5813 Résultats
Classification:
dessins, né numérique
dessins, né numérique
Numéro de référence:
AP184.S1.054
Description:
Complete contents of CD-R labeled "Asymptote NY STTY 99 SIAC". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Unidentified, Adobe Photoshop, Quark Xpress Data File, Alias Pix Image File.
AP184.S1.054
Description:
Complete contents of CD-R labeled "Asymptote NY STTY 99 SIAC". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Unidentified, Adobe Photoshop, Quark Xpress Data File, Alias Pix Image File.
Personnes et institutions:
Date:
11 May 1999 - 9 June 1999
11 May 1999 - 9 June 1999
Titre:
Alias wireframe models and renderings showing graphs for Three Dimensional Trading Floor (1 of 2)
Actions:
AP184.S1.054
Description:
Complete contents of CD-R labeled "Asymptote NY STTY 99 SIAC". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Unidentified, Adobe Photoshop, Quark Xpress Data File, Alias Pix Image File.
Alias wireframe models and renderings showing graphs for Three Dimensional Trading Floor (1 of 2)
Actions:
AP184.S1.054
Description:
Complete contents of CD-R labeled "Asymptote NY STTY 99 SIAC". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Unidentified, Adobe Photoshop, Quark Xpress Data File, Alias Pix Image File.
Classification:
dessins, né numérique
dessins, né numérique
Date:
11 May 1999 - 9 June 1999
11 May 1999 - 9 June 1999
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
AP184.S1.058
Description:
Complete contents of CD-R labeled "3DTF_Handouts 8/25/00 Phase 4". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Adobe Photoshop, Adobe Illustrator, Unidentified, JPEG File Interchange Format.
AP184.S1.058
Description:
Complete contents of CD-R labeled "3DTF_Handouts 8/25/00 Phase 4". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Adobe Photoshop, Adobe Illustrator, Unidentified, JPEG File Interchange Format.
Personnes et institutions:
Date:
8 June 1999 - 13 January 2000
8 June 1999 - 13 January 2000
Titre:
Images for presentation handout of Three Dimensional Virtual Trading Floor, Phase 4.0, August 2000
Actions:
AP184.S1.058
Description:
Complete contents of CD-R labeled "3DTF_Handouts 8/25/00 Phase 4". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Adobe Photoshop, Adobe Illustrator, Unidentified, JPEG File Interchange Format.
Images for presentation handout of Three Dimensional Virtual Trading Floor, Phase 4.0, August 2000
Actions:
AP184.S1.058
Description:
Complete contents of CD-R labeled "3DTF_Handouts 8/25/00 Phase 4". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Adobe Photoshop, Adobe Illustrator, Unidentified, JPEG File Interchange Format.
Classification:
né numérique
né numérique
Date:
8 June 1999 - 13 January 2000
8 June 1999 - 13 January 2000
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Personnes et institutions:
Date:
1994 - 2004
1994 - 2004
Titre:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Niveau de description archivistique:
Series
Series
Date:
1994 - 2004
1994 - 2004
Personnes et institutions:
Classification:
événements
événements
Titre:
Le rôle élargi: SITU
Le rôle élargi: SITU
Actions:
Description:
Bradley Samuels présente le travail récent de SITU Research et le rôle joué par la recherche au sein de la pratique de SITU dans son ensemble. Une série d’études de cas sera présentée, explorant le rôle élargi de la pratique architecturale et spatiale à travers un éventail de domaines, des droits humains à la politique publique, de la science de la terre au design(...)
Bradley Samuels présente le travail récent de SITU Research et le rôle joué par la recherche au sein de la pratique de SITU dans son ensemble. Une série d’études de cas sera présentée, explorant le rôle élargi de la pratique architecturale et spatiale à travers un éventail de domaines, des droits humains à la politique publique, de la science de la terre au design(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
14 janvier 2016
14 janvier 2016
Titre:
Le rôle élargi: SITU
Actions:
Description:
Bradley Samuels présente le travail récent de SITU Research et le rôle joué par la recherche au sein de la pratique de SITU dans son ensemble. Une série d’études de cas sera présentée, explorant le rôle élargi de la pratique architecturale et spatiale à travers un éventail de domaines, des droits humains à la politique publique, de la science de la terre au design(...)
Le rôle élargi: SITU
Actions:
Description:
Bradley Samuels présente le travail récent de SITU Research et le rôle joué par la recherche au sein de la pratique de SITU dans son ensemble. Une série d’études de cas sera présentée, explorant le rôle élargi de la pratique architecturale et spatiale à travers un éventail de domaines, des droits humains à la politique publique, de la science de la terre au design(...)
Classification:
événements
événements
Date:
14 janvier 2016
14 janvier 2016
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1997.D7
Description:
The project series documents the restructuring of public space in Ramos, a neighborhood in Rio de Janeiro. The design was for an international competition “Rio cidade 2,” organized by Rio de Janeiro City Council. In 1997, Héctor Vigliecca (Héctor Vigliecca e Associados), Eduardo Horta and Fabiana Izaga (Izaga e Horta Arquitectos Associados Ltda.), and Abalos & Herreros won the competition. The project was built and final touches were left to German artist Albert Oehlen, who designed the pavement. The firm identified this project as number 106. Documenting this project are conceptual and design development drawings, correspondence, reports, guides, contracts, clippings and digital materials.
AP164.S1.1997.D7
Description:
The project series documents the restructuring of public space in Ramos, a neighborhood in Rio de Janeiro. The design was for an international competition “Rio cidade 2,” organized by Rio de Janeiro City Council. In 1997, Héctor Vigliecca (Héctor Vigliecca e Associados), Eduardo Horta and Fabiana Izaga (Izaga e Horta Arquitectos Associados Ltda.), and Abalos & Herreros won the competition. The project was built and final touches were left to German artist Albert Oehlen, who designed the pavement. The firm identified this project as number 106. Documenting this project are conceptual and design development drawings, correspondence, reports, guides, contracts, clippings and digital materials.
Personnes et institutions:
Date:
1996-1998
1996-1998
Titre:
Recualificación del espacio público de Ramos, Rio de Janeiro, Brazil (1997)
Actions:
AP164.S1.1997.D7
Description:
The project series documents the restructuring of public space in Ramos, a neighborhood in Rio de Janeiro. The design was for an international competition “Rio cidade 2,” organized by Rio de Janeiro City Council. In 1997, Héctor Vigliecca (Héctor Vigliecca e Associados), Eduardo Horta and Fabiana Izaga (Izaga e Horta Arquitectos Associados Ltda.), and Abalos & Herreros won the competition. The project was built and final touches were left to German artist Albert Oehlen, who designed the pavement. The firm identified this project as number 106. Documenting this project are conceptual and design development drawings, correspondence, reports, guides, contracts, clippings and digital materials.
Recualificación del espacio público de Ramos, Rio de Janeiro, Brazil (1997)
Actions:
AP164.S1.1997.D7
Description:
The project series documents the restructuring of public space in Ramos, a neighborhood in Rio de Janeiro. The design was for an international competition “Rio cidade 2,” organized by Rio de Janeiro City Council. In 1997, Héctor Vigliecca (Héctor Vigliecca e Associados), Eduardo Horta and Fabiana Izaga (Izaga e Horta Arquitectos Associados Ltda.), and Abalos & Herreros won the competition. The project was built and final touches were left to German artist Albert Oehlen, who designed the pavement. The firm identified this project as number 106. Documenting this project are conceptual and design development drawings, correspondence, reports, guides, contracts, clippings and digital materials.
Niveau de description archivistique:
Project
Project
Date:
1996-1998
1996-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2013.PR03
Description:
The project series documents the film "Vive l'architecture" produced by Pettena in 2013. The film shows a series of religious Renaissance paintings, however, the human subjects were removed leaving only the architectural elements of the paintings. "Usually considered just a support and background to the scene represented, architecture is instead a subject itself, and a fundamental one, of the painting." [1] The project series contains digital versions of the film, a film still, and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-vive-l-architecture-2013-1/ (last accessed 27 January 2020)
AP207.S1.2013.PR03
Description:
The project series documents the film "Vive l'architecture" produced by Pettena in 2013. The film shows a series of religious Renaissance paintings, however, the human subjects were removed leaving only the architectural elements of the paintings. "Usually considered just a support and background to the scene represented, architecture is instead a subject itself, and a fundamental one, of the painting." [1] The project series contains digital versions of the film, a film still, and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-vive-l-architecture-2013-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2012-2015
2012-2015
Titre:
Vive L'Architectute (circa 2013)
Actions:
AP207.S1.2013.PR03
Description:
The project series documents the film "Vive l'architecture" produced by Pettena in 2013. The film shows a series of religious Renaissance paintings, however, the human subjects were removed leaving only the architectural elements of the paintings. "Usually considered just a support and background to the scene represented, architecture is instead a subject itself, and a fundamental one, of the painting." [1] The project series contains digital versions of the film, a film still, and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-vive-l-architecture-2013-1/ (last accessed 27 January 2020)
Vive L'Architectute (circa 2013)
Actions:
AP207.S1.2013.PR03
Description:
The project series documents the film "Vive l'architecture" produced by Pettena in 2013. The film shows a series of religious Renaissance paintings, however, the human subjects were removed leaving only the architectural elements of the paintings. "Usually considered just a support and background to the scene represented, architecture is instead a subject itself, and a fundamental one, of the painting." [1] The project series contains digital versions of the film, a film still, and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-vive-l-architecture-2013-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2012-2015
2012-2015
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Toy
Toy
Numéro de référence:
AP165.S5.SS4
Description:
The Toy sub-series, circa 1990 – 2000, consists of 56 video recordings containing footage related to Hoberman’s line of toys products. Material consists of MiniDV cassettes, Betacam SP cassettes, Digital Betacam cassettes and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series include footage from promotional video shoots for Hoberman’s toy products as well as publicity videos presented at toy fairs. Toy products represented include the Hoberman Sphere, Mini Sphere, Flight Ring, Orbiter, Expangadon Construction Set, Gro-bots and Twiddlesticks.
AP165.S5.SS4
Description:
The Toy sub-series, circa 1990 – 2000, consists of 56 video recordings containing footage related to Hoberman’s line of toys products. Material consists of MiniDV cassettes, Betacam SP cassettes, Digital Betacam cassettes and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series include footage from promotional video shoots for Hoberman’s toy products as well as publicity videos presented at toy fairs. Toy products represented include the Hoberman Sphere, Mini Sphere, Flight Ring, Orbiter, Expangadon Construction Set, Gro-bots and Twiddlesticks.
Personnes et institutions:
Date:
circa 1990-2002
circa 1990-2002
Titre:
Toy
Actions:
AP165.S5.SS4
Description:
The Toy sub-series, circa 1990 – 2000, consists of 56 video recordings containing footage related to Hoberman’s line of toys products. Material consists of MiniDV cassettes, Betacam SP cassettes, Digital Betacam cassettes and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series include footage from promotional video shoots for Hoberman’s toy products as well as publicity videos presented at toy fairs. Toy products represented include the Hoberman Sphere, Mini Sphere, Flight Ring, Orbiter, Expangadon Construction Set, Gro-bots and Twiddlesticks.
Toy
Actions:
AP165.S5.SS4
Description:
The Toy sub-series, circa 1990 – 2000, consists of 56 video recordings containing footage related to Hoberman’s line of toys products. Material consists of MiniDV cassettes, Betacam SP cassettes, Digital Betacam cassettes and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series include footage from promotional video shoots for Hoberman’s toy products as well as publicity videos presented at toy fairs. Toy products represented include the Hoberman Sphere, Mini Sphere, Flight Ring, Orbiter, Expangadon Construction Set, Gro-bots and Twiddlesticks.
Niveau de description archivistique:
Sub-series 4
Sub-series 4
Date:
circa 1990-2002
circa 1990-2002
Personnes et institutions:
Classification:
né numérique
Quantité:
986 digital file(s)
né numérique
Quantité:
986 digital file(s)
Numéro de référence:
AP174.S1.2001.D1.010
Description:
Contains selected final renders, 2002 and 2013; a set of renders created in Rhinoceros, 2003; and a set of higher resolution renders created in Maya in 2013 from the original digital model produced between 2002 and 2005. Original directory name: "RENDERS". Most common file formats: Tagged Image File Format, Portable Network Graphics, Unidentified, Adobe Photoshop, DS_store file (MAC)
AP174.S1.2001.D1.010
Description:
Contains selected final renders, 2002 and 2013; a set of renders created in Rhinoceros, 2003; and a set of higher resolution renders created in Maya in 2013 from the original digital model produced between 2002 and 2005. Original directory name: "RENDERS". Most common file formats: Tagged Image File Format, Portable Network Graphics, Unidentified, Adobe Photoshop, DS_store file (MAC)
Personnes et institutions:
Date:
2002-2013
2002-2013
Titre:
Rhinoceros and Maya renderings
Actions:
AP174.S1.2001.D1.010
Description:
Contains selected final renders, 2002 and 2013; a set of renders created in Rhinoceros, 2003; and a set of higher resolution renders created in Maya in 2013 from the original digital model produced between 2002 and 2005. Original directory name: "RENDERS". Most common file formats: Tagged Image File Format, Portable Network Graphics, Unidentified, Adobe Photoshop, DS_store file (MAC)
Rhinoceros and Maya renderings
Actions:
AP174.S1.2001.D1.010
Description:
Contains selected final renders, 2002 and 2013; a set of renders created in Rhinoceros, 2003; and a set of higher resolution renders created in Maya in 2013 from the original digital model produced between 2002 and 2005. Original directory name: "RENDERS". Most common file formats: Tagged Image File Format, Portable Network Graphics, Unidentified, Adobe Photoshop, DS_store file (MAC)
Classification:
né numérique
Quantité:
986 digital file(s)
né numérique
Quantité:
986 digital file(s)
Date:
2002-2013
2002-2013
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
AP184.S1.022
Description:
Complete contents of CD-R ARCH268242, labeled “TF3DV Phase 2.32 Production & Printouts”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Unidentified, Macintosh PICT Image, Adobe Photoshop, Tagged Image File Format, Quark Xpress Data File.
AP184.S1.022
Description:
Complete contents of CD-R ARCH268242, labeled “TF3DV Phase 2.32 Production & Printouts”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Unidentified, Macintosh PICT Image, Adobe Photoshop, Tagged Image File Format, Quark Xpress Data File.
Personnes et institutions:
Date:
2 September 1997 - 25 November 1997
2 September 1997 - 25 November 1997
Titre:
Production and printouts, including high resolution renderings, for Three Dimensional Trading Floor, Phase 2.32
Actions:
AP184.S1.022
Description:
Complete contents of CD-R ARCH268242, labeled “TF3DV Phase 2.32 Production & Printouts”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Unidentified, Macintosh PICT Image, Adobe Photoshop, Tagged Image File Format, Quark Xpress Data File.
Production and printouts, including high resolution renderings, for Three Dimensional Trading Floor, Phase 2.32
Actions:
AP184.S1.022
Description:
Complete contents of CD-R ARCH268242, labeled “TF3DV Phase 2.32 Production & Printouts”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Unidentified, Macintosh PICT Image, Adobe Photoshop, Tagged Image File Format, Quark Xpress Data File.
Classification:
né numérique
né numérique
Date:
2 September 1997 - 25 November 1997
2 September 1997 - 25 November 1997
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1997.D11
Description:
The project series documents the commission for the municipal hall and main square of the city of Colmenarejo. One of the objectives of the project was to “strengthen civic life” (ARCH270975). The main square, Plaza de la Constitución, was organized around elements to be preserved and the town hall was seen as an extension of the square. The project was built. The firm identified this project as number 112. The Abalos & Herreros worked with Ángel Jaramillo, David Franco, Carolina González and Juan Gómez. Documenting the project are conceptual, design development and working drawings, project descriptions, correspondence, notes, budgets, estimates, certifications, invoices, reports, contracts, and reference, graphic, photographic and digital materials.
AP164.S1.1997.D11
Description:
The project series documents the commission for the municipal hall and main square of the city of Colmenarejo. One of the objectives of the project was to “strengthen civic life” (ARCH270975). The main square, Plaza de la Constitución, was organized around elements to be preserved and the town hall was seen as an extension of the square. The project was built. The firm identified this project as number 112. The Abalos & Herreros worked with Ángel Jaramillo, David Franco, Carolina González and Juan Gómez. Documenting the project are conceptual, design development and working drawings, project descriptions, correspondence, notes, budgets, estimates, certifications, invoices, reports, contracts, and reference, graphic, photographic and digital materials.
Personnes et institutions:
Date:
1993-2000, predominant 1997
1993-2000, predominant 1997
Titre:
Sala municipal y plaza en Colmenarejo, Spain (1997)
Actions:
AP164.S1.1997.D11
Description:
The project series documents the commission for the municipal hall and main square of the city of Colmenarejo. One of the objectives of the project was to “strengthen civic life” (ARCH270975). The main square, Plaza de la Constitución, was organized around elements to be preserved and the town hall was seen as an extension of the square. The project was built. The firm identified this project as number 112. The Abalos & Herreros worked with Ángel Jaramillo, David Franco, Carolina González and Juan Gómez. Documenting the project are conceptual, design development and working drawings, project descriptions, correspondence, notes, budgets, estimates, certifications, invoices, reports, contracts, and reference, graphic, photographic and digital materials.
Sala municipal y plaza en Colmenarejo, Spain (1997)
Actions:
AP164.S1.1997.D11
Description:
The project series documents the commission for the municipal hall and main square of the city of Colmenarejo. One of the objectives of the project was to “strengthen civic life” (ARCH270975). The main square, Plaza de la Constitución, was organized around elements to be preserved and the town hall was seen as an extension of the square. The project was built. The firm identified this project as number 112. The Abalos & Herreros worked with Ángel Jaramillo, David Franco, Carolina González and Juan Gómez. Documenting the project are conceptual, design development and working drawings, project descriptions, correspondence, notes, budgets, estimates, certifications, invoices, reports, contracts, and reference, graphic, photographic and digital materials.
Niveau de description archivistique:
Project
Project
Date:
1993-2000, predominant 1997
1993-2000, predominant 1997
Personnes et institutions:
