272 Résultats
Classification:
événements
événements
Actions:
Mot(s)-clé(s):
outils d'aujourd'hui 2018, activismes, Tatjana Schneider, Pelin Tan, Andreas Rumpfhuber, Torsten Lange, Charles Davis II
outils d'aujourd'hui 2018, activismes, Tatjana Schneider, Pelin Tan, Andreas Rumpfhuber, Torsten Lange, Charles Davis II
Date:
9 juillet 2018 au 13 juillet 2018
9 juillet 2018 au 13 juillet 2018
Classification:
événements
événements
Date:
9 juillet 2018 au
13 juillet 2018
9 juillet 2018 au
13 juillet 2018
Mot(s)-clé(s):
outils d'aujourd'hui 2018, activismes, Tatjana Schneider, Pelin Tan, Andreas Rumpfhuber, Torsten Lange, Charles Davis II
outils d'aujourd'hui 2018, activismes, Tatjana Schneider, Pelin Tan, Andreas Rumpfhuber, Torsten Lange, Charles Davis II
Classification:
expositions
expositions
Actions:
Description:
À l’occasion des 90 ans de Phyllis Lambert, cette exposition offre un aperçu autobiographique de l’évolution des idées de la fondatrice du CCA et de son travail architectural, éditorial, curatorial et d’activisme. L’exposition met en lumière l’engagement résolu de Phyllis Lambert envers la ville et la recherche intellectuelle, en présentant des documents de la collection(...)
À l’occasion des 90 ans de Phyllis Lambert, cette exposition offre un aperçu autobiographique de l’évolution des idées de la fondatrice du CCA et de son travail architectural, éditorial, curatorial et d’activisme. L’exposition met en lumière l’engagement résolu de Phyllis Lambert envers la ville et la recherche intellectuelle, en présentant des documents de la collection(...)
Localisation:
Vitrines
Vitrines
Date:
18 janvier 2017 au 11 juin 2017
18 janvier 2017 au 11 juin 2017
Titre:
Phyllis Lambert : 75 ans au travail
Actions:
Description:
À l’occasion des 90 ans de Phyllis Lambert, cette exposition offre un aperçu autobiographique de l’évolution des idées de la fondatrice du CCA et de son travail architectural, éditorial, curatorial et d’activisme. L’exposition met en lumière l’engagement résolu de Phyllis Lambert envers la ville et la recherche intellectuelle, en présentant des documents de la collection(...)
Phyllis Lambert : 75 ans au travail
Actions:
Description:
À l’occasion des 90 ans de Phyllis Lambert, cette exposition offre un aperçu autobiographique de l’évolution des idées de la fondatrice du CCA et de son travail architectural, éditorial, curatorial et d’activisme. L’exposition met en lumière l’engagement résolu de Phyllis Lambert envers la ville et la recherche intellectuelle, en présentant des documents de la collection(...)
Classification:
expositions
expositions
Date:
18 janvier 2017 au
11 juin 2017
18 janvier 2017 au
11 juin 2017
Localisation:
Vitrines
Vitrines
Classification:
articles
articles
Actions:
Lisa Belabed et Auden Young Tura sur l’activisme dans l’architecture
Publié:
14 avril 2025
14 avril 2025
Titre:
Les architectes lancent un appel...
Lisa Belabed et Auden Young Tura sur l’activisme dans l’architecture
Actions:
Les architectes lancent un appel...
Lisa Belabed et Auden Young Tura sur l’activisme dans l’architecture
Actions:
Classification:
expositions
expositions
Titre:
Monter/Brocher/Plier 2 : l’architecture radicale dans la presse parallèle des années 196X-197X
Monter/Brocher/Plier 2 : l’architecture radicale dans la presse parallèle des années 196X-197X
Actions:
Description:
Inventée au début du XXe siècle pour désigner les périodiques littéraires progressistes, l’expression « little magazine » a été réutilisée au cours des années 1960 pour qualifier la vague de périodiques d’architecture indépendants qui a alors déferlé en réaction aux changements politiques, sociaux et artistiques à cette époque. Monter/Brocher/Plier 2 examine comment un(...)
Inventée au début du XXe siècle pour désigner les périodiques littéraires progressistes, l’expression « little magazine » a été réutilisée au cours des années 1960 pour qualifier la vague de périodiques d’architecture indépendants qui a alors déferlé en réaction aux changements politiques, sociaux et artistiques à cette époque. Monter/Brocher/Plier 2 examine comment un(...)
Localisation:
Salle octogonale et rotonde de la bibliothèque
Salle octogonale et rotonde de la bibliothèque
Date:
12 avril 2007 au 9 septembre 2007
12 avril 2007 au 9 septembre 2007
Titre:
Monter/Brocher/Plier 2 : l’architecture radicale dans la presse parallèle des années 196X-197X
Actions:
Description:
Inventée au début du XXe siècle pour désigner les périodiques littéraires progressistes, l’expression « little magazine » a été réutilisée au cours des années 1960 pour qualifier la vague de périodiques d’architecture indépendants qui a alors déferlé en réaction aux changements politiques, sociaux et artistiques à cette époque. Monter/Brocher/Plier 2 examine comment un(...)
Monter/Brocher/Plier 2 : l’architecture radicale dans la presse parallèle des années 196X-197X
Actions:
Description:
Inventée au début du XXe siècle pour désigner les périodiques littéraires progressistes, l’expression « little magazine » a été réutilisée au cours des années 1960 pour qualifier la vague de périodiques d’architecture indépendants qui a alors déferlé en réaction aux changements politiques, sociaux et artistiques à cette époque. Monter/Brocher/Plier 2 examine comment un(...)
Classification:
expositions
expositions
Date:
12 avril 2007 au
9 septembre 2007
12 avril 2007 au
9 septembre 2007
Localisation:
Salle octogonale et rotonde de la bibliothèque
Salle octogonale et rotonde de la bibliothèque
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Hans Hansen
Hans Hansen
Numéro de référence:
AP162.S4
Description:
Series documents the contribution of architect Hans Hansen to the correspondence circle of Die gläserne Kette, with Hansen writing under the pseudonym Antischmitz. Born in Roetgen, Germany, in 1886, Hansen studied architecture in Cologne. After the war, Hansen joined the circle Cologne Dadaists, contributed to the magazine "Der Ventilor", and published "Das Erlebnis der Architektur". From 1922, he worked on commissions for the Catholic Church in Germany, including his most known project for the St. Bruno Church in Cologne-Kletteberg (1924-1926). He died in Cologne in 1966. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Hansen to the Die gläserne Kette circle.
AP162.S4
Description:
Series documents the contribution of architect Hans Hansen to the correspondence circle of Die gläserne Kette, with Hansen writing under the pseudonym Antischmitz. Born in Roetgen, Germany, in 1886, Hansen studied architecture in Cologne. After the war, Hansen joined the circle Cologne Dadaists, contributed to the magazine "Der Ventilor", and published "Das Erlebnis der Architektur". From 1922, he worked on commissions for the Catholic Church in Germany, including his most known project for the St. Bruno Church in Cologne-Kletteberg (1924-1926). He died in Cologne in 1966. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Hansen to the Die gläserne Kette circle.
Personnes et institutions:
Date:
1920
1920
Titre:
Hans Hansen
Actions:
AP162.S4
Description:
Series documents the contribution of architect Hans Hansen to the correspondence circle of Die gläserne Kette, with Hansen writing under the pseudonym Antischmitz. Born in Roetgen, Germany, in 1886, Hansen studied architecture in Cologne. After the war, Hansen joined the circle Cologne Dadaists, contributed to the magazine "Der Ventilor", and published "Das Erlebnis der Architektur". From 1922, he worked on commissions for the Catholic Church in Germany, including his most known project for the St. Bruno Church in Cologne-Kletteberg (1924-1926). He died in Cologne in 1966. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Hansen to the Die gläserne Kette circle.
Hans Hansen
Actions:
AP162.S4
Description:
Series documents the contribution of architect Hans Hansen to the correspondence circle of Die gläserne Kette, with Hansen writing under the pseudonym Antischmitz. Born in Roetgen, Germany, in 1886, Hansen studied architecture in Cologne. After the war, Hansen joined the circle Cologne Dadaists, contributed to the magazine "Der Ventilor", and published "Das Erlebnis der Architektur". From 1922, he worked on commissions for the Catholic Church in Germany, including his most known project for the St. Bruno Church in Cologne-Kletteberg (1924-1926). He died in Cologne in 1966. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Hansen to the Die gläserne Kette circle.
Niveau de description archivistique:
series
series
Date:
1920
1920
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Hermann Finsterlin
Hermann Finsterlin
Numéro de référence:
AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
Personnes et institutions:
Date:
1919-1923
1919-1923
Titre:
Hermann Finsterlin
Actions:
AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
Hermann Finsterlin
Actions:
AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
Niveau de description archivistique:
series
series
Date:
1919-1923
1919-1923
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP162.S7
Description:
Series documents the contribution of architect Hans Scharoun to the correspondence circle of Die gläserne Kette, with Scharoun writing under the pseudonym Hannes. Born in 1893 in Bremen, Germany, Scharoun studied archictecture at the Technische Hochschule at Berlin-Charlottenburg between 1912 and 1914. From 1915 to 1918 he worked on a military commission for the rebuilding of East Prussia. In 1919, he joined the Arbeitsrat für Kunst led by Bruno Taut. From 1919 to 1925 he worked independently, taking on private and public commissions as well as architectural projects for exhibitions. He taught at the Akademie für Kunst und Gewerbe in Breslau from 1925 to 1932, and at the Technische Universität Berlin as a town planning professor from 1946 to 1958. In 1956, he won the first prize of the competition for the Philharmonie concert hall in West Berlin. He died in Berlin in 1972. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Scharoun to the Die gläserne Kette circle and related drawings.
AP162.S7
Description:
Series documents the contribution of architect Hans Scharoun to the correspondence circle of Die gläserne Kette, with Scharoun writing under the pseudonym Hannes. Born in 1893 in Bremen, Germany, Scharoun studied archictecture at the Technische Hochschule at Berlin-Charlottenburg between 1912 and 1914. From 1915 to 1918 he worked on a military commission for the rebuilding of East Prussia. In 1919, he joined the Arbeitsrat für Kunst led by Bruno Taut. From 1919 to 1925 he worked independently, taking on private and public commissions as well as architectural projects for exhibitions. He taught at the Akademie für Kunst und Gewerbe in Breslau from 1925 to 1932, and at the Technische Universität Berlin as a town planning professor from 1946 to 1958. In 1956, he won the first prize of the competition for the Philharmonie concert hall in West Berlin. He died in Berlin in 1972. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Scharoun to the Die gläserne Kette circle and related drawings.
Personnes et institutions:
Date:
between 1919 and 1920
between 1919 and 1920
Titre:
Hans Scharoun
Actions:
AP162.S7
Description:
Series documents the contribution of architect Hans Scharoun to the correspondence circle of Die gläserne Kette, with Scharoun writing under the pseudonym Hannes. Born in 1893 in Bremen, Germany, Scharoun studied archictecture at the Technische Hochschule at Berlin-Charlottenburg between 1912 and 1914. From 1915 to 1918 he worked on a military commission for the rebuilding of East Prussia. In 1919, he joined the Arbeitsrat für Kunst led by Bruno Taut. From 1919 to 1925 he worked independently, taking on private and public commissions as well as architectural projects for exhibitions. He taught at the Akademie für Kunst und Gewerbe in Breslau from 1925 to 1932, and at the Technische Universität Berlin as a town planning professor from 1946 to 1958. In 1956, he won the first prize of the competition for the Philharmonie concert hall in West Berlin. He died in Berlin in 1972. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Scharoun to the Die gläserne Kette circle and related drawings.
Hans Scharoun
Actions:
AP162.S7
Description:
Series documents the contribution of architect Hans Scharoun to the correspondence circle of Die gläserne Kette, with Scharoun writing under the pseudonym Hannes. Born in 1893 in Bremen, Germany, Scharoun studied archictecture at the Technische Hochschule at Berlin-Charlottenburg between 1912 and 1914. From 1915 to 1918 he worked on a military commission for the rebuilding of East Prussia. In 1919, he joined the Arbeitsrat für Kunst led by Bruno Taut. From 1919 to 1925 he worked independently, taking on private and public commissions as well as architectural projects for exhibitions. He taught at the Akademie für Kunst und Gewerbe in Breslau from 1925 to 1932, and at the Technische Universität Berlin as a town planning professor from 1946 to 1958. In 1956, he won the first prize of the competition for the Philharmonie concert hall in West Berlin. He died in Berlin in 1972. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Scharoun to the Die gläserne Kette circle and related drawings.
Niveau de description archivistique:
series
series
Date:
between 1919 and 1920
between 1919 and 1920
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
Personnes et institutions:
Date:
1890-1911
1890-1911
Titre:
Paul Goesch
Actions:
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
Paul Goesch
Actions:
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
Niveau de description archivistique:
series
series
Date:
1890-1911
1890-1911
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
Personnes et institutions:
Date:
1918-1945
1918-1945
Titre:
Carl Krayl
Actions:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
Carl Krayl
Actions:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
Niveau de description archivistique:
series
series
Date:
1918-1945
1918-1945
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Personnes et institutions:
Date:
1911-1977
1911-1977
Titre:
Collection Die gläserne Kette
Actions:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Collection Die gläserne Kette
Actions:
AP162
Résumé:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Classification:
archives
Niveau de description archivistique:
Collection AP162
archives
Niveau de description archivistique:
Collection AP162
Date:
1911-1977
1911-1977
Personnes et institutions:
