366 Résultats
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Alexander addresses the cosmological implications of the theory he has constructed and presented. The book begins with a critique of current cosmological thinking, and its separation from personal feeling and value. The outline of a theory in which matter itself is more spirit-like, more personal in character, is sketched. The cosmological modifications presented in Book(...)
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Alexander addresses the cosmological implications of the theory he has constructed and presented. The book begins with a critique of current cosmological thinking, and its separation from personal feeling and value. The outline of a theory in which matter itself is more spirit-like, more personal in character, is sketched. The cosmological modifications presented in Book(...)
Titre:
The nature of order - an essay on the art of building and the nature of the universe. Book four : the luminous ground
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Alexander addresses the cosmological implications of the theory he has constructed and presented. The book begins with a critique of current cosmological thinking, and its separation from personal feeling and value. The outline of a theory in which matter itself is more spirit-like, more personal in character, is sketched. The cosmological modifications presented in Book 4, are needed, to supplement the definition of the personal nature of matter, design, and form, and acts as a substrate for an attempt to implement living process. The book contains a long chapter, nearly one hundred pages long — almost a book in itself — in which Alexander presents his theory of color, as one ingredient of the new cosmological picture which he puts forward. This volume draws attention to new ways of looking at consciousness, and modifies physical theory so that the human person – what we know as self, and what Alexander calls the “I” — enters in as a fundamental and necessary ingredient of all matter.
The nature of order - an essay on the art of building and the nature of the universe. Book four : the luminous ground
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Alexander addresses the cosmological implications of the theory he has constructed and presented. The book begins with a critique of current cosmological thinking, and its separation from personal feeling and value. The outline of a theory in which matter itself is more spirit-like, more personal in character, is sketched. The cosmological modifications presented in Book 4, are needed, to supplement the definition of the personal nature of matter, design, and form, and acts as a substrate for an attempt to implement living process. The book contains a long chapter, nearly one hundred pages long — almost a book in itself — in which Alexander presents his theory of color, as one ingredient of the new cosmological picture which he puts forward. This volume draws attention to new ways of looking at consciousness, and modifies physical theory so that the human person – what we know as self, and what Alexander calls the “I” — enters in as a fundamental and necessary ingredient of all matter.
Classification:
livres
livres
Publication:
novembre 2003, Berkeley
novembre 2003, Berkeley
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Design thinking has created divisions in the discipline: either designers are too theory driven or simply practitioners. Those feeling lost can easily turn to a language meant to inspire creative production in easy to pitch ways, where rhetoric uses design to keep power at bay, to celebrate hegemonic beliefs which are used to indoctrinate designers in bad education,(...)
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Design thinking has created divisions in the discipline: either designers are too theory driven or simply practitioners. Those feeling lost can easily turn to a language meant to inspire creative production in easy to pitch ways, where rhetoric uses design to keep power at bay, to celebrate hegemonic beliefs which are used to indoctrinate designers in bad education,(...)
Titre:
Designerly ways of knowing: A working inventory of things a designer should know
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Design thinking has created divisions in the discipline: either designers are too theory driven or simply practitioners. Those feeling lost can easily turn to a language meant to inspire creative production in easy to pitch ways, where rhetoric uses design to keep power at bay, to celebrate hegemonic beliefs which are used to indoctrinate designers in bad education, incapable of imagining different futures. If you take away the post-its, the A3 papers and the markers, can designers think? Led by Antonio Gramsci’s advice that knowing thyself requires compiling an inventory, design critic, educator and researcher Danah Abdulla pays tribute to the late architect, activist and critic Michael Sorkin, whose original list "Two Hundred and Fifty Things an Architect Should Know" inspired this updated version targeted at designers. The iterative list is not meant to be a definitive how to guide, but to spark conversations, to prompt critical thinking and to help designers reconfigure their discipline.
