livres
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xv, 444 pages : illustrations, maps, plans ; 24 cm
Oxford ; Toronto ; New York : Oxford University Press, 2011.
Rome, Ostia, Pompeii : movement and space / edited by Ray Laurence and David J. Newsome.
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xv, 444 pages : illustrations, maps, plans ; 24 cm
livres
Oxford ; Toronto ; New York : Oxford University Press, 2011.
livres
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212 pages : illustrations (some color) ; 32 cm
New York : Museum of Modern Art ; Boston : Distributed by New York Graphic Society Books, Little, Brown, 1983.
The modern drawing : 100 works on paper from the Museum of Modern Art / John Elderfield.
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212 pages : illustrations (some color) ; 32 cm
livres
New York : Museum of Modern Art ; Boston : Distributed by New York Graphic Society Books, Little, Brown, 1983.
livres
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104 pages : illustrations ; 24 cm
Chichester : Wiley, 2002.
Architects + engineers = structures / Ivan Margolius.
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104 pages : illustrations ; 24 cm
livres
Chichester : Wiley, 2002.
livres
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287 pages : illustrations (some color) ; 29 cm
New York : Abrams, 1982.
Scandinavian modern design, 1880-1980 / Cooper-Hewitt Museum ; David Revere McFadden, general editor.
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287 pages : illustrations (some color) ; 29 cm
livres
New York : Abrams, 1982.
livres
Issues in the conservation of photographs / edited by Debra Hess Norris, Jennifer Jae Gutierrez.
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xvii, 734 pages : illustrations (some color) ; 26 cm
Los Angeles : The Getty Conservation Institute, 2010., ©2010
Issues in the conservation of photographs / edited by Debra Hess Norris, Jennifer Jae Gutierrez.
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xvii, 734 pages : illustrations (some color) ; 26 cm
livres
Los Angeles : The Getty Conservation Institute, 2010., ©2010
$60.00
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Résumé:
Graziani is a collector of objects, not a storyteller. With the meticulous eye of an archivist, he detaches things from their context, revealing them to us. Whether the object of his photographic exploration is a stack of aluminum profiles, a mock-up of a window section, or an artwork, it is “objectified” in the same way, contributing portrait and to question Finstral‘s(...)
Stefano Graziani: Picture window frame
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$60.00
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Graziani is a collector of objects, not a storyteller. With the meticulous eye of an archivist, he detaches things from their context, revealing them to us. Whether the object of his photographic exploration is a stack of aluminum profiles, a mock-up of a window section, or an artwork, it is “objectified” in the same way, contributing portrait and to question Finstral‘s production facilities as well as the idea of the window itself. The fact that it is shown primarily through its form, independent of its function, gives it a sculptural quality. Picture Window Frame is a book designed by Giulia Cordin and a traveling show with the exhibition design by Brussel architectural firm Office Kersten Geers David Van Severen.
Monographies photo
$35.00
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What role can history play in contemporary architecture practice? ''Besides, History: Go Hasegawa, Kersten Geers, David Van Severen'' invites three architects to reread, redraw, translate, and appropriate from the past and from each other in order to construct relationships between and meanings out of a constellation of references. In their conversations, history becomes(...)
Besides, history: Go Hasegawa, Kersten Geers, David Van Severen
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What role can history play in contemporary architecture practice? ''Besides, History: Go Hasegawa, Kersten Geers, David Van Severen'' invites three architects to reread, redraw, translate, and appropriate from the past and from each other in order to construct relationships between and meanings out of a constellation of references. In their conversations, history becomes a tool that can be used in production, rather than just an object of study. The book features newly produced plans, sections, models, and perspectives for projects by Go Hasegawa and OFFICE Kersten Geers David Van Severen, juxtaposed with reference material chosen from the CCA Collection. Introduced and annotated by the architects, these images form a visual manifesto for a unique relationship to history.
Publications du CCA
$108.00
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Résumé:
This monographic issue spotlights the rise of Belgian architects Kersten Geers and David Van Severen. Prior to establishing their own practice in 2002, the duo honed their skills in offices in Rotterdam, Ghent, and Brussels. An economy of means is a prominent feature of their work, and they display a strong proclivity for precision. Their interest in materials, as well as(...)
El Croquis 185: OFFICE Kersten Geers David Van Severen
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$108.00
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This monographic issue spotlights the rise of Belgian architects Kersten Geers and David Van Severen. Prior to establishing their own practice in 2002, the duo honed their skills in offices in Rotterdam, Ghent, and Brussels. An economy of means is a prominent feature of their work, and they display a strong proclivity for precision. Their interest in materials, as well as their attitude towards past and present, are likewise ubiquitous qualities that are reflected in their work. Besides an in-depth interview, the issue features several projects, including private homes, an office refurbishment in Kortrijk, Campus RTS in Lausanne, and the Centre for Traditional Music in Bahrain.
Revues
$56.95
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The latest issue is now available at the bookstore.
A+U 591 Office Kersten Geers David van Severen
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$56.95
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The latest issue is now available at the bookstore.
Revues
$82.00
(disponible en magasin)
Résumé:
In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural(...)
octobre 2021
From Brussels with love: Office Kersten Geers David Van Severen
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$82.00
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In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural flourishing, but they can be broken down to the simple conditions of the city itself: it is cosmopolitan and cheap. And there is available space. Beyond the visible art venues – museums and galleries, theatres and concert halls, established institutions, or converted industrial spaces – there is space where artists can live and work, go out and exchange ideas. The production of culture happens (also) in clubs and salons, offices and lofts, studios and ateliers. Our aim was to investigate these spaces and identify an urban prerequisite for such an elusive category as culture. Furthermore, we wanted to examine how spatial types can be appropriated for a new (cultural) practice.