable ways of living. An employee-owned company, White is a collective of people interested in people. They are architects, anthropologists, planners, engineers, artists, sustainability experts, researchers, and more. In their new book, White showcase over 80 international projects. By integrating research and practice, their work pushes levels of sustainability even higher-it 'makes sense' in every way. Their projects range from residential apartments to trekking cabins, from schools to offices, from pop-up parks to nature reserves, and from hospitals to an entire city relocation.
Architecture, monographies
Economic science fictions
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From the libertarian economics of Ayn Rand to Aldous Huxley’s consumerist dystopias, economics and science fiction have often orbited each other. In "Economic Science Fictions", editor William Davies has deliberately merged the two worlds, asking how we might harness the power of the utopian imagination to revitalise economic thinking. Rooted in the sense that our current(...)
Economic science fictions
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From the libertarian economics of Ayn Rand to Aldous Huxley’s consumerist dystopias, economics and science fiction have often orbited each other. In "Economic Science Fictions", editor William Davies has deliberately merged the two worlds, asking how we might harness the power of the utopian imagination to revitalise economic thinking. Rooted in the sense that our current economic reality is no longer credible or viable, this collection treats our economy as a series of fictions and science fiction as a means of anticipating different economic futures. It asks how science fiction can motivate new approaches to economics and provides surprising new syntheses, merging social science with fiction, design with politics, scholarship with experimental forms.
Théorie/ philosophie