The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
26 November 2013 to 20 April 2014
How architects, experts, politicians, international agencies and citizens negotiate modern planning: Casablanca Chandigarh
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The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
articles
Journeys and translation
Ford Foundation, Douglas Ensminger, Casablanca Chandigarh: A Report on Modernization, How architects, experts, politicians, international agencies and citizens negotiate modern planning: Casablanca Chandigarh
20 February 2016
Journeys and translation
This critical reading of exemplary projects from the CCA Collection reveals everyday spatial and power dynamics that have created middlegrounds but that have not often been acknowledged. Beyond restitution, how can architects participate in imagining more just futures for sites of dispossession?
Hall Cases Keyword(s):
Middleground, hall cases, Rafico Ruiz, Louise Paradis, indigenous, sovereignty, Ella den Elzen, Camille Saade-Traboulsi
10 February 2021 to 13 March 2022
Middleground: Siting Dispossession
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This critical reading of exemplary projects from the CCA Collection reveals everyday spatial and power dynamics that have created middlegrounds but that have not often been acknowledged. Beyond restitution, how can architects participate in imagining more just futures for sites of dispossession?
Hall Cases Keyword(s):
Middleground, hall cases, Rafico Ruiz, Louise Paradis, indigenous, sovereignty, Ella den Elzen, Camille Saade-Traboulsi
Seemingly common activities such as walking, playing, recycling, and gardening are pushed beyond their usual definition by the international architects, artists, and collectives featured in the exhibition. Their actions push against accepted norms of behaviour in cities, at times even challenging legal limitations. The individuals and groups employ a range of approaches(...)
Main galleries
26 November 2008 to 19 April 2009
Actions: What You Can Do With the City
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Seemingly common activities such as walking, playing, recycling, and gardening are pushed beyond their usual definition by the international architects, artists, and collectives featured in the exhibition. Their actions push against accepted norms of behaviour in cities, at times even challenging legal limitations. The individuals and groups employ a range of approaches(...)
Main galleries
Old Books New Cities
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Hall cases
12 December 2013 to 15 June 2014
Old Books New Cities
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The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Hall cases
The exhibition explores one of the most adventurous and influential moments in the history of architecture: the explosion of invention and ideas that followed the October Revolution in Russia. The Soviet avant-garde architects were productivist as much as aesthetic in their concerns; they saw architecture and the arts as one, and they were committed to bringing design(...)
Main galleries
19 June 1991 to 8 September 1991
Architectural Drawings of the Russian Avant-Garde, 1917-1935
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The exhibition explores one of the most adventurous and influential moments in the history of architecture: the explosion of invention and ideas that followed the October Revolution in Russia. The Soviet avant-garde architects were productivist as much as aesthetic in their concerns; they saw architecture and the arts as one, and they were committed to bringing design(...)
Main galleries
Mies in America
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Main galleries
17 October 2001 to 20 January 2002
Mies in America
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A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Main galleries
Myron Goldsmith’s architectural works show how an economy of means and a modest approach can generate a profoundly poetic expression. Myron Goldsmith: Poet of Structure reveals how the architect’s methods and ideas are formed, developed, and disseminated by drawing upon the body of notes, sketchbooks, and study documents found in the collection of Goldsmith’s personal(...)
Main galleries
13 March 1991 to 2 June 1991
Myron Goldsmith: Poet of Structure
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Myron Goldsmith’s architectural works show how an economy of means and a modest approach can generate a profoundly poetic expression. Myron Goldsmith: Poet of Structure reveals how the architect’s methods and ideas are formed, developed, and disseminated by drawing upon the body of notes, sketchbooks, and study documents found in the collection of Goldsmith’s personal(...)
Main galleries
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Main galleries
26 May 1999 to 31 October 1999
Carlo Scarpa, Architect: Intervening with History
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The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Main galleries
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Main galleries
19 July 1994 to 25 September 1994
The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick
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Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Main galleries