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After the death of his wife, Andre Kertesz consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertesz dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body(...)
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After the death of his wife, Andre Kertesz consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertesz dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body(...)
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novembre 2011
novembre 2011
Titre:
André Kertész : the polaroids
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After the death of his wife, Andre Kertesz consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertesz dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body of work through which he transforms from a broken man into a youthful artist. Taken in his apartment just north of New York City's Washington Square, many of these photographs were shot either from his window or in the windowsill. We see a fertile mind at work, combining personal objects into striking still lifes set against cityscape backgrounds, reflected and transformed in glass surfaces. Almost entirely unpublished work, these photographs are a testament to the genius of the photographer's eye as manifested in the simple Polaroid.
André Kertész : the polaroids
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After the death of his wife, Andre Kertesz consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertesz dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body of work through which he transforms from a broken man into a youthful artist. Taken in his apartment just north of New York City's Washington Square, many of these photographs were shot either from his window or in the windowsill. We see a fertile mind at work, combining personal objects into striking still lifes set against cityscape backgrounds, reflected and transformed in glass surfaces. Almost entirely unpublished work, these photographs are a testament to the genius of the photographer's eye as manifested in the simple Polaroid.
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novembre 2011
novembre 2011
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André Kertész
André Kertész
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André Kertész (1894-1985).
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André Kertész (1894-1985).
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André Kertész
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André Kertész (1894-1985).
André Kertész
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André Kertész (1894-1985).
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mai 2001, Paris
mai 2001, Paris
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Monographies photo
Monographies photo
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1 volume (unpaged) : chiefly illustrations (some color) ; 35 cm
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1 volume (unpaged) : chiefly illustrations (some color) ; 35 cm
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New York : Assouline : Distributed to the U.S. trade by St. Martin's Press, [1999?]
New York : Assouline : Distributed to the U.S. trade by St. Martin's Press, [1999?]
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American photographs 1900-2000 / James Danziger.
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1 volume (unpaged) : chiefly illustrations (some color) ; 35 cm
American photographs 1900-2000 / James Danziger.
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1 volume (unpaged) : chiefly illustrations (some color) ; 35 cm
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New York : Assouline : Distributed to the U.S. trade by St. Martin's Press, [1999?]
New York : Assouline : Distributed to the U.S. trade by St. Martin's Press, [1999?]
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André Kertész
André Kertész
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André Kertész est de ceux qui ont façonné le style de la photographie moderne. Son esprit d'indépendance l'a conduit, dès les années 1910, à pratiquer un art de la spontanéité et de la sincérité, à la recherche de ces instants de grâce fortuite qui «fixent le caractère propre des choses». Tendre, nostalgique, pudique, il a révélé des voies nouvelles pour la photographie,(...)
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André Kertész est de ceux qui ont façonné le style de la photographie moderne. Son esprit d'indépendance l'a conduit, dès les années 1910, à pratiquer un art de la spontanéité et de la sincérité, à la recherche de ces instants de grâce fortuite qui «fixent le caractère propre des choses». Tendre, nostalgique, pudique, il a révélé des voies nouvelles pour la photographie,(...)
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Monographies photo
Monographies photo
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janvier 2008, Arles
janvier 2008, Arles
Titre:
André Kertész
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André Kertész est de ceux qui ont façonné le style de la photographie moderne. Son esprit d'indépendance l'a conduit, dès les années 1910, à pratiquer un art de la spontanéité et de la sincérité, à la recherche de ces instants de grâce fortuite qui «fixent le caractère propre des choses». Tendre, nostalgique, pudique, il a révélé des voies nouvelles pour la photographie, à la lisière poétique du réalisme, sans insistance ni emphase. «Je ne documente jamais, je donne une interprétation», dit-il.