Designerly ways of knowing: A working inventory of things a designer should know
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Design thinking has created divisions in the discipline: either designers are too theory driven or simply practitioners. Those feeling lost can easily turn to a language meant to inspire creative production in easy to pitch ways, where rhetoric uses design to keep power at bay, to celebrate hegemonic beliefs which are used to indoctrinate designers in bad education, incapable of imagining different futures. If you take away the post-its, the A3 papers and the markers, can designers think? Led by Antonio Gramsci’s advice that knowing thyself requires compiling an inventory, design critic, educator and researcher Danah Abdulla pays tribute to the late architect, activist and critic Michael Sorkin, whose original list "Two Hundred and Fifty Things an Architect Should Know" inspired this updated version targeted at designers. The iterative list is not meant to be a definitive how to guide, but to spark conversations, to prompt critical thinking and to help designers reconfigure their discipline.
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livres
livres
Publication:
juillet 2022
juillet 2022
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livres
livres
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No metropolis has been more loved or more hated. To its official boosters, “Los Angeles brings it all together.” To detractors, LA is a sunlit mortuary where “you can rot without feeling it.” To Mike Davis, the author of this fiercely elegant and wide- ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being(...)
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No metropolis has been more loved or more hated. To its official boosters, “Los Angeles brings it all together.” To detractors, LA is a sunlit mortuary where “you can rot without feeling it.” To Mike Davis, the author of this fiercely elegant and wide- ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being(...)
Titre:
City of quartz: excavating the future in Los Angeles
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No metropolis has been more loved or more hated. To its official boosters, “Los Angeles brings it all together.” To detractors, LA is a sunlit mortuary where “you can rot without feeling it.” To Mike Davis, the author of this fiercely elegant and wide- ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being plowed under to make room for model communities in the desert, where the rich have hired their own police to fend off street gangs, as well as armed Beirut militias. In "City of Quartz", Davis reconstructs LA’s shadow history and dissects its ethereal economy. He tells us who has the power and how they hold on to it. He gives us a city of Dickensian extremes, Pynchonesque conspiracies, and a desperation straight out of Nathaniel Westa city in which we may glimpse our own future mirrored with terrifying clarity.
City of quartz: excavating the future in Los Angeles
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No metropolis has been more loved or more hated. To its official boosters, “Los Angeles brings it all together.” To detractors, LA is a sunlit mortuary where “you can rot without feeling it.” To Mike Davis, the author of this fiercely elegant and wide- ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being plowed under to make room for model communities in the desert, where the rich have hired their own police to fend off street gangs, as well as armed Beirut militias. In "City of Quartz", Davis reconstructs LA’s shadow history and dissects its ethereal economy. He tells us who has the power and how they hold on to it. He gives us a city of Dickensian extremes, Pynchonesque conspiracies, and a desperation straight out of Nathaniel Westa city in which we may glimpse our own future mirrored with terrifying clarity.
Classification:
livres
livres
Publication:
juillet 2018
juillet 2018
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$72.00
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Since 2004, Wienerberger has presented a biannual international Brick Award to recognize outstanding achievements in brick architecture. For the 2018 edition, more than six hundred realized designs from forty-four countries were submitted in the categories Feeling at Home, Living Together, Working Together, Sharing Public Spaces, and Building Outside the Box. This book(...)
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Since 2004, Wienerberger has presented a biannual international Brick Award to recognize outstanding achievements in brick architecture. For the 2018 edition, more than six hundred realized designs from forty-four countries were submitted in the categories Feeling at Home, Living Together, Working Together, Sharing Public Spaces, and Building Outside the Box. This book(...)
