7157 Résultats
Classification:
recherche
recherche
Date:
janvier 2001 au décembre 2001
janvier 2001 au décembre 2001
Classification:
recherche
recherche
Date:
janvier 2001 au
décembre 2001
janvier 2001 au
décembre 2001
Classification:
recherche
recherche
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Brigitte Desrochers, Musée des Beaux-Arts du Canada, Ottawa, Canada Sujet : Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, États-Unis Sujet : Jean-Marie Morel and the Invention(...)
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Brigitte Desrochers, Musée des Beaux-Arts du Canada, Ottawa, Canada Sujet : Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, États-Unis Sujet : Jean-Marie Morel and the Invention(...)
Date:
septembre 2001 au août 2002
septembre 2001 au août 2002
Titre:
Chercheurs en résidence 2001-2002
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Brigitte Desrochers, Musée des Beaux-Arts du Canada, Ottawa, Canada Sujet : Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, États-Unis Sujet : Jean-Marie Morel and the Invention(...)
Chercheurs en résidence 2001-2002
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Brigitte Desrochers, Musée des Beaux-Arts du Canada, Ottawa, Canada Sujet : Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, États-Unis Sujet : Jean-Marie Morel and the Invention(...)
Classification:
recherche
recherche
Date:
septembre 2001 au
août 2002
septembre 2001 au
août 2002
Classification:
recherche
recherche
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Oliver Botar, École d’art, Université du Manitoba, Winnipeg, Canada Sujet : On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italie Sujet : Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’(...)
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Oliver Botar, École d’art, Université du Manitoba, Winnipeg, Canada Sujet : On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italie Sujet : Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’(...)
Date:
septembre 2000 au août 2001
septembre 2000 au août 2001
Titre:
Chercheurs en résidence 2000-2001
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Oliver Botar, École d’art, Université du Manitoba, Winnipeg, Canada Sujet : On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italie Sujet : Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’(...)
Chercheurs en résidence 2000-2001
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Oliver Botar, École d’art, Université du Manitoba, Winnipeg, Canada Sujet : On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italie Sujet : Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’(...)
Classification:
recherche
recherche
Date:
septembre 2000 au
août 2001
septembre 2000 au
août 2001
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
Personnes et institutions:
Date:
2001-2018
2001-2018
Titre:
Archipensierio [Architoughts] 2001
Actions:
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
Archipensierio [Architoughts] 2001
Actions:
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
Niveau de description archivistique:
Project
Project
Date:
2001-2018
2001-2018
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Carbon Tower (2001)
Carbon Tower (2001)
Numéro de référence:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
Personnes et institutions:
Date:
2002-2014
2002-2014
Titre:
Carbon Tower (2001)
Actions:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
Carbon Tower (2001)
Actions:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
Niveau de description archivistique:
Project
Project
Date:
2002-2014
2002-2014
Personnes et institutions:
Classification:
livres
livres
Numéro de référence:
ARCH271639
Description:
Catalog of flowers, plants and trees.
ARCH271639
Description:
Catalog of flowers, plants and trees.
Personnes et institutions:
Date:
circa 2001
circa 2001
Classification:
livres
livres
Date:
circa 2001
circa 2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2001.D2
Description:
The project series documents the competition entry of a skyscraper in Barcelona, Spain. The firm identified this project as number 137. The project is related to the Barcelona Forum 2004 (AP164.S1.2000.D9). Documenting the project are conceptual and design development drawings, graphic and photographic materials, and project des criptions.
AP164.S1.2001.D2
Description:
The project series documents the competition entry of a skyscraper in Barcelona, Spain. The firm identified this project as number 137. The project is related to the Barcelona Forum 2004 (AP164.S1.2000.D9). Documenting the project are conceptual and design development drawings, graphic and photographic materials, and project des criptions.
Personnes et institutions:
Date:
1999-2001
1999-2001
Titre:
Torre Barcelona, Spain (2001)
Actions:
AP164.S1.2001.D2
Description:
The project series documents the competition entry of a skyscraper in Barcelona, Spain. The firm identified this project as number 137. The project is related to the Barcelona Forum 2004 (AP164.S1.2000.D9). Documenting the project are conceptual and design development drawings, graphic and photographic materials, and project des criptions.
Torre Barcelona, Spain (2001)
Actions:
AP164.S1.2001.D2
Description:
The project series documents the competition entry of a skyscraper in Barcelona, Spain. The firm identified this project as number 137. The project is related to the Barcelona Forum 2004 (AP164.S1.2000.D9). Documenting the project are conceptual and design development drawings, graphic and photographic materials, and project des criptions.
Niveau de description archivistique:
Project
Project
Date:
1999-2001
1999-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Loewe, Madrid, Spain (2001)
Loewe, Madrid, Spain (2001)
Numéro de référence:
AP164.S1.2001.D5
Description:
The project series documents a competition entry for the facade for the store Loewe, in Madrid, Spain. The firm identified this project as number 140. Documenting the project are presentation drawings, textual records, and photographic and digital materials.
AP164.S1.2001.D5
Description:
The project series documents a competition entry for the facade for the store Loewe, in Madrid, Spain. The firm identified this project as number 140. Documenting the project are presentation drawings, textual records, and photographic and digital materials.
Personnes et institutions:
Date:
1953, 1956, 2000-2001
1953, 1956, 2000-2001
Titre:
Loewe, Madrid, Spain (2001)
Actions:
AP164.S1.2001.D5
Description:
The project series documents a competition entry for the facade for the store Loewe, in Madrid, Spain. The firm identified this project as number 140. Documenting the project are presentation drawings, textual records, and photographic and digital materials.
Loewe, Madrid, Spain (2001)
Actions:
AP164.S1.2001.D5
Description:
The project series documents a competition entry for the facade for the store Loewe, in Madrid, Spain. The firm identified this project as number 140. Documenting the project are presentation drawings, textual records, and photographic and digital materials.
Niveau de description archivistique:
Project
Project
Date:
1953, 1956, 2000-2001
1953, 1956, 2000-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Ciudad Real, Spain (2001)
Ciudad Real, Spain (2001)
Numéro de référence:
AP164.S1.2001.D8
Description:
The project series documents the competion entry for a housing project in the sector A.-Herr of Ciudad Real, Spain. The firm's submission won and was built under the direction of another firm. The promotor of the project was the Grupo Empresarial Magenta. Abalos & Herreros identified the project as number 143. Documenting the project are conceptual, design development and working drawings, project descriptions, estimates, budgets, contracts, and photographic materials. Depending on the sources or design phase, the project includes 80, 240 or 270 housing units and garages.
AP164.S1.2001.D8
Description:
The project series documents the competion entry for a housing project in the sector A.-Herr of Ciudad Real, Spain. The firm's submission won and was built under the direction of another firm. The promotor of the project was the Grupo Empresarial Magenta. Abalos & Herreros identified the project as number 143. Documenting the project are conceptual, design development and working drawings, project descriptions, estimates, budgets, contracts, and photographic materials. Depending on the sources or design phase, the project includes 80, 240 or 270 housing units and garages.
Personnes et institutions:
Date:
2001-2003
2001-2003
Titre:
Ciudad Real, Spain (2001)
Actions:
AP164.S1.2001.D8
Description:
The project series documents the competion entry for a housing project in the sector A.-Herr of Ciudad Real, Spain. The firm's submission won and was built under the direction of another firm. The promotor of the project was the Grupo Empresarial Magenta. Abalos & Herreros identified the project as number 143. Documenting the project are conceptual, design development and working drawings, project descriptions, estimates, budgets, contracts, and photographic materials. Depending on the sources or design phase, the project includes 80, 240 or 270 housing units and garages.
Ciudad Real, Spain (2001)
Actions:
AP164.S1.2001.D8
Description:
The project series documents the competion entry for a housing project in the sector A.-Herr of Ciudad Real, Spain. The firm's submission won and was built under the direction of another firm. The promotor of the project was the Grupo Empresarial Magenta. Abalos & Herreros identified the project as number 143. Documenting the project are conceptual, design development and working drawings, project descriptions, estimates, budgets, contracts, and photographic materials. Depending on the sources or design phase, the project includes 80, 240 or 270 housing units and garages.
Niveau de description archivistique:
Project
Project
Date:
2001-2003
2001-2003
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP173.S1.2001.D2
Description:
Series documents Lars Spuybroek's project for the invited competition Maison Folie in Lille, France, a multipurpose hall (studios and exhibition spaces, media library, day care, artists' communal space, office and a soup restaurant). The project was completed in 2004. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S1.2001.D2
Description:
Series documents Lars Spuybroek's project for the invited competition Maison Folie in Lille, France, a multipurpose hall (studios and exhibition spaces, media library, day care, artists' communal space, office and a soup restaurant). The project was completed in 2004. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Personnes et institutions:
Date:
ca. 2001
ca. 2001
Titre:
Maison Folie, Lille, France (2001)
Actions:
AP173.S1.2001.D2
Description:
Series documents Lars Spuybroek's project for the invited competition Maison Folie in Lille, France, a multipurpose hall (studios and exhibition spaces, media library, day care, artists' communal space, office and a soup restaurant). The project was completed in 2004. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Maison Folie, Lille, France (2001)
Actions:
AP173.S1.2001.D2
Description:
Series documents Lars Spuybroek's project for the invited competition Maison Folie in Lille, France, a multipurpose hall (studios and exhibition spaces, media library, day care, artists' communal space, office and a soup restaurant). The project was completed in 2004. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Niveau de description archivistique:
Project
Project
Date:
ca. 2001
ca. 2001
Personnes et institutions:
