5814 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
Personnes et institutions:
Date:
circa 1967-2015
circa 1967-2015
Titre:
The Pig “Carosello Italiano” (1967)
Actions:
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
The Pig “Carosello Italiano” (1967)
Actions:
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
Niveau de description archivistique:
Project
Project
Date:
circa 1967-2015
circa 1967-2015
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CP138.S3
Description:
Series consists of binders of photographic material made by Gordon Matta-Clark (1943-1978) or at his direction. Three of the binders include material made on trips to Mexico, South America and Europe along with photographs of activities in New York. Additionally, the other three binders contain CCA-made copies of originals in the possession of Jane Crawford and owned by the Estate of Gordon Matta-Clark, which document Matta-Clark's early projects. While few of the photographs in these binders relate directly to his finished projects, it is assumed that many of the photographs were made with the intention of using them in future projects. Material in this series was produced between 1943 and 1978. Series contains ring binders and digital photographs.
CP138.S3
Description:
Series consists of binders of photographic material made by Gordon Matta-Clark (1943-1978) or at his direction. Three of the binders include material made on trips to Mexico, South America and Europe along with photographs of activities in New York. Additionally, the other three binders contain CCA-made copies of originals in the possession of Jane Crawford and owned by the Estate of Gordon Matta-Clark, which document Matta-Clark's early projects. While few of the photographs in these binders relate directly to his finished projects, it is assumed that many of the photographs were made with the intention of using them in future projects. Material in this series was produced between 1943 and 1978. Series contains ring binders and digital photographs.
Personnes et institutions:
Date:
[1943-1978, predominant 1970-1978]
[1943-1978, predominant 1970-1978]
Titre:
Gordon Matta-Clark's Working Photographs
Actions:
CP138.S3
Description:
Series consists of binders of photographic material made by Gordon Matta-Clark (1943-1978) or at his direction. Three of the binders include material made on trips to Mexico, South America and Europe along with photographs of activities in New York. Additionally, the other three binders contain CCA-made copies of originals in the possession of Jane Crawford and owned by the Estate of Gordon Matta-Clark, which document Matta-Clark's early projects. While few of the photographs in these binders relate directly to his finished projects, it is assumed that many of the photographs were made with the intention of using them in future projects. Material in this series was produced between 1943 and 1978. Series contains ring binders and digital photographs.
Gordon Matta-Clark's Working Photographs
Actions:
CP138.S3
Description:
Series consists of binders of photographic material made by Gordon Matta-Clark (1943-1978) or at his direction. Three of the binders include material made on trips to Mexico, South America and Europe along with photographs of activities in New York. Additionally, the other three binders contain CCA-made copies of originals in the possession of Jane Crawford and owned by the Estate of Gordon Matta-Clark, which document Matta-Clark's early projects. While few of the photographs in these binders relate directly to his finished projects, it is assumed that many of the photographs were made with the intention of using them in future projects. Material in this series was produced between 1943 and 1978. Series contains ring binders and digital photographs.
Niveau de description archivistique:
Series 3
Series 3
Date:
[1943-1978, predominant 1970-1978]
[1943-1978, predominant 1970-1978]
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2000.D5
Description:
The project series documents the design of social and elderly housing complexes, office equipment, gardening and landscaping, in the village Es Pil·lari, Palma de Mallorca, Spain. The firm gave iterations of this project the following identification numbers: 129, 157, 166, 167, and 168. Each of these iterations is found within this project series. Abalos & Herreros were invited to participate in a competition organised by the Institut Balear de la Vivienda. They won the first prize. The firm worked with Ángel Jaramillo, Uriel Fogué, Fermina Garrído, Renata Sentkiewicz and Jacob Hense. Documenting this project are conceptual, design development, presentation and working drawings, digital, photographic and reference materials, notes, minutes, correspondence, specifications, presentation documents, reports, studies, and a postcard.