André Kertész
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André Kertész est de ceux qui ont façonné le style de la photographie moderne. Son esprit d'indépendance l'a conduit, dès les années 1910, à pratiquer un art de la spontanéité et de la sincérité, à la recherche de ces instants de grâce fortuite qui «fixent le caractère propre des choses». Tendre, nostalgique, pudique, il a révélé des voies nouvelles pour la photographie, à la lisière poétique du réalisme, sans insistance ni emphase. «Je ne documente jamais, je donne une interprétation», dit-il.
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janvier 2008, Arles
janvier 2008, Arles
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Monographies photo
Monographies photo
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100 pages : illustrations ; 26 cm
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100 pages : illustrations ; 26 cm
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Chicago, Ill. : Art Institute of Chicago, [2005], New Haven : Yale University Press
Chicago, Ill. : Art Institute of Chicago, [2005], New Haven : Yale University Press
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Paris : photographs from a time that was / David Travis.
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100 pages : illustrations ; 26 cm
Paris : photographs from a time that was / David Travis.
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100 pages : illustrations ; 26 cm
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Chicago, Ill. : Art Institute of Chicago, [2005], New Haven : Yale University Press
Chicago, Ill. : Art Institute of Chicago, [2005], New Haven : Yale University Press
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André Kertész
André Kertész
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Kertész was a founder of the modernist photography that originated in the European avant-garde movements of the 1920s, and although his lifelong unwillingness to compromise his independence and his creation of "photographic poetry" made him an almost marginal figure for most of his life, his influence on the development of photography, particularly photojournalism, during(...)
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Kertész was a founder of the modernist photography that originated in the European avant-garde movements of the 1920s, and although his lifelong unwillingness to compromise his independence and his creation of "photographic poetry" made him an almost marginal figure for most of his life, his influence on the development of photography, particularly photojournalism, during(...)
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André Kertész
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Kertész was a founder of the modernist photography that originated in the European avant-garde movements of the 1920s, and although his lifelong unwillingness to compromise his independence and his creation of "photographic poetry" made him an almost marginal figure for most of his life, his influence on the development of photography, particularly photojournalism, during the middle years of the century was profound. This book accompanies a major retrospective exhibition of Kertész’s work at Paris’s Jeu de Paume Museum. The text is organized around the three main periods of Kertész’s seventy-year-long career: Budapest, 1914–25; Paris, 1925–36; and New York, 1936–85. Many rare vintage and period prints produced under the photographer’s control are reproduced in this volume.
André Kertész
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Kertész was a founder of the modernist photography that originated in the European avant-garde movements of the 1920s, and although his lifelong unwillingness to compromise his independence and his creation of "photographic poetry" made him an almost marginal figure for most of his life, his influence on the development of photography, particularly photojournalism, during the middle years of the century was profound. This book accompanies a major retrospective exhibition of Kertész’s work at Paris’s Jeu de Paume Museum. The text is organized around the three main periods of Kertész’s seventy-year-long career: Budapest, 1914–25; Paris, 1925–36; and New York, 1936–85. Many rare vintage and period prints produced under the photographer’s control are reproduced in this volume.
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décembre 2010
décembre 2010
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Monographies photo
Monographies photo
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André Kertész (1894–1985) was one of the most inventive, influential, and prolific photographers in the medium's history. His combination of Modernist vision and poetic wit defined a vocabulary that generations of photographers have continued to use. Kertész's iconic images of 1920s Paris, such as "Chez Mondrian" and "Satiric dancer" and his later images from New(...)
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André Kertész (1894–1985) was one of the most inventive, influential, and prolific photographers in the medium's history. His combination of Modernist vision and poetic wit defined a vocabulary that generations of photographers have continued to use. Kertész's iconic images of 1920s Paris, such as "Chez Mondrian" and "Satiric dancer" and his later images from New(...)