Titre:
Brick 18: outstanding international brick achitecture
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Since 2004, Wienerberger has presented a biannual international Brick Award to recognize outstanding achievements in brick architecture. For the 2018 edition, more than six hundred realized designs from forty-four countries were submitted in the categories Feeling at Home, Living Together, Working Together, Sharing Public Spaces, and Building Outside the Box. This book presents the winning and shortlisted designs through concise descriptions accompanied by atmospheric images, site and floor plans, views and elevations, and sections. Five topical essays by Sandy Attia, Patricia Barbas, Marcos Parga, Wolfgang Pauser, and Mikko Summanen round out this celebration of contemporary brick architecture. With contributions by Holland-based architects Monadnock, M3H Architecten, Hans van der Heijden, BureauVanEig, Bedaux de Brouwer Architecten, Koen van Velsen Architecten, Architectuur MAKEN, vector-i architects, the Cloud Collective and MVRDV; and others such as: Sandy Attia, Patricia Barbas, Wojcich Czaja, Christian Holl, Marcos Parga, Wolfgang Pauser, Mikko Summanen, and Jan Peter Wingender.
Brick 18: outstanding international brick achitecture
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Since 2004, Wienerberger has presented a biannual international Brick Award to recognize outstanding achievements in brick architecture. For the 2018 edition, more than six hundred realized designs from forty-four countries were submitted in the categories Feeling at Home, Living Together, Working Together, Sharing Public Spaces, and Building Outside the Box. This book presents the winning and shortlisted designs through concise descriptions accompanied by atmospheric images, site and floor plans, views and elevations, and sections. Five topical essays by Sandy Attia, Patricia Barbas, Marcos Parga, Wolfgang Pauser, and Mikko Summanen round out this celebration of contemporary brick architecture. With contributions by Holland-based architects Monadnock, M3H Architecten, Hans van der Heijden, BureauVanEig, Bedaux de Brouwer Architecten, Koen van Velsen Architecten, Architectuur MAKEN, vector-i architects, the Cloud Collective and MVRDV; and others such as: Sandy Attia, Patricia Barbas, Wojcich Czaja, Christian Holl, Marcos Parga, Wolfgang Pauser, Mikko Summanen, and Jan Peter Wingender.
Classification:
livres
livres
Publication:
août 2018
août 2018
Sujet:
Matériaux et éclairage
Matériaux et éclairage
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livres
livres
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$33.00
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The smell of fresh-cut grass and the look of a well-kept lawn evoke strong feelings in many of us, but this book is the story of two men who took that feeling and made it into an obsession with the lawn mower. Edwin Beard Budding (1796–1846) invented the lawnmower; Clive Gravett, the author, has built both a museum and charity dedicated to Budding, and he has assembled a(...)
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The smell of fresh-cut grass and the look of a well-kept lawn evoke strong feelings in many of us, but this book is the story of two men who took that feeling and made it into an obsession with the lawn mower. Edwin Beard Budding (1796–1846) invented the lawnmower; Clive Gravett, the author, has built both a museum and charity dedicated to Budding, and he has assembled a(...)
Titre:
Two men went to mow: the obsession, impact and history of lawn mowing
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The smell of fresh-cut grass and the look of a well-kept lawn evoke strong feelings in many of us, but this book is the story of two men who took that feeling and made it into an obsession with the lawn mower. Edwin Beard Budding (1796–1846) invented the lawnmower; Clive Gravett, the author, has built both a museum and charity dedicated to Budding, and he has assembled a vast collection of mowers spanning a century and a half. "Two Men Went to Mow" tells the full story of this world-changing piece of machinery. From its use in family yards, to its impact on the turf-based sports so many of us watch and love, Gravett takes us on an extraordinary and informative journey, showing how the mower developed, linking its rise to other trends in social history, and exploring the mowing habits of many famous and even infamous people.
Two men went to mow: the obsession, impact and history of lawn mowing
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The smell of fresh-cut grass and the look of a well-kept lawn evoke strong feelings in many of us, but this book is the story of two men who took that feeling and made it into an obsession with the lawn mower. Edwin Beard Budding (1796–1846) invented the lawnmower; Clive Gravett, the author, has built both a museum and charity dedicated to Budding, and he has assembled a vast collection of mowers spanning a century and a half. "Two Men Went to Mow" tells the full story of this world-changing piece of machinery. From its use in family yards, to its impact on the turf-based sports so many of us watch and love, Gravett takes us on an extraordinary and informative journey, showing how the mower developed, linking its rise to other trends in social history, and exploring the mowing habits of many famous and even infamous people.
