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Sophie: Voir la mer
Sophie: Voir la mer
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For Voir la mer, Sophie Calle invited inhabitants of Istanbul, who often originated from central Turkey, to see the sea for the first time. "I took 15 people of all ages, from kids to one man in his 80s once we were safely by the sea, I instructed them to take away their hands and look at it. Then, when they were ready--for some it was five minutes and for others 15--they(...)
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For Voir la mer, Sophie Calle invited inhabitants of Istanbul, who often originated from central Turkey, to see the sea for the first time. "I took 15 people of all ages, from kids to one man in his 80s once we were safely by the sea, I instructed them to take away their hands and look at it. Then, when they were ready--for some it was five minutes and for others 15--they(...)
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Sophie: Voir la mer
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For Voir la mer, Sophie Calle invited inhabitants of Istanbul, who often originated from central Turkey, to see the sea for the first time. "I took 15 people of all ages, from kids to one man in his 80s once we were safely by the sea, I instructed them to take away their hands and look at it. Then, when they were ready--for some it was five minutes and for others 15--they had to turn to me and let me look at those eyes that had just seen the sea." The project was eventually composed of 14 five-minute videos, made for Calle by Caroline Champetier. Each person is filmed from behind, eventually turning to face the camera, revealing the emotions the experience has evoked.
Sophie: Voir la mer
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For Voir la mer, Sophie Calle invited inhabitants of Istanbul, who often originated from central Turkey, to see the sea for the first time. "I took 15 people of all ages, from kids to one man in his 80s once we were safely by the sea, I instructed them to take away their hands and look at it. Then, when they were ready--for some it was five minutes and for others 15--they had to turn to me and let me look at those eyes that had just seen the sea." The project was eventually composed of 14 five-minute videos, made for Calle by Caroline Champetier. Each person is filmed from behind, eventually turning to face the camera, revealing the emotions the experience has evoked.
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livres
livres
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février 2015
février 2015
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livres
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173 pages : illustrations (chiefly color) ; 30 cm
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173 pages : illustrations (chiefly color) ; 30 cm
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Paris : Ulmer, [2018]
Paris : Ulmer, [2018]
Titre:
Minéral végétal : deux visions du jardin / Jean-Michel Wilmotte, architecte, Jean Mus, paysagiste ; propos recueillis par Dane McDowell.
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173 pages : illustrations (chiefly color) ; 30 cm
Minéral végétal : deux visions du jardin / Jean-Michel Wilmotte, architecte, Jean Mus, paysagiste ; propos recueillis par Dane McDowell.
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173 pages : illustrations (chiefly color) ; 30 cm
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livres
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Paris : Ulmer, [2018]
Paris : Ulmer, [2018]
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An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of(...)
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An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of(...)
Publication:
novembre 2003, Zurich / Gdansk
novembre 2003, Zurich / Gdansk
Titre:
Bewitched, bothered and bewildered : spatial emotion in contemporary art and architecture
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An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of space and its emotion; Michel Foucault’s other spaces – heterotopias and their counter-site qualities of socio-political implications; and Walter Benjamin’s outmoded and repressed space with all its auratic traces (fake or authentic) of philosophical and historic charge. “Bewitched, Bothered and Bewildered” aims to exploit the psychological associations of space with its multiplicity of emotional overtones, mapping its extremes and its psychic environment. Focusing on spatial pathologies (agoraphobia, vertigo, claustrophobia...), the exhibition identifies space as a cause of mental disorder, fear or estrangement, ultimate trauma. Hysteria, panic and neurosis overlap with other spatial stories of psychic unrest and unease: distortions and perversions (warped space); anxiety and enigmas (haunted space); spatial inconvenience and discomfort, perfectly domestic and yet alienating; space half-spoken, half-pronounced: a promise, a puzzle, a magic spell, temptation.
Bewitched, bothered and bewildered : spatial emotion in contemporary art and architecture
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An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of space and its emotion; Michel Foucault’s other spaces – heterotopias and their counter-site qualities of socio-political implications; and Walter Benjamin’s outmoded and repressed space with all its auratic traces (fake or authentic) of philosophical and historic charge. “Bewitched, Bothered and Bewildered” aims to exploit the psychological associations of space with its multiplicity of emotional overtones, mapping its extremes and its psychic environment. Focusing on spatial pathologies (agoraphobia, vertigo, claustrophobia...), the exhibition identifies space as a cause of mental disorder, fear or estrangement, ultimate trauma. Hysteria, panic and neurosis overlap with other spatial stories of psychic unrest and unease: distortions and perversions (warped space); anxiety and enigmas (haunted space); spatial inconvenience and discomfort, perfectly domestic and yet alienating; space half-spoken, half-pronounced: a promise, a puzzle, a magic spell, temptation.
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livres
livres
Publication:
novembre 2003, Zurich / Gdansk
novembre 2003, Zurich / Gdansk
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livres
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There is no escaping landscape: it's everywhere and part of everyone's life. Landscapes have received much less attention in aesthetics than those arts we can choose to ignore, such as painting or music - but they can tell us a lot about the ethical and aesthetic values of the societies that produce them. Drawing examples from a wide range of landscapes from around the(...)
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There is no escaping landscape: it's everywhere and part of everyone's life. Landscapes have received much less attention in aesthetics than those arts we can choose to ignore, such as painting or music - but they can tell us a lot about the ethical and aesthetic values of the societies that produce them. Drawing examples from a wide range of landscapes from around the(...)
Titre:
On landscapes, thinking in action
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There is no escaping landscape: it's everywhere and part of everyone's life. Landscapes have received much less attention in aesthetics than those arts we can choose to ignore, such as painting or music - but they can tell us a lot about the ethical and aesthetic values of the societies that produce them. Drawing examples from a wide range of landscapes from around the world and throughout history, the author considers the ways landscapes can affect our emotions, our imaginations, and our understanding of the passage of time. This publication reveals the enormous design work involved in even the most naturalistic of landscapes, such as Prospect Park in Brooklyn, and the ways in which contemporary landscapes are turning the challenges of the industrial past into opportunities for the future.
On landscapes, thinking in action
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There is no escaping landscape: it's everywhere and part of everyone's life. Landscapes have received much less attention in aesthetics than those arts we can choose to ignore, such as painting or music - but they can tell us a lot about the ethical and aesthetic values of the societies that produce them. Drawing examples from a wide range of landscapes from around the world and throughout history, the author considers the ways landscapes can affect our emotions, our imaginations, and our understanding of the passage of time. This publication reveals the enormous design work involved in even the most naturalistic of landscapes, such as Prospect Park in Brooklyn, and the ways in which contemporary landscapes are turning the challenges of the industrial past into opportunities for the future.
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livres
livres
Publication:
septembre 2008
septembre 2008
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
Titre:
Mind in architecture
Mind in architecture
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Although we spend more than ninety percent of our lives inside buildings, we understand very little about how the built environment affects our behavior, thoughts, emotions, and well-being. We are biological beings whose senses and neural systems have developed over millions of years; it stands to reason that research in the life sciences, particularly neuroscience, can(...)
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Although we spend more than ninety percent of our lives inside buildings, we understand very little about how the built environment affects our behavior, thoughts, emotions, and well-being. We are biological beings whose senses and neural systems have developed over millions of years; it stands to reason that research in the life sciences, particularly neuroscience, can(...)
Titre:
Mind in architecture
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Although we spend more than ninety percent of our lives inside buildings, we understand very little about how the built environment affects our behavior, thoughts, emotions, and well-being. We are biological beings whose senses and neural systems have developed over millions of years; it stands to reason that research in the life sciences, particularly neuroscience, can offer compelling insights into the ways our buildings shape our interactions with the world. This expanded understanding can help architects design buildings that support both mind and body. In Mind in Architecture, leading thinkers from architecture and other disciplines, including neuroscience, cognitive science, psychiatry, and philosophy, explore what architecture and neuroscience can learn from each other. They offer historical context, examine the implications for current architectural practice and education, and imagine a neuroscientifically informed architecture of the future.
Mind in architecture
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Although we spend more than ninety percent of our lives inside buildings, we understand very little about how the built environment affects our behavior, thoughts, emotions, and well-being. We are biological beings whose senses and neural systems have developed over millions of years; it stands to reason that research in the life sciences, particularly neuroscience, can offer compelling insights into the ways our buildings shape our interactions with the world. This expanded understanding can help architects design buildings that support both mind and body. In Mind in Architecture, leading thinkers from architecture and other disciplines, including neuroscience, cognitive science, psychiatry, and philosophy, explore what architecture and neuroscience can learn from each other. They offer historical context, examine the implications for current architectural practice and education, and imagine a neuroscientifically informed architecture of the future.
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livres
livres
Publication:
mars 2017
mars 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$55.00
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South Korean artist Haegue Yang (born 1971) uses a wide array of mediums—ranging from paper collage, video essays and performative sculptures to large-scale installations—to create images and experiences in which people, places and things are evocatively linked. Often using ordinary objects in elaborate abstract compositions, Yang's work stages chance encounters between(...)
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South Korean artist Haegue Yang (born 1971) uses a wide array of mediums—ranging from paper collage, video essays and performative sculptures to large-scale installations—to create images and experiences in which people, places and things are evocatively linked. Often using ordinary objects in elaborate abstract compositions, Yang's work stages chance encounters between(...)
Titre:
Haegue Yang: Anthology 2006-2018
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South Korean artist Haegue Yang (born 1971) uses a wide array of mediums—ranging from paper collage, video essays and performative sculptures to large-scale installations—to create images and experiences in which people, places and things are evocatively linked. Often using ordinary objects in elaborate abstract compositions, Yang's work stages chance encounters between viewers and materials that can generate unexpected forms, emotions and narratives. This publication is a rich, fully illustrated anthology of the most significant writing on Yang's work from 2006 to 2018. Featuring essays and interviews by Lars Bang Larsen, Nicolas Bourriaud, Binna Choi, Doryun Chong, T.J. Demos, Yilmaz Dziewior, Patricia Falguières, Eungie Joo, Tom McDonough, Ute Meta Bauer, Bart van der Heide and Anne M. Wagner, the selection of texts in this volume thoroughly engage the complexity of the artist's work.
Haegue Yang: Anthology 2006-2018
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South Korean artist Haegue Yang (born 1971) uses a wide array of mediums—ranging from paper collage, video essays and performative sculptures to large-scale installations—to create images and experiences in which people, places and things are evocatively linked. Often using ordinary objects in elaborate abstract compositions, Yang's work stages chance encounters between viewers and materials that can generate unexpected forms, emotions and narratives. This publication is a rich, fully illustrated anthology of the most significant writing on Yang's work from 2006 to 2018. Featuring essays and interviews by Lars Bang Larsen, Nicolas Bourriaud, Binna Choi, Doryun Chong, T.J. Demos, Yilmaz Dziewior, Patricia Falguières, Eungie Joo, Tom McDonough, Ute Meta Bauer, Bart van der Heide and Anne M. Wagner, the selection of texts in this volume thoroughly engage the complexity of the artist's work.
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livres
livres
Publication:
juin 2019
juin 2019
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livres
livres
Titre:
Idea 311: Sound cosmography
Idea 311: Sound cosmography
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Special Feature: Sound Cosmography Response in Silence: on the way to ECM covers; "the heaven is round and the earth is square" The world of Kohei Sugiura's record jackets; datamatics = C4I + data.series--a project by Ryoji Ikeda; Karlheinz Stockhausen's original drawings: between sound and sight; Emotions and Expressions--Works of Hidetoshi Mito; When Pigs Design(...)
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Special Feature: Sound Cosmography Response in Silence: on the way to ECM covers; "the heaven is round and the earth is square" The world of Kohei Sugiura's record jackets; datamatics = C4I + data.series--a project by Ryoji Ikeda; Karlheinz Stockhausen's original drawings: between sound and sight; Emotions and Expressions--Works of Hidetoshi Mito; When Pigs Design(...)
