565 Résultats
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This book presents works by a number of major Italian photographers who have explored aspects of their native land that are rarely depicted elsewhere. The photographs range from social documentary works of the 1950s to the conceptual photography of the 1970s, more personal explorations and travelogues of the 1980s and contemporary photographic remappings of Italian(...)
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This book presents works by a number of major Italian photographers who have explored aspects of their native land that are rarely depicted elsewhere. The photographs range from social documentary works of the 1950s to the conceptual photography of the 1970s, more personal explorations and travelogues of the 1980s and contemporary photographic remappings of Italian(...)
Titre:
Peripheral visions : italian photography in context, 1950's - present
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This book presents works by a number of major Italian photographers who have explored aspects of their native land that are rarely depicted elsewhere. The photographs range from social documentary works of the 1950s to the conceptual photography of the 1970s, more personal explorations and travelogues of the 1980s and contemporary photographic remappings of Italian cities. This thematic interpretation conveys the incredibly vital and diverse range of expressions that have unfolded in Italian photography over the past five decades. Published for a 2012 exhibition at Hunter College, The City University of New York, Peripheral Visions includes works by Marina Ballo Charmet, Olivo Barbieri, Gabriele Basilico, Gianni Berengo Gardin, Mario Carrieri, Vincenzo Castella, Cesare Colombo, Mario Cresci, Paola Di Bello, Luigi Ghirri, Guido Guidi, Alessandro Imbriaco, Francesco Jodice, Mimmo Jodice, Armin Linke, Maurizio Montagna, Paolo Monti, Ugo Mulas, Walter Niedermayr, Franco Vaccari and Massimo Vitali.
Peripheral visions : italian photography in context, 1950's - present
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This book presents works by a number of major Italian photographers who have explored aspects of their native land that are rarely depicted elsewhere. The photographs range from social documentary works of the 1950s to the conceptual photography of the 1970s, more personal explorations and travelogues of the 1980s and contemporary photographic remappings of Italian cities. This thematic interpretation conveys the incredibly vital and diverse range of expressions that have unfolded in Italian photography over the past five decades. Published for a 2012 exhibition at Hunter College, The City University of New York, Peripheral Visions includes works by Marina Ballo Charmet, Olivo Barbieri, Gabriele Basilico, Gianni Berengo Gardin, Mario Carrieri, Vincenzo Castella, Cesare Colombo, Mario Cresci, Paola Di Bello, Luigi Ghirri, Guido Guidi, Alessandro Imbriaco, Francesco Jodice, Mimmo Jodice, Armin Linke, Maurizio Montagna, Paolo Monti, Ugo Mulas, Walter Niedermayr, Franco Vaccari and Massimo Vitali.
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livres
livres
Publication:
mai 2012
mai 2012
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livres
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Founded by an international team of architects and designers, it aims to bridge the gap between theoretical and practical approaches to contemporary architecture. Each year, CARTHA initiates research and the publication of four issues on a topic in its online magazine that are(...)
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Founded by an international team of architects and designers, it aims to bridge the gap between theoretical and practical approaches to contemporary architecture. Each year, CARTHA initiates research and the publication of four issues on a topic in its online magazine that are(...)
Titre:
Cartha: On relations in architecture
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Founded by an international team of architects and designers, it aims to bridge the gap between theoretical and practical approaches to contemporary architecture. Each year, CARTHA initiates research and the publication of four issues on a topic in its online magazine that are then brought together in an annual book. In 2015, CARTHA’s topic was relations within the architectural spectrum. Contributions explore models of collaboration and the ways in which architects relate to other architects, clients, workers, and users of space. Each of the four issues—Worth Sharing, Confrères, Mannschaft, and Santisima Trinidad—features an introductory interview with a renowned architect or firm, including Diogo Seixas Lopes, Grafton Architects, Samuel Schulze, and Marco Serra. Photography in the 2015 edition of CARTHA includes series by Guido Guidi, Rasmus Norlander, Joël Tettamanti, and Onnis Luque.
Cartha: On relations in architecture
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Since 2014, CARTHA has provided a platform for critical thinking on architecture and society. Founded by an international team of architects and designers, it aims to bridge the gap between theoretical and practical approaches to contemporary architecture. Each year, CARTHA initiates research and the publication of four issues on a topic in its online magazine that are then brought together in an annual book. In 2015, CARTHA’s topic was relations within the architectural spectrum. Contributions explore models of collaboration and the ways in which architects relate to other architects, clients, workers, and users of space. Each of the four issues—Worth Sharing, Confrères, Mannschaft, and Santisima Trinidad—features an introductory interview with a renowned architect or firm, including Diogo Seixas Lopes, Grafton Architects, Samuel Schulze, and Marco Serra. Photography in the 2015 edition of CARTHA includes series by Guido Guidi, Rasmus Norlander, Joël Tettamanti, and Onnis Luque.
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livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Viaggio in Italia
Viaggio in Italia
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"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the(...)
$79.95
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Résumé:
"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the(...)
Sujet:
Photographie- collections
Photographie- collections
Publication:
novembre 2024
novembre 2024
Titre:
Viaggio in Italia
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Résumé:
"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the everyday Italian landscape. This shift replaced the cliché of Italy as a uniquely wonderful place with an "anti-heroic, anti-mythical, everyday and non-rhetorical" image, as noted by Gabriele Basilico. Twenty photographers, many of whom gained international recognition, participated: Olivo Barbieri, Gabriele Basilico, Gianantonio Battistella, Vincenzo Castella, Andrea Cavazzuti, Giovanni Chiaramonte, Mario Cresci, Vittore Fossati, Carlo Garzia, Guido Guidi, Luigi Ghirri, Shelley Hill, Mimmo Jodice, Gianni Leone, Claude Nori, Umberto Sartorello, Mario Tinelli, Ernesto Tuliozi, Fulvio Ventura, and Cuchi White. The volume includes an essay by Arturo Carlo Quintavalle and a paper by Gianni Celati.
Viaggio in Italia
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Résumé:
"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the everyday Italian landscape. This shift replaced the cliché of Italy as a uniquely wonderful place with an "anti-heroic, anti-mythical, everyday and non-rhetorical" image, as noted by Gabriele Basilico. Twenty photographers, many of whom gained international recognition, participated: Olivo Barbieri, Gabriele Basilico, Gianantonio Battistella, Vincenzo Castella, Andrea Cavazzuti, Giovanni Chiaramonte, Mario Cresci, Vittore Fossati, Carlo Garzia, Guido Guidi, Luigi Ghirri, Shelley Hill, Mimmo Jodice, Gianni Leone, Claude Nori, Umberto Sartorello, Mario Tinelli, Ernesto Tuliozi, Fulvio Ventura, and Cuchi White. The volume includes an essay by Arturo Carlo Quintavalle and a paper by Gianni Celati.
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livres
livres
Publication:
novembre 2024
novembre 2024
Sujet:
Photographie- collections
Photographie- collections
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livres
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$58.95
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The film "Il deserto rosso" (The Red Desert) by Michelangelo Antonioni, produced in the industrial region around Ravenna, Italy, in 1964, is considered one of the most important works in contemporary film history. Because of its innovative use of color, uncomfortably slow pacing, and existential environment, the film has long held appeal to filmmakers, artists, and(...)
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Résumé:
The film "Il deserto rosso" (The Red Desert) by Michelangelo Antonioni, produced in the industrial region around Ravenna, Italy, in 1964, is considered one of the most important works in contemporary film history. Because of its innovative use of color, uncomfortably slow pacing, and existential environment, the film has long held appeal to filmmakers, artists, and(...)
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In reference to: Red Desert by Michelangelo Antonioni. The streets, the factories, the colors, the sky, the people
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The film "Il deserto rosso" (The Red Desert) by Michelangelo Antonioni, produced in the industrial region around Ravenna, Italy, in 1964, is considered one of the most important works in contemporary film history. Because of its innovative use of color, uncomfortably slow pacing, and existential environment, the film has long held appeal to filmmakers, artists, and photographers. As a response to the film, a joint endeavor between the students at the Academy of fine Arts, Leipzig, led by artists and professors Joachim Brohm and Anna voswinckel, with the photo initiatives Linea di Confine and Osservatorio fotografico, Italy, were asked to create an exhibition of living photographers influenced by the film. The catalog features more than thirty photographers, all associated in some way with the university and photo initiatives. The photographers were asked to provide their reaction to the film along with their associated images. The project was then exhibited at SK Stiftung Kultur (Cologne, September 2017January 2018). Among the featured artists are Joachim Brohm, Guido Guidi, Valentina Seidel, and Francesco Neri.
