374 Résultats
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The project “Half Houses”, started in 2016 from an aesthetic puzzle (does the house lack the second half?). This project was rethought, and gradually shrouded in contexts and new layers. The compositional feeling of scarcity looking at the empty space next to the half-timbered houses of Vilijampole is a suggestive response to the loss experienced by this place, the lost(...)
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The project “Half Houses”, started in 2016 from an aesthetic puzzle (does the house lack the second half?). This project was rethought, and gradually shrouded in contexts and new layers. The compositional feeling of scarcity looking at the empty space next to the half-timbered houses of Vilijampole is a suggestive response to the loss experienced by this place, the lost(...)
Titre:
Inga Navickaité-Drasuté: Pusiniai namai / Half Houses
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The project “Half Houses”, started in 2016 from an aesthetic puzzle (does the house lack the second half?). This project was rethought, and gradually shrouded in contexts and new layers. The compositional feeling of scarcity looking at the empty space next to the half-timbered houses of Vilijampole is a suggestive response to the loss experienced by this place, the lost side of the history of this city. In any case, both the houses and their residents do not forget what has been lost – it can be heard even in a short conversation, during a break between farm work. Already in the early 18th century, most inhabitants of the town of Vilijampole were Jewish. During World War II, the Vilijampole Jewish ghetto was established, which was turned into a concentration camp on 15 September 1943. Out of 37,000 Kaunas Jews, less than 3,000 survived the Holocaust.
Inga Navickaité-Drasuté: Pusiniai namai / Half Houses
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The project “Half Houses”, started in 2016 from an aesthetic puzzle (does the house lack the second half?). This project was rethought, and gradually shrouded in contexts and new layers. The compositional feeling of scarcity looking at the empty space next to the half-timbered houses of Vilijampole is a suggestive response to the loss experienced by this place, the lost side of the history of this city. In any case, both the houses and their residents do not forget what has been lost – it can be heard even in a short conversation, during a break between farm work. Already in the early 18th century, most inhabitants of the town of Vilijampole were Jewish. During World War II, the Vilijampole Jewish ghetto was established, which was turned into a concentration camp on 15 September 1943. Out of 37,000 Kaunas Jews, less than 3,000 survived the Holocaust.
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livres
livres
Publication:
juillet 2022
juillet 2022
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$107.95
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Nothing is Hidden features both well-known and recent unpublished works by acclaimed Canadian photographer Lynne Cohen, beginning with images from the early 1970s. The book shows the consistency and depth with which she has mined her chosen theme of uninhabited domestic and institutional interior spaces. Depicting formally and not so formally arranged uncanny interiors,(...)
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Nothing is Hidden features both well-known and recent unpublished works by acclaimed Canadian photographer Lynne Cohen, beginning with images from the early 1970s. The book shows the consistency and depth with which she has mined her chosen theme of uninhabited domestic and institutional interior spaces. Depicting formally and not so formally arranged uncanny interiors,(...)
Titre:
Lynne Cohen : nothing is hidden
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Nothing is Hidden features both well-known and recent unpublished works by acclaimed Canadian photographer Lynne Cohen, beginning with images from the early 1970s. The book shows the consistency and depth with which she has mined her chosen theme of uninhabited domestic and institutional interior spaces. Depicting formally and not so formally arranged uncanny interiors, Cohen's photographs are sometimes wryly humorous, sometimes bleak, and frequently both. Her vision is informed by a profound feeling for the mystery in the ordinary, what is on the surface but out of sight. This is the first in a series of annual publications to be published by Steidl celebrating the winner of the Scotiabank Photography Award, Canada's largest contemporary photography award for an established Canadian artist. Scotiabank is a leader among Canadian corporations and internationally for its charitable donations and philanthropic activities. The award was established by photographer Edward Burtynsky with Jane Nokes of Scotiabank.