Classification:
livres
livres
Publication:
mars 2019
mars 2019
Sujet:
Théorie du paysage
Théorie du paysage
Classification:
livres
livres
Titre:
Be here now
Be here now
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In March 1961, Professor Richard Alpert - later renamed Ram Dass - held appointments in four departments at Harvard University. He published books, drove a Mercedes and regularly vacationed in the Caribbean. By most societal standards, he had achieved great success... And yet he couldn't escape the feeling that something was missing. Psilocybin and LSD changed that.(...)
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In March 1961, Professor Richard Alpert - later renamed Ram Dass - held appointments in four departments at Harvard University. He published books, drove a Mercedes and regularly vacationed in the Caribbean. By most societal standards, he had achieved great success... And yet he couldn't escape the feeling that something was missing. Psilocybin and LSD changed that.(...)
Titre:
Be here now
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$23.23
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In March 1961, Professor Richard Alpert - later renamed Ram Dass - held appointments in four departments at Harvard University. He published books, drove a Mercedes and regularly vacationed in the Caribbean. By most societal standards, he had achieved great success... And yet he couldn't escape the feeling that something was missing. Psilocybin and LSD changed that. During a period of experimentation, Alpert peeled away each layer of his identity, disassociating from himself as a professor, a social cosmopolite, and lastly, as a physical being. Fear turned into exaltation upon the realization that at his truest, he was just his inner-self: a luminous being that he could trust indefinitely and love infinitely. And thus, a spiritual journey commenced. Alpert headed to India where his guru renamed him Baba Ram Dass - "servant of God." He was introduced to mindful breathing exercises, hatha yoga, and Eastern philosophy. If he found himself reminiscing or planning, he was reminded to "Be Here Now."
Be here now
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In March 1961, Professor Richard Alpert - later renamed Ram Dass - held appointments in four departments at Harvard University. He published books, drove a Mercedes and regularly vacationed in the Caribbean. By most societal standards, he had achieved great success... And yet he couldn't escape the feeling that something was missing. Psilocybin and LSD changed that. During a period of experimentation, Alpert peeled away each layer of his identity, disassociating from himself as a professor, a social cosmopolite, and lastly, as a physical being. Fear turned into exaltation upon the realization that at his truest, he was just his inner-self: a luminous being that he could trust indefinitely and love infinitely. And thus, a spiritual journey commenced. Alpert headed to India where his guru renamed him Baba Ram Dass - "servant of God." He was introduced to mindful breathing exercises, hatha yoga, and Eastern philosophy. If he found himself reminiscing or planning, he was reminded to "Be Here Now."
Classification:
livres
livres
Publication:
octobre 1971
octobre 1971
Sujet:
Expositions en cours
Expositions en cours
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livres
livres
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$29.95
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Tell Me What You Want, What You Really, Really Want brings together a selection of recent writings by art critic Jan Verwoert for the first time. Published in collaboration with Piet Zwart Institute, Willem de Kooning Academy in Rotterdam, the book galvanizes central themes Verwoert has been developing in pursuit of a language to describes art’s transformative potential(...)
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Tell Me What You Want, What You Really, Really Want brings together a selection of recent writings by art critic Jan Verwoert for the first time. Published in collaboration with Piet Zwart Institute, Willem de Kooning Academy in Rotterdam, the book galvanizes central themes Verwoert has been developing in pursuit of a language to describes art’s transformative potential(...)
Titre:
Tell me what you want, what you really, really want
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Tell Me What You Want, What You Really, Really Want brings together a selection of recent writings by art critic Jan Verwoert for the first time. Published in collaboration with Piet Zwart Institute, Willem de Kooning Academy in Rotterdam, the book galvanizes central themes Verwoert has been developing in pursuit of a language to describes art’s transformative potential in conceptual, performative, and emotional terms. He analyzes the power of public gestures to constitute communities as well as the pressure to perform that governs the sphere of creative labor, in order to show how particular artists perform gestures and invoke community differently. Exploring the emotional power games that shape social relations, Verwoert looks for an alternative ethos of action and feeling, asking: How can a modernist approach to artistic form as a means of social critique be expanded to fully avow its subliminal affective undercurrents, and produce a pleasurably crooked form of criticality in art and writing?
