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Mot(s)-clé(s):
Carlotta Darò, Pour une histoire du Soundscape, Soundscape, R. Murray Schafer, Chercheur en Résidence
Carlotta Darò, Pour une histoire du Soundscape, Soundscape, R. Murray Schafer, Chercheur en Résidence
Date:
26 juin 2008
26 juin 2008
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP170.S2
Description:
Series 2, Software and related documentation, 1990 – 2014, contains unique iterations of the ACDC, Aegis, and HypoSurface software, and contains roughly 45,000 digital files. The bulk of the files date from approximately 2000 – 2001. This series chiefly consists of the materials received from Xavier Robitaille. This includes a virtual machine and DOS emulator for Aegis HypoSurface, as well as ACDC and Aegis Simulator software for Microsoft DOS and Win32 for Hyposurface installations. There is also a small amount of email correspondence in MBOX format between Robitaille, Mark Goulthorpe, and other project members documenting their work on the project. Additionally, there are two computer backups in this series. One is for Goulthorpe’s computer. The files from the disk image were carved out and only unique files were kept. It includes his files for the Aegis HypoSurface project and reflects his working environment. The second backup is a disk image of Paul Steenhuisen’s Mac G5 computer. The Mac G5 computer is a clone of an earlier G4, and is included with the archive to allow demonstration of the interactive logic that was developed through CeBIT, the International Manufacturers Technology Show (IMTS), and the Biotechnology Industry Organization (BIO) conference at the Boston Convention Centre, including an interactive soundscape piece executed by artist Paul Steenhuisen. The G5 has a copy of FIELD, the user interface software developed for HypoSurface 2 and HypoSurface 3. The files from this computer were processed and made available in Series 3: Projects and events, and Series 4: Promotional materials. The disk image of the internal hard drive was retained in case future emulation is necessary. Because much of this series is software, roughly 42,000 files are or relate to executable programs. Formats for these materials are largely Java source code and Java object code, but also include HTML, plain text files, Aegis pattern files, and some unidentified formats. The remaining files in this series are chiefly vector and raster images referenced in the software. Notably, the Steenhuisen disk image is approximately 250 GB, and represents the largest part of this series. This series overlaps significantly with Series 3: Projects and events. This series contains software generally, while Series 3 contains any software related to a specific project or event.
AP170.S2
Description:
Series 2, Software and related documentation, 1990 – 2014, contains unique iterations of the ACDC, Aegis, and HypoSurface software, and contains roughly 45,000 digital files. The bulk of the files date from approximately 2000 – 2001. This series chiefly consists of the materials received from Xavier Robitaille. This includes a virtual machine and DOS emulator for Aegis HypoSurface, as well as ACDC and Aegis Simulator software for Microsoft DOS and Win32 for Hyposurface installations. There is also a small amount of email correspondence in MBOX format between Robitaille, Mark Goulthorpe, and other project members documenting their work on the project. Additionally, there are two computer backups in this series. One is for Goulthorpe’s computer. The files from the disk image were carved out and only unique files were kept. It includes his files for the Aegis HypoSurface project and reflects his working environment. The second backup is a disk image of Paul Steenhuisen’s Mac G5 computer. The Mac G5 computer is a clone of an earlier G4, and is included with the archive to allow demonstration of the interactive logic that was developed through CeBIT, the International Manufacturers Technology Show (IMTS), and the Biotechnology Industry Organization (BIO) conference at the Boston Convention Centre, including an interactive soundscape piece executed by artist Paul Steenhuisen. The G5 has a copy of FIELD, the user interface software developed for HypoSurface 2 and HypoSurface 3. The files from this computer were processed and made available in Series 3: Projects and events, and Series 4: Promotional materials. The disk image of the internal hard drive was retained in case future emulation is necessary. Because much of this series is software, roughly 42,000 files are or relate to executable programs. Formats for these materials are largely Java source code and Java object code, but also include HTML, plain text files, Aegis pattern files, and some unidentified formats. The remaining files in this series are chiefly vector and raster images referenced in the software. Notably, the Steenhuisen disk image is approximately 250 GB, and represents the largest part of this series. This series overlaps significantly with Series 3: Projects and events. This series contains software generally, while Series 3 contains any software related to a specific project or event.
Personnes et institutions:
Date:
1990 - 2014
1990 - 2014
Titre:
Software and related documentation
Actions:
AP170.S2
Description:
Series 2, Software and related documentation, 1990 – 2014, contains unique iterations of the ACDC, Aegis, and HypoSurface software, and contains roughly 45,000 digital files. The bulk of the files date from approximately 2000 – 2001. This series chiefly consists of the materials received from Xavier Robitaille. This includes a virtual machine and DOS emulator for Aegis HypoSurface, as well as ACDC and Aegis Simulator software for Microsoft DOS and Win32 for Hyposurface installations. There is also a small amount of email correspondence in MBOX format between Robitaille, Mark Goulthorpe, and other project members documenting their work on the project. Additionally, there are two computer backups in this series. One is for Goulthorpe’s computer. The files from the disk image were carved out and only unique files were kept. It includes his files for the Aegis HypoSurface project and reflects his working environment. The second backup is a disk image of Paul Steenhuisen’s Mac G5 computer. The Mac G5 computer is a clone of an earlier G4, and is included with the archive to allow demonstration of the interactive logic that was developed through CeBIT, the International Manufacturers Technology Show (IMTS), and the Biotechnology Industry Organization (BIO) conference at the Boston Convention Centre, including an interactive soundscape piece executed by artist Paul Steenhuisen. The G5 has a copy of FIELD, the user interface software developed for HypoSurface 2 and HypoSurface 3. The files from this computer were processed and made available in Series 3: Projects and events, and Series 4: Promotional materials. The disk image of the internal hard drive was retained in case future emulation is necessary. Because much of this series is software, roughly 42,000 files are or relate to executable programs. Formats for these materials are largely Java source code and Java object code, but also include HTML, plain text files, Aegis pattern files, and some unidentified formats. The remaining files in this series are chiefly vector and raster images referenced in the software. Notably, the Steenhuisen disk image is approximately 250 GB, and represents the largest part of this series. This series overlaps significantly with Series 3: Projects and events. This series contains software generally, while Series 3 contains any software related to a specific project or event.
Software and related documentation
Actions:
AP170.S2
Description:
Series 2, Software and related documentation, 1990 – 2014, contains unique iterations of the ACDC, Aegis, and HypoSurface software, and contains roughly 45,000 digital files. The bulk of the files date from approximately 2000 – 2001. This series chiefly consists of the materials received from Xavier Robitaille. This includes a virtual machine and DOS emulator for Aegis HypoSurface, as well as ACDC and Aegis Simulator software for Microsoft DOS and Win32 for Hyposurface installations. There is also a small amount of email correspondence in MBOX format between Robitaille, Mark Goulthorpe, and other project members documenting their work on the project. Additionally, there are two computer backups in this series. One is for Goulthorpe’s computer. The files from the disk image were carved out and only unique files were kept. It includes his files for the Aegis HypoSurface project and reflects his working environment. The second backup is a disk image of Paul Steenhuisen’s Mac G5 computer. The Mac G5 computer is a clone of an earlier G4, and is included with the archive to allow demonstration of the interactive logic that was developed through CeBIT, the International Manufacturers Technology Show (IMTS), and the Biotechnology Industry Organization (BIO) conference at the Boston Convention Centre, including an interactive soundscape piece executed by artist Paul Steenhuisen. The G5 has a copy of FIELD, the user interface software developed for HypoSurface 2 and HypoSurface 3. The files from this computer were processed and made available in Series 3: Projects and events, and Series 4: Promotional materials. The disk image of the internal hard drive was retained in case future emulation is necessary. Because much of this series is software, roughly 42,000 files are or relate to executable programs. Formats for these materials are largely Java source code and Java object code, but also include HTML, plain text files, Aegis pattern files, and some unidentified formats. The remaining files in this series are chiefly vector and raster images referenced in the software. Notably, the Steenhuisen disk image is approximately 250 GB, and represents the largest part of this series. This series overlaps significantly with Series 3: Projects and events. This series contains software generally, while Series 3 contains any software related to a specific project or event.
