674 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Gene Summers
Fonds Gene Summers
Numéro de référence:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Personnes et institutions:
Date:
1957 - 2004
1957 - 2004
Titre:
Fonds Gene Summers
Actions:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Fonds Gene Summers
Actions:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1957 - 2004
1957 - 2004
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Myron Goldsmith
Fonds Myron Goldsmith
Numéro de référence:
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
Personnes et institutions:
Date:
1933-1996
1933-1996
Titre:
Fonds Myron Goldsmith
Actions:
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
Fonds Myron Goldsmith
Actions:
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1933-1996
1933-1996
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Victor Landriault
Fonds Victor Landriault
Numéro de référence:
AP111
Résumé:
Le fonds est principalement constitué de documents photographiques de natures et de formats différents illustrant 12 projets de génie civil et autres constructions au Québec, en Ontario, au Nouveau-Brunswick, à Terre-Neuve, au Sri Lanka et en Algérie réalisés par la compagnie Atlas entre 1948 et 1987. On y retrouve des épreuves noir et blanc, quelques-unes en couleurs et des diapositives. Au total, le nombre de documents photographiques est évalué à 3 553 items qui étaient à l'origine répartis dans 28 albums. Le fonds comprend aussi 139 reproductions de plans (cyanotypes) et des documents textuels se rapportant à quelques-uns des projets. Enfin, plusieurs publications ayant appartenu à Victor Landriault et relatives aux activités de l'entreprise ou aux techniques de construction, ainsi que quelques souvenirs que le donateur a conservés de l'entreprise, viennent compléter le fonds.
AP111
Résumé:
Le fonds est principalement constitué de documents photographiques de natures et de formats différents illustrant 12 projets de génie civil et autres constructions au Québec, en Ontario, au Nouveau-Brunswick, à Terre-Neuve, au Sri Lanka et en Algérie réalisés par la compagnie Atlas entre 1948 et 1987. On y retrouve des épreuves noir et blanc, quelques-unes en couleurs et des diapositives. Au total, le nombre de documents photographiques est évalué à 3 553 items qui étaient à l'origine répartis dans 28 albums. Le fonds comprend aussi 139 reproductions de plans (cyanotypes) et des documents textuels se rapportant à quelques-uns des projets. Enfin, plusieurs publications ayant appartenu à Victor Landriault et relatives aux activités de l'entreprise ou aux techniques de construction, ainsi que quelques souvenirs que le donateur a conservés de l'entreprise, viennent compléter le fonds.
Personnes et institutions:
Date:
1948-1987
1948-1987
Titre:
Fonds Victor Landriault
Actions:
AP111
Résumé:
Le fonds est principalement constitué de documents photographiques de natures et de formats différents illustrant 12 projets de génie civil et autres constructions au Québec, en Ontario, au Nouveau-Brunswick, à Terre-Neuve, au Sri Lanka et en Algérie réalisés par la compagnie Atlas entre 1948 et 1987. On y retrouve des épreuves noir et blanc, quelques-unes en couleurs et des diapositives. Au total, le nombre de documents photographiques est évalué à 3 553 items qui étaient à l'origine répartis dans 28 albums. Le fonds comprend aussi 139 reproductions de plans (cyanotypes) et des documents textuels se rapportant à quelques-uns des projets. Enfin, plusieurs publications ayant appartenu à Victor Landriault et relatives aux activités de l'entreprise ou aux techniques de construction, ainsi que quelques souvenirs que le donateur a conservés de l'entreprise, viennent compléter le fonds.