Tell me what you want, what you really, really want
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Tell Me What You Want, What You Really, Really Want brings together a selection of recent writings by art critic Jan Verwoert for the first time. Published in collaboration with Piet Zwart Institute, Willem de Kooning Academy in Rotterdam, the book galvanizes central themes Verwoert has been developing in pursuit of a language to describes art’s transformative potential in conceptual, performative, and emotional terms. He analyzes the power of public gestures to constitute communities as well as the pressure to perform that governs the sphere of creative labor, in order to show how particular artists perform gestures and invoke community differently. Exploring the emotional power games that shape social relations, Verwoert looks for an alternative ethos of action and feeling, asking: How can a modernist approach to artistic form as a means of social critique be expanded to fully avow its subliminal affective undercurrents, and produce a pleasurably crooked form of criticality in art and writing?
Classification:
livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Out the window (LAX)
Out the window (LAX)
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Contemporary artist Zoe Crosher takes the viewer on an exploratory journey inside the impersonal and transient travel world surrounding the mega international airport, LAX. She finds a landscape packed with identical hotel chains pushed up against giant billboards, where the words “hotel” and “taxi” are understood by nearly everyone. Crosher methodically settled into a(...)
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Contemporary artist Zoe Crosher takes the viewer on an exploratory journey inside the impersonal and transient travel world surrounding the mega international airport, LAX. She finds a landscape packed with identical hotel chains pushed up against giant billboards, where the words “hotel” and “taxi” are understood by nearly everyone. Crosher methodically settled into a(...)
Titre:
Out the window (LAX)
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Contemporary artist Zoe Crosher takes the viewer on an exploratory journey inside the impersonal and transient travel world surrounding the mega international airport, LAX. She finds a landscape packed with identical hotel chains pushed up against giant billboards, where the words “hotel” and “taxi” are understood by nearly everyone. Crosher methodically settled into a different hotel room each day and photographed out the window. The only requirement was that the view from each room must duplicate the one she inhabited before. The pattern of the drapes change, the color of the stucco exterior changes and the airplanes caught in mid flight move through the atmosphere, but the basic view stays the same. There is a haunting familiarity that one has never really left the first room, a feeling of complete déjà-vu. Time and identity almost cease to exist. For Crosher, her very quiet, minimal images create huge questions about place, identity, the homogenization of global cultures.
Out the window (LAX)
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Contemporary artist Zoe Crosher takes the viewer on an exploratory journey inside the impersonal and transient travel world surrounding the mega international airport, LAX. She finds a landscape packed with identical hotel chains pushed up against giant billboards, where the words “hotel” and “taxi” are understood by nearly everyone. Crosher methodically settled into a different hotel room each day and photographed out the window. The only requirement was that the view from each room must duplicate the one she inhabited before. The pattern of the drapes change, the color of the stucco exterior changes and the airplanes caught in mid flight move through the atmosphere, but the basic view stays the same. There is a haunting familiarity that one has never really left the first room, a feeling of complete déjà-vu. Time and identity almost cease to exist. For Crosher, her very quiet, minimal images create huge questions about place, identity, the homogenization of global cultures.
Classification:
livres
livres
Publication:
février 2007
février 2007
Classification:
livres
livres
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$28.95
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Résumé:
Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six(...)
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six(...)
Titre:
MIT architecture, the Keller gallery exhibition catalogs 2012-2013
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six compact publications touch upon the immediacy of the exhibition itself, as well as a consideration of the context and conversations that surround it. The 2012-2013 Volume includes exhibition catalogues for: -"Objects by Architects" curated by Sarah Hirschman -"Feeling Contexts" by C+S Architects: Carlo Cappai and Maria Alessandra Segantini -"Patterning by Heat" by Felicia Davis and Delia Dumitrescu -"Certain Aspects of Architectural Form" by William O'Brien Jr. -"Incremental Change" by Anne Filson and Gary Rohrbacher Essay contributors include: Christianna Bonin, Matthijs Bouw, Silvio Carta, Fulvio Irace, Michael Kubo, Mariel Villere, Nader Tehrani
MIT architecture, the Keller gallery exhibition catalogs 2012-2013
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six compact publications touch upon the immediacy of the exhibition itself, as well as a consideration of the context and conversations that surround it. The 2012-2013 Volume includes exhibition catalogues for: -"Objects by Architects" curated by Sarah Hirschman -"Feeling Contexts" by C+S Architects: Carlo Cappai and Maria Alessandra Segantini -"Patterning by Heat" by Felicia Davis and Delia Dumitrescu -"Certain Aspects of Architectural Form" by William O'Brien Jr. -"Incremental Change" by Anne Filson and Gary Rohrbacher Essay contributors include: Christianna Bonin, Matthijs Bouw, Silvio Carta, Fulvio Irace, Michael Kubo, Mariel Villere, Nader Tehrani
Classification:
livres
livres
Publication:
septembre 2015
septembre 2015
Sujet:
Architecture contemporaine
Architecture contemporaine
Classification:
livres
livres
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$85.00
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Alone Street brings together two major bodies of work by Gregory Crewdson, Cathedral of the Pines (Aperture, 2016) and An Eclipse of Moths (Aperture, 2020), in a single, elegant, and affordable monograph. Both series expand on the artist’s obsessive exploration of the psychogeography of small-town, post-industrial New England and underscore the precision and depth of(...)
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Alone Street brings together two major bodies of work by Gregory Crewdson, Cathedral of the Pines (Aperture, 2016) and An Eclipse of Moths (Aperture, 2020), in a single, elegant, and affordable monograph. Both series expand on the artist’s obsessive exploration of the psychogeography of small-town, post-industrial New England and underscore the precision and depth of(...)
Titre:
Gregory Crewdson: Alone street
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Alone Street brings together two major bodies of work by Gregory Crewdson, Cathedral of the Pines (Aperture, 2016) and An Eclipse of Moths (Aperture, 2020), in a single, elegant, and affordable monograph. Both series expand on the artist’s obsessive exploration of the psychogeography of small-town, post-industrial New England and underscore the precision and depth of Crewdson’s unique mode of photographic storytelling. In each image, light, color, and carefully crafted scenography evoke the feeling that, as art historian Alexander Nemerov has astutely described, “all that ever happened in these places seems crystallized in his tableaux, as if the quiet melancholy of Crewdson’s scenes gathered the unruly sorrows and other little-guessed feelings of people long-gone who once stood on those spots.” In addition to the full set of images from each series, Alone Street, presents a selection of behind-the-scenes images and storyboards, revealing the extensive preparation and planning that went into the making of each work.
Gregory Crewdson: Alone street
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Alone Street brings together two major bodies of work by Gregory Crewdson, Cathedral of the Pines (Aperture, 2016) and An Eclipse of Moths (Aperture, 2020), in a single, elegant, and affordable monograph. Both series expand on the artist’s obsessive exploration of the psychogeography of small-town, post-industrial New England and underscore the precision and depth of Crewdson’s unique mode of photographic storytelling. In each image, light, color, and carefully crafted scenography evoke the feeling that, as art historian Alexander Nemerov has astutely described, “all that ever happened in these places seems crystallized in his tableaux, as if the quiet melancholy of Crewdson’s scenes gathered the unruly sorrows and other little-guessed feelings of people long-gone who once stood on those spots.” In addition to the full set of images from each series, Alone Street, presents a selection of behind-the-scenes images and storyboards, revealing the extensive preparation and planning that went into the making of each work.
Classification:
livres
livres
Publication:
novembre 2021
novembre 2021
Sujet:
Monographies photo
Monographies photo
