fillip 7 Winter 2008
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Fillip is a publication of art, culture, and ideas released three times a year by the Projectile Publishing Society from Vancouver, British Columbia. Crossing academic, artistic, and related practices, Fillip acts as a forum for critical discussion in the contemporary arts, and situates itself as a complement and stimulus for contemporary practices and discourses. Number(...)
fillip 7 Winter 2008
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Fillip is a publication of art, culture, and ideas released three times a year by the Projectile Publishing Society from Vancouver, British Columbia. Crossing academic, artistic, and related practices, Fillip acts as a forum for critical discussion in the contemporary arts, and situates itself as a complement and stimulus for contemporary practices and discourses. Number 7 includes an interview by Montreal-based artists Danna Vajda and Willie Brisco with Liam Gillick.
Revues
$26.00
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"Draw it with your eyes closed: the art of the art assignment" is a unique and wide-ranging anthology featuring essays, drawings, and assignments from over one hundred contributors including John Baldessari, William Pope.L, Mira Schor, Rochelle Feinstein, Bob Nickas, Chris Kraus, Liam Gillick, Amy Sillman, James Benning, and Michelle Grabner. Bringing together(...)
Draw it with your eyes closed: the art of the art assignment
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$26.00
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"Draw it with your eyes closed: the art of the art assignment" is a unique and wide-ranging anthology featuring essays, drawings, and assignments from over one hundred contributors including John Baldessari, William Pope.L, Mira Schor, Rochelle Feinstein, Bob Nickas, Chris Kraus, Liam Gillick, Amy Sillman, James Benning, and Michelle Grabner. Bringing together assignments, anti-assignments, and artworks from both teachers and students from a broad range of institutions, we hope it simultaneously serves as an archive and an instigation, a teaching tool and a question mark, a critique and a tribute.
Théorie de l’art
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In recent years there has been increased debate on the incorporation of pedagogy into curatorial practice — on what has been termed "the educational turn" ("turn" in the sense of a paradigmatic reorientation, within the arts). In this new volume, artists, curators, critics and academics respond to this widely recognized turn in contemporary art. Consisting primarily of(...)
Curating and the educational turn
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In recent years there has been increased debate on the incorporation of pedagogy into curatorial practice — on what has been termed "the educational turn" ("turn" in the sense of a paradigmatic reorientation, within the arts). In this new volume, artists, curators, critics and academics respond to this widely recognized turn in contemporary art. Consisting primarily of newly commissioned texts, from interviews and position statements to performative text and dialogue, this book also includes a number of previously published writings that have proved primary in the debate so far. Contributors include David Aguirre, Dave Beech, Cornford & Cross, Charles Esche, Liam Gillick, Tom Holert and Emily Pethick.
Muséologie
Museum of the future
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Museums of contemporary art are expanding and in crisis. They attract ever-larger audiences; architects constantly redesign them; and the ever-swellling ranks of artists are producing a greater quantity of art than ever before. Meanwhile, museum funds are dwindling amid economic crisis and an overheated art market. The question of which art is to be collected has also(...)
Museum of the future
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Museums of contemporary art are expanding and in crisis. They attract ever-larger audiences; architects constantly redesign them; and the ever-swellling ranks of artists are producing a greater quantity of art than ever before. Meanwhile, museum funds are dwindling amid economic crisis and an overheated art market. The question of which art is to be collected has also become a more openly discussed topic. How do curators meet these challenges? How do artists view their relationships to museum? How do practitioners navigate between ideas, ideals and realities? This publication gathers interviews with artists, architects and curators of the contemporary art world, such as John Baldessari, Ute Meta Bauer, Suzanne Cotter, Bice Curiger, Chris Dercon, Charles Esche, Liam Gillick, Michael Govan, Jacques Herzog, Thomas Hirschhorn, Philipp Kaiser, Rem Koolhaas, Lars Nittve, Hans Ulrich Obrist, Thierry Raspail, Tobias Rehberger and Beatrix Ruf, among others.
Muséologie
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Designed by acclaimed graphic designers Scott King and Régis Tosetti, this vibrant artist's book compendium offers up a complete remix of art, discourse and propaganda based on the activities of Germany's Kunstverein München between 2005 and 2009. Visual and textual documentation was collected, sorted and jumbled up to create new constellations and relationships,(...)
Be nice share everything have fun
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Designed by acclaimed graphic designers Scott King and Régis Tosetti, this vibrant artist's book compendium offers up a complete remix of art, discourse and propaganda based on the activities of Germany's Kunstverein München between 2005 and 2009. Visual and textual documentation was collected, sorted and jumbled up to create new constellations and relationships, rendering book as exhibition and exhibition as book. Be Nice Share Everything Have Fun contains contributions from Allora & Calzadilla, Lutz Bacher, Victor Burgin, Tom Burr, William S. Burroughs, Gerard Byrne, Duncan Campbell, Marc Camille Chaimowicz, Jeremy Deller, Peter Doig, Dot Dot Dot, Cerith Wyn Evans, Luca Frei, General Idea, Gilbert and George, Liam Gillick, John Giorno, Richard Hamilton, Florian Hecker, Jim Isermann, Ray Johnson, Scott King, Zoe Leonard, Linder, Hilary Lloyd, Dorit Margreiter, and more.
Arts graphiques imprimés
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Guided by the principle that throughout the world artists are independently working through the same problems and themes, this publication seeks to convene these artists to examine the diversity of formal vocabularies brought to bear upon those problems. Personal Structures includes over 35 artist interviews on the topics of time, space and existence within their work,(...)
Théorie de l’art
juillet 2010
Personal structures: time-space-existence
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Guided by the principle that throughout the world artists are independently working through the same problems and themes, this publication seeks to convene these artists to examine the diversity of formal vocabularies brought to bear upon those problems. Personal Structures includes over 35 artist interviews on the topics of time, space and existence within their work, plus transcripts from four symposia in different cities: "Time" in Amsterdam, "Space" in New York, "Existence" in Tokyo and "Time-Space-Existence" at the 53rd Venice Biennale. Personal Structures presents the work of 60 artists between the ages of 20 and 90 from 17 countries on four continents. Among the artists represented are Marina Abramovic, Vito Acconci, Carl Andre, Christian Boltanski, Louise Bourgeois, Hanne Darboven, Liam Gillick, Antony Gormley, Dan Graham, Tehching Hsieh, On Kawara, Joseph Kosuth, Sol LeWitt, Giuseppe Penone, Jessica Stockholder, Richard Tuttle, Lawrence Weiner and Fred Wilson.
Théorie de l’art
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Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples(...)
février 2012
In deed : certificates of authenticity in art
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Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples of artists certificates from the past fifty years, this book reveals how roles have shifted and developed, as well as how the materials and content of art have changed. With certificates by Judith Barry, Pierre Bismuth, Daniel Buren, Marcel Duchamp, Dan Flavin, Liam Gillick, Hans Haacke, Edward Kienholz, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Gordon Matta-Clark, Jonathan Monk, Robert Morris, Antoni Muntadas, Yoko Ono, Robert Rauschenberg, David Shrigley, Rirkrit Tiravanija, Ben Vautier, Lawrence Weiner, Franz West and others.
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Taking that ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. "The Artist as Curator: An Anthology", born out of a series of essays originally published in Mousse, surveys seminal examples of such artist-curated exhibitions from the postwar to the present, examined by the world’s(...)