AP164.S1.2000.D5
Description:
The project series documents the design of social and elderly housing complexes, office equipment, gardening and landscaping, in the village Es Pil·lari, Palma de Mallorca, Spain. The firm gave iterations of this project the following identification numbers: 129, 157, 166, 167, and 168. Each of these iterations is found within this project series. Abalos & Herreros were invited to participate in a competition organised by the Institut Balear de la Vivienda. They won the first prize. The firm worked with Ángel Jaramillo, Uriel Fogué, Fermina Garrído, Renata Sentkiewicz and Jacob Hense. Documenting this project are conceptual, design development, presentation and working drawings, digital, photographic and reference materials, notes, minutes, correspondence, specifications, presentation documents, reports, studies, and a postcard.
Personnes et institutions:
Date:
1998-2004
1998-2004
Titre:
Es Pil·lari, Palma de Mallorca, Spain (2000)
Actions:
AP164.S1.2000.D5
Description:
The project series documents the design of social and elderly housing complexes, office equipment, gardening and landscaping, in the village Es Pil·lari, Palma de Mallorca, Spain. The firm gave iterations of this project the following identification numbers: 129, 157, 166, 167, and 168. Each of these iterations is found within this project series. Abalos & Herreros were invited to participate in a competition organised by the Institut Balear de la Vivienda. They won the first prize. The firm worked with Ángel Jaramillo, Uriel Fogué, Fermina Garrído, Renata Sentkiewicz and Jacob Hense. Documenting this project are conceptual, design development, presentation and working drawings, digital, photographic and reference materials, notes, minutes, correspondence, specifications, presentation documents, reports, studies, and a postcard.
Es Pil·lari, Palma de Mallorca, Spain (2000)
Actions:
AP164.S1.2000.D5
Description:
The project series documents the design of social and elderly housing complexes, office equipment, gardening and landscaping, in the village Es Pil·lari, Palma de Mallorca, Spain. The firm gave iterations of this project the following identification numbers: 129, 157, 166, 167, and 168. Each of these iterations is found within this project series. Abalos & Herreros were invited to participate in a competition organised by the Institut Balear de la Vivienda. They won the first prize. The firm worked with Ángel Jaramillo, Uriel Fogué, Fermina Garrído, Renata Sentkiewicz and Jacob Hense. Documenting this project are conceptual, design development, presentation and working drawings, digital, photographic and reference materials, notes, minutes, correspondence, specifications, presentation documents, reports, studies, and a postcard.
Niveau de description archivistique:
Project
Project
Date:
1998-2004
1998-2004
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP196.S1
Description:
Series 1, Project files for competition, 2003-2004, documents the first design phase of the project originally titled Best Nest, which would later become the Ford Calumet Environmental Center. The records consist largely of digital photographs documenting the original state of the site and its surroundings. AutoCAD drawings and physical early design sketches, research and studies document the design for bird screen, column bundles, roof and environmental systems. The records also include study models for column bundles and pod layout with the screen representing the early stages of the design. The records also contain email correspondence between Studio Gang Architects and other project stakeholders, budget records, and a PowerPoint presentation and presentation model for competition final presentation.
AP196.S1
Description:
Series 1, Project files for competition, 2003-2004, documents the first design phase of the project originally titled Best Nest, which would later become the Ford Calumet Environmental Center. The records consist largely of digital photographs documenting the original state of the site and its surroundings. AutoCAD drawings and physical early design sketches, research and studies document the design for bird screen, column bundles, roof and environmental systems. The records also include study models for column bundles and pod layout with the screen representing the early stages of the design. The records also contain email correspondence between Studio Gang Architects and other project stakeholders, budget records, and a PowerPoint presentation and presentation model for competition final presentation.
Personnes et institutions:
Date:
2003-2004
2003-2004
Titre:
Project files for competition
Actions:
AP196.S1
Description:
Series 1, Project files for competition, 2003-2004, documents the first design phase of the project originally titled Best Nest, which would later become the Ford Calumet Environmental Center. The records consist largely of digital photographs documenting the original state of the site and its surroundings. AutoCAD drawings and physical early design sketches, research and studies document the design for bird screen, column bundles, roof and environmental systems. The records also include study models for column bundles and pod layout with the screen representing the early stages of the design. The records also contain email correspondence between Studio Gang Architects and other project stakeholders, budget records, and a PowerPoint presentation and presentation model for competition final presentation.