Lynne Cohen : nothing is hidden
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Nothing is Hidden features both well-known and recent unpublished works by acclaimed Canadian photographer Lynne Cohen, beginning with images from the early 1970s. The book shows the consistency and depth with which she has mined her chosen theme of uninhabited domestic and institutional interior spaces. Depicting formally and not so formally arranged uncanny interiors, Cohen's photographs are sometimes wryly humorous, sometimes bleak, and frequently both. Her vision is informed by a profound feeling for the mystery in the ordinary, what is on the surface but out of sight. This is the first in a series of annual publications to be published by Steidl celebrating the winner of the Scotiabank Photography Award, Canada's largest contemporary photography award for an established Canadian artist. Scotiabank is a leader among Canadian corporations and internationally for its charitable donations and philanthropic activities. The award was established by photographer Edward Burtynsky with Jane Nokes of Scotiabank.
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livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Description:
297 pages : chiefly color illustrations ; 33 cm
Description:
297 pages : chiefly color illustrations ; 33 cm
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Lima : Editorial Letras e Imágenes S.A.C., julio del 2013.
Lima : Editorial Letras e Imágenes S.A.C., julio del 2013.
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La casa peruana contemporánea / textos, Rebecca Vaisman ; fotografía, Juan Pablo Aragón [and seven others] ; editora, Rafaela Maggiolo de Almenara.
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297 pages : chiefly color illustrations ; 33 cm
La casa peruana contemporánea / textos, Rebecca Vaisman ; fotografía, Juan Pablo Aragón [and seven others] ; editora, Rafaela Maggiolo de Almenara.
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Description:
297 pages : chiefly color illustrations ; 33 cm
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livres
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Lima : Editorial Letras e Imágenes S.A.C., julio del 2013.
Lima : Editorial Letras e Imágenes S.A.C., julio del 2013.
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livres
livres
Titre:
Larry Sultan: The swimmers
Larry Sultan: The swimmers
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Between 1978 and 1982, in a departure from the collaborative conceptual work that he had become known for, Larry Sultan photographed people learning to swim in public pools in San Francisco. Initially inspired by black-and-white documentary photograhs he found in a Red Cross swimming manual, Sultan soon began exploring an urge to create pictures that were physical,(...)
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Between 1978 and 1982, in a departure from the collaborative conceptual work that he had become known for, Larry Sultan photographed people learning to swim in public pools in San Francisco. Initially inspired by black-and-white documentary photograhs he found in a Red Cross swimming manual, Sultan soon began exploring an urge to create pictures that were physical,(...)
Titre:
Larry Sultan: The swimmers
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Between 1978 and 1982, in a departure from the collaborative conceptual work that he had become known for, Larry Sultan photographed people learning to swim in public pools in San Francisco. Initially inspired by black-and-white documentary photograhs he found in a Red Cross swimming manual, Sultan soon began exploring an urge to create pictures that were physical, sensual, immersive, and painterly. The resulting work is saturated with colour and inflected by the unpredictable forms and chance abstractions which emerge through the distorted refractions of the water as a second lens. Often beautiful and regularly unsettling in their ambiguity, the series builds to create a feeling of sensory immersion alive with the fluid and uncertain atmospheres to which Sultan was drawn. This collection presents all the pictures from the series Sultan himself chose and exhibited, and expands to include additional images he marked on contact sheets as well as further selections from his archive which he likely never even reviewed.
Larry Sultan: The swimmers
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Between 1978 and 1982, in a departure from the collaborative conceptual work that he had become known for, Larry Sultan photographed people learning to swim in public pools in San Francisco. Initially inspired by black-and-white documentary photograhs he found in a Red Cross swimming manual, Sultan soon began exploring an urge to create pictures that were physical, sensual, immersive, and painterly. The resulting work is saturated with colour and inflected by the unpredictable forms and chance abstractions which emerge through the distorted refractions of the water as a second lens. Often beautiful and regularly unsettling in their ambiguity, the series builds to create a feeling of sensory immersion alive with the fluid and uncertain atmospheres to which Sultan was drawn. This collection presents all the pictures from the series Sultan himself chose and exhibited, and expands to include additional images he marked on contact sheets as well as further selections from his archive which he likely never even reviewed.
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livres
livres
Publication:
mai 2023
mai 2023
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Designerly ways of knowing
Designerly ways of knowing
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$27.00
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Design thinking has created divisions in the discipline: either designers are too theory driven or simply practitioners. Those feeling lost can easily turn to a language meant to inspire creative production in easy to pitch ways, where rhetoric uses design to keep power at bay, to celebrate hegemonic beliefs which are used to indoctrinate designers in bad education,(...)
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Design thinking has created divisions in the discipline: either designers are too theory driven or simply practitioners. Those feeling lost can easily turn to a language meant to inspire creative production in easy to pitch ways, where rhetoric uses design to keep power at bay, to celebrate hegemonic beliefs which are used to indoctrinate designers in bad education,(...)
Titre:
Designerly ways of knowing
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Design thinking has created divisions in the discipline: either designers are too theory driven or simply practitioners. Those feeling lost can easily turn to a language meant to inspire creative production in easy to pitch ways, where rhetoric uses design to keep power at bay, to celebrate hegemonic beliefs which are used to indoctrinate designers in bad education, incapable of imagining different futures. If you take away the post-its, the A3 papers and the markers, can designers think? Led by Antonio Gramsci’s advice that knowing thyself requires compiling an inventory, design critic, educator and researcher Danah Abdulla pays tribute to the late architect, activist and critic Michael Sorkin, whose original list “Two Hundred and Fifty Things an Architect Should Know” inspired this updated version targeted at designers. The iterative list is not meant to be a definitive how to guide, but to spark conversations, to prompt critical thinking and to help designers reconfigure their discipline.
Designerly ways of knowing
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Design thinking has created divisions in the discipline: either designers are too theory driven or simply practitioners. Those feeling lost can easily turn to a language meant to inspire creative production in easy to pitch ways, where rhetoric uses design to keep power at bay, to celebrate hegemonic beliefs which are used to indoctrinate designers in bad education, incapable of imagining different futures. If you take away the post-its, the A3 papers and the markers, can designers think? Led by Antonio Gramsci’s advice that knowing thyself requires compiling an inventory, design critic, educator and researcher Danah Abdulla pays tribute to the late architect, activist and critic Michael Sorkin, whose original list “Two Hundred and Fifty Things an Architect Should Know” inspired this updated version targeted at designers. The iterative list is not meant to be a definitive how to guide, but to spark conversations, to prompt critical thinking and to help designers reconfigure their discipline.
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livres
livres
Publication:
mai 2025
mai 2025
Classification:
livres
livres
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$85.00
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Résumé:
Alexander addresses the cosmological implications of the theory he has constructed and presented. The book begins with a critique of current cosmological thinking, and its separation from personal feeling and value. The outline of a theory in which matter itself is more spirit-like, more personal in character, is sketched. The cosmological modifications presented in Book(...)
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Alexander addresses the cosmological implications of the theory he has constructed and presented. The book begins with a critique of current cosmological thinking, and its separation from personal feeling and value. The outline of a theory in which matter itself is more spirit-like, more personal in character, is sketched. The cosmological modifications presented in Book(...)
Titre:
The nature of order - an essay on the art of building and the nature of the universe. Book four : the luminous ground
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Alexander addresses the cosmological implications of the theory he has constructed and presented. The book begins with a critique of current cosmological thinking, and its separation from personal feeling and value. The outline of a theory in which matter itself is more spirit-like, more personal in character, is sketched. The cosmological modifications presented in Book 4, are needed, to supplement the definition of the personal nature of matter, design, and form, and acts as a substrate for an attempt to implement living process. The book contains a long chapter, nearly one hundred pages long — almost a book in itself — in which Alexander presents his theory of color, as one ingredient of the new cosmological picture which he puts forward. This volume draws attention to new ways of looking at consciousness, and modifies physical theory so that the human person – what we know as self, and what Alexander calls the “I” — enters in as a fundamental and necessary ingredient of all matter.
The nature of order - an essay on the art of building and the nature of the universe. Book four : the luminous ground
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$85.00
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Résumé:
Alexander addresses the cosmological implications of the theory he has constructed and presented. The book begins with a critique of current cosmological thinking, and its separation from personal feeling and value. The outline of a theory in which matter itself is more spirit-like, more personal in character, is sketched. The cosmological modifications presented in Book 4, are needed, to supplement the definition of the personal nature of matter, design, and form, and acts as a substrate for an attempt to implement living process. The book contains a long chapter, nearly one hundred pages long — almost a book in itself — in which Alexander presents his theory of color, as one ingredient of the new cosmological picture which he puts forward. This volume draws attention to new ways of looking at consciousness, and modifies physical theory so that the human person – what we know as self, and what Alexander calls the “I” — enters in as a fundamental and necessary ingredient of all matter.
Classification:
livres
livres
Publication:
novembre 2003, Berkeley
novembre 2003, Berkeley
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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$54.00
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Ari Marcopoulos is best known for documenting boyish subcultures from the inside out. His work on professional snowboarding appears in Transitions and Exits and his photos on hip-hop--five years of images of the Beastie Boys--in Pass the Mic. Aaron Rose, who showed Marcopoulos at Alleged Gallery, has said of the artist's uncanny connection with one set of subjects, a(...)
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Ari Marcopoulos is best known for documenting boyish subcultures from the inside out. His work on professional snowboarding appears in Transitions and Exits and his photos on hip-hop--five years of images of the Beastie Boys--in Pass the Mic. Aaron Rose, who showed Marcopoulos at Alleged Gallery, has said of the artist's uncanny connection with one set of subjects, a(...)
Titre:
Ari Marcopoulos: Even the president of the United States sometimes has got to stand naked
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Ari Marcopoulos is best known for documenting boyish subcultures from the inside out. His work on professional snowboarding appears in Transitions and Exits and his photos on hip-hop--five years of images of the Beastie Boys--in Pass the Mic. Aaron Rose, who showed Marcopoulos at Alleged Gallery, has said of the artist's uncanny connection with one set of subjects, a crowd of New York skateboarders ten years his junior, "There was just something in his personality that said, 'Hey man, it's cool.'" It shows. Marcopoulos's self-taught snapshot style brings his subjects in close, and captures, without sentimentality or voyeurism, the intimate feeling of their daily life. Here he focuses on the subculture that is his own family. Even the President of the United States Sometimes Has Got to Stand Naked is a journal-like collection of images of the accidents and pleasures of "normal" life, full of the artist's loved ones, of landscapes and of American social reality.
Ari Marcopoulos: Even the president of the United States sometimes has got to stand naked
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Ari Marcopoulos is best known for documenting boyish subcultures from the inside out. His work on professional snowboarding appears in Transitions and Exits and his photos on hip-hop--five years of images of the Beastie Boys--in Pass the Mic. Aaron Rose, who showed Marcopoulos at Alleged Gallery, has said of the artist's uncanny connection with one set of subjects, a crowd of New York skateboarders ten years his junior, "There was just something in his personality that said, 'Hey man, it's cool.'" It shows. Marcopoulos's self-taught snapshot style brings his subjects in close, and captures, without sentimentality or voyeurism, the intimate feeling of their daily life. Here he focuses on the subculture that is his own family. Even the President of the United States Sometimes Has Got to Stand Naked is a journal-like collection of images of the accidents and pleasures of "normal" life, full of the artist's loved ones, of landscapes and of American social reality.
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livres
livres
Publication:
octobre 2006, Zurich
octobre 2006, Zurich
Sujet:
Monographies photo
Monographies photo
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livres
livres
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No metropolis has been more loved or more hated. To its official boosters, “Los Angeles brings it all together.” To detractors, LA is a sunlit mortuary where “you can rot without feeling it.” To Mike Davis, the author of this fiercely elegant and wide- ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being(...)
$28.95
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No metropolis has been more loved or more hated. To its official boosters, “Los Angeles brings it all together.” To detractors, LA is a sunlit mortuary where “you can rot without feeling it.” To Mike Davis, the author of this fiercely elegant and wide- ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being(...)
Titre:
City of quartz: excavating the future in Los Angeles
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No metropolis has been more loved or more hated. To its official boosters, “Los Angeles brings it all together.” To detractors, LA is a sunlit mortuary where “you can rot without feeling it.” To Mike Davis, the author of this fiercely elegant and wide- ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being plowed under to make room for model communities in the desert, where the rich have hired their own police to fend off street gangs, as well as armed Beirut militias. In "City of Quartz", Davis reconstructs LA’s shadow history and dissects its ethereal economy. He tells us who has the power and how they hold on to it. He gives us a city of Dickensian extremes, Pynchonesque conspiracies, and a desperation straight out of Nathaniel Westa city in which we may glimpse our own future mirrored with terrifying clarity.
City of quartz: excavating the future in Los Angeles
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$28.95
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No metropolis has been more loved or more hated. To its official boosters, “Los Angeles brings it all together.” To detractors, LA is a sunlit mortuary where “you can rot without feeling it.” To Mike Davis, the author of this fiercely elegant and wide- ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being plowed under to make room for model communities in the desert, where the rich have hired their own police to fend off street gangs, as well as armed Beirut militias. In "City of Quartz", Davis reconstructs LA’s shadow history and dissects its ethereal economy. He tells us who has the power and how they hold on to it. He gives us a city of Dickensian extremes, Pynchonesque conspiracies, and a desperation straight out of Nathaniel Westa city in which we may glimpse our own future mirrored with terrifying clarity.
Classification:
livres
livres
Publication:
juillet 2018
juillet 2018
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Prix:
$72.00
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Since 2004, Wienerberger has presented a biannual international Brick Award to recognize outstanding achievements in brick architecture. For the 2018 edition, more than six hundred realized designs from forty-four countries were submitted in the categories Feeling at Home, Living Together, Working Together, Sharing Public Spaces, and Building Outside the Box. This book(...)
$72.00
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Since 2004, Wienerberger has presented a biannual international Brick Award to recognize outstanding achievements in brick architecture. For the 2018 edition, more than six hundred realized designs from forty-four countries were submitted in the categories Feeling at Home, Living Together, Working Together, Sharing Public Spaces, and Building Outside the Box. This book(...)
Titre:
Brick 18: outstanding international brick achitecture
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$72.00
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Since 2004, Wienerberger has presented a biannual international Brick Award to recognize outstanding achievements in brick architecture. For the 2018 edition, more than six hundred realized designs from forty-four countries were submitted in the categories Feeling at Home, Living Together, Working Together, Sharing Public Spaces, and Building Outside the Box. This book presents the winning and shortlisted designs through concise descriptions accompanied by atmospheric images, site and floor plans, views and elevations, and sections. Five topical essays by Sandy Attia, Patricia Barbas, Marcos Parga, Wolfgang Pauser, and Mikko Summanen round out this celebration of contemporary brick architecture. With contributions by Holland-based architects Monadnock, M3H Architecten, Hans van der Heijden, BureauVanEig, Bedaux de Brouwer Architecten, Koen van Velsen Architecten, Architectuur MAKEN, vector-i architects, the Cloud Collective and MVRDV; and others such as: Sandy Attia, Patricia Barbas, Wojcich Czaja, Christian Holl, Marcos Parga, Wolfgang Pauser, Mikko Summanen, and Jan Peter Wingender.
Brick 18: outstanding international brick achitecture
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$72.00
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Since 2004, Wienerberger has presented a biannual international Brick Award to recognize outstanding achievements in brick architecture. For the 2018 edition, more than six hundred realized designs from forty-four countries were submitted in the categories Feeling at Home, Living Together, Working Together, Sharing Public Spaces, and Building Outside the Box. This book presents the winning and shortlisted designs through concise descriptions accompanied by atmospheric images, site and floor plans, views and elevations, and sections. Five topical essays by Sandy Attia, Patricia Barbas, Marcos Parga, Wolfgang Pauser, and Mikko Summanen round out this celebration of contemporary brick architecture. With contributions by Holland-based architects Monadnock, M3H Architecten, Hans van der Heijden, BureauVanEig, Bedaux de Brouwer Architecten, Koen van Velsen Architecten, Architectuur MAKEN, vector-i architects, the Cloud Collective and MVRDV; and others such as: Sandy Attia, Patricia Barbas, Wojcich Czaja, Christian Holl, Marcos Parga, Wolfgang Pauser, Mikko Summanen, and Jan Peter Wingender.
Classification:
livres
livres
Publication:
août 2018
août 2018
Sujet:
Matériaux et éclairage
Matériaux et éclairage
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livres
livres
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$85.00
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Alone Street brings together two major bodies of work by Gregory Crewdson, Cathedral of the Pines (Aperture, 2016) and An Eclipse of Moths (Aperture, 2020), in a single, elegant, and affordable monograph. Both series expand on the artist’s obsessive exploration of the psychogeography of small-town, post-industrial New England and underscore the precision and depth of(...)
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Alone Street brings together two major bodies of work by Gregory Crewdson, Cathedral of the Pines (Aperture, 2016) and An Eclipse of Moths (Aperture, 2020), in a single, elegant, and affordable monograph. Both series expand on the artist’s obsessive exploration of the psychogeography of small-town, post-industrial New England and underscore the precision and depth of(...)
Titre:
Gregory Crewdson: Alone street
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Alone Street brings together two major bodies of work by Gregory Crewdson, Cathedral of the Pines (Aperture, 2016) and An Eclipse of Moths (Aperture, 2020), in a single, elegant, and affordable monograph. Both series expand on the artist’s obsessive exploration of the psychogeography of small-town, post-industrial New England and underscore the precision and depth of Crewdson’s unique mode of photographic storytelling. In each image, light, color, and carefully crafted scenography evoke the feeling that, as art historian Alexander Nemerov has astutely described, “all that ever happened in these places seems crystallized in his tableaux, as if the quiet melancholy of Crewdson’s scenes gathered the unruly sorrows and other little-guessed feelings of people long-gone who once stood on those spots.” In addition to the full set of images from each series, Alone Street, presents a selection of behind-the-scenes images and storyboards, revealing the extensive preparation and planning that went into the making of each work.
Gregory Crewdson: Alone street
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Alone Street brings together two major bodies of work by Gregory Crewdson, Cathedral of the Pines (Aperture, 2016) and An Eclipse of Moths (Aperture, 2020), in a single, elegant, and affordable monograph. Both series expand on the artist’s obsessive exploration of the psychogeography of small-town, post-industrial New England and underscore the precision and depth of Crewdson’s unique mode of photographic storytelling. In each image, light, color, and carefully crafted scenography evoke the feeling that, as art historian Alexander Nemerov has astutely described, “all that ever happened in these places seems crystallized in his tableaux, as if the quiet melancholy of Crewdson’s scenes gathered the unruly sorrows and other little-guessed feelings of people long-gone who once stood on those spots.” In addition to the full set of images from each series, Alone Street, presents a selection of behind-the-scenes images and storyboards, revealing the extensive preparation and planning that went into the making of each work.
Classification:
livres
livres
Publication:
novembre 2021
novembre 2021
Sujet:
Monographies photo
Monographies photo
