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Combining formal argument with informal conversations and design proposals, this title offers creative ideas for "thinking and acting architecture differently." What makes the book unique is the freshness of its voices — young architects and emerging practitioners who for the most part have not published before. Interwoven with their proposals are conversations among(...)
Architecture at the edge of everything else
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Combining formal argument with informal conversations and design proposals, this title offers creative ideas for "thinking and acting architecture differently." What makes the book unique is the freshness of its voices — young architects and emerging practitioners who for the most part have not published before. Interwoven with their proposals are conversations among these new voices and more established authors and practitioners, including Sanford Kwinter, Sylvia Lavin, K. Michael Hays, Philippe Rahm, Liam Gillick, Teddy Cruz, and Michael Meredith. This publication investigates the inner contradictions tangling and obscuring architectural discourse. It locates architecture in a cultural, social, political, and situational landscape — the space it actually occupies in the contemporary world. Examining architecture as it comes into contact with other disciplines — including art, art history, cultural studies, curating, landscape architecture, neuroaesthetics, pedagogy, philosophy, political science, and urbanism — the book considers architecture's precarious position at the edge : at the edge of its own dilemmas and at the edge of "everything else." In different ways, all the contributors suggest how to understand the innovative possibilities and pitfalls of spatial practices—teasing, analyzing, and celebrating architecture's disciplinary ambiguity — with proposals that range from a "lo-res" architecture to one controlled by the curatorial impulse, from customizable "skins" on residential buildings to the collection of residual space for new uses. Their investigations encompass how to interpret, how to intervene, and how to imagine.
livres
juin 2010
Théorie de l’architecture
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Public space? Lost and found
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“Public space” is a potent and contentious topic among artists, architects, and cultural producers. Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public(...)
Théorie de l’architecture
juillet 2017
Public space? Lost and found
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“Public space” is a potent and contentious topic among artists, architects, and cultural producers. Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public space in the age of digital media, vast ecological crises, and civic uprisings. "Public Space? Lost and found" combines significant recent projects in art and architecture with writings by historians and theorists. Contributors investigate strategies for responding to underrepresented communities and areas of conflict through the work of Marjetica Potrc in Johannesburg and Teddy Cruz on the Mexico-U.S. border, among others. They explore our collective stakes in ecological catastrophe through artistic research such as atelier d’architecture autogérée’s hubs for community action and recycling in Colombes, France, and Brian Holmes’s theoretical investigation of new forms of aesthetic perception in the age of the Anthropocene. Inspired by artist and MIT professor Antoni Muntadas’ early coining of the term “media landscape,” contributors also look ahead, casting a critical eye on the fraught impact of digital media and the internet on public space. This book is the first in a new series of volumes produced by the MIT School of Architecture and Planning’s Program in Art, Culture and Technology.
livres
juillet 2017
Théorie de l’architecture
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"Borderwall as architecture" is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven(...)
Borderwall as architecture: a manifesto for the US-Mexico boundary
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"Borderwall as architecture" is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven hundred miles of wall is an opportunity for economic and social development along the border that encourages its conceptual and physical dismantling, the book takes readers on a journey along a wall that cuts through a “third nation”—the Divided States of America. On the way the transformative effects of the wall on people, animals, and the natural and built landscape are exposed and interrogated through the story of people who, on both sides of the border, transform the wall, challenging its existence in remarkably creative ways. Coupled with these real-life accounts are counterproposals for the wall, created by Rael’s studio, that reimagine, hyperbolize, or question the wall and its construction, cost, performance, and meaning. Rael proposes that despite the intended use of the wall, which is to keep people out and away, the wall is instead an attractor, engaging both sides in a common dialogue. Included is a collection of reflections on the wall and its consequences by leading experts Michael Dear, Norma Iglesias-Prieto, Marcello Di Cintio, and Teddy Cruz.
livres
mai 2017
Théorie de l’architecture