Project files for competition
Actions:
AP196.S1
Description:
Series 1, Project files for competition, 2003-2004, documents the first design phase of the project originally titled Best Nest, which would later become the Ford Calumet Environmental Center. The records consist largely of digital photographs documenting the original state of the site and its surroundings. AutoCAD drawings and physical early design sketches, research and studies document the design for bird screen, column bundles, roof and environmental systems. The records also include study models for column bundles and pod layout with the screen representing the early stages of the design. The records also contain email correspondence between Studio Gang Architects and other project stakeholders, budget records, and a PowerPoint presentation and presentation model for competition final presentation.
Niveau de description archivistique:
Series
Series
Date:
2003-2004
2003-2004
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
AP154.S1.1973.PR01.SS2.026
Description:
Digital files from a 3.5" floppy disk labelled "Seagram Building Alphabet". Contents include font files in Adobe PostScript Font Metrics, Adobe Printer Font Binary, and TrueType Font formats, as well as OPTIDOWN, an executable program for "downloading Type 1 fonts to PostScript printers." File also includes a disk image of the floppy disk. Files exported from disk image on 22 August 2016 using tsk_recover.
AP154.S1.1973.PR01.SS2.026
Description:
Digital files from a 3.5" floppy disk labelled "Seagram Building Alphabet". Contents include font files in Adobe PostScript Font Metrics, Adobe Printer Font Binary, and TrueType Font formats, as well as OPTIDOWN, an executable program for "downloading Type 1 fonts to PostScript printers." File also includes a disk image of the floppy disk. Files exported from disk image on 22 August 2016 using tsk_recover.
Personnes et institutions:
Date:
1989-1996
1989-1996
Titre:
Seagram Building alphabet font files
Actions:
AP154.S1.1973.PR01.SS2.026
Description:
Digital files from a 3.5" floppy disk labelled "Seagram Building Alphabet". Contents include font files in Adobe PostScript Font Metrics, Adobe Printer Font Binary, and TrueType Font formats, as well as OPTIDOWN, an executable program for "downloading Type 1 fonts to PostScript printers." File also includes a disk image of the floppy disk. Files exported from disk image on 22 August 2016 using tsk_recover.
Seagram Building alphabet font files
Actions:
AP154.S1.1973.PR01.SS2.026
Description:
Digital files from a 3.5" floppy disk labelled "Seagram Building Alphabet". Contents include font files in Adobe PostScript Font Metrics, Adobe Printer Font Binary, and TrueType Font formats, as well as OPTIDOWN, an executable program for "downloading Type 1 fonts to PostScript printers." File also includes a disk image of the floppy disk. Files exported from disk image on 22 August 2016 using tsk_recover.
Classification:
né numérique
né numérique
Date:
1989-1996
1989-1996
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
AP184.S3.004
Description:
Complete contents of CD-R labeled “May 24/99 Casabella Images / Asymptote Architecture / New York Stock Exchange / Ramp Projects / -Texts / -Ramp Images / -3DTFV Images”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Unidentified, Microsoft FoxPro Memo, Microsoft Word Document.
AP184.S3.004
Description:
Complete contents of CD-R labeled “May 24/99 Casabella Images / Asymptote Architecture / New York Stock Exchange / Ramp Projects / -Texts / -Ramp Images / -3DTFV Images”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Unidentified, Microsoft FoxPro Memo, Microsoft Word Document.
Personnes et institutions:
Date:
9 March 1999 - 24 May 1999
9 March 1999 - 24 May 1999
Titre:
Press release, credit text, and images of Advanced Trading Floor Operations Center
Actions:
AP184.S3.004
Description:
Complete contents of CD-R labeled “May 24/99 Casabella Images / Asymptote Architecture / New York Stock Exchange / Ramp Projects / -Texts / -Ramp Images / -3DTFV Images”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Unidentified, Microsoft FoxPro Memo, Microsoft Word Document.
Press release, credit text, and images of Advanced Trading Floor Operations Center
Actions:
AP184.S3.004
Description:
Complete contents of CD-R labeled “May 24/99 Casabella Images / Asymptote Architecture / New York Stock Exchange / Ramp Projects / -Texts / -Ramp Images / -3DTFV Images”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: Tagged Image File Format, Unidentified, Microsoft FoxPro Memo, Microsoft Word Document.
Classification:
né numérique
né numérique
Date:
9 March 1999 - 24 May 1999
9 March 1999 - 24 May 1999
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2005.D11
Description:
This project documents the traveling exhibition “Grand Tour” curated by Abalos & Herreros. A book was also published under the same title. The exposition and publication are based on the firm’s projects and they are divided into four themes: pavillions, observatories, recycled landscape and links. It was held, among other places, at the Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria (May 24th to July 10th, 2005) and at the Fundación ICO, Madrid (September 14th to November 27th, 2005). The firm identified this project as number 203. Documenting the exhibition are proofs, sketches, design development, presentation, technical and working drawings, artefacts, press-kits, budgets, dummies, correspondence, reference, digital, graphic and photographic materials, and the publication “Grand Tour”.
AP164.S1.2005.D11
Description:
This project documents the traveling exhibition “Grand Tour” curated by Abalos & Herreros. A book was also published under the same title. The exposition and publication are based on the firm’s projects and they are divided into four themes: pavillions, observatories, recycled landscape and links. It was held, among other places, at the Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria (May 24th to July 10th, 2005) and at the Fundación ICO, Madrid (September 14th to November 27th, 2005). The firm identified this project as number 203. Documenting the exhibition are proofs, sketches, design development, presentation, technical and working drawings, artefacts, press-kits, budgets, dummies, correspondence, reference, digital, graphic and photographic materials, and the publication “Grand Tour”.
Personnes et institutions:
Date:
1993-2006
1993-2006
Titre:
Grand Tour (2005)
Actions:
AP164.S1.2005.D11
Description:
This project documents the traveling exhibition “Grand Tour” curated by Abalos & Herreros. A book was also published under the same title. The exposition and publication are based on the firm’s projects and they are divided into four themes: pavillions, observatories, recycled landscape and links. It was held, among other places, at the Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria (May 24th to July 10th, 2005) and at the Fundación ICO, Madrid (September 14th to November 27th, 2005). The firm identified this project as number 203. Documenting the exhibition are proofs, sketches, design development, presentation, technical and working drawings, artefacts, press-kits, budgets, dummies, correspondence, reference, digital, graphic and photographic materials, and the publication “Grand Tour”.
Grand Tour (2005)
Actions:
AP164.S1.2005.D11
Description:
This project documents the traveling exhibition “Grand Tour” curated by Abalos & Herreros. A book was also published under the same title. The exposition and publication are based on the firm’s projects and they are divided into four themes: pavillions, observatories, recycled landscape and links. It was held, among other places, at the Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria (May 24th to July 10th, 2005) and at the Fundación ICO, Madrid (September 14th to November 27th, 2005). The firm identified this project as number 203. Documenting the exhibition are proofs, sketches, design development, presentation, technical and working drawings, artefacts, press-kits, budgets, dummies, correspondence, reference, digital, graphic and photographic materials, and the publication “Grand Tour”.
Niveau de description archivistique:
Project
Project
Date:
1993-2006
1993-2006
Personnes et institutions:
Classification:
expositions
expositions
Description:
des pros : construction auto-documentée sur les réseaux sociaux étudie l’émergence, sur les médias sociaux, de clips populaires documentant les travaux de construction par les personnes présentes sur le chantier elles-mêmes. Inspirés par l’essor de l’économie de la création, les entrepreneurs, les ouvriers et les artisans ont commencé à enregistrer et à partager leurs(...)
des pros : construction auto-documentée sur les réseaux sociaux étudie l’émergence, sur les médias sociaux, de clips populaires documentant les travaux de construction par les personnes présentes sur le chantier elles-mêmes. Inspirés par l’essor de l’économie de la création, les entrepreneurs, les ouvriers et les artisans ont commencé à enregistrer et à partager leurs(...)
Localisation:
salle octogonale Mot(s)-clé(s):
médias sociaux, TikTok, Instagram, photographie d'architecture, travailleurs de la construction, main-d'œuvre, compétences
salle octogonale Mot(s)-clé(s):
médias sociaux, TikTok, Instagram, photographie d'architecture, travailleurs de la construction, main-d'œuvre, compétences
Date:
juin 2024 au octobre 2024
juin 2024 au octobre 2024
Titre:
des pros : construction auto documentée sur les réseaux sociaux
Actions:
Description:
des pros : construction auto-documentée sur les réseaux sociaux étudie l’émergence, sur les médias sociaux, de clips populaires documentant les travaux de construction par les personnes présentes sur le chantier elles-mêmes. Inspirés par l’essor de l’économie de la création, les entrepreneurs, les ouvriers et les artisans ont commencé à enregistrer et à partager leurs(...)
des pros : construction auto documentée sur les réseaux sociaux
Actions:
Description:
des pros : construction auto-documentée sur les réseaux sociaux étudie l’émergence, sur les médias sociaux, de clips populaires documentant les travaux de construction par les personnes présentes sur le chantier elles-mêmes. Inspirés par l’essor de l’économie de la création, les entrepreneurs, les ouvriers et les artisans ont commencé à enregistrer et à partager leurs(...)
Classification:
expositions
expositions
Date:
juin 2024 au
octobre 2024
juin 2024 au
octobre 2024
Localisation:
salle octogonale Mot(s)-clé(s):
médias sociaux, TikTok, Instagram, photographie d'architecture, travailleurs de la construction, main-d'œuvre, compétences
salle octogonale Mot(s)-clé(s):
médias sociaux, TikTok, Instagram, photographie d'architecture, travailleurs de la construction, main-d'œuvre, compétences
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2009.PR02
Description:
The project series documents the installation "Forgiving Architecture" presented at the ReMap2, Athens Biennal, in 2009. The installation consists of strips of paper vertically hung across the facades of the building to be moved by the breeze. "The air of Athens, its constant breezes, suggest the extent to which nature can “forgive,” can find a poetic communication, like the foliage of a forest in the wind. Nothing can be lighter and more mobile than static architecture!" [1] The project series contains sketches, perspective drawings, visual instructions, and photographs of the installation, including digital photographs of the installation in Athens in 2009. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-forgiving-architecture-2009-1/ (last accessed 23 January 2020).
AP207.S1.2009.PR02
Description:
The project series documents the installation "Forgiving Architecture" presented at the ReMap2, Athens Biennal, in 2009. The installation consists of strips of paper vertically hung across the facades of the building to be moved by the breeze. "The air of Athens, its constant breezes, suggest the extent to which nature can “forgive,” can find a poetic communication, like the foliage of a forest in the wind. Nothing can be lighter and more mobile than static architecture!" [1] The project series contains sketches, perspective drawings, visual instructions, and photographs of the installation, including digital photographs of the installation in Athens in 2009. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-forgiving-architecture-2009-1/ (last accessed 23 January 2020).
Personnes et institutions:
Date:
2009-2015
2009-2015
Titre:
Forgiving Architecture (2009)
Actions:
AP207.S1.2009.PR02
Description:
The project series documents the installation "Forgiving Architecture" presented at the ReMap2, Athens Biennal, in 2009. The installation consists of strips of paper vertically hung across the facades of the building to be moved by the breeze. "The air of Athens, its constant breezes, suggest the extent to which nature can “forgive,” can find a poetic communication, like the foliage of a forest in the wind. Nothing can be lighter and more mobile than static architecture!" [1] The project series contains sketches, perspective drawings, visual instructions, and photographs of the installation, including digital photographs of the installation in Athens in 2009. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-forgiving-architecture-2009-1/ (last accessed 23 January 2020).
Forgiving Architecture (2009)
Actions:
AP207.S1.2009.PR02
Description:
The project series documents the installation "Forgiving Architecture" presented at the ReMap2, Athens Biennal, in 2009. The installation consists of strips of paper vertically hung across the facades of the building to be moved by the breeze. "The air of Athens, its constant breezes, suggest the extent to which nature can “forgive,” can find a poetic communication, like the foliage of a forest in the wind. Nothing can be lighter and more mobile than static architecture!" [1] The project series contains sketches, perspective drawings, visual instructions, and photographs of the installation, including digital photographs of the installation in Athens in 2009. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-forgiving-architecture-2009-1/ (last accessed 23 January 2020).
Niveau de description archivistique:
Project
Project
Date:
2009-2015
2009-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1996.PR06
Description:
This project series documents a proposal for Phat Studios in New York City from 1996-1997. The office identified the project number as 9618. This project, designed for record label Def Jam Records, was to be built on the corner of Jamaica Avenue and 160th Street in Queens. The design would then potentially be replicated for Def Jam in Los Angelos and Atlanta. The project would consist of a recording studio, restaurant, comedy club, listening lounge and retail space for label co-founder Russel Simmon's Phat Farm clothing brand. This project was never realized. The project is recorded through drawings and a photograph of the existing site dating from 1996-1997. The drawings are mostly original sketches but some digital renderings of the project are also included.
AP056.S1.1996.PR06
Description:
This project series documents a proposal for Phat Studios in New York City from 1996-1997. The office identified the project number as 9618. This project, designed for record label Def Jam Records, was to be built on the corner of Jamaica Avenue and 160th Street in Queens. The design would then potentially be replicated for Def Jam in Los Angelos and Atlanta. The project would consist of a recording studio, restaurant, comedy club, listening lounge and retail space for label co-founder Russel Simmon's Phat Farm clothing brand. This project was never realized. The project is recorded through drawings and a photograph of the existing site dating from 1996-1997. The drawings are mostly original sketches but some digital renderings of the project are also included.
Personnes et institutions:
Date:
1996-1997
1996-1997
Titre:
Phat Studios, Def Jam Records, New York City (1996-1997)
Actions:
AP056.S1.1996.PR06
Description:
This project series documents a proposal for Phat Studios in New York City from 1996-1997. The office identified the project number as 9618. This project, designed for record label Def Jam Records, was to be built on the corner of Jamaica Avenue and 160th Street in Queens. The design would then potentially be replicated for Def Jam in Los Angelos and Atlanta. The project would consist of a recording studio, restaurant, comedy club, listening lounge and retail space for label co-founder Russel Simmon's Phat Farm clothing brand. This project was never realized. The project is recorded through drawings and a photograph of the existing site dating from 1996-1997. The drawings are mostly original sketches but some digital renderings of the project are also included.
Phat Studios, Def Jam Records, New York City (1996-1997)
Actions:
AP056.S1.1996.PR06
Description:
This project series documents a proposal for Phat Studios in New York City from 1996-1997. The office identified the project number as 9618. This project, designed for record label Def Jam Records, was to be built on the corner of Jamaica Avenue and 160th Street in Queens. The design would then potentially be replicated for Def Jam in Los Angelos and Atlanta. The project would consist of a recording studio, restaurant, comedy club, listening lounge and retail space for label co-founder Russel Simmon's Phat Farm clothing brand. This project was never realized. The project is recorded through drawings and a photograph of the existing site dating from 1996-1997. The drawings are mostly original sketches but some digital renderings of the project are also included.
Niveau de description archivistique:
Project
Project
Date:
1996-1997
1996-1997
Personnes et institutions:
