133 Résultats
Classification:
livres
livres
Titre:
The Remembered film
The Remembered film
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$24.95
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Résumé:
Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system,(...)
$24.95
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Résumé:
Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system,(...)
Titre:
The Remembered film
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$24.95
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Résumé:
Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system, for example, or fan clubs. The Remembered Film is unique in addressing a previously overlooked aspect of cinema: the isolated fragments of films, iconic images or scenes, that fleetingly cross our perceptions and thoughts in the course of everyday life. Victor Burgin examines a kaleidescope of film fragments drawn from a variety of media, the internet, memory and fantasy. Among these are sequences of such brevity they might almost be stills. Such ‘sequence-images’, as Burgin calls them, are neither strictly ‘image’ nor ‘image sequence’ and have not been considered before by either film or photography theory. He also considers some typical individual experiences ‘sampled’ from mainstream cinema. He reflects on such disparate occurrences as the association in memory of fragments from otherwise unrelated films, of the relation of a recollected film image to an architectural setting, or of a feeling ‘marked’ by an image remembered from a film. The Remembered Film provides a radical new way of thinking about film outside conventional cinema, and in relation to our everyday lives. It will appeal to a wide audience interested in film and media.
The Remembered film
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$24.95
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Résumé:
Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system, for example, or fan clubs. The Remembered Film is unique in addressing a previously overlooked aspect of cinema: the isolated fragments of films, iconic images or scenes, that fleetingly cross our perceptions and thoughts in the course of everyday life. Victor Burgin examines a kaleidescope of film fragments drawn from a variety of media, the internet, memory and fantasy. Among these are sequences of such brevity they might almost be stills. Such ‘sequence-images’, as Burgin calls them, are neither strictly ‘image’ nor ‘image sequence’ and have not been considered before by either film or photography theory. He also considers some typical individual experiences ‘sampled’ from mainstream cinema. He reflects on such disparate occurrences as the association in memory of fragments from otherwise unrelated films, of the relation of a recollected film image to an architectural setting, or of a feeling ‘marked’ by an image remembered from a film. The Remembered Film provides a radical new way of thinking about film outside conventional cinema, and in relation to our everyday lives. It will appeal to a wide audience interested in film and media.
Classification:
livres
livres
Publication:
octobre 2004, London
octobre 2004, London
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$35.00
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Résumé:
"In/Different Spaces" explores the construction of identities in the psychical space between perception and consciousness, drawing upon psychoanalytic theories to describe the constitution and maintenance of "self" and "us"- in imaginary spatial and temporal relations to "other" and "them" - through the all-important relay of images. For Burgin, the image is never a(...)
$35.00
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Résumé:
"In/Different Spaces" explores the construction of identities in the psychical space between perception and consciousness, drawing upon psychoanalytic theories to describe the constitution and maintenance of "self" and "us"- in imaginary spatial and temporal relations to "other" and "them" - through the all-important relay of images. For Burgin, the image is never a(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
octobre 1996, Berkeley / Los Angeles
octobre 1996, Berkeley / Los Angeles
Titre:
In/different spaces : place and memory in visual culture
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$35.00
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"In/Different Spaces" explores the construction of identities in the psychical space between perception and consciousness, drawing upon psychoanalytic theories to describe the constitution and maintenance of "self" and "us"- in imaginary spatial and temporal relations to "other" and "them" - through the all-important relay of images. For Burgin, the image is never a transparent representation of the world but rather a principal player on the stage of history.
In/different spaces : place and memory in visual culture
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$35.00
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Résumé:
"In/Different Spaces" explores the construction of identities in the psychical space between perception and consciousness, drawing upon psychoanalytic theories to describe the constitution and maintenance of "self" and "us"- in imaginary spatial and temporal relations to "other" and "them" - through the all-important relay of images. For Burgin, the image is never a transparent representation of the world but rather a principal player on the stage of history.
Classification:
livres
livres
Publication:
octobre 1996, Berkeley / Los Angeles
octobre 1996, Berkeley / Los Angeles
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Prix:
$39.95
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Résumé:
Artist and critic Victor Burgin’s visual and written works span four decades, and Parallel Texts presents a compilation of essays, interviews, and extracts that evidence the interconnectedness throughout his career of his vast artistic oeuvre exhibited around the world and his influential critical and theoretical writings on art. Includes Burgin’s take on the(...)
$39.95
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Résumé:
Artist and critic Victor Burgin’s visual and written works span four decades, and Parallel Texts presents a compilation of essays, interviews, and extracts that evidence the interconnectedness throughout his career of his vast artistic oeuvre exhibited around the world and his influential critical and theoretical writings on art. Includes Burgin’s take on the(...)
Titre:
Parallel texts: Interviews and interventions about art
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$39.95
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Résumé:
Artist and critic Victor Burgin’s visual and written works span four decades, and Parallel Texts presents a compilation of essays, interviews, and extracts that evidence the interconnectedness throughout his career of his vast artistic oeuvre exhibited around the world and his influential critical and theoretical writings on art. Includes Burgin’s take on the emergence of conceptual art in the early 1970s, his explorations on the theoretical foundations for a post-conceptualist socialist art practice in such non-Western precedents as Maoism and Russian Formalism, and essays on the issues of gender politics and sexuality as they came to the fore in psychoanalytic criticism.
Parallel texts: Interviews and interventions about art
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$39.95
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Résumé:
Artist and critic Victor Burgin’s visual and written works span four decades, and Parallel Texts presents a compilation of essays, interviews, and extracts that evidence the interconnectedness throughout his career of his vast artistic oeuvre exhibited around the world and his influential critical and theoretical writings on art. Includes Burgin’s take on the emergence of conceptual art in the early 1970s, his explorations on the theoretical foundations for a post-conceptualist socialist art practice in such non-Western precedents as Maoism and Russian Formalism, and essays on the issues of gender politics and sexuality as they came to the fore in psychoanalytic criticism.
Classification:
livres
livres
Publication:
avril 2011
avril 2011
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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Description:
x, 472 pages : illustrations (some color) ; 29 cm
Description:
x, 472 pages : illustrations (some color) ; 29 cm
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Publication:
New Haven : Yale University Press, [1989], ©1989
New Haven : Yale University Press, [1989], ©1989
Titre:
The art of photography, 1839-1989 / catalogue edited by Mike Weaver ; photographs selected by Daniel Wolf with Mike Weaver and Norman Rosenthal.
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Description:
x, 472 pages : illustrations (some color) ; 29 cm
The art of photography, 1839-1989 / catalogue edited by Mike Weaver ; photographs selected by Daniel Wolf with Mike Weaver and Norman Rosenthal.
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Description:
x, 472 pages : illustrations (some color) ; 29 cm
Classification:
livres
livres
Publication:
New Haven : Yale University Press, [1989], ©1989
New Haven : Yale University Press, [1989], ©1989
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livres
livres
Titre:
Victor Burgin's photopath
Victor Burgin's photopath
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$25.00
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Résumé:
''A path along the floor, of proportions 1×21 units, photographed. Photographs printed actual size of objects and prints attached to the floor so that images are perfectly congruent with their objects.'' With these words of instruction, typed on a humble card in 1967, Victor Burgin conceived one of the most profound and remarkable works of photographic art. Each time it(...)
$25.00
(disponible sur commande)
Résumé:
''A path along the floor, of proportions 1×21 units, photographed. Photographs printed actual size of objects and prints attached to the floor so that images are perfectly congruent with their objects.'' With these words of instruction, typed on a humble card in 1967, Victor Burgin conceived one of the most profound and remarkable works of photographic art. Each time it(...)
Titre:
Victor Burgin's photopath
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$25.00
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Résumé:
''A path along the floor, of proportions 1×21 units, photographed. Photographs printed actual size of objects and prints attached to the floor so that images are perfectly congruent with their objects.'' With these words of instruction, typed on a humble card in 1967, Victor Burgin conceived one of the most profound and remarkable works of photographic art. Each time it was exhibited, it had to be made anew, unique to its setting. Embracing Minimalism and Conceptual art, performance and site-specific installation, there is no other artwork like Photopath. In his characteristically analytical and associative manner, writer and curator David Campany takes the reader through the history and implications of Photopath, and their place in the breadth of Victor Burgin’s art and theoretical writings.
Victor Burgin's photopath
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Prix:
$25.00
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Résumé:
''A path along the floor, of proportions 1×21 units, photographed. Photographs printed actual size of objects and prints attached to the floor so that images are perfectly congruent with their objects.'' With these words of instruction, typed on a humble card in 1967, Victor Burgin conceived one of the most profound and remarkable works of photographic art. Each time it was exhibited, it had to be made anew, unique to its setting. Embracing Minimalism and Conceptual art, performance and site-specific installation, there is no other artwork like Photopath. In his characteristically analytical and associative manner, writer and curator David Campany takes the reader through the history and implications of Photopath, and their place in the breadth of Victor Burgin’s art and theoretical writings.
Classification:
livres
livres
Publication:
avril 2022
avril 2022
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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Description:
127 pages : color illustrations ; 23 cm
Description:
127 pages : color illustrations ; 23 cm
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Publication:
Geneva : Mamco Genève, [2019], ©2019
Geneva : Mamco Genève, [2019], ©2019
Titre:
L'appartement / direction éditoriale, Lionel Bovier.
