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volumes : illustrations, plates, portraits, maps ; 31 cm
St. John's : Newfoundland Book Publishers, [©1937]-
The book of Newfoundland / editor, Joseph R. Smallwood ; associate editor, James R. Thomas.
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volumes : illustrations, plates, portraits, maps ; 31 cm
livres
St. John's : Newfoundland Book Publishers, [©1937]-
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The Photographs of Ray K. Metzker brings his extraordinary work to the attention of a larger audience, summarizing his life and achievements over the past six decades. With a fresh perspective, curator and author Keith F. Davis explores the roots of Metzker's innovative vision, from his early interest in photojournalism through his studies with Harry Callahan and Aaron(...)
The Photographs Of Ray K. Metzker
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The Photographs of Ray K. Metzker brings his extraordinary work to the attention of a larger audience, summarizing his life and achievements over the past six decades. With a fresh perspective, curator and author Keith F. Davis explores the roots of Metzker's innovative vision, from his early interest in photojournalism through his studies with Harry Callahan and Aaron Siskind at Chicago's Institute of Design in the late 1950s, and his bold innovations of the 1960s and 1970s. Metzker's work is richly diverse, embracing landscape, city scenes, and the expressive potential of the multiple image. These many themes are united by Metzker's technical precision and daring, and his graphic use of sunlight and shadow. He has repeatedly reinvented his approach to the medium, and this book testifies to the remarkable range and originality of his work.
Monographies photo
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At the New Bauhaus and what later became the Institute of Design in Chicago, teachers like László Moholy-Nagy and György Kepes, and later Arthur Siegel, Harry Callahan, and Aaron Siskind, molded generations of groundbreaking photographers. This collection introduces the protagonists and institutions who have inspired, created, collected, and exhibited photography since(...)
Photographie- collections
avril 2018
Experiment photography: new Bauhaus Chicago
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At the New Bauhaus and what later became the Institute of Design in Chicago, teachers like László Moholy-Nagy and György Kepes, and later Arthur Siegel, Harry Callahan, and Aaron Siskind, molded generations of groundbreaking photographers. This collection introduces the protagonists and institutions who have inspired, created, collected, and exhibited photography since the founding of the New Bauhaus in 1937. Surveying eighty years of photography from Chicago, the wide range of illustrations in this volume extend from conceptual and process-oriented series to material experiments and abstract photograms, and include contemporary works that reflect the continued importance of the Bauhaus school of thought in the present day. Marking the hundredth anniversary of the Bauhaus, this richly illustrated volume celebrates a school of photography that made history on both sides of the Atlantic.
Photographie- collections
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This book examines the work of US-born photographer Yasuhiro Ishimoto (1921–2012) through its connections to Chicago, where he lived for over a decade and returned to repeatedly throughout his life. Long celebrated in Japan as one of the most influential photographers of the twentieth century, Ishimoto also maintained deep ties to his adopted home city of Chicago, where(...)
Yasuhiro Ishimoto: Someday, Chicago
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This book examines the work of US-born photographer Yasuhiro Ishimoto (1921–2012) through its connections to Chicago, where he lived for over a decade and returned to repeatedly throughout his life. Long celebrated in Japan as one of the most influential photographers of the twentieth century, Ishimoto also maintained deep ties to his adopted home city of Chicago, where he arrived in 1945 after having been imprisoned in a US internment camp during WWII. It was in Chicago that he developed his uniquely modernist vision in two key ways. First, he created works that engaged in important conversation with that of Laszlo Moholy-Nagy, Harry Callahan, Aaron Siskind, and others at the historic Institute of Design. Second, he immersed himself directly in the city's neighborhoods, where he captured important social changes reflective of broader shifts elsewhere in the US.
Monographies photo
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''Extérieurs. Annie Ernaux et Photographie'' rassemble les écrits célèbres d'Annie Ernaux, lauréate du prix Nobel de littérature, avec des photographies de la collection de la Maison Européenne de la Photographie par des photographes tels que Harry Callahan, Claude Dityvon, Dolorès Marat, Daido Moriyama, Janine Niépce, Issei Suda, Henry Wessel et Bernard Pierre(...)
Extérieurs. Annie Ernaux et la photographie
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''Extérieurs. Annie Ernaux et Photographie'' rassemble les écrits célèbres d'Annie Ernaux, lauréate du prix Nobel de littérature, avec des photographies de la collection de la Maison Européenne de la Photographie par des photographes tels que Harry Callahan, Claude Dityvon, Dolorès Marat, Daido Moriyama, Janine Niépce, Issei Suda, Henry Wessel et Bernard Pierre Wolff. Reprenant la démarche artistique unique d'Ernaux consistant à "décrire la réalité comme à travers les yeux d'un photographe et à préserver le mystère et l'opacité des vies que j'ai rencontrées", ce projet de l'écrivaine et commissaire d'exposition Lou Stoppard dévoile les manières profondes dont l'image écrite et visuelle peuvent s'informer et s'infléchir mutuellement. Ce faisant, il propose une nouvelle façon de penser la littérature et la photographie, et la manière dont des thèmes communs - tels que la classe sociale, le voyage, les stéréotypes sociaux et l'identité individuelle dans l'environnement urbain moderne - peuvent être explorés entre ces deux formes d'art.
Monographies photo
livres
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Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important(...)
Théorie de la photographie
septembre 2000, Cambridge, Mass.
Photography in Boston : 1955-1985
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Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White. The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography. The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.
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septembre 2000, Cambridge, Mass.
Théorie de la photographie
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Le Musée de Grenoble propose l'évolution de la photographie de ses débuts à nos jours en montrant plus de cent conquante vues d'édifices prises par les photographes : Bérénice Abbott, Eugène Atget, Édouard Baldus, Lewis Baltz, Max Baur, Hippolyte Bayard, Bernd & Hilla Becher, Wermer Bischof, Jacques-André Boiffard, Pierre Boucher, Margaret Bourke-White, Marcel Bovis,(...)
Vues d'architectures : photographies des XIXè et XXè siècles
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Le Musée de Grenoble propose l'évolution de la photographie de ses débuts à nos jours en montrant plus de cent conquante vues d'édifices prises par les photographes : Bérénice Abbott, Eugène Atget, Édouard Baldus, Lewis Baltz, Max Baur, Hippolyte Bayard, Bernd & Hilla Becher, Wermer Bischof, Jacques-André Boiffard, Pierre Boucher, Margaret Bourke-White, Marcel Bovis, Brassaï, Balthasar Burkhard, René Burri, Jean-Marc Bustamante, Harry Callahan, Robert Capa, Hermann Claasen, Alvin Langdon Coburn, Auguste Collard, Marjorie Content, Stéphane Couturier, Louis-Jacques Daguerre, Guy Dépollier, Walker Evans, Jaromir Funke, Marc-Antoine Gaudin, Andreas Gursky, Hugo-Paul Herdeg, Lucien Hervé, Paul Hossard, Boris Ignatovitch, Pierre Jahan, Thomas Kellner, André Kertész, François Kollar, Kurt Kranz, Germaine Krull, Juan Laurent, Gustave Le Gray, Henri Le Secq, Herbert List, Werner Mantz, Charles Marville, Erich Mendelsohn, Mestral, Lee Miller, Guido Mocafico, Laszlo Moholy-Nagy, Lucia Moholy, Jean Moral, André Morin, Carlo Naya, Georgij Petrussov, Man Ray, Albert Renger-Patzsch, Alexandre Rodtchenko, Jaroslav Rössler, Thomas Ruff, Edward Ruscha, August Sander, Arthur Schlegel, Charles Sheeler, Julius Shulman, Emmanuel Sougez, Edward Steichen, André Steiner, Alfred Stieglitz, Paul Strand, Thomas Struth, Josef Sudek, Hiroshi Sugimoto, William Henry Fox Talbot, Félix Teynard, Tokayer, Hanni Werner, Eugen Wiscovski, René Zuber.
Théorie de la photographie