En attendant t'avenue
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En attendant t’avenue est constitué d’une seule image, monumentale. Une tapisserie qui parcourt tout le livre, brodée à la plume et exécutée à main levée. Le lecteur est convié à arpenter cette ruelle sur 112 pages, dessinées et détaillées de façon obsessionnelle et annotées par l’auteur au fil de la plume (ces annotations, plus visuelles que narratives, seront conservées(...)
En attendant t'avenue
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En attendant t’avenue est constitué d’une seule image, monumentale. Une tapisserie qui parcourt tout le livre, brodée à la plume et exécutée à main levée. Le lecteur est convié à arpenter cette ruelle sur 112 pages, dessinées et détaillées de façon obsessionnelle et annotées par l’auteur au fil de la plume (ces annotations, plus visuelles que narratives, seront conservées en l’état, de façon brute). Les motifs architecturaux sont autant d’occasion d’explorer le dessin et le trait, chaque bâtiment propose une exploration plastique différente, un vocabulaire et une écriture à chaque fois renouvelés. Comme si l’auteur voulait désapprendre ses années de formation artistique et, dans une logique qui relève presque de l’art brut, pousser le travail du trait jusque dans ses derniers retranchements, dans une constante invention graphique : all over, effets de saturation, géométries, déconstruction, mosaïques, etc. Ce travail de dessin n’en est pas moins des propositions architecturales : songeons aux constructions organiques et géologiques de Frank Gehry et d’autres déconstructivistes, qui sont au départ des croquis affranchis des lois de la technique et de la pesanteur pour aboutir, par exemple, au Musée Guggenheim à Bilbao.
Illustration
Archéologie du numérique
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L’archéologie du numérique creuse en profondeur un aspect des plus essentiels : la genèse et la mise en oeuvre, à la fin des années 1980, d’outils numériques servant à la conceptualisation, la visualisation et la fabrication dans le domaine du design. Quels ont été les défis soulevés par ces technologies novatrices et les nouveaux champs de recherche qu’elles ont ouverts(...)
Archéologie du numérique
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L’archéologie du numérique creuse en profondeur un aspect des plus essentiels : la genèse et la mise en oeuvre, à la fin des années 1980, d’outils numériques servant à la conceptualisation, la visualisation et la fabrication dans le domaine du design. Quels ont été les défis soulevés par ces technologies novatrices et les nouveaux champs de recherche qu’elles ont ouverts aux concepteurs ? Comment s’est faite la transition entre pratiques analogiques et outils numériques, et comment le dialogue entre eux a-t-il été exploité ? Ces questions sont au coeur de la présente publication et de l’exposition qu’elle accompagne, qui se déploient autour de quatre projets choisis comme étant des moments charnières des premières étapes du développement de l’architecture numérique : la résidence Lewis (1989–1995), de Frank Gehry, le Biozentrum de Francfort (1987), de Peter Eisenman, la conception de la toiture du complexe sportif municipal d’Odawara et celle du gymnase Galaxy de Toyama (1990 –1992), de Shoei Yoh, ainsi que la sphère déployable (1991) et le dôme Iris (1994) de Chuck Hoberman. Chacun des projets a imprimé une orientation certaine à la recherche architecturale en permettant d’expérimenter les possibilités qu’offraient les nouveaux outils numériques. Le dialogue entre informatique, architecture et génie est au coeur de ces expériences, qui peuvent être considérées comme les précurseurs de méthodes encore opérationnelles aujourd’hui.
Publications du CCA
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"Design Culture Now" is the first survey of American design to cut across the disciplines of architecture, product design, and graphic design. This comprehensive work, organized by the Smithsonian's National Design Museum, catalogues the best in (...)
Design d’intérieur
mars 2000, New York
National design triennial : design culture now
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"Design Culture Now" is the first survey of American design to cut across the disciplines of architecture, product design, and graphic design. This comprehensive work, organized by the Smithsonian's National Design Museum, catalogues the best in architecture, interiors, environments, landscapes, products, furniture, fashion, objects, typefaces, posters, publications, film graphics, and interactive media produced over the last three years. Organized around a series of themes -- Branded, Fluid, Local, Minimal, Narrative, Physical, Reclaimed, and Unbelievable -- "Design Culture Now" presents current projects by up-and-coming designers who are forging new ideas at the margins of the profession as well as established masters whose work continues to evolve. Some of the over 80 individuals and firms whose work is repre-sented include Kyle Cooper, who created the titles for the films "Seven", "The Mummy", and "Mission: Impossible"; graphic designers Bruce Mau and Stefan Sagmeister; Jonathan Ive, designer of the iMac; style guru Martha Stewart; Arlen and Cory Ness, customizers of Harley-Davidson motorcycles; Julie Taymor, director and designer of the Broadway musical "The Lion King"; architects Neil Denari and Frank Gehry; Dante Ferretti, art director of the films Kundun and Casino; fashion designers Kate Spade and Geoffrey Beene; and John Kricfalusi, creator of the cartoon "Ren & Stimpy". Authoritative essays by Donald Albrecht, Ellen Lupton, and Steven Skov Holt describe the state of design at the beginning of the new millennium. Vibrantly designed, this exhaustive survey includes hundreds of full-colour images.
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mars 2000, New York
Design d’intérieur
The house book
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A visual feast of 500 iconic houses and traditional dwellings from all over the world. "The house book" presents a view of architects and designers responsible for some of the most diverse international houses through the ages. From Hadrian’s Villa to Palladio’s Villa Rotunda and Le Corbusier’s Villa Savoye through to the contemporary houses of Richard Rogers and Frank(...)
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octobre 2000, New York
The house book
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A visual feast of 500 iconic houses and traditional dwellings from all over the world. "The house book" presents a view of architects and designers responsible for some of the most diverse international houses through the ages. From Hadrian’s Villa to Palladio’s Villa Rotunda and Le Corbusier’s Villa Savoye through to the contemporary houses of Richard Rogers and Frank Gehry, it features the widest range of both architect-designed and traditional dwellings. "The house book" presents 500 architects in A-Z order, offering an easily accessible and informative sourcebook for experts as well as readers coming to an architectural survey for the first time. Some of the houses are acknowledged for their role in architectural history, others will be iconic for the individual features or structure, but all are seminal forms of dwelling. The selection ranges from the palaces of kings to the individual huts of the Hutu, but the book illustrates that the essential qualities of the house or dwelling remain greatly unchanged over the centuries. Each architect or designer is represented by a full page reproduction mostly in colour of their most significant house and accompanying text that describes the image and its designer. Each page includes cross-references to other architects working in a similar style, movement or time period. The book also includes an easy-to-use glossary of architectural terms and movements and a directory of houses open to the public.
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This book reveals how the work of these architectural talents is also made possible by companies such as Permasteelisa, which offer technological solutions for constructing the most futuristic buildings. Permasteelisa produces continuous external cladding: the skin of skyscrapers, large airports, and current business centers. Drawing on its constant research into(...)
The faces of contemporary cities: Permasteelisa
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This book reveals how the work of these architectural talents is also made possible by companies such as Permasteelisa, which offer technological solutions for constructing the most futuristic buildings. Permasteelisa produces continuous external cladding: the skin of skyscrapers, large airports, and current business centers. Drawing on its constant research into technology and materials, it collaborates with large architectural firms to transform an architect’s project into a building. This was the case for the Sydney Opera House, with its futuristic sails; for the Guggenheim in Bilbao and its curved facades conceived by Frank Gehry; and for the scintillating blades of Renzo Piano’s Shard in London. The book tells the story of Permasteelisa. With the texts by international urban planning scholars and data analysis and georeferencing methodologies developed at the Transnational Architecture and Urbanism Lab (TAU-Lab) of the Politecnico di Milano, it shows how this Italian company’s know-how has allowed it to shape the faces of many contemporary cities such as New York, Paris, London, Berlin, Frankfurt, Milan, Hong Kong, and Sydney.
Matériaux et éclairage
The Architecture of Parking
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Since the invention of the car, the buildings that house them have been a source of inspiration and consternation to architects. Although many dreary car parks and garages do exist, the challenge of efficiently housing a maximum number of cars in a well-designed space has attracted a stellar array of contemporary architects. From the classic circular Marina City tower in(...)
The Architecture of Parking
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Since the invention of the car, the buildings that house them have been a source of inspiration and consternation to architects. Although many dreary car parks and garages do exist, the challenge of efficiently housing a maximum number of cars in a well-designed space has attracted a stellar array of contemporary architects. From the classic circular Marina City tower in Chicago to the Parcheggio Nuovo Salario under construction in Rome, from Frank Gehry to Rem Koolhaas to Zaha Hadid, the form and function of the parking garage have been hugely influential not only on contemporary architects but also on popular culture. This book is at once a survey of the finest examples of parking garages and a presentation of exciting and innovative design. An introduction covers the history and architectural significance of these buildings and their relevance today, and is followed by chapters that define the most influential aspects of parking design: elevations, materials, the use of light, and innovation and experimentation. Featuring detailed plans plus case studies of iconic buildings, this is an indispensable and inspirational resource for professional architects, engineers, urban planners, and developers. 300 illustrations and photographs, 150 in color.
Glass House
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The Glass House, designed by celebrated architect Philip Johnson as a personal retreat, is an icon of modern architecture. A crystalline box set in a serene New England landscape, the house is now owned by the National Trust for Historic Preservation, which will open it to visitors in April 2007. Johnson used his property near New Canaan, Connecticut, as an(...)
Glass House
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The Glass House, designed by celebrated architect Philip Johnson as a personal retreat, is an icon of modern architecture. A crystalline box set in a serene New England landscape, the house is now owned by the National Trust for Historic Preservation, which will open it to visitors in April 2007. Johnson used his property near New Canaan, Connecticut, as an architectural laboratory, adding nine additional structures over a forty-year period. Among them are the Ghost House, a chain-link tribute to Frank Gehry, and the witty, bright red Gate House. Glass House is a unique presentation of the Glass House complex in words and photographs. Compiled by eminent critic Toshio Nakamura under the sponsorship of YKK AP Inc., the volume features a specially commissioned suite of photographs, taken throughout the four seasons, by renowned architectural photographer Michael Moran, including cross-processed images and images taken with infrared film. The deluxe graphic presentation, with distinctive paper stocks and foldout pages reproducing Johnson's original drawings, was conceived by designer Michael Rock of 2x4.
Architecture, monographies
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Between 1998 and 2005, the Structural Engineers Association of New York, along with the Museum of Modern Art's Department of Architecture and Design and the School of Architecture at both Princeton University and MIT, co-sponsored a lecture series in honor of the renowned Spanish and Mexican structural engineer Felix Candela, who led the early exploration of concrete(...)
Seven structural engineers: the Felix Candela lectures
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Between 1998 and 2005, the Structural Engineers Association of New York, along with the Museum of Modern Art's Department of Architecture and Design and the School of Architecture at both Princeton University and MIT, co-sponsored a lecture series in honor of the renowned Spanish and Mexican structural engineer Felix Candela, who led the early exploration of concrete shell structures. These lectures are now available in the format of this book: discussed is the work of the Uruguayan engineer Eladio Dieste, who pioneered the use of thin, light-filled shell structures in masonry. Cecil Balmond recounts his collaboration with architects Rem Koolhaas and Daniel Libeskind. The Swiss bridge designer Christian Menn discusses his iconic long-span prestressed concrete bridges, including the new Charles River Bridge in Boston. Leslie E. Robertson, who is especially known for his work on the structural design of the World Trade Center complex with Minoru Yamasaki, discusses this design along with many other projects. Mamoru Kawaguchi recounts his own work in fabric structures and his collaboration with architects Kenzo Tange and Arata Isozaki. Joerg Schlaich talks about his creative collaboration with Frank Gehry. Heinz Isler's contribution is in the aerea of freeform concrete shell constructions. David Billington and Maria Garlock recount the work of master builders Anton Tedesko, Pier Luigi Nervi, Felix Candela, and Heinz Isler.
Structures d’ingénierie
livres
Toronto : design city
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At a time when modern architecture has become a means for cities to up their game and raise their cultural profile on the world stage, Toronto is coming into its own. Fully entrenched in a design renaissance that is dramatically changing the face and space of the city, Toronto is now a welcome playground for celebrated local talent and international star architects. While(...)
Architecture du Canada
mars 2007, Chichester
Toronto : design city
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At a time when modern architecture has become a means for cities to up their game and raise their cultural profile on the world stage, Toronto is coming into its own. Fully entrenched in a design renaissance that is dramatically changing the face and space of the city, Toronto is now a welcome playground for celebrated local talent and international star architects. While some cities can be immediately defined by a specific style, Toronto is distinguished instead by a fusion of contemporary architecture, heritage preservation and sustainable urban design. A true mosaic of architecture and culture, Toronto is a city learning to recognise and celebrate its diversity – it is a city set to rediscover itself. "Design city : Toronto" showcases over thirty exemplary contemporary interior and architectural projects, both complete and underway. These range from hip restaurants and bars by Toronto-based practices to major institutional buildings completed by the likes of Will Alsop, Behnisch, Behnisch & Partners, Foster and Partners, Frank Gehry, Kuwabara Payne McKenna Blumberg and Daniel Libeskind. Written in an engaging and lively manner, the book is illustrated with new photography by Tom Arban. It also provides a neighbourhood overview and biographies of featured designers.
livres
mars 2007, Chichester
Architecture du Canada
livres
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An essential toolkit for understanding architecture as both art form and the setting for our everyday lives We spend most of our days and nights in buildings, living and working and sometimes playing. Architecture is both the setting for our everyday lives and a public art form - but it remains mysterious to most of us. In "How architecture works", Witold Rybczynski, (...)
How architecture works: a humanist's toolkit
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An essential toolkit for understanding architecture as both art form and the setting for our everyday lives We spend most of our days and nights in buildings, living and working and sometimes playing. Architecture is both the setting for our everyday lives and a public art form - but it remains mysterious to most of us. In "How architecture works", Witold Rybczynski, answers our most fundamental questions about how good - and not so good - buildings are designed and constructed. Introducing the reader to the rich and varied world of modern architecture, he reveals how architects as diverse as Frank Gehry, Renzo Piano, and Robert A. M. Stern envision and create their designs. He teaches us how to read" plans, how buildingsrespond to their settings, and how the smallest detail - of a stair balustrade, for instance - can convey an architect's vision. How Architecture Works explains the central elements that make up good building design, ranging from a war memorial in London to an opera house in Saint Petersburg, from the National Museum of African American History and Culture in Washington, D.C., to a famous architect's private retreat in Princeton, New Jersey. It is an enlightening humanist's toolkit for thinking about the built environment and seeing it afresh.
livres
octobre 2014
Théorie de l’architecture