Niveau de description archivistique:
Series
Series
Date:
1990 - 2014
1990 - 2014
Personnes et institutions:
Classification:
articles
articles
Titre:
Bruit contre bruit
Bruit contre bruit
Actions:
Conversation entre Geoff Manaugh et Sabine von Fischer
Dossier:
Autres sens, autres espaces
Autres sens, autres espaces
Mot(s)-clé(s):
20th century, acouphène, acoustics, acoustique, ambiance, atmosphere, BLDGBLOG, bruit, construction, flooring, Geoff@CCA, Geoff Manaugh, hauts talons, high heels, histoire, history, isolant phonique, machine, noise, paysage sonore, plancher, Sabine von Fischer, son, sound, soundproofing, soundscape, tinnitus, XXe siècle
20th century, acouphène, acoustics, acoustique, ambiance, atmosphere, BLDGBLOG, bruit, construction, flooring, Geoff@CCA, Geoff Manaugh, hauts talons, high heels, histoire, history, isolant phonique, machine, noise, paysage sonore, plancher, Sabine von Fischer, son, sound, soundproofing, soundscape, tinnitus, XXe siècle
Publié:
13 février 2017
13 février 2017
Dossier:
Autres sens, autres espaces
Autres sens, autres espaces
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Personnes et institutions:
- ONL (firm) (archive creator)
- ONL (firm) (architectural firm)
- Kas Oosterhuis (architect)
- Ilona Lénárd (artist)
- Laura Aguili (associated architect)
- Sven Blokker (associated architect)
- Bert Bongers (associated architect)
- Christ Kievid (associated architect)
- Remko Siemerink (associated architect)
Date:
1995-2013
1995-2013
Titre:
Documents d’archives de ONL [Oosterhuis_Lénárd] pour le projet NSA Muscle
Actions:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Documents d’archives de ONL [Oosterhuis_Lénárd] pour le projet NSA Muscle
Actions:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-2013
1995-2013
Personnes et institutions:
- ONL (firm) (archive creator)
- ONL (firm) (architectural firm)
- Kas Oosterhuis (architect)
- Ilona Lénárd (artist)
- Laura Aguili (associated architect)
- Sven Blokker (associated architect)
- Bert Bongers (associated architect)
- Christ Kievid (associated architect)
- Remko Siemerink (associated architect)
Classification:
périodiques
périodiques
Actions:
Exemplaires:
Description:
v. ; 28 cm.
- Bibliothèque main periodicals | W.S6863 | Disponible
- Bibliothèque main periodicals | W.S6863 | Disponible
- Bibliothèque main periodicals 242480 | W.S6863 | Disponible
Description:
v. ; 28 cm.
Auteur:
Sujet:
- Sound Periodicals.,
- Sound Psychological aspects Periodicals.,
- Sound Environmental aspects Periodicals.,
- Noise pollution Periodicals.,
- Human ecology Periodicals.,
- Acoustic phenomena in nature Periodicals.,
- Music Acoustics and physics Periodicals.,
- Acoustic phenomena in nature.,
- Human ecology.,
- Music Acoustics and physics.,
- Noise pollution.,
- Sound.,
- Sound Environmental aspects.,
- Sound Psychological aspects.,
- Periodicals.
Publication:
[Burnaby, B.C.] : World Forum for Acoustic Ecology, 2000-
[Burnaby, B.C.] : World Forum for Acoustic Ecology, 2000-
Titre:
Soundscape : the journal of acoustic ecology.
Actions:
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Description:
v. ; 28 cm.
Soundscape : the journal of acoustic ecology.
Actions:
Exemplaires:
- Bibliothèque main periodicals | W.S6863 | Disponible
- Bibliothèque main periodicals | W.S6863 | Disponible
- Bibliothèque main periodicals 242480 | W.S6863 | Disponible
Description:
v. ; 28 cm.
Classification:
périodiques
périodiques
Publication:
[Burnaby, B.C.] : World Forum for Acoustic Ecology, 2000-
[Burnaby, B.C.] : World Forum for Acoustic Ecology, 2000-
Auteur:
Sujet:
- Sound Periodicals.,
- Sound Psychological aspects Periodicals.,
- Sound Environmental aspects Periodicals.,
- Noise pollution Periodicals.,
- Human ecology Periodicals.,
- Acoustic phenomena in nature Periodicals.,
- Music Acoustics and physics Periodicals.,
- Acoustic phenomena in nature.,
- Human ecology.,
- Music Acoustics and physics.,
- Noise pollution.,
- Sound.,
- Sound Environmental aspects.,
- Sound Psychological aspects.,
- Periodicals.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
xii, 301 pages : illustrations ; 23 cm
Description:
xii, 301 pages : illustrations ; 23 cm
Auteur:
Sujet:
- Music Acoustics and physics.,
- Sound.,
- Music Philosophy and aesthetics.,
- Sound art.,
- Musique Acoustique et physique.,
- Son.,
- Musique Philosophie et esthťique.,
- Musique Philosophie et esthétique.,
- Art sonore.,
- sound (acoustics),
- sound art.,
- 24.46 physiology and technology of music.,
- Geluid.,
- Akoestiek.,
- Muziekfilosofie.,
- Musikk.,
- Lyd.,
- Natur.,
- Akustikk.,
- Fysikk.,
- Filosofi.,
- Musikkestetikk.,
- Acoustique musicale.,
- Bruit.,
- Bruit naturel.,
- Esthétique musicale.,
- Environnement sonore.,
- Musique.
Publication:
Rochester, Vermont : Destiny Books, [1994], [United States] : Distributed to the Book trade in the United States by American International Distribution Corp., ©1994
Rochester, Vermont : Destiny Books, [1994], [United States] : Distributed to the Book trade in the United States by American International Distribution Corp., ©1994
Titre:
The soundscape : our sonic environment and the tuning of the world / R. Murray Schafer.
Actions:
Exemplaires:
Description:
xii, 301 pages : illustrations ; 23 cm
The soundscape : our sonic environment and the tuning of the world / R. Murray Schafer.
Actions:
Exemplaires:
Description:
xii, 301 pages : illustrations ; 23 cm
Classification:
livres
livres
Publication:
Rochester, Vermont : Destiny Books, [1994], [United States] : Distributed to the Book trade in the United States by American International Distribution Corp., ©1994
Rochester, Vermont : Destiny Books, [1994], [United States] : Distributed to the Book trade in the United States by American International Distribution Corp., ©1994
Auteur:
Sujet:
- Music Acoustics and physics.,
- Sound.,
- Music Philosophy and aesthetics.,
- Sound art.,
- Musique Acoustique et physique.,
- Son.,
- Musique Philosophie et esthťique.,
- Musique Philosophie et esthétique.,
- Art sonore.,
- sound (acoustics),
- sound art.,
- 24.46 physiology and technology of music.,
- Geluid.,
- Akoestiek.,
- Muziekfilosofie.,
- Musikk.,
- Lyd.,
- Natur.,
- Akustikk.,
- Fysikk.,
- Filosofi.,
- Musikkestetikk.,
- Acoustique musicale.,
- Bruit.,
- Bruit naturel.,
- Esthétique musicale.,
- Environnement sonore.,
- Musique.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
ix, 500 pages : illustrations ; 24 cm
Description:
ix, 500 pages : illustrations ; 24 cm
Auteur:
Sujet:
- Architectural acoustics.,
- Music Acoustics and physics.,
- Acoustique architecturale.,
- Musique Acoustique et physique.,
- Akustik,
- Architektur,
- Bauakustik,
- Konzertsaal,
- Concertgebouwen.,
- Akoestiek.,
- Waarnemingen.,
- Bouwkunst.,
- Acústica arquitetônica.,
- Acústica musical.,
- Geschichte 1900-1933.,
- USA
Publication:
Cambridge, Mass. : MIT Press, ©2002.
Cambridge, Mass. : MIT Press, ©2002.
Titre:
The soundscape of modernity : architectural acoustics and the culture of listening in America, 1900-1933 / Emily Thompson.
Actions:
Exemplaires:
Description:
ix, 500 pages : illustrations ; 24 cm
The soundscape of modernity : architectural acoustics and the culture of listening in America, 1900-1933 / Emily Thompson.
Actions:
Exemplaires:
Description:
ix, 500 pages : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Cambridge, Mass. : MIT Press, ©2002.
Cambridge, Mass. : MIT Press, ©2002.
Auteur:
Sujet:
- Architectural acoustics.,
- Music Acoustics and physics.,
- Acoustique architecturale.,
- Musique Acoustique et physique.,
- Akustik,
- Architektur,
- Bauakustik,
- Konzertsaal,
- Concertgebouwen.,
- Akoestiek.,
- Waarnemingen.,
- Bouwkunst.,
- Acústica arquitetônica.,
- Acústica musical.,
- Geschichte 1900-1933.,
- USA
Classification:
livres
livres
Actions:
Exemplaires:
Description:
1 volume (unpaged) : illustrations ; 33 cm
Description:
1 volume (unpaged) : illustrations ; 33 cm
Auteur:
Sujet:
- Musi, Pino.,
- Photography, Artistic.,
- Architectural photography.,
- Photographie artistique.,
- Photographie d'architecture.,
- art photography.
Publication:
Lugano (CH) : Artphilein editions SA, [2019]
Lugano (CH) : Artphilein editions SA, [2019]
Titre:
Border soundscapes / Pino Musi.
Actions:
Exemplaires:
Description:
1 volume (unpaged) : illustrations ; 33 cm
Border soundscapes / Pino Musi.
Actions:
Exemplaires:
Description:
1 volume (unpaged) : illustrations ; 33 cm
Classification:
livres
livres
Publication:
Lugano (CH) : Artphilein editions SA, [2019]
Lugano (CH) : Artphilein editions SA, [2019]
Auteur:
Sujet:
- Musi, Pino.,
- Photography, Artistic.,
- Architectural photography.,
- Photographie artistique.,
- Photographie d'architecture.,
- art photography.
Classification:
livres
livres
Titre:
Nazi soundscapes : sound, technology and urban space in Germany, 1933-1945 / Carolyn Birdsall.
Nazi soundscapes : sound, technology and urban space in Germany, 1933-1945 / Carolyn Birdsall.
Actions:
Exemplaires:
Description:
272 pages : illustrations, maps ; 24 cm
Description:
272 pages : illustrations, maps ; 24 cm
Auteur:
Sujet:
- BMBF-Statusseminar,
- Propaganda Germany History 20th century.,
- Mass media and propaganda Germany History 20th century.,
- Social control Germany History 20th century.,
- Communication Psychological aspects.,
- Propagande Allemagne Histoire 20e siècle.,
- Médias et propagande Allemagne Histoire 20e siècle.,
- Contrôle social Allemagne Histoire 20e siècle.,
- Communication Aspect psychologique.,
- Mass media and propaganda.,
- Propaganda.,
- Social control.,
- Massenkultur,
- Großveranstaltung,
- Drittes Reich,
- Audiovisuelle Medien,
- Stadt,
- Nationaal-socialisme.,
- Massamedia.,
- Germany.,
- Duitsland.,
- History.
Publication:
Amsterdam : Amsterdam University Press, ©2012.
Amsterdam : Amsterdam University Press, ©2012.
Titre:
Nazi soundscapes : sound, technology and urban space in Germany, 1933-1945 / Carolyn Birdsall.
Actions:
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Description:
272 pages : illustrations, maps ; 24 cm
Nazi soundscapes : sound, technology and urban space in Germany, 1933-1945 / Carolyn Birdsall.
Actions:
Exemplaires:
Description:
272 pages : illustrations, maps ; 24 cm
Classification:
livres
livres
Publication:
Amsterdam : Amsterdam University Press, ©2012.
Amsterdam : Amsterdam University Press, ©2012.
Auteur:
Sujet:
- BMBF-Statusseminar,
- Propaganda Germany History 20th century.,
- Mass media and propaganda Germany History 20th century.,
- Social control Germany History 20th century.,
- Communication Psychological aspects.,
- Propagande Allemagne Histoire 20e siècle.,
- Médias et propagande Allemagne Histoire 20e siècle.,
- Contrôle social Allemagne Histoire 20e siècle.,
- Communication Aspect psychologique.,
- Mass media and propaganda.,
- Propaganda.,
- Social control.,
- Massenkultur,
- Großveranstaltung,
- Drittes Reich,
- Audiovisuelle Medien,
- Stadt,
- Nationaal-socialisme.,
- Massamedia.,
- Germany.,
- Duitsland.,
- History.
Classification:
livres
livres
Titre:
Architectures of sound : acoustic concepts and parameters for architectural design / Michael Fowler.
Architectures of sound : acoustic concepts and parameters for architectural design / Michael Fowler.
Actions:
Exemplaires:
Description:
202 pages : illustrations (chiefly color), plans ; 25 cm
Description:
202 pages : illustrations (chiefly color), plans ; 25 cm
Auteur:
Sujet:
Publication:
Basel : Birkhäuser, [2017], ©2017
Basel : Birkhäuser, [2017], ©2017
Titre:
Architectures of sound : acoustic concepts and parameters for architectural design / Michael Fowler.
Actions:
Exemplaires:
Description:
202 pages : illustrations (chiefly color), plans ; 25 cm
Architectures of sound : acoustic concepts and parameters for architectural design / Michael Fowler.
Actions:
Exemplaires:
Description:
202 pages : illustrations (chiefly color), plans ; 25 cm
Classification:
livres
livres
Publication:
Basel : Birkhäuser, [2017], ©2017
Basel : Birkhäuser, [2017], ©2017
Auteur:
Sujet: