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"Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I don’t speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations." Taking Annie Ernaux’s unique(...)
mars 2024
Exteriors: Annie Ernaud and photography
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"Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I don’t speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations." Taking Annie Ernaux’s unique artistic endeavour to "describe reality as through the eyes of a photographer and to preserve the mystery and opacity of the lives I encountered," this project by writer and curator Lou Stoppard uncovers the profound ways the written and visual image can inform and inflect on one another. In doing so, it proposes a new way of thinking about literature and photography, and the ways in which shared themes – such as class, travel, social stereotypes, and individual identity within the modern urban environment – might be explored between these two forms.
Crabgrass crucible: suburban nature and the rise of environmentalism in twintieth-century America
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Although suburb-building created major environmental problems, Christopher Sellers demonstrates that the environmental movement originated within suburbs--not just in response to unchecked urban sprawl. Drawn to the countryside as early as the late 19th century, new suburbanites turned to taming the wildness of their surroundings. They cultivated a fondness for the(...)
Crabgrass crucible: suburban nature and the rise of environmentalism in twintieth-century America
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Although suburb-building created major environmental problems, Christopher Sellers demonstrates that the environmental movement originated within suburbs--not just in response to unchecked urban sprawl. Drawn to the countryside as early as the late 19th century, new suburbanites turned to taming the wildness of their surroundings. They cultivated a fondness for the natural world around them, and in the decades that followed, they became sensitized to potential threats. Sellers shows how the philosophy, science, and emotions that catalyzed the environmental movement sprang directly from suburbanites' lives and their ideas about nature, as well as the unique ecology of the neighborhoods in which they dwelt. Sellers focuses on the spreading edges of New York and Los Angeles over the middle of the twentieth century to create an intimate portrait of what it was like to live amid suburban nature. As suburbanites learned about their land, became aware of pollution, and saw the forests shrinking around them, the vulnerability of both their bodies and their homes became apparent.
Paysages urbains
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How do we design our cities when our most intimate experiences are incessantly tracked and our feelings become the base of new modes of production that prioritize the immaterial over the material? Since the 2008 financial crisis, lists of well-being indicators, happiness indexes, and quality-of-life rankings have become viral. Concurrently, the emotional data presented in(...)
Our happy life: architecture and well-being in the age of emotional capitalism
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How do we design our cities when our most intimate experiences are incessantly tracked and our feelings become the base of new modes of production that prioritize the immaterial over the material? Since the 2008 financial crisis, lists of well-being indicators, happiness indexes, and quality-of-life rankings have become viral. Concurrently, the emotional data presented in these surveys- including perceptions on questions such as loneliness, friendship and intimate fears- feed an expanding political agenda of happiness and a new form of market whose most decisive asset is "affect." 'Our Happy Life' investigates the architectural implications of this trend by dissecting and questioning the political, economic, and emotional conditions that generate space today. Organized as a visual narrative with critical readings by Will Davies, Daniel Fujiwara, Simon Fujiwara, Ingo Niermann, Deane Simpson, and Mirko Zardini, this book reveals architecture, city, and landscape as contested surfaces, caught between the intagible guidelines of happiness indexes, the new marketplace of emotions, and the relentless ideology of positivity.
Publications du CCA
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298 pages : illustrations ; 20 cm
[Paris] : Christian Bourgois éditeur, [2015]
L'humeur paysagère / Claude Eveno.
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Description:
298 pages : illustrations ; 20 cm
livres
[Paris] : Christian Bourgois éditeur, [2015]
livres
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228 pages ; 22 cm.
Paris : Stock, 2010.
Tokyo, ville flottante : scène urbaine, mises en scène / François Laplantine.
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228 pages ; 22 cm.
livres
Paris : Stock, 2010.
livres
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254 pages : illustrations (chiefly color) ; 25 cm
Arles : Actes sud ; Paris : Cité verte, ©2009.
Des arbres dans la ville : l'urbanisme végétal / Caroline Mollie.
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254 pages : illustrations (chiefly color) ; 25 cm
livres
Arles : Actes sud ; Paris : Cité verte, ©2009.
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A tracking shot on the works of an architect who knows how to play on the sensitivity of his audience. Emotional crisis, taut nerves and hence a predisposition to perceive in a much more complex way than normal. These, Rota admits, are the emotions which he hopes to provoke in spectators who visit his projects. Installations that can emotionally shock people and raise(...)
Italo Rota : installation exhibit
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A tracking shot on the works of an architect who knows how to play on the sensitivity of his audience. Emotional crisis, taut nerves and hence a predisposition to perceive in a much more complex way than normal. These, Rota admits, are the emotions which he hopes to provoke in spectators who visit his projects. Installations that can emotionally shock people and raise their levels of sensitivity. To achieve this, he uses color made of light, transparencies, screens and projections (never material or painted color), an exceptional tool, and vital for conveying detailed messages in the best possible way, because of the processes it stimulates in the brain. Increasingly working in the sphere of magic rather than the sphere of the useful, Italian Italo Rota's flair for design- working abroad and communicating at an international level- is described in this unique publication. The book also considers the playful side of the projects he has undertaken, creating games for adults with just a touch of magic, fun and sophistication.
Architecture, monographies
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Alexander Blok (November 28, 1880 – August 7, 1921) was a major poet of the Russian Symbolism movement. His early poetry was dominated by the theme of searching for his ideal beauty. Sound, rhythm, colour and repetition played a crucial part in setting the mood and conveying emotions in his writing. With subsequent collections, the focus shifted to depicting human(...)
The Stranger: selected poetry
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Alexander Blok (November 28, 1880 – August 7, 1921) was a major poet of the Russian Symbolism movement. His early poetry was dominated by the theme of searching for his ideal beauty. Sound, rhythm, colour and repetition played a crucial part in setting the mood and conveying emotions in his writing. With subsequent collections, the focus shifted to depicting human psychology. His writing became more ironic and pessimistic, as he struggled to balance his quest for an ideal with his disenchantment in everyday life. In the later stages of his career, he wrote predominately about political themes and the changes that were happening in Russia. To this day, he is considered by many to be the most important Russian poet since Alexander Pushkin, and his work would have a lasting influence on the likes of Anna Akhmatova, Boris Pasternak and Marina Tsvetaeva, among other prominent poets of the Silver Age. This dual-language collection of his poetry seeks to represent the continuum of Alexander Blok’s growth as a poet, with particular attention paid to the rhythm and melody of his writing.
Littérature et poésie
Matisse in the 1930s
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In 1930, as Henri Matisse (1869–1954) embarked on ''The Dance,'' a monumental mural commissioned by the American collector Albert C. Barnes, he began experimenting in ways that would permanently change the nature of his work. The use of pre-painted cut papers to lay out his compositions led to a new style of flat tones and bold shapes. He also increasingly used serial(...)
octobre 2022
Matisse in the 1930s
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In 1930, as Henri Matisse (1869–1954) embarked on ''The Dance,'' a monumental mural commissioned by the American collector Albert C. Barnes, he began experimenting in ways that would permanently change the nature of his work. The use of pre-painted cut papers to lay out his compositions led to a new style of flat tones and bold shapes. He also increasingly used serial imagery to make visible his creative process, aiming to capture the flux of his own perceptions and emotions in the work of art. This volume highlights and explains pivotal transformations in Matisse’s work in the 1930s across a range of media, including mural and easel painting, sculpture, printmaking, drawing, and the illustrated book. The transatlantic contributors also look at the relationship between Matisse and the Parisian art journal ''Cahiers d’art,'' which played an outsized role in publicizing Matisse’s work during this period, and consider his exhibitions, his ongoing involvement with decorative painting, his studio as a creative laboratory, and the role of his model and muse Lydia Delectorskaya in his studio practice.
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Over the course of a residency at a London gallery, Swiss designer Demian Conrad invited an array of graphic designers and typographers past and present to share the anecdotes, stories and scandals that have marked the international design scene over the course of the last century. The result is an examination of the ways in which the Swiss Style influenced British(...)
Who the hell is Müller-Brockmann? Conversations about Swiss style
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Over the course of a residency at a London gallery, Swiss designer Demian Conrad invited an array of graphic designers and typographers past and present to share the anecdotes, stories and scandals that have marked the international design scene over the course of the last century. The result is an examination of the ways in which the Swiss Style influenced British graphic design and vice versa. This celebration of the ongoing dialogue and collaboration that has existed between the design traditions of these two countries also lays bare the divergences and conflicts that lie beneath the surface, and examines how such things as a typeface or a layout grid can come to have such an enduring impact on a global community and elicit such strong emotions. Each participant was asked to bring a design-related artefact that represents their personal connection with the Swiss Style, all of which are presented in this volume. These images and the dialogues they generate create a bridge between the typographic traditions and practices of Britain and Switzerland.