2327 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH270054
Description:
The volume includes a typescript list of slides and photographs and photocopies of reduced plans for Chandigarh, India, including the sketches for Chandigarh by Nowicki.
ARCH270054
Description:
The volume includes a typescript list of slides and photographs and photocopies of reduced plans for Chandigarh, India, including the sketches for Chandigarh by Nowicki.
Personnes et institutions:
Date:
n.d.
n.d.
Titre:
Index-book of reproduction of plans for Chandigarh, India
Actions:
ARCH270054
Description:
The volume includes a typescript list of slides and photographs and photocopies of reduced plans for Chandigarh, India, including the sketches for Chandigarh by Nowicki.
Index-book of reproduction of plans for Chandigarh, India
Actions:
ARCH270054
Description:
The volume includes a typescript list of slides and photographs and photocopies of reduced plans for Chandigarh, India, including the sketches for Chandigarh by Nowicki.
Classification:
documents textuels
documents textuels
Date:
n.d.
n.d.
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Personnes et institutions:
Date:
circa 1975-2003
circa 1975-2003
Titre:
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Niveau de description archivistique:
Project
Project
Date:
circa 1975-2003
circa 1975-2003
Personnes et institutions:
Classification:
photographies
Quantité:
23 photographic material(s)
photographies
Quantité:
23 photographic material(s)
Numéro de référence:
ARCH269779
Description:
Group consists of photographs of Jacqueline Jeanneret, including some in Chandigarh, India, at the AILC seminar in 1971 and latee photograhs of her in Geneva, Switzerland.
ARCH269779
Description:
Group consists of photographs of Jacqueline Jeanneret, including some in Chandigarh, India, at the AILC seminar in 1971 and latee photograhs of her in Geneva, Switzerland.
Personnes et institutions:
Date:
n.d.
n.d.
Titre:
Photographs of Jacqueline Jeanneret, including some in Chandigarh
Actions:
ARCH269779
Description:
Group consists of photographs of Jacqueline Jeanneret, including some in Chandigarh, India, at the AILC seminar in 1971 and latee photograhs of her in Geneva, Switzerland.
Photographs of Jacqueline Jeanneret, including some in Chandigarh
Actions:
ARCH269779
Description:
Group consists of photographs of Jacqueline Jeanneret, including some in Chandigarh, India, at the AILC seminar in 1971 and latee photograhs of her in Geneva, Switzerland.
Classification:
photographies
Quantité:
23 photographic material(s)
photographies
Quantité:
23 photographic material(s)
Date:
n.d.
n.d.
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1989.PR01
Description:
This project series documents a residence for Mr. CK Sawhney in Chandigarh, India in 1989. Located on plot no. 7 in Sector 18B, the project consisted of a three bedroom, single-storey home. The project is recorded through floor plans dating from 1989.
AP206.S1.1989.PR01
Description:
This project series documents a residence for Mr. CK Sawhney in Chandigarh, India in 1989. Located on plot no. 7 in Sector 18B, the project consisted of a three bedroom, single-storey home. The project is recorded through floor plans dating from 1989.
Personnes et institutions:
Date:
1989
1989
Titre:
Residence for Mr. CK Sawhney, Chandigarh, India (1989)
Actions:
AP206.S1.1989.PR01
Description:
This project series documents a residence for Mr. CK Sawhney in Chandigarh, India in 1989. Located on plot no. 7 in Sector 18B, the project consisted of a three bedroom, single-storey home. The project is recorded through floor plans dating from 1989.
Residence for Mr. CK Sawhney, Chandigarh, India (1989)
Actions:
AP206.S1.1989.PR01
Description:
This project series documents a residence for Mr. CK Sawhney in Chandigarh, India in 1989. Located on plot no. 7 in Sector 18B, the project consisted of a three bedroom, single-storey home. The project is recorded through floor plans dating from 1989.
Niveau de description archivistique:
Project
Project
Date:
1989
1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1996.PR03
Description:
This project series documents a permanent stage for Sector 17 in Chandigarh, India in 1996. The project proposed a 31' 6" square stage with space underneath for exhibitions of the Lalit Kala Akademi. The project is recorded through a plan and an axonometric view dating from 1996.
AP206.S1.1996.PR03
Description:
This project series documents a permanent stage for Sector 17 in Chandigarh, India in 1996. The project proposed a 31' 6" square stage with space underneath for exhibitions of the Lalit Kala Akademi. The project is recorded through a plan and an axonometric view dating from 1996.
Personnes et institutions:
Date:
1996
1996
Titre:
Permanent stage for Sector 17, Chandigarh, India (1996)
Actions:
AP206.S1.1996.PR03
Description:
This project series documents a permanent stage for Sector 17 in Chandigarh, India in 1996. The project proposed a 31' 6" square stage with space underneath for exhibitions of the Lalit Kala Akademi. The project is recorded through a plan and an axonometric view dating from 1996.
Permanent stage for Sector 17, Chandigarh, India (1996)
Actions:
AP206.S1.1996.PR03
Description:
This project series documents a permanent stage for Sector 17 in Chandigarh, India in 1996. The project proposed a 31' 6" square stage with space underneath for exhibitions of the Lalit Kala Akademi. The project is recorded through a plan and an axonometric view dating from 1996.
Niveau de description archivistique:
Project
Project
Date:
1996
1996
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH268578
Description:
Sketches of chairs, tables and stool for Chandigarh houses, India.
ARCH268578
Description:
Sketches of chairs, tables and stool for Chandigarh houses, India.
Personnes et institutions:
Date:
ca. 1950-1965
ca. 1950-1965
Titre:
Sketches for furniture by Pierre Jeanneret in Chandigarh, India
Actions:
ARCH268578
Description:
Sketches of chairs, tables and stool for Chandigarh houses, India.
Sketches for furniture by Pierre Jeanneret in Chandigarh, India
Actions:
ARCH268578
Description:
Sketches of chairs, tables and stool for Chandigarh houses, India.
Classification:
dessins
dessins
Date:
ca. 1950-1965
ca. 1950-1965
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH285215
Description:
Plan with an index for the Minister's House in Chandigarh, India.
ARCH285215
Description:
Plan with an index for the Minister's House in Chandigarh, India.
Personnes et institutions:
Date:
ca. 1951
ca. 1951
Titre:
Floor plan for the Minister's House in Chandigarh, India
Actions:
ARCH285215
Description:
Plan with an index for the Minister's House in Chandigarh, India.
Floor plan for the Minister's House in Chandigarh, India
Actions:
ARCH285215
Description:
Plan with an index for the Minister's House in Chandigarh, India.
Classification:
dessins
dessins
Date:
ca. 1951
ca. 1951
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH268844
Description:
Plan with an index for the Minister's House in Chandigarh, India.
ARCH268844
Description:
Plan with an index for the Minister's House in Chandigarh, India.
Personnes et institutions:
Date:
ca. 1951
ca. 1951
Titre:
Floor plan for the Minister's House in Chandigarh, India
Actions:
ARCH268844
Description:
Plan with an index for the Minister's House in Chandigarh, India.
Floor plan for the Minister's House in Chandigarh, India
Actions:
ARCH268844
Description:
Plan with an index for the Minister's House in Chandigarh, India.
Classification:
dessins
dessins
Date:
ca. 1951
ca. 1951
Personnes et institutions:
Classification:
photographies
Quantité:
3 photograph(s)
photographies
Quantité:
3 photograph(s)
Numéro de référence:
ARCH280870
Description:
Group consists of photographs of some of the Panjab University's buildings in sector 14 in Chandigarh, India, including the University Arts College, the Hostel for Women and the Administration building.
ARCH280870
Description:
Group consists of photographs of some of the Panjab University's buildings in sector 14 in Chandigarh, India, including the University Arts College, the Hostel for Women and the Administration building.
Personnes et institutions:
Date:
ca. 1955-1965
ca. 1955-1965
Titre:
Photographs of Panjab University's buildings in Chandigarh, India
Actions:
ARCH280870
Description:
Group consists of photographs of some of the Panjab University's buildings in sector 14 in Chandigarh, India, including the University Arts College, the Hostel for Women and the Administration building.
Photographs of Panjab University's buildings in Chandigarh, India
Actions:
ARCH280870
Description:
Group consists of photographs of some of the Panjab University's buildings in sector 14 in Chandigarh, India, including the University Arts College, the Hostel for Women and the Administration building.
Classification:
photographies
Quantité:
3 photograph(s)
photographies
Quantité:
3 photograph(s)
Date:
ca. 1955-1965
ca. 1955-1965
Personnes et institutions:
Classification:
photographies
Quantité:
5 photograph(s)
photographies
Quantité:
5 photograph(s)
Numéro de référence:
ARCH269579
Description:
Group consists predominantly of photographs of the Gandhi Bhawan at Panjab University in Chandigarh, India, including a photograph of the interior. There is also a photograph of University Hostel for Girls.
ARCH269579
Description:
Group consists predominantly of photographs of the Gandhi Bhawan at Panjab University in Chandigarh, India, including a photograph of the interior. There is also a photograph of University Hostel for Girls.
Personnes et institutions:
Date:
between 1955 and 1963
between 1955 and 1963
Titre:
Photographs of Panjab University buildings in Chandigarh, India
Actions:
ARCH269579
Description:
Group consists predominantly of photographs of the Gandhi Bhawan at Panjab University in Chandigarh, India, including a photograph of the interior. There is also a photograph of University Hostel for Girls.
Photographs of Panjab University buildings in Chandigarh, India
Actions:
ARCH269579
Description:
Group consists predominantly of photographs of the Gandhi Bhawan at Panjab University in Chandigarh, India, including a photograph of the interior. There is also a photograph of University Hostel for Girls.
Classification:
photographies
Quantité:
5 photograph(s)
photographies
Quantité:
5 photograph(s)
Date:
between 1955 and 1963
between 1955 and 1963
Personnes et institutions:
