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Description:
236 pages : chiefly color illustrations ; 37 cm
Description:
236 pages : chiefly color illustrations ; 37 cm
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Publication:
New York : Collins Publishers in association with I. Shapiro, 1987.
New York : Collins Publishers in association with I. Shapiro, 1987.
Titre:
A day in the life of the Soviet Union / photographed by 100 of the world's leading photojournalists on one day, May 15, 1987 ; project directors, Rick Smolan and David Cohen.
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Description:
236 pages : chiefly color illustrations ; 37 cm
A day in the life of the Soviet Union / photographed by 100 of the world's leading photojournalists on one day, May 15, 1987 ; project directors, Rick Smolan and David Cohen.
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Exemplaires:
Description:
236 pages : chiefly color illustrations ; 37 cm
Classification:
livres
livres
Publication:
New York : Collins Publishers in association with I. Shapiro, 1987.
New York : Collins Publishers in association with I. Shapiro, 1987.
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livres
livres
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$26.00
(disponible sur commande)
Résumé:
"Bodyline" is a visual essay on the human body, approaches its subject in a spirit both playful and seriously experimental. Organised by themes in turn figurative and abstract, organic, and mechanical, immaterial, "Bodyline" contains not one predictable image of the body. Instead it uses diffracted views to conjure seven alternative visions of the flesh in the age of(...)
$26.00
(disponible sur commande)
Résumé:
"Bodyline" is a visual essay on the human body, approaches its subject in a spirit both playful and seriously experimental. Organised by themes in turn figurative and abstract, organic, and mechanical, immaterial, "Bodyline" contains not one predictable image of the body. Instead it uses diffracted views to conjure seven alternative visions of the flesh in the age of(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
janvier 1900, London
janvier 1900, London
Titre:
Bodyline : the end of our meta-mechanical body
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$26.00
(disponible sur commande)
Résumé:
"Bodyline" is a visual essay on the human body, approaches its subject in a spirit both playful and seriously experimental. Organised by themes in turn figurative and abstract, organic, and mechanical, immaterial, "Bodyline" contains not one predictable image of the body. Instead it uses diffracted views to conjure seven alternative visions of the flesh in the age of meta-mechanical reproduction, reconstructing the human physique by means of synthetic images, clothing patterns and technical blueprints. As such, "Bodyline" is a much about perception and delineation as it is about the body. The book is devided into three chapters loosely based on Robert Hughe's "Nothing if not critical". Here, through, the original categories are reversed : "Ancestors" explores the latest paradigms of virtual bodies, the computer-generated meshes of the gaming industry, which are also figurative; "Moderns", which constitutes the book's central exploration, features twentieth-century micro-narratives of pattern and garnment in which the body is already all but unrecognisable; and "Contemporaries" celebrates the reflections of self-portraiture through the projective network of Mongean geometry. The seven images of the body contained in this book - "Ectopic birth" (Nazila Maghzian), "How tall am I?" (Sharon Givony), "Vital points" (Eiichi Matsuda), "Inside out" (Kun-Min Kim), "Growth and decay" (Lawrence Ler), "Tiny deaths" (Carolin Hinne) and "10 years after" (Ema Bonifacio) - are accompagned by concise, literary texts.
Bodyline : the end of our meta-mechanical body
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Prix:
$26.00
(disponible sur commande)
Résumé:
"Bodyline" is a visual essay on the human body, approaches its subject in a spirit both playful and seriously experimental. Organised by themes in turn figurative and abstract, organic, and mechanical, immaterial, "Bodyline" contains not one predictable image of the body. Instead it uses diffracted views to conjure seven alternative visions of the flesh in the age of meta-mechanical reproduction, reconstructing the human physique by means of synthetic images, clothing patterns and technical blueprints. As such, "Bodyline" is a much about perception and delineation as it is about the body. The book is devided into three chapters loosely based on Robert Hughe's "Nothing if not critical". Here, through, the original categories are reversed : "Ancestors" explores the latest paradigms of virtual bodies, the computer-generated meshes of the gaming industry, which are also figurative; "Moderns", which constitutes the book's central exploration, features twentieth-century micro-narratives of pattern and garnment in which the body is already all but unrecognisable; and "Contemporaries" celebrates the reflections of self-portraiture through the projective network of Mongean geometry. The seven images of the body contained in this book - "Ectopic birth" (Nazila Maghzian), "How tall am I?" (Sharon Givony), "Vital points" (Eiichi Matsuda), "Inside out" (Kun-Min Kim), "Growth and decay" (Lawrence Ler), "Tiny deaths" (Carolin Hinne) and "10 years after" (Ema Bonifacio) - are accompagned by concise, literary texts.
Classification:
livres
livres
Publication:
janvier 1900, London
janvier 1900, London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Prix:
$72.00
(disponible sur commande)
Résumé:
Gerhard Richter is famed for the photorealism of his early canvases, but it is less well known that he has also painted directly onto photographic prints. This book gathers this body of work, which unites the labor of the hand with the work of mechanical reproduction to produce a kind of art as conceptually rich as Richter's better-known paintings, neutralizing the(...)
$72.00
(disponible sur commande)
Résumé:
Gerhard Richter is famed for the photorealism of his early canvases, but it is less well known that he has also painted directly onto photographic prints. This book gathers this body of work, which unites the labor of the hand with the work of mechanical reproduction to produce a kind of art as conceptually rich as Richter's better-known paintings, neutralizing the(...)
Titre:
Gerhard Richter: overpainted photographs
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Prix:
$72.00
(disponible sur commande)
Résumé:
Gerhard Richter is famed for the photorealism of his early canvases, but it is less well known that he has also painted directly onto photographic prints. This book gathers this body of work, which unites the labor of the hand with the work of mechanical reproduction to produce a kind of art as conceptually rich as Richter's better-known paintings, neutralizing the expressive powers of each medium to reach an indifference to their potency.
Gerhard Richter: overpainted photographs
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Prix:
$72.00
(disponible sur commande)
Résumé:
Gerhard Richter is famed for the photorealism of his early canvases, but it is less well known that he has also painted directly onto photographic prints. This book gathers this body of work, which unites the labor of the hand with the work of mechanical reproduction to produce a kind of art as conceptually rich as Richter's better-known paintings, neutralizing the expressive powers of each medium to reach an indifference to their potency.
Classification:
livres
livres
Publication:
octobre 2009
octobre 2009
Classification:
livres
livres
Titre:
Nonhuman photography
Nonhuman photography
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$49.95
(disponible sur commande)
Résumé:
Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those(...)
$49.95
(disponible sur commande)
Résumé:
Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those(...)
Titre:
Nonhuman photography
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Prix:
$49.95
(disponible sur commande)
Résumé:
Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those images produced by humans, whether artists or amateurs, entail a nonhuman, mechanical element—that is, they involve the execution of technical and cultural algorithms that shape our image-making devices as well as our viewing practices. At the same time, she notes, photography is increasingly mobilized to document the precariousness of the human habitat and tasked with helping us imagine a better tomorrow. With its conjoined human-nonhuman agency and vision, Zylinska claims, photography functions as both a form of control and a life-shaping force.
Nonhuman photography
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Prix:
$49.95
(disponible sur commande)
Résumé:
Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those images produced by humans, whether artists or amateurs, entail a nonhuman, mechanical element—that is, they involve the execution of technical and cultural algorithms that shape our image-making devices as well as our viewing practices. At the same time, she notes, photography is increasingly mobilized to document the precariousness of the human habitat and tasked with helping us imagine a better tomorrow. With its conjoined human-nonhuman agency and vision, Zylinska claims, photography functions as both a form of control and a life-shaping force.
Classification:
livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Riding modern art
Riding modern art
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Prix:
$33.95
(disponible en magasin)
Résumé:
''Riding modern art'' brings together a collection of 70 black and white photographs of people skateboarding on sculptures in public spaces. Through his study of the process of appropriation and reuse of works of art in public places, used by skateboarders as further challenges for their sport, Raphaël Zarka offers a way of approaching a work of art that underlines the(...)
$33.95
(disponible en magasin)
Résumé:
''Riding modern art'' brings together a collection of 70 black and white photographs of people skateboarding on sculptures in public spaces. Through his study of the process of appropriation and reuse of works of art in public places, used by skateboarders as further challenges for their sport, Raphaël Zarka offers a way of approaching a work of art that underlines the(...)
Titre:
Riding modern art
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Prix:
$33.95
(disponible en magasin)
Résumé:
''Riding modern art'' brings together a collection of 70 black and white photographs of people skateboarding on sculptures in public spaces. Through his study of the process of appropriation and reuse of works of art in public places, used by skateboarders as further challenges for their sport, Raphaël Zarka offers a way of approaching a work of art that underlines the dynamism of modern sculpture, casting a critical light on the idea of movement in these often abstract and geometric works, inspired by Cubist, Futurist or Constructivist art. The skateboarder’s approach to a sculpture, more mechanical than conceptual, brings out the variety of movement it seeks to suggest. While it is not possible to ''freeze'' or represent movement in a solid form (it cannot be sculpted) it is, nevertheless, a constituent element of the work, as also is space. Thus, the body of the skateboarder becomes a choreographic form on a sculptural form, and the presence of a human body on a work of art transforms it from something perched on a pedestal into a living sculpture. Some images are missing from this collection, as sculptors have refused to see their artwork reproduced. The spaces dedicated to those photographs remain purposely empty.
Riding modern art
Actions:
Prix:
$33.95
(disponible en magasin)
Résumé:
''Riding modern art'' brings together a collection of 70 black and white photographs of people skateboarding on sculptures in public spaces. Through his study of the process of appropriation and reuse of works of art in public places, used by skateboarders as further challenges for their sport, Raphaël Zarka offers a way of approaching a work of art that underlines the dynamism of modern sculpture, casting a critical light on the idea of movement in these often abstract and geometric works, inspired by Cubist, Futurist or Constructivist art. The skateboarder’s approach to a sculpture, more mechanical than conceptual, brings out the variety of movement it seeks to suggest. While it is not possible to ''freeze'' or represent movement in a solid form (it cannot be sculpted) it is, nevertheless, a constituent element of the work, as also is space. Thus, the body of the skateboarder becomes a choreographic form on a sculptural form, and the presence of a human body on a work of art transforms it from something perched on a pedestal into a living sculpture. Some images are missing from this collection, as sculptors have refused to see their artwork reproduced. The spaces dedicated to those photographs remain purposely empty.
Classification:
livres
livres
Publication:
juillet 2022
juillet 2022
Sujet:
Monographies photo
Monographies photo