Titre:
Idea 311: Sound cosmography
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Special Feature: Sound Cosmography Response in Silence: on the way to ECM covers; "the heaven is round and the earth is square" The world of Kohei Sugiura's record jackets; datamatics = C4I + data.series--a project by Ryoji Ikeda; Karlheinz Stockhausen's original drawings: between sound and sight; Emotions and Expressions--Works of Hidetoshi Mito; When Pigs Design Vol.32 by Kyoichi Tsuzuki "Tempting 4 color process prints--City Heaven, the printed cosmos of 2500gram"; Typography Review vol. 9 "The Origins and Historical Changes of the Shueitai Typeface" Text by Taro Yamamoto, Design by Yoshihisa Shirai,Typeset by Akira Okayasu / Kuni Metal--Design of the new special paper by GRAPH; Variations on a Silence:Project for a Recycling Plant; News + Information / Shinro Ohtake Original Serial Poster; 2nd Impact; Part 12, Side A: 'Office Room', Side B: 'What's already there'
Idea 311: Sound cosmography
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Special Feature: Sound Cosmography Response in Silence: on the way to ECM covers; "the heaven is round and the earth is square" The world of Kohei Sugiura's record jackets; datamatics = C4I + data.series--a project by Ryoji Ikeda; Karlheinz Stockhausen's original drawings: between sound and sight; Emotions and Expressions--Works of Hidetoshi Mito; When Pigs Design Vol.32 by Kyoichi Tsuzuki "Tempting 4 color process prints--City Heaven, the printed cosmos of 2500gram"; Typography Review vol. 9 "The Origins and Historical Changes of the Shueitai Typeface" Text by Taro Yamamoto, Design by Yoshihisa Shirai,Typeset by Akira Okayasu / Kuni Metal--Design of the new special paper by GRAPH; Variations on a Silence:Project for a Recycling Plant; News + Information / Shinro Ohtake Original Serial Poster; 2nd Impact; Part 12, Side A: 'Office Room', Side B: 'What's already there'
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livres
livres
Publication:
juillet 2005, Tokyo
juillet 2005, Tokyo
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livres
livres
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$22.95
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Each year, the New York chapter of the AIGA invites a group of emerging designers to participate in the Fresh Dialogue forum. In/Visible: Graphic Data Revealed brings together a diverse group of information graphics designers for a lively discussion about the challenges they face visualizing information. Steve Duenes manages the New York Times print and online graphics(...)
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Each year, the New York chapter of the AIGA invites a group of emerging designers to participate in the Fresh Dialogue forum. In/Visible: Graphic Data Revealed brings together a diverse group of information graphics designers for a lively discussion about the challenges they face visualizing information. Steve Duenes manages the New York Times print and online graphics(...)
Titre:
Fresh dialogue nine: In/visible: graphic data revealed
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$22.95
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Each year, the New York chapter of the AIGA invites a group of emerging designers to participate in the Fresh Dialogue forum. In/Visible: Graphic Data Revealed brings together a diverse group of information graphics designers for a lively discussion about the challenges they face visualizing information. Steve Duenes manages the New York Times print and online graphics department; Andrew Kuo attempts to categorize unmeasurable human emotions through meticulous charts and diagrams; Fernanda Viégas of IBM’s Visual Communication Lab is the cocreator of the Many Eyes social website that encourages members to upload, interpret, and revisualize one another’s data. Their discussion, moderated by Rhode Island School of Design president John Maeda, covers a range of current and anticipated trends in visual journalism, including issues such as data integrity and visual ethics, judicious simplicity versus seductive complexity, and the everincreasing demand for dynamic information.
Fresh dialogue nine: In/visible: graphic data revealed
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Each year, the New York chapter of the AIGA invites a group of emerging designers to participate in the Fresh Dialogue forum. In/Visible: Graphic Data Revealed brings together a diverse group of information graphics designers for a lively discussion about the challenges they face visualizing information. Steve Duenes manages the New York Times print and online graphics department; Andrew Kuo attempts to categorize unmeasurable human emotions through meticulous charts and diagrams; Fernanda Viégas of IBM’s Visual Communication Lab is the cocreator of the Many Eyes social website that encourages members to upload, interpret, and revisualize one another’s data. Their discussion, moderated by Rhode Island School of Design president John Maeda, covers a range of current and anticipated trends in visual journalism, including issues such as data integrity and visual ethics, judicious simplicity versus seductive complexity, and the everincreasing demand for dynamic information.
Classification:
livres
livres
Publication:
janvier 2009
janvier 2009
Sujet:
Théorie du design
Théorie du design
Classification:
livres
livres
Titre:
The big fish
The big fish
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$26.00
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A little island inhabited by fishermen, the sun, the waves. The little boats quietly fish the high seas, but one day a big boat comes to steal all the fishes to the fishermen. The poor fishermen are desperate, till a frightening storm will abandon a big, big fish on the beach: onec more the nature has won... Aoi Huber-Kono writes and draws a tender and fascinating(...)
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A little island inhabited by fishermen, the sun, the waves. The little boats quietly fish the high seas, but one day a big boat comes to steal all the fishes to the fishermen. The poor fishermen are desperate, till a frightening storm will abandon a big, big fish on the beach: onec more the nature has won... Aoi Huber-Kono writes and draws a tender and fascinating(...)
Titre:
The big fish
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$26.00
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A little island inhabited by fishermen, the sun, the waves. The little boats quietly fish the high seas, but one day a big boat comes to steal all the fishes to the fishermen. The poor fishermen are desperate, till a frightening storm will abandon a big, big fish on the beach: onec more the nature has won... Aoi Huber-Kono writes and draws a tender and fascinating story, where the soft and winding stroke and non-conventional use of colours create a mysterious and bewitching atmosphere. The creative make-up by Max Huber, inspired by calligrammes, follows the waves’ rythm, the spaces and moves suggested by drawings, and generates emotions in the reader. “Il grande pesce”, published for the first time in 1968, it’s a book that continues to talk and touch contemporary children and adults.
The big fish
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A little island inhabited by fishermen, the sun, the waves. The little boats quietly fish the high seas, but one day a big boat comes to steal all the fishes to the fishermen. The poor fishermen are desperate, till a frightening storm will abandon a big, big fish on the beach: onec more the nature has won... Aoi Huber-Kono writes and draws a tender and fascinating story, where the soft and winding stroke and non-conventional use of colours create a mysterious and bewitching atmosphere. The creative make-up by Max Huber, inspired by calligrammes, follows the waves’ rythm, the spaces and moves suggested by drawings, and generates emotions in the reader. “Il grande pesce”, published for the first time in 1968, it’s a book that continues to talk and touch contemporary children and adults.
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livres
livres
Publication:
janvier 1900, Mantova
janvier 1900, Mantova
Sujet:
Littérature jeunesse
Littérature jeunesse
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livres
livres
Titre:
Blue
Blue
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$20.00
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Originally released as a feature film in 1993, the year before the acclaimed artist and filmmaker Derek Jarman’s death due to an AIDS-related illness, Blue is a daring and powerful work of art. The film and its script, as reproduced in this volume, serve as an impassioned response to the lack of political engagement with the AIDS crisis. Jarman’s Blue moves through myriad(...)
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Originally released as a feature film in 1993, the year before the acclaimed artist and filmmaker Derek Jarman’s death due to an AIDS-related illness, Blue is a daring and powerful work of art. The film and its script, as reproduced in this volume, serve as an impassioned response to the lack of political engagement with the AIDS crisis. Jarman’s Blue moves through myriad(...)
Titre:
Blue
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$20.00
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Originally released as a feature film in 1993, the year before the acclaimed artist and filmmaker Derek Jarman’s death due to an AIDS-related illness, Blue is a daring and powerful work of art. The film and its script, as reproduced in this volume, serve as an impassioned response to the lack of political engagement with the AIDS crisis. Jarman’s Blue moves through myriad scenes, some banal, others fantastical. Stories of quotidian life––getting coffee, reading the newspaper, and walking down the sidewalk––escalate to visions of Marco Polo, the Taj Mahal, or blue fighting yellow. Facing death and a cascade of pills, Jarman presents his illness in delirium and metaphors. He contemplates the physicality of emotions in lyrical prose as he grounds this story in the constant return to Blue—a color, a feeling, a funk. Michael Charlesworth’s compelling introduction brings Blue into conversation with Jarman’s visual paintings.
Blue
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Originally released as a feature film in 1993, the year before the acclaimed artist and filmmaker Derek Jarman’s death due to an AIDS-related illness, Blue is a daring and powerful work of art. The film and its script, as reproduced in this volume, serve as an impassioned response to the lack of political engagement with the AIDS crisis. Jarman’s Blue moves through myriad scenes, some banal, others fantastical. Stories of quotidian life––getting coffee, reading the newspaper, and walking down the sidewalk––escalate to visions of Marco Polo, the Taj Mahal, or blue fighting yellow. Facing death and a cascade of pills, Jarman presents his illness in delirium and metaphors. He contemplates the physicality of emotions in lyrical prose as he grounds this story in the constant return to Blue—a color, a feeling, a funk. Michael Charlesworth’s compelling introduction brings Blue into conversation with Jarman’s visual paintings.
Classification:
livres
livres
Publication:
mai 2023
mai 2023
Sujet:
Théorie de l’art
Théorie de l’art