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Monographies photo
Monographies photo
Publication:
octobre 2005, New York
octobre 2005, New York
Titre:
André Kertész : the early years
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André Kertész (1894–1985) was one of the most inventive, influential, and prolific photographers in the medium's history. His combination of Modernist vision and poetic wit defined a vocabulary that generations of photographers have continued to use. Kertész's iconic images of 1920s Paris, such as "Chez Mondrian" and "Satiric dancer" and his later images from New York–"Melancholic tulip," "Washington Square"–have seeped into contemporary culture, and yet Kertész maintained that the real roots of his work were in Hungary. This book, the first completely dedicated to Kertész's early Hungarian prints, offers a unique window on the origins of genius. Ninety images, selected from more than 1,000 contact prints in the artist's estate, are meticulously reproduced to actual size, revealing the explosive cultural context of early twentieth-century Hungary.
André Kertész : the early years
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André Kertész (1894–1985) was one of the most inventive, influential, and prolific photographers in the medium's history. His combination of Modernist vision and poetic wit defined a vocabulary that generations of photographers have continued to use. Kertész's iconic images of 1920s Paris, such as "Chez Mondrian" and "Satiric dancer" and his later images from New York–"Melancholic tulip," "Washington Square"–have seeped into contemporary culture, and yet Kertész maintained that the real roots of his work were in Hungary. This book, the first completely dedicated to Kertész's early Hungarian prints, offers a unique window on the origins of genius. Ninety images, selected from more than 1,000 contact prints in the artist's estate, are meticulously reproduced to actual size, revealing the explosive cultural context of early twentieth-century Hungary.
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Publication:
octobre 2005, New York
octobre 2005, New York
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Monographies photo
Monographies photo
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Titre:
André Kertesz
André Kertesz
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$35.00
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This monograph is a concise introduction to the life and work of André Kertesz, complete with a 4,000 word essay and 55 photographs with extensive captions.
$35.00
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This monograph is a concise introduction to the life and work of André Kertesz, complete with a 4,000 word essay and 55 photographs with extensive captions.
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André Kertesz
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This monograph is a concise introduction to the life and work of André Kertesz, complete with a 4,000 word essay and 55 photographs with extensive captions.
André Kertesz
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This monograph is a concise introduction to the life and work of André Kertesz, complete with a 4,000 word essay and 55 photographs with extensive captions.
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Publication:
juin 2006, London
juin 2006, London
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Monographies photo
Monographies photo
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99 unnumbered pages : illustrations (some color), portraits ; 27 cm
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99 unnumbered pages : illustrations (some color), portraits ; 27 cm
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Paris : Alain Paviot & cie, 1996.
Paris : Alain Paviot & cie, 1996.
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Vingt ans après : [quarante images pour une très personnelle histoire de photographies] / Alain Paviot.
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99 unnumbered pages : illustrations (some color), portraits ; 27 cm
Vingt ans après : [quarante images pour une très personnelle histoire de photographies] / Alain Paviot.
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99 unnumbered pages : illustrations (some color), portraits ; 27 cm
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Paris : Alain Paviot & cie, 1996.
Paris : Alain Paviot & cie, 1996.
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x, 305 pages : illustrations (some color) ; 31 cm
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x, 305 pages : illustrations (some color) ; 31 cm
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New York : PPP Editions in association with Roth Horowitz, LLC, 2001., New York, NY : D.A.P./Distributed Art Publishers, Inc.
New York : PPP Editions in association with Roth Horowitz, LLC, 2001., New York, NY : D.A.P./Distributed Art Publishers, Inc.
Titre:
The book of 101 books : seminal photographic books of the twentieth century / edited by Andrew Roth ; essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice, Neville Wakefield ; catalogue by Vince Aletti and David Levi Strauss.
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x, 305 pages : illustrations (some color) ; 31 cm
The book of 101 books : seminal photographic books of the twentieth century / edited by Andrew Roth ; essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice, Neville Wakefield ; catalogue by Vince Aletti and David Levi Strauss.
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x, 305 pages : illustrations (some color) ; 31 cm
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New York : PPP Editions in association with Roth Horowitz, LLC, 2001., New York, NY : D.A.P./Distributed Art Publishers, Inc.
New York : PPP Editions in association with Roth Horowitz, LLC, 2001., New York, NY : D.A.P./Distributed Art Publishers, Inc.
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