dessins, oeuvres d'art
Quantité:
26 drawing(s) and print(s)
DR1990:0055:001-026
architecture, topographique
between 1868 and 1930
Student studies and some works related to John Ruskin's teaching from the collection of Prof. T.E. Jessop
Actions:
DR1990:0055:001-026
dessins, oeuvres d'art
Quantité:
26 drawing(s) and print(s)
between 1868 and 1930
architecture, topographique
dessins
DR1990:0053
Description:
- Ruskin accepted Marchese Selvatico's identification of this tomb in Sta. Maria Gloriosa dei Frari, Venice. Modern guidebooks do not identify it.
architecture
between 1849 and 1852
Sketches of a tomb, possibly that of Arnoldo Tentonino, in Sta. Maria Gloriosa dei Frari, Venice, for 'The Stones of Venice'
Actions:
DR1990:0053
Description:
- Ruskin accepted Marchese Selvatico's identification of this tomb in Sta. Maria Gloriosa dei Frari, Venice. Modern guidebooks do not identify it.
dessins
between 1849 and 1852
architecture
DR1990:0051
Description:
- Although the worksheets were not used directly for the engravings, several details from this sheet can be found illustrated in 'The Stones of Venice': vol. 1, pls. 10 and 11; vol. 2, pls. 10, 15 and 20; vol. 3, pls. 2, 5 and 10. - The windows of the balcony of the Palazzo Falier illustrated Ruskin's best example of a second order window. ('The Stones of Venice', vol. 2, ch. 7, section 30).
architecture
between January and May 1850
Worksheet No. 138, for 'The Stones of Venice': Details of the balcony of Palazzo Falier
Actions:
DR1990:0051
Description:
- Although the worksheets were not used directly for the engravings, several details from this sheet can be found illustrated in 'The Stones of Venice': vol. 1, pls. 10 and 11; vol. 2, pls. 10, 15 and 20; vol. 3, pls. 2, 5 and 10. - The windows of the balcony of the Palazzo Falier illustrated Ruskin's best example of a second order window. ('The Stones of Venice', vol. 2, ch. 7, section 30).
architecture
Worksheet No. 72, possibly for 'The Stones of Venice': Plan of tracery with section showing fillet
DR1990:0049
Description:
- This drawing does not correspond to any of the illustrations in 'The Stones of Venice' (Fraser 31).
architecture
between 1846 and 1852
Worksheet No. 72, possibly for 'The Stones of Venice': Plan of tracery with section showing fillet
Actions:
DR1990:0049
Description:
- This drawing does not correspond to any of the illustrations in 'The Stones of Venice' (Fraser 31).
architecture
DR1990:0050
architecture
December 1849 or soon after
architecture
DR1990:0052
architecture
April 1850
architecture
DR1990:0054
Description:
- This drawing does not correspond to any of the illustrations in 'The Stones of Venice' (Fraser, 31-32).
architecture
between 1846 and 1852
Worksheet No. 68, possibly for 'The Stones of Venice': Detail of tracery
Actions:
DR1990:0054
Description:
- This drawing does not correspond to any of the illustrations in 'The Stones of Venice' (Fraser, 31-32).
architecture
Baroque Deformation, Visiting Scholar, Mark Dorrian, chercheur en résidence, Omar Calabrese, John Ruskin, Grotesque
7 juillet 2000
Baroque Deformation, Visiting Scholar, Mark Dorrian, chercheur en résidence, Omar Calabrese, John Ruskin, Grotesque
L’exposition, qui marque le 10e anniversaire de l’inauguration du CCA au public, met en valeur et en interaction les acquisitions dans ses dix premières années. En chantier propose plus de 350 estampes, dessins, photographies, livres rares, manuscrits, jouets et maquettes qui démontrent comment l’architecture a été imaginée, conçue, observée et perçue pendant cinq siècles(...)
Salles principales et vitrines
24 novembre 1999 au 30 avril 2000
En chantier : les collections du CCA, 1989-1999
Actions:
Description:
L’exposition, qui marque le 10e anniversaire de l’inauguration du CCA au public, met en valeur et en interaction les acquisitions dans ses dix premières années. En chantier propose plus de 350 estampes, dessins, photographies, livres rares, manuscrits, jouets et maquettes qui démontrent comment l’architecture a été imaginée, conçue, observée et perçue pendant cinq siècles(...)
Salles principales et vitrines
L’anatomie du livre d’architecture, une exposition présentée dans le cadre du lancement de The Anatomy of the Architectural Book d’ André Tavares, traite de la relation entre la culture du livre et celle du bâtiment, mettant au jour les axes de diffusion de la connaissance architecturale, qui vont du livre au bâti et vice-versa. À travers sept thèmes – texture, mise en(...)
10 mai 2016 au 20 novembre 2016
L’anatomie du livre d’architecture
Actions:
Description:
L’anatomie du livre d’architecture, une exposition présentée dans le cadre du lancement de The Anatomy of the Architectural Book d’ André Tavares, traite de la relation entre la culture du livre et celle du bâtiment, mettant au jour les axes de diffusion de la connaissance architecturale, qui vont du livre au bâti et vice-versa. À travers sept thèmes – texture, mise en(...)