Fonds Victor Landriault
Actions:
AP111
Résumé:
Le fonds est principalement constitué de documents photographiques de natures et de formats différents illustrant 12 projets de génie civil et autres constructions au Québec, en Ontario, au Nouveau-Brunswick, à Terre-Neuve, au Sri Lanka et en Algérie réalisés par la compagnie Atlas entre 1948 et 1987. On y retrouve des épreuves noir et blanc, quelques-unes en couleurs et des diapositives. Au total, le nombre de documents photographiques est évalué à 3 553 items qui étaient à l'origine répartis dans 28 albums. Le fonds comprend aussi 139 reproductions de plans (cyanotypes) et des documents textuels se rapportant à quelques-uns des projets. Enfin, plusieurs publications ayant appartenu à Victor Landriault et relatives aux activités de l'entreprise ou aux techniques de construction, ainsi que quelques souvenirs que le donateur a conservés de l'entreprise, viennent compléter le fonds.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1948-1987
1948-1987
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Personnes et institutions:
Date:
1969-1971
1969-1971
Titre:
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Niveau de description archivistique:
Project
Project
Date:
1969-1971
1969-1971
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH271624
Description:
Here's the list of projects included in the portfolio: - Casa-patio experimental; - Proyecto de subestacion y edificio de oficinas para el puerto de Carboneras, Almeria; - Linea de mobiliario Euterpe; - Colegio oficial de architecturos extremadura, Plaza de Espana no 2, Badajoz; - Centro cultural, Cobeña, Madrid; - Estación depuradora de aguas residuales "El Endrinal", Villalba, Madrid; - Estación depuradora de aguas residuales, Majadahonda, Madrid; - Estacion depuradora de aguas residuales "El Chaparral" Guadarrama, Madrid; - Le Corbusier : rascacielos; - Ordenación de la Plaza Castilla, Madrid; - Ordenación de Nueva Montaña Quijano en Santander; - Ordenación del nudo Puerta de Hierro; - Prototipo de estructura vertical, Cáceres; - Propuesta para la Plaza de Ópera, Madrid; - Centro de Calculo de Telefónica, Madrid; - Edificio de oficinas de RENFE, Madrid; - Vivienda y Ciudad, avenida Diagonal, Barcelona; - Polideportivo Parquesol, Valladolid; - RENFE Burgos; - Polideportivo Madrigal de las Altas Torres, Ávila; - Cityvips, Fuencarral, Madrid; - Concurso Embajada de Francia; - Palencia Parque Europa; - Madrid Sur; - Proyecto Nomada; - Puerto Málaga; - Ayuntamiento y casa de la cultura de Cobeña, Madrid; - Centro cívico y comercial, Majadahonda; - Caja de Ahorros de Granada; - Ordenación del área de Abandoibarra, Bilbao; - Parque Dunar, Doñana National Park; - Saconia; - Vivienda social (concurso), Madrid; - Prototipos de vivienda industrializada: Casas AH-Gia; - Concurso Zephyr: torres mixtas autosuficientes.
ARCH271624
Description:
Here's the list of projects included in the portfolio: - Casa-patio experimental; - Proyecto de subestacion y edificio de oficinas para el puerto de Carboneras, Almeria; - Linea de mobiliario Euterpe; - Colegio oficial de architecturos extremadura, Plaza de Espana no 2, Badajoz; - Centro cultural, Cobeña, Madrid; - Estación depuradora de aguas residuales "El Endrinal", Villalba, Madrid; - Estación depuradora de aguas residuales, Majadahonda, Madrid; - Estacion depuradora de aguas residuales "El Chaparral" Guadarrama, Madrid; - Le Corbusier : rascacielos; - Ordenación de la Plaza Castilla, Madrid; - Ordenación de Nueva Montaña Quijano en Santander; - Ordenación del nudo Puerta de Hierro; - Prototipo de estructura vertical, Cáceres; - Propuesta para la Plaza de Ópera, Madrid; - Centro de Calculo de Telefónica, Madrid; - Edificio de oficinas de RENFE, Madrid; - Vivienda y Ciudad, avenida Diagonal, Barcelona; - Polideportivo Parquesol, Valladolid; - RENFE Burgos; - Polideportivo Madrigal de las Altas Torres, Ávila; - Cityvips, Fuencarral, Madrid; - Concurso Embajada de Francia; - Palencia Parque Europa; - Madrid Sur; - Proyecto Nomada; - Puerto Málaga; - Ayuntamiento y casa de la cultura de Cobeña, Madrid; - Centro cívico y comercial, Majadahonda; - Caja de Ahorros de Granada; - Ordenación del área de Abandoibarra, Bilbao; - Parque Dunar, Doñana National Park; - Saconia; - Vivienda social (concurso), Madrid; - Prototipos de vivienda industrializada: Casas AH-Gia; - Concurso Zephyr: torres mixtas autosuficientes.
Personnes et institutions:
Date:
circa 1994
circa 1994
Titre:
Portfolio containing graphic materials on projects produced between 1984 and 1994 by the firm Abalos & Herreros
Actions:
ARCH271624
Description:
Here's the list of projects included in the portfolio: - Casa-patio experimental; - Proyecto de subestacion y edificio de oficinas para el puerto de Carboneras, Almeria; - Linea de mobiliario Euterpe; - Colegio oficial de architecturos extremadura, Plaza de Espana no 2, Badajoz; - Centro cultural, Cobeña, Madrid; - Estación depuradora de aguas residuales "El Endrinal", Villalba, Madrid; - Estación depuradora de aguas residuales, Majadahonda, Madrid; - Estacion depuradora de aguas residuales "El Chaparral" Guadarrama, Madrid; - Le Corbusier : rascacielos; - Ordenación de la Plaza Castilla, Madrid; - Ordenación de Nueva Montaña Quijano en Santander; - Ordenación del nudo Puerta de Hierro; - Prototipo de estructura vertical, Cáceres; - Propuesta para la Plaza de Ópera, Madrid; - Centro de Calculo de Telefónica, Madrid; - Edificio de oficinas de RENFE, Madrid; - Vivienda y Ciudad, avenida Diagonal, Barcelona; - Polideportivo Parquesol, Valladolid; - RENFE Burgos; - Polideportivo Madrigal de las Altas Torres, Ávila; - Cityvips, Fuencarral, Madrid; - Concurso Embajada de Francia; - Palencia Parque Europa; - Madrid Sur; - Proyecto Nomada; - Puerto Málaga; - Ayuntamiento y casa de la cultura de Cobeña, Madrid; - Centro cívico y comercial, Majadahonda; - Caja de Ahorros de Granada; - Ordenación del área de Abandoibarra, Bilbao; - Parque Dunar, Doñana National Park; - Saconia; - Vivienda social (concurso), Madrid; - Prototipos de vivienda industrializada: Casas AH-Gia; - Concurso Zephyr: torres mixtas autosuficientes.
Portfolio containing graphic materials on projects produced between 1984 and 1994 by the firm Abalos & Herreros
Actions:
ARCH271624
Description:
Here's the list of projects included in the portfolio: - Casa-patio experimental; - Proyecto de subestacion y edificio de oficinas para el puerto de Carboneras, Almeria; - Linea de mobiliario Euterpe; - Colegio oficial de architecturos extremadura, Plaza de Espana no 2, Badajoz; - Centro cultural, Cobeña, Madrid; - Estación depuradora de aguas residuales "El Endrinal", Villalba, Madrid; - Estación depuradora de aguas residuales, Majadahonda, Madrid; - Estacion depuradora de aguas residuales "El Chaparral" Guadarrama, Madrid; - Le Corbusier : rascacielos; - Ordenación de la Plaza Castilla, Madrid; - Ordenación de Nueva Montaña Quijano en Santander; - Ordenación del nudo Puerta de Hierro; - Prototipo de estructura vertical, Cáceres; - Propuesta para la Plaza de Ópera, Madrid; - Centro de Calculo de Telefónica, Madrid; - Edificio de oficinas de RENFE, Madrid; - Vivienda y Ciudad, avenida Diagonal, Barcelona; - Polideportivo Parquesol, Valladolid; - RENFE Burgos; - Polideportivo Madrigal de las Altas Torres, Ávila; - Cityvips, Fuencarral, Madrid; - Concurso Embajada de Francia; - Palencia Parque Europa; - Madrid Sur; - Proyecto Nomada; - Puerto Málaga; - Ayuntamiento y casa de la cultura de Cobeña, Madrid; - Centro cívico y comercial, Majadahonda; - Caja de Ahorros de Granada; - Ordenación del área de Abandoibarra, Bilbao; - Parque Dunar, Doñana National Park; - Saconia; - Vivienda social (concurso), Madrid; - Prototipos de vivienda industrializada: Casas AH-Gia; - Concurso Zephyr: torres mixtas autosuficientes.
Classification:
documents textuels
documents textuels
Date:
circa 1994
circa 1994
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Ross & Macdonald
Fonds Ross & Macdonald
Numéro de référence:
AP013
Résumé:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
AP013
Résumé:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
Personnes et institutions:
Date:
1902-1982
1902-1982
Titre:
Fonds Ross & Macdonald
Actions:
AP013
Résumé:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
Fonds Ross & Macdonald
Actions:
AP013
Résumé:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1902-1982
1902-1982
Personnes et institutions:
Classification:
photographies
Quantité:
183 photograph(s)
photographies
Quantité:
183 photograph(s)
Actions:
Numéro de référence:
PH1987:0633-0815
Description:
- This group of 183 photographs documents the study trip of September 1932 to the Soviet Union organized by André Bloc, editor of L'Architecture d'aujourd'hui (PH1987:0633-PH1987:0815). There are 162 views of buildings, 20 portraits, and one photograph of a perspective drawing for the House of Political Prisoners of Tsarism in Kharkov, Soviet Union (now Ukraine) (PH1987:0700). - There are 77 views of buildings in Kharkov, Zaporozhe and Kiev [?], Soviet Union (now Ukraine). The 32 views of buildings in Kharkov include: 14 views of Dzerzhinskaya Square showing the Department of Industry and Planning (Gosprom) buildings and/or the House of Planning Organizations buildings; six views of the Head Post Office; six views of workers' housing and the club-cafeteria of the Kharkov Tractor Plant (KhTZ) Settlement; four views of the Automated Telephone Station (ATS); and one view each of Revolution Theatre and industrial housing. Also included is one photograph of a perspective drawing for the House of Political Prisoners of Tsarism. -- The 44 views of buildings in Zaporozhe include: 28 views of the Dnieper Hydroelectric Power Station, one an interior view; one view of the Dneprostroi Head Office building; 12 views of communal housing, two showing the cafeteria; two views of an apartment house, and one view of a store entrance. -- There is one view of an entrance to a Dinamo Stadium, possibly in Kiev. - There are 55 views of buildings in Moscow and Leningrad (now Saint Petersburg), Soviet Union (now Russia). The 49 views of buildings in Moscow include: 20 views of the All-Union Electro-Technical Association administration building; 10 views of the VTsIK residential complex, including two views of the clubhouse; five views of the Narkomfin (People's Commissariat for Finance) Apartment Building; three views of Dinamo Stadium; two views of the Zuev Club (club for communal services workers); and one view each of Udarnik Cinema, Mechanized Canteen no. 1, a square with the Kremlin in the background, and the Hotel Octobre. There are also five views of communal housing in Moscow. -- The six views of buildings in Leningrad, Soviet Union (now Saint Petersburg, Russia) include four views of the Vyborgskaya Mechanized Canteen, one view of an apartment house, and one view of a park [?] entrance with the Admiralty in the background. - There are six views of buildings in Poland including: four views of the Central Institute of Physical Education in Warsaw, Poland and two views of an unidentified building. - There are 23 views of buildings whose location has not been determined including: 14 views of apartment houses, one of which is possibly a medical clinic; three views of communal services [?] building, two of which may be apartment houses; two views of a multifunctional building showing stores and apartments; and one view each of a Modernist house, a kiosk and church, an office or government office building, and an unidentified building. Also included is a view of a landscape showing a lake with mountains in the background. - There are 20 portraits of study tour partipants including 10 portraits taken in the train, four group portraits taken on a train stop in Hannover, Germany, two group portraits taken after a meeting of the Society for Foreign Cultural Relations (VOKS), and group portraits of study tour members in the Building Museum, Leningrad (now Saint Petersburg), at dinner in Warsaw, Poland, and in a garden pavilion. There is one portrait of Professor Einhorn delivering a lecture on Kharkov urbanisation in Kharkov.
PH1987:0633-0815
Description:
- This group of 183 photographs documents the study trip of September 1932 to the Soviet Union organized by André Bloc, editor of L'Architecture d'aujourd'hui (PH1987:0633-PH1987:0815). There are 162 views of buildings, 20 portraits, and one photograph of a perspective drawing for the House of Political Prisoners of Tsarism in Kharkov, Soviet Union (now Ukraine) (PH1987:0700). - There are 77 views of buildings in Kharkov, Zaporozhe and Kiev [?], Soviet Union (now Ukraine). The 32 views of buildings in Kharkov include: 14 views of Dzerzhinskaya Square showing the Department of Industry and Planning (Gosprom) buildings and/or the House of Planning Organizations buildings; six views of the Head Post Office; six views of workers' housing and the club-cafeteria of the Kharkov Tractor Plant (KhTZ) Settlement; four views of the Automated Telephone Station (ATS); and one view each of Revolution Theatre and industrial housing. Also included is one photograph of a perspective drawing for the House of Political Prisoners of Tsarism. -- The 44 views of buildings in Zaporozhe include: 28 views of the Dnieper Hydroelectric Power Station, one an interior view; one view of the Dneprostroi Head Office building; 12 views of communal housing, two showing the cafeteria; two views of an apartment house, and one view of a store entrance. -- There is one view of an entrance to a Dinamo Stadium, possibly in Kiev. - There are 55 views of buildings in Moscow and Leningrad (now Saint Petersburg), Soviet Union (now Russia). The 49 views of buildings in Moscow include: 20 views of the All-Union Electro-Technical Association administration building; 10 views of the VTsIK residential complex, including two views of the clubhouse; five views of the Narkomfin (People's Commissariat for Finance) Apartment Building; three views of Dinamo Stadium; two views of the Zuev Club (club for communal services workers); and one view each of Udarnik Cinema, Mechanized Canteen no. 1, a square with the Kremlin in the background, and the Hotel Octobre. There are also five views of communal housing in Moscow. -- The six views of buildings in Leningrad, Soviet Union (now Saint Petersburg, Russia) include four views of the Vyborgskaya Mechanized Canteen, one view of an apartment house, and one view of a park [?] entrance with the Admiralty in the background. - There are six views of buildings in Poland including: four views of the Central Institute of Physical Education in Warsaw, Poland and two views of an unidentified building. - There are 23 views of buildings whose location has not been determined including: 14 views of apartment houses, one of which is possibly a medical clinic; three views of communal services [?] building, two of which may be apartment houses; two views of a multifunctional building showing stores and apartments; and one view each of a Modernist house, a kiosk and church, an office or government office building, and an unidentified building. Also included is a view of a landscape showing a lake with mountains in the background. - There are 20 portraits of study tour partipants including 10 portraits taken in the train, four group portraits taken on a train stop in Hannover, Germany, two group portraits taken after a meeting of the Society for Foreign Cultural Relations (VOKS), and group portraits of study tour members in the Building Museum, Leningrad (now Saint Petersburg), at dinner in Warsaw, Poland, and in a garden pavilion. There is one portrait of Professor Einhorn delivering a lecture on Kharkov urbanisation in Kharkov.
Personnes et institutions:
Sujet:
architecture, ingénierie, portrait, urbanisme
architecture, ingénierie, portrait, urbanisme
Date:
September 1932
September 1932
Titre:
Photographs of buildings and urban development taken during the Study Tour of September 1932 organized by André Bloc of L'Architecture d'aujourd'hui magazine, Soviet Union (now in Russia and Ukraine)
Actions:
PH1987:0633-0815
Description:
- This group of 183 photographs documents the study trip of September 1932 to the Soviet Union organized by André Bloc, editor of L'Architecture d'aujourd'hui (PH1987:0633-PH1987:0815). There are 162 views of buildings, 20 portraits, and one photograph of a perspective drawing for the House of Political Prisoners of Tsarism in Kharkov, Soviet Union (now Ukraine) (PH1987:0700). - There are 77 views of buildings in Kharkov, Zaporozhe and Kiev [?], Soviet Union (now Ukraine). The 32 views of buildings in Kharkov include: 14 views of Dzerzhinskaya Square showing the Department of Industry and Planning (Gosprom) buildings and/or the House of Planning Organizations buildings; six views of the Head Post Office; six views of workers' housing and the club-cafeteria of the Kharkov Tractor Plant (KhTZ) Settlement; four views of the Automated Telephone Station (ATS); and one view each of Revolution Theatre and industrial housing. Also included is one photograph of a perspective drawing for the House of Political Prisoners of Tsarism. -- The 44 views of buildings in Zaporozhe include: 28 views of the Dnieper Hydroelectric Power Station, one an interior view; one view of the Dneprostroi Head Office building; 12 views of communal housing, two showing the cafeteria; two views of an apartment house, and one view of a store entrance. -- There is one view of an entrance to a Dinamo Stadium, possibly in Kiev. - There are 55 views of buildings in Moscow and Leningrad (now Saint Petersburg), Soviet Union (now Russia). The 49 views of buildings in Moscow include: 20 views of the All-Union Electro-Technical Association administration building; 10 views of the VTsIK residential complex, including two views of the clubhouse; five views of the Narkomfin (People's Commissariat for Finance) Apartment Building; three views of Dinamo Stadium; two views of the Zuev Club (club for communal services workers); and one view each of Udarnik Cinema, Mechanized Canteen no. 1, a square with the Kremlin in the background, and the Hotel Octobre. There are also five views of communal housing in Moscow. -- The six views of buildings in Leningrad, Soviet Union (now Saint Petersburg, Russia) include four views of the Vyborgskaya Mechanized Canteen, one view of an apartment house, and one view of a park [?] entrance with the Admiralty in the background. - There are six views of buildings in Poland including: four views of the Central Institute of Physical Education in Warsaw, Poland and two views of an unidentified building. - There are 23 views of buildings whose location has not been determined including: 14 views of apartment houses, one of which is possibly a medical clinic; three views of communal services [?] building, two of which may be apartment houses; two views of a multifunctional building showing stores and apartments; and one view each of a Modernist house, a kiosk and church, an office or government office building, and an unidentified building. Also included is a view of a landscape showing a lake with mountains in the background. - There are 20 portraits of study tour partipants including 10 portraits taken in the train, four group portraits taken on a train stop in Hannover, Germany, two group portraits taken after a meeting of the Society for Foreign Cultural Relations (VOKS), and group portraits of study tour members in the Building Museum, Leningrad (now Saint Petersburg), at dinner in Warsaw, Poland, and in a garden pavilion. There is one portrait of Professor Einhorn delivering a lecture on Kharkov urbanisation in Kharkov.
Photographs of buildings and urban development taken during the Study Tour of September 1932 organized by André Bloc of L'Architecture d'aujourd'hui magazine, Soviet Union (now in Russia and Ukraine)
Actions:
PH1987:0633-0815
Description:
- This group of 183 photographs documents the study trip of September 1932 to the Soviet Union organized by André Bloc, editor of L'Architecture d'aujourd'hui (PH1987:0633-PH1987:0815). There are 162 views of buildings, 20 portraits, and one photograph of a perspective drawing for the House of Political Prisoners of Tsarism in Kharkov, Soviet Union (now Ukraine) (PH1987:0700). - There are 77 views of buildings in Kharkov, Zaporozhe and Kiev [?], Soviet Union (now Ukraine). The 32 views of buildings in Kharkov include: 14 views of Dzerzhinskaya Square showing the Department of Industry and Planning (Gosprom) buildings and/or the House of Planning Organizations buildings; six views of the Head Post Office; six views of workers' housing and the club-cafeteria of the Kharkov Tractor Plant (KhTZ) Settlement; four views of the Automated Telephone Station (ATS); and one view each of Revolution Theatre and industrial housing. Also included is one photograph of a perspective drawing for the House of Political Prisoners of Tsarism. -- The 44 views of buildings in Zaporozhe include: 28 views of the Dnieper Hydroelectric Power Station, one an interior view; one view of the Dneprostroi Head Office building; 12 views of communal housing, two showing the cafeteria; two views of an apartment house, and one view of a store entrance. -- There is one view of an entrance to a Dinamo Stadium, possibly in Kiev. - There are 55 views of buildings in Moscow and Leningrad (now Saint Petersburg), Soviet Union (now Russia). The 49 views of buildings in Moscow include: 20 views of the All-Union Electro-Technical Association administration building; 10 views of the VTsIK residential complex, including two views of the clubhouse; five views of the Narkomfin (People's Commissariat for Finance) Apartment Building; three views of Dinamo Stadium; two views of the Zuev Club (club for communal services workers); and one view each of Udarnik Cinema, Mechanized Canteen no. 1, a square with the Kremlin in the background, and the Hotel Octobre. There are also five views of communal housing in Moscow. -- The six views of buildings in Leningrad, Soviet Union (now Saint Petersburg, Russia) include four views of the Vyborgskaya Mechanized Canteen, one view of an apartment house, and one view of a park [?] entrance with the Admiralty in the background. - There are six views of buildings in Poland including: four views of the Central Institute of Physical Education in Warsaw, Poland and two views of an unidentified building. - There are 23 views of buildings whose location has not been determined including: 14 views of apartment houses, one of which is possibly a medical clinic; three views of communal services [?] building, two of which may be apartment houses; two views of a multifunctional building showing stores and apartments; and one view each of a Modernist house, a kiosk and church, an office or government office building, and an unidentified building. Also included is a view of a landscape showing a lake with mountains in the background. - There are 20 portraits of study tour partipants including 10 portraits taken in the train, four group portraits taken on a train stop in Hannover, Germany, two group portraits taken after a meeting of the Society for Foreign Cultural Relations (VOKS), and group portraits of study tour members in the Building Museum, Leningrad (now Saint Petersburg), at dinner in Warsaw, Poland, and in a garden pavilion. There is one portrait of Professor Einhorn delivering a lecture on Kharkov urbanisation in Kharkov.
Classification:
photographies
Quantité:
183 photograph(s)
photographies
Quantité:
183 photograph(s)
Date:
September 1932
September 1932
Personnes et institutions:
Sujet:
architecture, ingénierie, portrait, urbanisme
architecture, ingénierie, portrait, urbanisme
Classification:
vidéo
vidéo
Actions:
Exemplaires:
Description:
1 streaming video file (14 min., 56 sec.) : sound, colour
Description:
1 streaming video file (14 min., 56 sec.) : sound, colour
Auteur:
Sujet:
Publication:
[Montréal] : Canadian Centre for Architecture, [2017]
[Montréal] : Canadian Centre for Architecture, [2017]
Titre:
No parks : a conversation on two benches to accompany the exhibition It's all happening so fast : a counter-history of the modern Canadian environment.
Actions:
Exemplaires:
Description:
1 streaming video file (14 min., 56 sec.) : sound, colour
No parks : a conversation on two benches to accompany the exhibition It's all happening so fast : a counter-history of the modern Canadian environment.
Actions:
Exemplaires:
Description:
1 streaming video file (14 min., 56 sec.) : sound, colour
Classification:
vidéo
vidéo
Publication:
[Montréal] : Canadian Centre for Architecture, [2017]
[Montréal] : Canadian Centre for Architecture, [2017]
Auteur:
Sujet:
Classification:
livres
livres
Exemplaires:
Description:
126 pages : illustrations, portraits ; 24 cm
Description:
126 pages : illustrations, portraits ; 24 cm
Auteur:
Sujet:
Publication:
Providence : Snow & Farnham, printers, 1896.
Providence : Snow & Farnham, printers, 1896.
Titre:
Parks of leading cities of this country ; parks of Providence.
Actions:
Exemplaires:
Description:
126 pages : illustrations, portraits ; 24 cm
Parks of leading cities of this country ; parks of Providence.
Actions:
Exemplaires:
Description:
126 pages : illustrations, portraits ; 24 cm
Classification:
livres
livres
Publication:
Providence : Snow & Farnham, printers, 1896.
Providence : Snow & Farnham, printers, 1896.
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
iv, 172 pages ; 28 cm
Description:
iv, 172 pages ; 28 cm
Auteur:
Sujet:
Publication:
[Ottawa] : [Parks Canada, Department of Indian and Northern Affairs], [1977]
[Ottawa] : [Parks Canada, Department of Indian and Northern Affairs], [1977]
Titre:
A bibliography for Niagara historic parks / compiled by M.L. Evans.
Actions:
Exemplaires:
Description:
iv, 172 pages ; 28 cm
A bibliography for Niagara historic parks / compiled by M.L. Evans.
Actions:
Exemplaires:
Description:
iv, 172 pages ; 28 cm
Classification:
livres
livres
Publication:
[Ottawa] : [Parks Canada, Department of Indian and Northern Affairs], [1977]
[Ottawa] : [Parks Canada, Department of Indian and Northern Affairs], [1977]
Auteur:
Sujet:
