Projet
AP148.S1.1969.PR02
Description:
Project series comprises one blanket, a prototype of a blanket designed by Poli for the Poltronova Company based in Agliana, Pistoia, in Italy. The blanket is undated, but Poli has identified the project as being from 1969-1970. The blanket is large and made of cotton, mostly red with a black and white pattern.
ca. 1969-1970
Blanket design for Poltronova company (1969-1970)
Actions:
AP148.S1.1969.PR02
Description:
Project series comprises one blanket, a prototype of a blanket designed by Poli for the Poltronova Company based in Agliana, Pistoia, in Italy. The blanket is undated, but Poli has identified the project as being from 1969-1970. The blanket is large and made of cotton, mostly red with a black and white pattern.
Project
ca. 1969-1970
Projet
AP148.S1.1981.PR01
Description:
Project series comprises drawings for Casa Antonielli. Only 1 drawing is dated 1982, but Poli dates the project 1981-1982 in his inventory. One large sketch for the project includes the name Mariella Sgaravatti. The series includes perspective drawings and a large sketch.
1982
Casa Antonielli, Pergine Valdarno, Italy (1981-1982)
Actions:
AP148.S1.1981.PR01
Description:
Project series comprises drawings for Casa Antonielli. Only 1 drawing is dated 1982, but Poli dates the project 1981-1982 in his inventory. One large sketch for the project includes the name Mariella Sgaravatti. The series includes perspective drawings and a large sketch.
Project
1982
Projet
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
1971-1973
Architettura come Scrittura [Architecture as Writing] (1971-1973)
Actions:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
Project
1971-1973
Projet
AP148.S1.1988.PR01
Description:
Project series comprises drawings, sketches and a project description for a 1988 competition entitled "La casa concorso più bella di architettura del mundo." Project materials include numerous drawings, including plans, sections, and a planimetry, as well as a brief project report by Poli, and correspondence from the competition organisers.
1988
Ideas competition, La casa più bella di architettura del mondo [The most beautiful house in the world] (1988)
Actions:
AP148.S1.1988.PR01
Description:
Project series comprises drawings, sketches and a project description for a 1988 competition entitled "La casa concorso più bella di architettura del mundo." Project materials include numerous drawings, including plans, sections, and a planimetry, as well as a brief project report by Poli, and correspondence from the competition organisers.
Project
1988
Projet
AP148.S1.1971.PR04
Description:
Project series documents Poli's design for a Cone table, also called "Mizar" table, which was produced for Superstudio by Crystal Art in 1973. Poli dates this project as being from 1971-1973, however, some drawings appear to be dated 1979. Material in this series features mainly sketches and drawings, many brightly coloured, some done in blue ink, and one large drawing in white on black cardstock. Not all notations appear to be in Poli's hand. One drawing also features an image (which appears to be a cut-out). The series also includes a model or prototype of the table design in glass and ceramic. A sketchbook with drawings related to this project has been catalogued with material from the Lamp for Flos project (see project AP148.S1.1971.PR02) - Poli notes that 48 pages of this red sketchbook feature drawings related to the Cone table project.
1970-1979
Cone table design project (1971-1973)
Actions:
AP148.S1.1971.PR04
Description:
Project series documents Poli's design for a Cone table, also called "Mizar" table, which was produced for Superstudio by Crystal Art in 1973. Poli dates this project as being from 1971-1973, however, some drawings appear to be dated 1979. Material in this series features mainly sketches and drawings, many brightly coloured, some done in blue ink, and one large drawing in white on black cardstock. Not all notations appear to be in Poli's hand. One drawing also features an image (which appears to be a cut-out). The series also includes a model or prototype of the table design in glass and ceramic. A sketchbook with drawings related to this project has been catalogued with material from the Lamp for Flos project (see project AP148.S1.1971.PR02) - Poli notes that 48 pages of this red sketchbook feature drawings related to the Cone table project.
Project
1970-1979
Projet
AP148.S1.1969.PR01
Description:
This project series features drawings and text, as well as collages on photographs, for a project entitled "Breve racconto di Architettura" by Poli. An inventory provided by Poli was used to identify the dates of these materials. The drawings and text seem to feature a journey on a highway (autostrada), or by plane, as all of the collaged images seem to be views taken from an airplane. These collages feature images of food and structures glued onto images of both rural and urban landscapes. References are made in the text to the Parco urbano Modena, possibly related to Poli's thesis project (see AP148.S1.1970.PR01), as well as to Roland Barthes, and "architettura invisibile".
ca. 1969-1970
Breve racconto di Architettura [Brief tale of architecture] (1969-1970)
Actions:
AP148.S1.1969.PR01
Description:
This project series features drawings and text, as well as collages on photographs, for a project entitled "Breve racconto di Architettura" by Poli. An inventory provided by Poli was used to identify the dates of these materials. The drawings and text seem to feature a journey on a highway (autostrada), or by plane, as all of the collaged images seem to be views taken from an airplane. These collages feature images of food and structures glued onto images of both rural and urban landscapes. References are made in the text to the Parco urbano Modena, possibly related to Poli's thesis project (see AP148.S1.1970.PR01), as well as to Roland Barthes, and "architettura invisibile".
Project
ca. 1969-1970
Projet
AP148.S1.1974.PR01
Description:
Project series comprises design work for a project entitled "Architecttura di carta" by Poli. Only one document in the series is dated 1977, and Poli dates the project as 1974 in his inventory. The project features designs for an object or building with a circular base and cone-like top. This work may have been prepared for an exhibition. The notes in the Storyboard include terms such as Crete (Greek island), church, representation, and museum. Some of the handwriting is in Greek. The material in this project series includes 3 large presentation type panels, which feature drawings, sketches, texts and calculations. Similar material is included in the project's Storyboard. In addition, there are 6 circular drawings on cardstock. The 4 photographs in the series depict the design object or building.
1974-1979
Architecttura di carta [Paper architecture] (1974)
Actions:
AP148.S1.1974.PR01
Description:
Project series comprises design work for a project entitled "Architecttura di carta" by Poli. Only one document in the series is dated 1977, and Poli dates the project as 1974 in his inventory. The project features designs for an object or building with a circular base and cone-like top. This work may have been prepared for an exhibition. The notes in the Storyboard include terms such as Crete (Greek island), church, representation, and museum. Some of the handwriting is in Greek. The material in this project series includes 3 large presentation type panels, which feature drawings, sketches, texts and calculations. Similar material is included in the project's Storyboard. In addition, there are 6 circular drawings on cardstock. The 4 photographs in the series depict the design object or building.
Project
1974-1979
Projet
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
1991
Bed and blanket design, Il carro di giove [Jupiter's chariot] (1991)
Actions:
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
Project
1991
Projet
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
1972-1980
Zeno, una cultura autosufficiente [Zeno, a self-sufficient culture] (1972-1980)
Actions:
AP148.S1.1972.PR01
Description:
Project series documents Poli's research and design work on his major project about a peasant farmer named Zeno from Riparbella. This project, entitled "Zeno, una cultura autosufficiente," was presented at the 1978 Venice Biennale with Superstudio as "La Coscienza di Zeno (Zeno's consciousness)". The project also appears to have some overlap with another research project in which Poli and other members of Superstudio were involved: Culture materiale extraurbane. This involved research and the development of a course in the architecture programme at the University of Florence on research into traditional tools and other aspects of rural material culture. The research work on rural culture was published in the magazine Modo (no.7) in March 1978. The Zeno project reflects a major project in Poli's output, with work beginning on it in 1972 and into 1980. There are numerous narratives at work in this project. There is the narrative of Zeno's relationship to the small house built by his grandfather and in which he was born, and has always lived. Alongside this, is Poli's interest in Zeno's relationship to his tools, his clothes, all the material elements of his life in the only house he has ever known. The fictional narrative that Poli weaves into this project involves an imagined encounter between Zeno and astronaut Buzz Aldrin. Poli's fascination with Zeno's material culture extends into a comparison of these two men and their physical interactions with their worlds: both self-sufficient capsules of a kind. Material in this project includes a large number of drawings and collages depicting different domestic and working spaces and tools in Zeno's life. A number of these drawings feature artefacts, such as cloth pillowcases, metal pieces, and a rope. In addition, the project series includes a number of physical artefacts, such as tools and even Zeno's door. A notable element in this series is an artist book by Poli which features a catalogue or register of elements in Zeno's life, detailing everything about his spaces, his working days, and even the food he eats.
Project
1972-1980
Projet
AP148.S1.1988.PR02
Description:
Project series comprises material related to a design entry for a 1988 competition on the environmental redevelopment of the San Carlo quarry in the comune of Castelnuovo Berardenga near Siena, Italy. Poli dates this project as 1988, though most of the material is undated (only 2 drawings are dated 1988). However, the project description text includes a bibliography making reference to 1991 publications, though it is possible that this document was created later than the drawings. Project material includes numerous drawings and collages, some which are overlayed with wax, one which features a metal object, and some drawn directly onto topographical maps. Project material also includes a model, a photomontage featuring images of the quarry site and geological strata, and a typed project description. Parts of the text in the project description also appear on some of the drawings. Many of the drawings feature a circular design that is repeated throughout the drawing material in this series. Poli's proposal for the redevelopment seemed to involve the addition of trees to the area and the development of a passageway. One of Poli's drawings makes reference to the earth moon highway featured in an earlier project, Interplanetary Architecture (see AP148.S1.1970.PR02).
1988
Ideas competition, Riqualificazione cava di San Carlo [Redevelopment San Carlo quarry], San Vincenzo, Livorno, Italy (1988)
Actions:
AP148.S1.1988.PR02
Description:
Project series comprises material related to a design entry for a 1988 competition on the environmental redevelopment of the San Carlo quarry in the comune of Castelnuovo Berardenga near Siena, Italy. Poli dates this project as 1988, though most of the material is undated (only 2 drawings are dated 1988). However, the project description text includes a bibliography making reference to 1991 publications, though it is possible that this document was created later than the drawings. Project material includes numerous drawings and collages, some which are overlayed with wax, one which features a metal object, and some drawn directly onto topographical maps. Project material also includes a model, a photomontage featuring images of the quarry site and geological strata, and a typed project description. Parts of the text in the project description also appear on some of the drawings. Many of the drawings feature a circular design that is repeated throughout the drawing material in this series. Poli's proposal for the redevelopment seemed to involve the addition of trees to the area and the development of a passageway. One of Poli's drawings makes reference to the earth moon highway featured in an earlier project, Interplanetary Architecture (see AP148.S1.1970.PR02).
Project
1988