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This book brings together ideas and projects that seek to define a new role for design based on empathy. As a mediator of emotions and feelings, design is presented here as a practice that takes care as its main purpose. Designers adopt sensitive, diplomatic, sometimes therapeutic functions, with the aim of connecting us with one another but also with the world around us,(...)
Théorie du design
janvier 2021
Empathy revisited: Designs for more than one
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This book brings together ideas and projects that seek to define a new role for design based on empathy. As a mediator of emotions and feelings, design is presented here as a practice that takes care as its main purpose. Designers adopt sensitive, diplomatic, sometimes therapeutic functions, with the aim of connecting us with one another but also with the world around us, with other species, with soil, water and even the universe. In this book, the reader will find new ideas, utopian propositions but also practical solutions for reinterpreting and reconnecting with the world around them.
Théorie du design
The ABC of typography
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Typography confronts us everywhere: in books and newspapers, on road signs, in product packaging, and on political leaflets. It is ubiquitous to the point of mundanity. But while the typeface might be secondary to the message, it remains crucial to the way we respond. Fonts spark emotions; they evoke eras and ideologies. Some, like Edward Johnson’s for the London(...)
The ABC of typography
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Typography confronts us everywhere: in books and newspapers, on road signs, in product packaging, and on political leaflets. It is ubiquitous to the point of mundanity. But while the typeface might be secondary to the message, it remains crucial to the way we respond. Fonts spark emotions; they evoke eras and ideologies. Some, like Edward Johnson’s for the London Underground, have become iconic. Others, like Comic Sans, are loathed. Each one has its own place in history. ''The ABC of typography'' traces 3,500 years of type from Sumerian pictographs through Roman calligraphy to Gutenberg, the Bauhaus, and beyond.
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Menna Agha and Ola Hassanain edit, curate, and annotate this collection of stories by black Europeans, in which they tell stories of African peoplehood in cities that didn’t want them. They gather and tell stories of care, refusal, and the many place-making emotions that carved black spaces despite European cities. This collection includes stories by k. eltinaé, Mário(...)
There, is the city... and, here are my hands
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Menna Agha and Ola Hassanain edit, curate, and annotate this collection of stories by black Europeans, in which they tell stories of African peoplehood in cities that didn’t want them. They gather and tell stories of care, refusal, and the many place-making emotions that carved black spaces despite European cities. This collection includes stories by k. eltinaé, Mário Barros, Moad Musbahi, Sarah Bekambo, Bothan Ahmed Botan, Belinda Kazeem-Kaminski, and Nasra Abdullahi who recount, account, testify, theorize, plot, and speculate. The storytellers write in a sense-making exercise that seeks to shake the epistemic grounds on which they were forced to stand.
Théorie de l’architecture
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Architect John van de Water set off in 2004 to a China that was modernizing at a furious pace. His intention was to put the European, conceptual way of thinking of NEXT architects into practice in China. Five turbulent years ensued, with projects being built on Chinese soil. A whole range of emotions sprang up in the space between Western and Chinese architectural(...)
John Van de Water : You can't change China, China changes you
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Architect John van de Water set off in 2004 to a China that was modernizing at a furious pace. His intention was to put the European, conceptual way of thinking of NEXT architects into practice in China. Five turbulent years ensued, with projects being built on Chinese soil. A whole range of emotions sprang up in the space between Western and Chinese architectural thinking: incomprehension, confrontation, misunderstanding, acceptance, awareness, understanding and, eventually, advantage. You Can't Change China, China Changes You is a personal reflection of his experience. In it, the development of architectural thinking is described, researched and tested.
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An unconventional monograph on the work of architect Enric Miralles, this book by artist David Bestué combines the forms of essay, diary, notebook, and more. Asking what “spending time” in and around the works of Miralles means, Bestué coaxes unlikely meanings and emotions from them, capturing the buildings and spaces in a series of photographs that illustrate a living(...)
Enric Miralles : from left to right (and without glasses)
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An unconventional monograph on the work of architect Enric Miralles, this book by artist David Bestué combines the forms of essay, diary, notebook, and more. Asking what “spending time” in and around the works of Miralles means, Bestué coaxes unlikely meanings and emotions from them, capturing the buildings and spaces in a series of photographs that illustrate a living architecture. Applying the mind of an artist to the work of another creator, Bestué tries to unravel Miralles’s creative process, to understand how his ideas were formed, refined, and made into physical objects that survive and thrive in a seemingly unsympathetic world.
Architecture, monographies
On Gaslighting
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Kate Abramson examines gaslighting from a philosophical perspective, investigating it as a distinctive moral phenomenon.Gaslighting is best understood as a form of interpersonal interaction, a particular way of fundamentally undermining someone. The gaslighter, Abramson argues, aims to make his target experience herself as incapable of reasoning, perceiving, or reacting(...)
On Gaslighting
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Kate Abramson examines gaslighting from a philosophical perspective, investigating it as a distinctive moral phenomenon.Gaslighting is best understood as a form of interpersonal interaction, a particular way of fundamentally undermining someone. The gaslighter, Abramson argues, aims to make his target experience herself as incapable of reasoning, perceiving, or reacting in ways that would allow her to form appropriate beliefs, perceptions, or emotions in the first place. Using examples and analysis, Abramson gives an account of gaslighting and its immorality, and argues that such a discussion can help us understand other aspects of social life—from racism and sexism to the structure of interpersonal trust.
Social
Branding from A to Z
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". . . a glimpse of the "golden arches" along the highway makes our mouth water- then we begin to understand what it is that distinguishes personalities and brand personalities from mere names or brand names." (from "Branding from A to Z") We live in a world of brands. Brands play a crucial role in business competition but have also become an important social(...)
Branding from A to Z
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". . . a glimpse of the "golden arches" along the highway makes our mouth water- then we begin to understand what it is that distinguishes personalities and brand personalities from mere names or brand names." (from "Branding from A to Z") We live in a world of brands. Brands play a crucial role in business competition but have also become an important social phenomenon. Brands are represented by signs and symbols, gestures and images. They stand for values, hopes, and desires, for experiences and expectations. They evoke emotions and associations. "Branding from A to Z" is a crash course in the essence and impact of brands from A to Z.
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If there is a new language of contemporary design, surely it is pattern. Evocative, hypnotizing, sensual, calming, jarring, soothing patterns cover, conceal, and reveal an astonishing range of emotions and are at home on a chair or lamp as they are on the facades of enormous buildings. ''Patterns in design'' examines this new trend, illustrating it with work by design(...)
Matériaux et éclairage
août 2005, Basel
Patterns in design, art and architecture
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If there is a new language of contemporary design, surely it is pattern. Evocative, hypnotizing, sensual, calming, jarring, soothing patterns cover, conceal, and reveal an astonishing range of emotions and are at home on a chair or lamp as they are on the facades of enormous buildings. ''Patterns in design'' examines this new trend, illustrating it with work by design luminaries like Hella Jongerius, Tord Moontje, Michael Lin, Olaf Nicolai, and Sauebruch and Hutton. Along the journey, the reader will experience a diversity of colors, shapes, and applications, as well as new technologies like laser engraving and digital milling that promise an even bolder future for patterns.
Matériaux et éclairage
Dance in Herland
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''Dance in Herland'' surveys artist Luka Yuanyuan Yang’s cinematic oeuvre, including her feature-length production Chinatown Cha-Cha and five short films centered on diasporic Chinese communities. The book picks up where the films end, serving as both a reflection and a complement, while also creating a new narrative. Over nearly a year of editing, we felt like revisiting(...)
Dance in Herland
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''Dance in Herland'' surveys artist Luka Yuanyuan Yang’s cinematic oeuvre, including her feature-length production Chinatown Cha-Cha and five short films centered on diasporic Chinese communities. The book picks up where the films end, serving as both a reflection and a complement, while also creating a new narrative. Over nearly a year of editing, we felt like revisiting 20th-century San Francisco and Cuba, tracing history through the neons of Chinatown and the echoes of Cantonese opera. For the dancers and performers documented in this book, their bodies act as living archives; their memories and unspoken emotions may be concealed in their steps, fingertips, and gazes.
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Shot in Dungeness, on the coast of England, this series by Berlin-based photographer Shinichiro Shiraishi is influenced by memories of his childhood visits to his grandparents’ home in the Japanese countryside. It also reflects a realisation that emerged from his time there: that natural and human-made are both part of the landscape and a part of nature. The duality of(...)
Shinichiro Shiraishi: Samsara
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Shot in Dungeness, on the coast of England, this series by Berlin-based photographer Shinichiro Shiraishi is influenced by memories of his childhood visits to his grandparents’ home in the Japanese countryside. It also reflects a realisation that emerged from his time there: that natural and human-made are both part of the landscape and a part of nature. The duality of Dungeness is replicated by the book’s design – images shimmer, black pages balance white, adder stones puncture paper. To visualise the coexistence between natural and artificial objects, 90 photos have been subjected to analogue and digital processes, bringing us closer to the emotions of this peripheral place.
Monographies photo