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Description:
127 pages : color illustrations ; 23 cm
L'appartement / direction éditoriale, Lionel Bovier.
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Description:
127 pages : color illustrations ; 23 cm
Classification:
livres
livres
Publication:
Geneva : Mamco Genève, [2019], ©2019
Geneva : Mamco Genève, [2019], ©2019
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Description:
238 pages ; 22 cm
Description:
238 pages ; 22 cm
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Publication:
Cambridge, MA : MIT Press, [2009]
Cambridge, MA : MIT Press, [2009]
Classification:
livres
livres
Publication:
Cambridge, MA : MIT Press, [2009]
Cambridge, MA : MIT Press, [2009]
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livres
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$34.95
(disponible sur commande)
Résumé:
A collection of essays that uses Adolf Loos' 1898 essay "Plumbers" as a point of departure for its examination of architecture through the multiple meanings inherent in plumbing. Essays by Victor Burgin, Xavier Costa, Marco Frascari, Harry Francis Mallgrave, among others.
$34.95
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Résumé:
A collection of essays that uses Adolf Loos' 1898 essay "Plumbers" as a point of departure for its examination of architecture through the multiple meanings inherent in plumbing. Essays by Victor Burgin, Xavier Costa, Marco Frascari, Harry Francis Mallgrave, among others.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juillet 1997, New York
juillet 1997, New York
Titre:
Plumbing : sounding modern architecture
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$34.95
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Résumé:
A collection of essays that uses Adolf Loos' 1898 essay "Plumbers" as a point of departure for its examination of architecture through the multiple meanings inherent in plumbing. Essays by Victor Burgin, Xavier Costa, Marco Frascari, Harry Francis Mallgrave, among others.
Plumbing : sounding modern architecture
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Prix:
$34.95
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Résumé:
A collection of essays that uses Adolf Loos' 1898 essay "Plumbers" as a point of departure for its examination of architecture through the multiple meanings inherent in plumbing. Essays by Victor Burgin, Xavier Costa, Marco Frascari, Harry Francis Mallgrave, among others.
Classification:
livres
livres
Publication:
juillet 1997, New York
juillet 1997, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Sexuality and space
Sexuality and space
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$49.95
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Résumé:
This collection of interdisciplinary essays addresses gender in relation to architectural discourse and critical theory, focusing on finding the close relationships between sexuality and space hidden within(...)
$49.95
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Résumé:
This collection of interdisciplinary essays addresses gender in relation to architectural discourse and critical theory, focusing on finding the close relationships between sexuality and space hidden within(...)
Publication:
janvier 1992, New York
janvier 1992, New York
Titre:
Sexuality and space
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$49.95
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Résumé:
This collection of interdisciplinary essays addresses gender in relation to architectural discourse and critical theory, focusing on finding the close relationships between sexuality and space hidden within everyday practices. The contributors are Jennifer Bloomer, Victor Burgin, Beatriz Colomina, Elizabeth Grosz, Catherine Ingraham, Meaghan Morris, Laura Mulvey, Molly Nesbit, Alessandra Ponte, Lynn Spigel, Patricia White, and Mark Wigley.
Sexuality and space
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Prix:
$49.95
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Résumé:
This collection of interdisciplinary essays addresses gender in relation to architectural discourse and critical theory, focusing on finding the close relationships between sexuality and space hidden within everyday practices. The contributors are Jennifer Bloomer, Victor Burgin, Beatriz Colomina, Elizabeth Grosz, Catherine Ingraham, Meaghan Morris, Laura Mulvey, Molly Nesbit, Alessandra Ponte, Lynn Spigel, Patricia White, and Mark Wigley.
Classification:
livres
livres
Publication:
janvier 1992, New York
janvier 1992, New York
Classification:
livres
livres
Titre:
The cinematic
The cinematic
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$25.95
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Résumé:
The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography(...)
$25.95
(disponible sur commande)
Résumé:
The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography(...)
Publication:
mars 2007, London / Cambridge
mars 2007, London / Cambridge
Titre:
The cinematic
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$25.95
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Résumé:
The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography now has at its disposal the budgets and scale of cinema. This addition to Whitechapel’s Documents of Contemporary Art series surveys the rich history of creative interaction between the moving and the still photograph, tracing their ever-changing relationship since early modernism.
The cinematic
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$25.95
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Résumé:
The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography now has at its disposal the budgets and scale of cinema. This addition to Whitechapel’s Documents of Contemporary Art series surveys the rich history of creative interaction between the moving and the still photograph, tracing their ever-changing relationship since early modernism.
Classification:
livres
livres
Publication:
mars 2007, London / Cambridge
mars 2007, London / Cambridge
