Idea 340: Forms of practice
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A number of young designers in Europe and America are attempting to develop their own paths in exploring graphic design through innovative small-scale practices. Many of the designers featured here were born in the 1970s and 1980s, coming of age in commercial practice in the digital environment. The majority of those featured operate within the sphere of graphic design(...)
Idea 340: Forms of practice
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A number of young designers in Europe and America are attempting to develop their own paths in exploring graphic design through innovative small-scale practices. Many of the designers featured here were born in the 1970s and 1980s, coming of age in commercial practice in the digital environment. The majority of those featured operate within the sphere of graphic design production from the approach of a more personal practice, inflecting their work with nuanced, idiosyncratic conceptual and formal approaches. While widely varied due to cultural context and social/environmental differences, all have a kinship in unique approaches to developing formal options for clients. The use of the word "option" as applied here is perhaps the most relevant key point for the latest wave of graphic design from abroad- perhaps the "solution" as an end result of graphic design as a process is a dead methodology. What are instead offered are graphic "options" in lieu of "solutions"- inquiries answered with inquiries, questions answered with questions. The work featured offers playful, tentative answers instead of cold, hard end results.
Revues
Cee cee : Berlin
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Cee Cee is Berlin’s most widely read online medium. Launched as a newsletter for friends in 2011, it covers and comments on the capital’s perpetually changing urban landscape and the multifaceted goings-on in the culture and restaurant scenes. The selection of recommendations is carefully vetted and has become an indispensable guide for Berlin lovers in Germany and(...)
Cee cee : Berlin
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Cee Cee is Berlin’s most widely read online medium. Launched as a newsletter for friends in 2011, it covers and comments on the capital’s perpetually changing urban landscape and the multifaceted goings-on in the culture and restaurant scenes. The selection of recommendations is carefully vetted and has become an indispensable guide for Berlin lovers in Germany and abroad, for expats and locals. Working with a small team of photographers and authors, the people behind Cee Cee, Sven Hausherr and Nina Trippel, have now compiled a book presenting over two hundred of the most exciting features. The mix is diverse, subjective and authentic: secret bars and hidden art collections, idiosyncratic cafés and extravagant restaurants, eccentric concept stores and native originals. Numerous illustrations and full-page views show the Berlin of today. Recommendations, cross-references, guest columns by fashion designers and musicians, and insider’s advice sourced from the Cee Cee community make this book a treasure trove of information for explorers. A Berlin book for Berlin visitors, Berlin lovers, Berlin residents, and future Berliners.
Guides des villes
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The Bauhaus Dessau, designed by Walter Gropius and from 1925 to 1932 the headquarters of the "Hochschule für Gestaltung Bauhaus Dessau", attracts around 80,000 visitors annually from Germany and abroad who are in search of the roots of the 20th century Modernism. Now the first book in which the UNESCO world cultural heritage site is introduced following its complete(...)
Bauhau Dessau : architecture, design, concept
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The Bauhaus Dessau, designed by Walter Gropius and from 1925 to 1932 the headquarters of the "Hochschule für Gestaltung Bauhaus Dessau", attracts around 80,000 visitors annually from Germany and abroad who are in search of the roots of the 20th century Modernism. Now the first book in which the UNESCO world cultural heritage site is introduced following its complete renovation is available. Featuring more than 110 black and white photographs, "Bauhaus Dessau" presents the whole scope of architectural and artistic variety and quality of the building. The book sketches the history of the building, its architectural parts, the interior design created by the Bauhaus artists, as well as the functions of the building. "Bauhaus Dessau" is well-suited as a companion for a tour through the building as well as a reference of individual details. In addition to the visual objects, the text also describes the work carried out in the former workshops and their most important products, because architecture, design and concept of the Bauhaus are inseparably connected to each other.
Modernisme
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Energy performance feedback is an essential tool in addressing the current climate crisis. However, this is not simply another theoretical text about energy performance in buildings. This book is for anyone who wants to better understand how energy is used in buildings, and how to drive down operational energy use – whether you’re an architect, student, client, building(...)
Architecture écologique
avril 2021
Energy, people, buildings: making sustainable architecture work
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Energy performance feedback is an essential tool in addressing the current climate crisis. However, this is not simply another theoretical text about energy performance in buildings. This book is for anyone who wants to better understand how energy is used in buildings, and how to drive down operational energy use – whether you’re an architect, student, client, building services engineer, contractor, building operator or other stakeholder. Focusing on evidence from feedback on buildings in use, it explains what it takes to get them to perform as expected, as well as the reasons why they often fail. "Energy, people, buildings" draws extensively on the findings of studies, UK government-funded building performance evaluations and on original research into seven case studies from across the UK and abroad that have achieved exemplary energy use through building performance feedback. Providing a clear roadmap to understanding aspects that impact building users’ comfort and satisfaction, it also outlines the factors behind energy use and how to track it across the life of a project to ensure that your building performs as intended.
Architecture écologique
Scale
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Scale is perhaps the most spectacularly overlooked aspect of artistic production. As photographic and digital reproductions have essentially dematerialized art, critical and historical research dealing with scale—both within the American critical tradition and abroad—has become scattered and insufficiently theorized. However, by posing a specific challenge, such research(...)
Scale
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Scale is perhaps the most spectacularly overlooked aspect of artistic production. As photographic and digital reproductions have essentially dematerialized art, critical and historical research dealing with scale—both within the American critical tradition and abroad—has become scattered and insufficiently theorized. However, by posing a specific challenge, such research forces a heightened recognition of both the properties of materials and the deep technical knowledge of makers. A reconsideration of scalar relationships in American art and visual culture therefore reveals original insights. "Scale" is the second volume in the Terra Foundation Essays series. With eighty color illustrations and a wealth of new research from Glenn Adamson, Wendy Bellion, Wouter Davidts, Darcy Grimaldo Grigsby, Christopher P. Heuer, Joshua G. Stein, and Jason Weems, it explores viewers’ physical relationship to Barnett Newman’s abstract canvases, the arduous engineering behind the creation of Mount Rushmore, and the charged significance of liberty poles in the landscape of eighteenth-century New York, among other topics that range from studies of specific works of art to significant conceptual and theoretical concerns.
Théorie de l’art
New architecture in Britain
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Architects increasingly operate on a global scene, and just as numerous British architects have proved highly successful at winning projects abroad, so architects from Europe, the United States and the Far East are making their mark in Britain. One thinks, for example, of Daniel Libeskind’s Imperial War Museum and Tadao Ando’s new square and pavilion project, both in(...)
septembre 2003, London / New York
New architecture in Britain
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Architects increasingly operate on a global scene, and just as numerous British architects have proved highly successful at winning projects abroad, so architects from Europe, the United States and the Far East are making their mark in Britain. One thinks, for example, of Daniel Libeskind’s Imperial War Museum and Tadao Ando’s new square and pavilion project, both in Manchester, or of Frank Gehry’s Cancer Care Centre in Dundee. Well-known British practices such as Future Systems, Alsop Architects and Nicholas Grimshaw & Partners also inevitably feature prominently in the international story of the country’s recent architectural renaissance, but so too do newer, smaller practices, including many based outside the capital. This book describes and illustrates over 100 outstanding projects, both large and small, from around Britain – none completed earlier than 2001, and some still under construction or at planning stage. Covering every conceivable building type, from houses, offices and department stores to theatres, heritage sites and museums, this book makes a contribution to the continuing debate about the role of architecture in forging a new environment and underpinning the growth of a healthy society.
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Between the early 1930s and 1950s, modernist architecture underwent a spectacular change of fortune in Britain – from a small-scale avant-garde movement, to the official, state-funded architectural idiom of the post-1945 Welfare State. FRS Yorke (1906–62) was an architect who completely followed that trajectory. His book "The modern house" (1934) placed his detailed(...)
FRS Yorke and the evolution of English modernism
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Between the early 1930s and 1950s, modernist architecture underwent a spectacular change of fortune in Britain – from a small-scale avant-garde movement, to the official, state-funded architectural idiom of the post-1945 Welfare State. FRS Yorke (1906–62) was an architect who completely followed that trajectory. His book "The modern house" (1934) placed his detailed knowledge of European architecture as an introduction to modern architecture for generations of architects, and provided inspiration for his own designs. But it was only after World War II, and the social and political change which came in its wake, that Yorke was able to turn his reputation as a modernist into commercial success. As his pre-War contemporaries gave up architecture or moved abroad, his practice – Yorke, Rosenberg and Mardall – drew on his experience of working on large, state-funded construction projects during the War, and participated in the transformation of Britain’s social and physical fabric with its new housing, hospitals, schools, universities and airports. This book concludes with a memoir by David Allford, who worked with Yorke and Yorke, Rosenberg and Mardall from 1952 until 1989.
Architecture, monographies
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This book examines forty projects representing the exemplary work of the internationally renowned architecture firm KSP Engel and Zimmermann. In the course of the past several years, KSP Engel and Zimmermann has become one of the most successful architecture firms in Germany. The firm now has offices in Berlin, Braunschweig, Frankfurt, Cologne, and Munich. Its projects(...)
Complex : the architecture of KSP Engel and Zimmermann
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This book examines forty projects representing the exemplary work of the internationally renowned architecture firm KSP Engel and Zimmermann. In the course of the past several years, KSP Engel and Zimmermann has become one of the most successful architecture firms in Germany. The firm now has offices in Berlin, Braunschweig, Frankfurt, Cologne, and Munich. Its projects include office buildings, hospitals, schools, libraries, sports facilities and residential architecture. KSP Engel and Zimmermann's rich architectural language covers a broad spectrum-from sensitive intervention in existing structures to striking high-rise buildings. This book features an interview in which the two architects clarify their approach to architecture, their curiosity about building abroad, and their recent success. Essays by Peter Davey, editor-in-chief of Architectural Review, and Ingeborg Flagge, director of the Deutsches Architektur Museum, provide a portrait of these self-assured yet open-minded and highly pragmatic architects. The book illustrates the firm's architectural and planning competence in a presentation of forty different projects, including the Federal Press Office in Berlin, the Trade Fair Forum in Frankfurt, Volkswagen Hall in Braunschweig, the Bertelsmann Foundation building in Gütersloh, and a number of high-rise projects in Frankfurt.
Architecture, monographies
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Benjamin Franklin secretly loved London more than Philadelphia: it was simply the most exciting place to be in the British Empire. And in the decade before the outbreak of the American Revolution, thousands of his fellow colonists flocked to the Georgian city in its first big wave of American visitors. At the very point of political rupture, mother country and colonies(...)
When London was capital of America
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Benjamin Franklin secretly loved London more than Philadelphia: it was simply the most exciting place to be in the British Empire. And in the decade before the outbreak of the American Revolution, thousands of his fellow colonists flocked to the Georgian city in its first big wave of American visitors. At the very point of political rupture, mother country and colonies were socially and culturally closer than ever before. In this first-ever portrait of eighteenth-century London as the capital of America, Julie Flavell recreates the famous city's heyday as the centre of an empire that encompassed North America and the West Indies. The momentous years before independence saw more colonial Americans than ever on London's streets: wealthy Southern plantation owners in quest of culture, slaves hoping for a chance of freedom, Yankee businessmen looking for opportunities in the city, even Ben Franklin seeking a second, more distinguished career. The stories of the colonials, no innocents abroad, vividly recreate a time when Americans saw London as their own and remind us of the complex, multiracial - at times even decadent - nature of America's colonial British heritage.
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Architect, designer, and architectural critic, George Nelson (1908�1986) was a young and impressionable architect when he wrote a series of articles in 1935 and 1936 that eloquently introduced astonishing buildings and fascinating personalities from across the Atlantic to wider American audiences. Building a New Europe presents this important collection of writings(...)
Building a new europe : Portraits of modern architects
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Architect, designer, and architectural critic, George Nelson (1908�1986) was a young and impressionable architect when he wrote a series of articles in 1935 and 1936 that eloquently introduced astonishing buildings and fascinating personalities from across the Atlantic to wider American audiences. Building a New Europe presents this important collection of writings together for the first time. The subjects of Nelson�s essays include figures both major (Mies van Der Rohe and Le Corbusier) and minor (Helweg-Moeller and Ivar Tengbom). All of these architects would soon be affected by World War II�they would be put out of work or seek new careers abroad. Nelson�s essays spark fascinating questions about the canon of modernism: how would circumstances in the pre-war years cause some architects to rise and others to fall? Accompanied by a comprehensive introduction and a wide selection of archival photographs, many never before published, this unique study is a significant contribution to the history of modern architecture. George Nelson served as the design director of Herman Miller from 1946 to 1972. His books include Chairs: 20th Century Landmarks in Design and Tomorrow�s House.
Modernisme