The artist as curator: an anthology
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Taking that ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. "The Artist as Curator: An Anthology", born out of a series of essays originally published in Mousse, surveys seminal examples of such artist-curated exhibitions from the postwar to the present, examined by the world’s foremost curators and illustrated with rare documents and illustrations. Artists featured include the Avant-Garde Argentinian Visual Artists Group; Mel Bochner; Marcel Broothaers; John Cage; Judy Chicago, Miriam Schapiro and the CalArts Feminist Art Program; Collaborative Projects Inc. (Colab); Liam Gillick and Philippe Parreno; Group Material; Richard Hamilton and Victor Pasmore; David Hammons; Martin Kippenberger; Mark Leckey; Hélio Oiticica; Walid Raad and Akram Zaatari; Martha Rosler; and Andy Warhol, among other examples drawn from around the globe.
Magasin 1986-2006
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L'ouvrage réunit une documentation exhaustive sur la programmation des trois directeurs successifs du centre d'art contemporain Le Magasin, avec la participation des interventions de V.Acconci, R. Barry, J. Beuys, S. Fleury, L. Gillick & P. Parreno, M. Kelley, S. Lewitt, R. Prince, J. Shaw, X. Veilhan, ... Recapitulative publication about Le Magasin, Centre National(...)
avril 2006, Zürich / Grenoble
Magasin 1986-2006
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L'ouvrage réunit une documentation exhaustive sur la programmation des trois directeurs successifs du centre d'art contemporain Le Magasin, avec la participation des interventions de V.Acconci, R. Barry, J. Beuys, S. Fleury, L. Gillick & P. Parreno, M. Kelley, S. Lewitt, R. Prince, J. Shaw, X. Veilhan, ... Recapitulative publication about Le Magasin, Centre National d’Art Contemporain de Grenoble. Considered, since its opening in 1986, a model rehabilitation of an abandoned industrial site for contemporary art, Le Magasin of Grenoble is emerging from a period of renovation. For its reopening, the center wished to publish an assessment of its activity. The book reunites exhaustive documentation on the programming of the three successive directors, and chose to highlight certain projects, for the most part never published, of artists such as Vito Acconci, John Baldessari, Robert Barry, Joseph Beuys, Alighiero Boetti, Monica Bonvicini, Daniel Buren, Chen Zhen, Sylvie Fleury, Liam Gillick & Philippe Parreno, Jack Goldstein, Dominique Gonzalez-Foerster, the GRAV, Jim Isermann, Ilya Kabakov, Mike Kelley, Barbara Kruger, Sol LeWitt, Richard Long, Matt Mullican, Richard Prince, Thomas Ruff, Allen Ruppersberg, Jim Shaw, Philippe Thomas, Xavier Veilhan, Lawrence Weiner, etc. Auteurs / authors : Paul Ardenne, Lionel Bovier, Laura Cottingham, Paul McCarthy, Stéphanie Moisdon Trembley, Frank Perrin, Eric Troncy.
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How are you involved in the art world? Are you related to any specific scene? What would be the most productive place to present your work? What kind of curators do you like to work with, and why? What does the art market mean for your work? These are some of the questions that have been presented to every artist who has worked with Witte de With, the respected Rotterdam(...)
mars 2008, Rotterdam
Changing roles artists' personal views and wishes
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How are you involved in the art world? Are you related to any specific scene? What would be the most productive place to present your work? What kind of curators do you like to work with, and why? What does the art market mean for your work? These are some of the questions that have been presented to every artist who has worked with Witte de With, the respected Rotterdam contemporary art center, over the past two years. This publication reflects on the ideas behind the works that the center has shown, and allows artists to voice concerns that are rarely discussed as part of a public initiative. The participants' answers serve as a model, suggesting what roles they need institutions, curators and programs to play. Contributors include Jesper Just, Erik van Lieshout, Sarah Morris and Robin Rhode. Liam Gillick was born in Aylesbury, Great Britain, in 1964 and studied at Hertfordshire College of Art, and Goldsmiths College, London. Often combining text and installation, Gillickis work frequently investigates economics and aesthetics in modern society. A finalist for the Turner Prize in 2002, his work has appeared at Documenta in 1997 and at The Museum of Modern Art, New York in 2003, as well as in numerous solo shows worldwide. He lives and works in London and New York.