In reference to: Red Desert by Michelangelo Antonioni. The streets, the factories, the colors, the sky, the people
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$58.95
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Résumé:
The film "Il deserto rosso" (The Red Desert) by Michelangelo Antonioni, produced in the industrial region around Ravenna, Italy, in 1964, is considered one of the most important works in contemporary film history. Because of its innovative use of color, uncomfortably slow pacing, and existential environment, the film has long held appeal to filmmakers, artists, and photographers. As a response to the film, a joint endeavor between the students at the Academy of fine Arts, Leipzig, led by artists and professors Joachim Brohm and Anna voswinckel, with the photo initiatives Linea di Confine and Osservatorio fotografico, Italy, were asked to create an exhibition of living photographers influenced by the film. The catalog features more than thirty photographers, all associated in some way with the university and photo initiatives. The photographers were asked to provide their reaction to the film along with their associated images. The project was then exhibited at SK Stiftung Kultur (Cologne, September 2017January 2018). Among the featured artists are Joachim Brohm, Guido Guidi, Valentina Seidel, and Francesco Neri.
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livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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L'architecte italien Carlo Scarpa a produit entre 1953 et 1979 une série de réalisations incroyablement variées qui ont remis en question les idées sur ce que l'architecture moderne pouvait être. Il jugeait nécessaire de concilier une adhésion profonde à la nouveauté avec les traditions de l'artisanat local et les pratiques universelles séculaires, afin de créer une(...)
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L'architecte italien Carlo Scarpa a produit entre 1953 et 1979 une série de réalisations incroyablement variées qui ont remis en question les idées sur ce que l'architecture moderne pouvait être. Il jugeait nécessaire de concilier une adhésion profonde à la nouveauté avec les traditions de l'artisanat local et les pratiques universelles séculaires, afin de créer une(...)
Sujet:
Publications du CCA
Publications du CCA
Publication:
mai 1999, Montréal/New York
mai 1999, Montréal/New York
Titre:
Carlo Scarpa architecte : composer avec l'histoire
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L'architecte italien Carlo Scarpa a produit entre 1953 et 1979 une série de réalisations incroyablement variées qui ont remis en question les idées sur ce que l'architecture moderne pouvait être. Il jugeait nécessaire de concilier une adhésion profonde à la nouveauté avec les traditions de l'artisanat local et les pratiques universelles séculaires, afin de créer une architecture qui saurait être l'expression de notre civilisation de la machine sans abandonner la force psychique et sensuelle du lieu, de la matière et de la mémoire. Cette conciliation que cherchait Scarpa prend forme dans les réalisations discutées ici - le palais Abatellis, la gypsothèque de Canova, le musée du Castelvecchio, la maison Veritti, le magasin Olivetti, le palais de la Fondation Querini Stampalia, la Banca Popolare et la tombe de la famille Brion - et qui, subtilement, gardent une grande pertinence pour une époque de plus en plus préoccupée d'adapter à ses besoins le monde bâti - plutôt que de le révolutionner. Carlo Scarpa, architecte : Composer avec l'histoire illustre, à l'aide de nombreux dessins de Scarpa, les façons dont l'architecte fait entrer en dialogue la lumière, l'espace et l'architecture dans un contexte urbain dense et chargé d'histoire . Ce dialogue est mis en valeur par l'œil patient du photographe italien Guido Guidi qui présente les bâtiments dans leur état actuel.
Carlo Scarpa architecte : composer avec l'histoire
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Résumé:
L'architecte italien Carlo Scarpa a produit entre 1953 et 1979 une série de réalisations incroyablement variées qui ont remis en question les idées sur ce que l'architecture moderne pouvait être. Il jugeait nécessaire de concilier une adhésion profonde à la nouveauté avec les traditions de l'artisanat local et les pratiques universelles séculaires, afin de créer une architecture qui saurait être l'expression de notre civilisation de la machine sans abandonner la force psychique et sensuelle du lieu, de la matière et de la mémoire. Cette conciliation que cherchait Scarpa prend forme dans les réalisations discutées ici - le palais Abatellis, la gypsothèque de Canova, le musée du Castelvecchio, la maison Veritti, le magasin Olivetti, le palais de la Fondation Querini Stampalia, la Banca Popolare et la tombe de la famille Brion - et qui, subtilement, gardent une grande pertinence pour une époque de plus en plus préoccupée d'adapter à ses besoins le monde bâti - plutôt que de le révolutionner. Carlo Scarpa, architecte : Composer avec l'histoire illustre, à l'aide de nombreux dessins de Scarpa, les façons dont l'architecte fait entrer en dialogue la lumière, l'espace et l'architecture dans un contexte urbain dense et chargé d'histoire . Ce dialogue est mis en valeur par l'œil patient du photographe italien Guido Guidi qui présente les bâtiments dans leur état actuel.
Classification:
livres
livres
Publication:
mai 1999, Montréal/New York
mai 1999, Montréal/New York
Sujet:
Publications du CCA
Publications du CCA
