2956 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Palais des Congrès
Palais des Congrès
Numéro de référence:
AP163.S2.SS1.D71
Description:
This project series documents Victor Prus's project for the Palais des Congrés, a convention centre in Montréal, Québec. Prus worked in collation with Labelle, Lalonde et Lemoyne architects. The project was completed in 1979. The building situated on top of the Autoroute Ville-Marie, between Saint-Antoine Street and Avenue Viger Ouest. From 1999 to 2002, major renovations and additions will double the size of the original building. The project series contains drawings, including sketches and perspectives drawings, site plans, floor plans, sections, details, elevations and other working drawings, and photographs of the buildings model, and photographs of the site and the surroundings. It also include press clippings about the project, promotional materials, samples of interior decorations, correspondence with clients, asssociates, contractors, and consultants, reports and studies from diffrentes stages of the developement of the project and the construction, specifications and buildings programs, and minutes of meetings. The project series also inlcudes models of the building.
AP163.S2.SS1.D71
Description:
This project series documents Victor Prus's project for the Palais des Congrés, a convention centre in Montréal, Québec. Prus worked in collation with Labelle, Lalonde et Lemoyne architects. The project was completed in 1979. The building situated on top of the Autoroute Ville-Marie, between Saint-Antoine Street and Avenue Viger Ouest. From 1999 to 2002, major renovations and additions will double the size of the original building. The project series contains drawings, including sketches and perspectives drawings, site plans, floor plans, sections, details, elevations and other working drawings, and photographs of the buildings model, and photographs of the site and the surroundings. It also include press clippings about the project, promotional materials, samples of interior decorations, correspondence with clients, asssociates, contractors, and consultants, reports and studies from diffrentes stages of the developement of the project and the construction, specifications and buildings programs, and minutes of meetings. The project series also inlcudes models of the building.
Personnes et institutions:
Date:
1978-1985
1978-1985
Titre:
Palais des Congrès
Actions:
AP163.S2.SS1.D71
Description:
This project series documents Victor Prus's project for the Palais des Congrés, a convention centre in Montréal, Québec. Prus worked in collation with Labelle, Lalonde et Lemoyne architects. The project was completed in 1979. The building situated on top of the Autoroute Ville-Marie, between Saint-Antoine Street and Avenue Viger Ouest. From 1999 to 2002, major renovations and additions will double the size of the original building. The project series contains drawings, including sketches and perspectives drawings, site plans, floor plans, sections, details, elevations and other working drawings, and photographs of the buildings model, and photographs of the site and the surroundings. It also include press clippings about the project, promotional materials, samples of interior decorations, correspondence with clients, asssociates, contractors, and consultants, reports and studies from diffrentes stages of the developement of the project and the construction, specifications and buildings programs, and minutes of meetings. The project series also inlcudes models of the building.
Palais des Congrès
Actions:
AP163.S2.SS1.D71
Description:
This project series documents Victor Prus's project for the Palais des Congrés, a convention centre in Montréal, Québec. Prus worked in collation with Labelle, Lalonde et Lemoyne architects. The project was completed in 1979. The building situated on top of the Autoroute Ville-Marie, between Saint-Antoine Street and Avenue Viger Ouest. From 1999 to 2002, major renovations and additions will double the size of the original building. The project series contains drawings, including sketches and perspectives drawings, site plans, floor plans, sections, details, elevations and other working drawings, and photographs of the buildings model, and photographs of the site and the surroundings. It also include press clippings about the project, promotional materials, samples of interior decorations, correspondence with clients, asssociates, contractors, and consultants, reports and studies from diffrentes stages of the developement of the project and the construction, specifications and buildings programs, and minutes of meetings. The project series also inlcudes models of the building.
Niveau de description archivistique:
File 71
File 71
Date:
1978-1985
1978-1985
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR1987:0585
Description:
- This drawing for an hexagonal-shaped sign for Wayfarers' Chapel, Palos Verdes, California, is developed within the equilateral parallelogram grid unit of the chapel. The grid unit is inscribed on several orthographic drawings (DR1987:0530) and is described by Lloyd Wright in the architect's statement (DR1987:0869:011:009). This sign could either be for the entrance gate sign or the roadside sign shown on other drawings (eg. DR1987:0625).
DR1987:0585
Description:
- This drawing for an hexagonal-shaped sign for Wayfarers' Chapel, Palos Verdes, California, is developed within the equilateral parallelogram grid unit of the chapel. The grid unit is inscribed on several orthographic drawings (DR1987:0530) and is described by Lloyd Wright in the architect's statement (DR1987:0869:011:009). This sign could either be for the entrance gate sign or the roadside sign shown on other drawings (eg. DR1987:0625).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
between 1953 and 1958
between 1953 and 1958
Titre:
Wayfarers' Chapel, Palos Verdes, California: Elevation for a sign developed within an equilateral parallelogram
Actions:
DR1987:0585
Description:
- This drawing for an hexagonal-shaped sign for Wayfarers' Chapel, Palos Verdes, California, is developed within the equilateral parallelogram grid unit of the chapel. The grid unit is inscribed on several orthographic drawings (DR1987:0530) and is described by Lloyd Wright in the architect's statement (DR1987:0869:011:009). This sign could either be for the entrance gate sign or the roadside sign shown on other drawings (eg. DR1987:0625).
Wayfarers' Chapel, Palos Verdes, California: Elevation for a sign developed within an equilateral parallelogram
Actions:
DR1987:0585
Description:
- This drawing for an hexagonal-shaped sign for Wayfarers' Chapel, Palos Verdes, California, is developed within the equilateral parallelogram grid unit of the chapel. The grid unit is inscribed on several orthographic drawings (DR1987:0530) and is described by Lloyd Wright in the architect's statement (DR1987:0869:011:009). This sign could either be for the entrance gate sign or the roadside sign shown on other drawings (eg. DR1987:0625).
Classification:
dessins
dessins
Date:
between 1953 and 1958
between 1953 and 1958
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Personnes et institutions:
Date:
1967-1988
1967-1988
Titre:
Public relations, marketing and collaborations
Actions:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Public relations, marketing and collaborations
Actions:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Niveau de description archivistique:
sub-series
sub-series
Date:
1967-1988
1967-1988
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS9.012
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from B-CO. The largest portion of the box is comprised of drafts and correspondence on Caltrava Bridges. Also included is a dossier for the International Committee of Architectural Critica (CICA). Other subjects and architects explored in these texts include Georges Baines, Luis Barragan, H.P. Berlage, Mario Botta, the British Library, Alberto Campo Baeza, China's sacred sites, and David Chipperfield.
AP197.S1.SS9.012
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from B-CO. The largest portion of the box is comprised of drafts and correspondence on Caltrava Bridges. Also included is a dossier for the International Committee of Architectural Critica (CICA). Other subjects and architects explored in these texts include Georges Baines, Luis Barragan, H.P. Berlage, Mario Botta, the British Library, Alberto Campo Baeza, China's sacred sites, and David Chipperfield.
Personnes et institutions:
Date:
1977-2016
1977-2016
Titre:
Kenneth Frampton writings (B-CO)
Actions:
AP197.S1.SS9.012
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from B-CO. The largest portion of the box is comprised of drafts and correspondence on Caltrava Bridges. Also included is a dossier for the International Committee of Architectural Critica (CICA). Other subjects and architects explored in these texts include Georges Baines, Luis Barragan, H.P. Berlage, Mario Botta, the British Library, Alberto Campo Baeza, China's sacred sites, and David Chipperfield.
Kenneth Frampton writings (B-CO)
Actions:
AP197.S1.SS9.012
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from B-CO. The largest portion of the box is comprised of drafts and correspondence on Caltrava Bridges. Also included is a dossier for the International Committee of Architectural Critica (CICA). Other subjects and architects explored in these texts include Georges Baines, Luis Barragan, H.P. Berlage, Mario Botta, the British Library, Alberto Campo Baeza, China's sacred sites, and David Chipperfield.
Classification:
documents textuels
documents textuels
Date:
1977-2016
1977-2016
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS9.013
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from CO-FR.The largest portion of the box is comprised of: a dossier on DO.CO, MO.MO which includes correspondence, pamphlets, programs and newsletters; drafts and correspondence for "the Evolution of 20th Century: a Synoptic Account;" and transcripts of interviews with Kenneth Frampton. Other subjects and architects explored in these texts include the work of Charles Correa, Czech architecture and the avant-garde, Peter Felix, and Norman Foster.
AP197.S1.SS9.013
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from CO-FR.The largest portion of the box is comprised of: a dossier on DO.CO, MO.MO which includes correspondence, pamphlets, programs and newsletters; drafts and correspondence for "the Evolution of 20th Century: a Synoptic Account;" and transcripts of interviews with Kenneth Frampton. Other subjects and architects explored in these texts include the work of Charles Correa, Czech architecture and the avant-garde, Peter Felix, and Norman Foster.
Personnes et institutions:
Date:
circa 1965-2015
circa 1965-2015
Titre:
Kenneth Frampton writings (CO-FR)
Actions:
AP197.S1.SS9.013
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from CO-FR.The largest portion of the box is comprised of: a dossier on DO.CO, MO.MO which includes correspondence, pamphlets, programs and newsletters; drafts and correspondence for "the Evolution of 20th Century: a Synoptic Account;" and transcripts of interviews with Kenneth Frampton. Other subjects and architects explored in these texts include the work of Charles Correa, Czech architecture and the avant-garde, Peter Felix, and Norman Foster.
Kenneth Frampton writings (CO-FR)
Actions:
AP197.S1.SS9.013
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from CO-FR.The largest portion of the box is comprised of: a dossier on DO.CO, MO.MO which includes correspondence, pamphlets, programs and newsletters; drafts and correspondence for "the Evolution of 20th Century: a Synoptic Account;" and transcripts of interviews with Kenneth Frampton. Other subjects and architects explored in these texts include the work of Charles Correa, Czech architecture and the avant-garde, Peter Felix, and Norman Foster.
Classification:
documents textuels
documents textuels
Date:
circa 1965-2015
circa 1965-2015
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
Personnes et institutions:
Date:
1932-1975
1932-1975
Titre:
Projets d'architecture = Architectural projects
Actions:
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
Projets d'architecture = Architectural projects
Actions:
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
Niveau de description archivistique:
Série 3
Série 3
Date:
1932-1975
1932-1975
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Bijoy Jain
Fonds Bijoy Jain
Numéro de référence:
AP182
Résumé:
The Bijoy Jain fonds documents eight projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2015. Represented work includes courtyard houses in Maharashtra, Ahmedabad, and Chennai, live-work complexes in Mumbai and Dehradun, as well as two research-based projects, one for migrant housing and another an investigation of building demolition. The fonds consists of reproduced and original drawings, photographs, models, material samples, and several video recordings.
AP182
Résumé:
The Bijoy Jain fonds documents eight projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2015. Represented work includes courtyard houses in Maharashtra, Ahmedabad, and Chennai, live-work complexes in Mumbai and Dehradun, as well as two research-based projects, one for migrant housing and another an investigation of building demolition. The fonds consists of reproduced and original drawings, photographs, models, material samples, and several video recordings.
Personnes et institutions:
Date:
2008-2015
2008-2015
Titre:
Fonds Bijoy Jain
Actions:
AP182
Résumé:
The Bijoy Jain fonds documents eight projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2015. Represented work includes courtyard houses in Maharashtra, Ahmedabad, and Chennai, live-work complexes in Mumbai and Dehradun, as well as two research-based projects, one for migrant housing and another an investigation of building demolition. The fonds consists of reproduced and original drawings, photographs, models, material samples, and several video recordings.
Fonds Bijoy Jain
Actions:
AP182
Résumé:
The Bijoy Jain fonds documents eight projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2015. Represented work includes courtyard houses in Maharashtra, Ahmedabad, and Chennai, live-work complexes in Mumbai and Dehradun, as well as two research-based projects, one for migrant housing and another an investigation of building demolition. The fonds consists of reproduced and original drawings, photographs, models, material samples, and several video recordings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2008-2015
2008-2015
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Personnes et institutions:
Date:
circa 1981-1988
circa 1981-1988
Titre:
Concurso, Block 121, Schlesisches Tor [Competition for Schlesisches Tor residential complex], Berlin, Germany (1981-1988)
Actions:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Concurso, Block 121, Schlesisches Tor [Competition for Schlesisches Tor residential complex], Berlin, Germany (1981-1988)
Actions:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Niveau de description archivistique:
Project
Project
Date:
circa 1981-1988
circa 1981-1988
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP185.S2
Description:
This project, 1994-2001, contains material related to the Ost/Kuttner Apartment, a built residential project in New York City. Described by its clients as “Cleopatra’s submarine,” the O/K Apartment converts two adjacent units in a pre-World War II building in New York into a single but divisible space. The Apartment is organized into areas defined less by their programmatic identity—bathroom, bedroom, living room—than by a series of undulating landscapes made up of custom, function-bridging forms, which KOL/MAC developed by digitally compositing cross-sections of everyday domestic objects. To produce the pieces, the architects worked intensively with contractors in a process directly informed by computer-aided fabrication in a variety of fields including ship-building, bobsled design, and stage design. The digital project records are largely in word processing formats, namely Microsoft Word for Mac and ClarisWorks, as well as images in TIF, JPEG, and Mac Pict image formats. There are also a large number of Microstation CAD drawings. There are two major groupings within the digital material: First, there is a body of video and still images. These consist of screen captures of renderings and other digital models. There are also images and HTML for a related website, a photograph viewer showing pictures of a built, physical model of the apartment. Of note, there are two videos which document the early construction of the Apartment, as well as the construction of the shower/bed. The second grouping consists of construction and design documentation. This consists of correspondence, invoices, and other word processing documents which show KOL/MAC’s work with the client, contractor, engineer, and other stakeholders. They also contain a large number of design files and images which document the evolving design of the Apartment. KOL/MAC versioned their working files at certain intervals, and each version represents a snapshot of the working files at a particular time. There is a substantial amount of duplication across these files. There is also a physical component to the records, including three material samples from the apartment, as well as 28 floorplans for the bid set, 6 floorplans, and 2 blueprints. There is also .3 linear meters of textual records which document KOL/MAC’s work with the client, contractor, and sub-contractor during construction.
AP185.S2
Description:
This project, 1994-2001, contains material related to the Ost/Kuttner Apartment, a built residential project in New York City. Described by its clients as “Cleopatra’s submarine,” the O/K Apartment converts two adjacent units in a pre-World War II building in New York into a single but divisible space. The Apartment is organized into areas defined less by their programmatic identity—bathroom, bedroom, living room—than by a series of undulating landscapes made up of custom, function-bridging forms, which KOL/MAC developed by digitally compositing cross-sections of everyday domestic objects. To produce the pieces, the architects worked intensively with contractors in a process directly informed by computer-aided fabrication in a variety of fields including ship-building, bobsled design, and stage design. The digital project records are largely in word processing formats, namely Microsoft Word for Mac and ClarisWorks, as well as images in TIF, JPEG, and Mac Pict image formats. There are also a large number of Microstation CAD drawings. There are two major groupings within the digital material: First, there is a body of video and still images. These consist of screen captures of renderings and other digital models. There are also images and HTML for a related website, a photograph viewer showing pictures of a built, physical model of the apartment. Of note, there are two videos which document the early construction of the Apartment, as well as the construction of the shower/bed. The second grouping consists of construction and design documentation. This consists of correspondence, invoices, and other word processing documents which show KOL/MAC’s work with the client, contractor, engineer, and other stakeholders. They also contain a large number of design files and images which document the evolving design of the Apartment. KOL/MAC versioned their working files at certain intervals, and each version represents a snapshot of the working files at a particular time. There is a substantial amount of duplication across these files. There is also a physical component to the records, including three material samples from the apartment, as well as 28 floorplans for the bid set, 6 floorplans, and 2 blueprints. There is also .3 linear meters of textual records which document KOL/MAC’s work with the client, contractor, and sub-contractor during construction.
Personnes et institutions:
Date:
1994-2001
1994-2001
Titre:
O/K Apartment (New York, N.Y.)
Actions:
AP185.S2
Description:
This project, 1994-2001, contains material related to the Ost/Kuttner Apartment, a built residential project in New York City. Described by its clients as “Cleopatra’s submarine,” the O/K Apartment converts two adjacent units in a pre-World War II building in New York into a single but divisible space. The Apartment is organized into areas defined less by their programmatic identity—bathroom, bedroom, living room—than by a series of undulating landscapes made up of custom, function-bridging forms, which KOL/MAC developed by digitally compositing cross-sections of everyday domestic objects. To produce the pieces, the architects worked intensively with contractors in a process directly informed by computer-aided fabrication in a variety of fields including ship-building, bobsled design, and stage design. The digital project records are largely in word processing formats, namely Microsoft Word for Mac and ClarisWorks, as well as images in TIF, JPEG, and Mac Pict image formats. There are also a large number of Microstation CAD drawings. There are two major groupings within the digital material: First, there is a body of video and still images. These consist of screen captures of renderings and other digital models. There are also images and HTML for a related website, a photograph viewer showing pictures of a built, physical model of the apartment. Of note, there are two videos which document the early construction of the Apartment, as well as the construction of the shower/bed. The second grouping consists of construction and design documentation. This consists of correspondence, invoices, and other word processing documents which show KOL/MAC’s work with the client, contractor, engineer, and other stakeholders. They also contain a large number of design files and images which document the evolving design of the Apartment. KOL/MAC versioned their working files at certain intervals, and each version represents a snapshot of the working files at a particular time. There is a substantial amount of duplication across these files. There is also a physical component to the records, including three material samples from the apartment, as well as 28 floorplans for the bid set, 6 floorplans, and 2 blueprints. There is also .3 linear meters of textual records which document KOL/MAC’s work with the client, contractor, and sub-contractor during construction.
O/K Apartment (New York, N.Y.)
Actions:
AP185.S2
Description:
This project, 1994-2001, contains material related to the Ost/Kuttner Apartment, a built residential project in New York City. Described by its clients as “Cleopatra’s submarine,” the O/K Apartment converts two adjacent units in a pre-World War II building in New York into a single but divisible space. The Apartment is organized into areas defined less by their programmatic identity—bathroom, bedroom, living room—than by a series of undulating landscapes made up of custom, function-bridging forms, which KOL/MAC developed by digitally compositing cross-sections of everyday domestic objects. To produce the pieces, the architects worked intensively with contractors in a process directly informed by computer-aided fabrication in a variety of fields including ship-building, bobsled design, and stage design. The digital project records are largely in word processing formats, namely Microsoft Word for Mac and ClarisWorks, as well as images in TIF, JPEG, and Mac Pict image formats. There are also a large number of Microstation CAD drawings. There are two major groupings within the digital material: First, there is a body of video and still images. These consist of screen captures of renderings and other digital models. There are also images and HTML for a related website, a photograph viewer showing pictures of a built, physical model of the apartment. Of note, there are two videos which document the early construction of the Apartment, as well as the construction of the shower/bed. The second grouping consists of construction and design documentation. This consists of correspondence, invoices, and other word processing documents which show KOL/MAC’s work with the client, contractor, engineer, and other stakeholders. They also contain a large number of design files and images which document the evolving design of the Apartment. KOL/MAC versioned their working files at certain intervals, and each version represents a snapshot of the working files at a particular time. There is a substantial amount of duplication across these files. There is also a physical component to the records, including three material samples from the apartment, as well as 28 floorplans for the bid set, 6 floorplans, and 2 blueprints. There is also .3 linear meters of textual records which document KOL/MAC’s work with the client, contractor, and sub-contractor during construction.
Niveau de description archivistique:
Series
Series
Date:
1994-2001
1994-2001
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
Personnes et institutions:
Date:
1953-2018
1953-2018
Titre:
Administrative records and promotional material
Actions:
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
Administrative records and promotional material
Actions:
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
Niveau de description archivistique:
Sub-series
Sub-series
Date:
1953-2018
1953-2018
Personnes et institutions:
