articles
Huda Tayob, Centring Africa, La Noire de…, Ousmane Sembène, Frantz Fanon, Dakar, Antibes
22 March 2021
Reading Architecture through La Noire de...
Huda Tayob presents film as an embodied archive and critique of the modernizing city
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Through a commission from the CCA, three contemporary photographers spent six years interpreting the work of Frederick Law Olmsted (1822–1903), North America’s most important landscape architect. *Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James* presents 155 photographs from this commission to offer visitors an opportunity to understand(...)
Main galleries
16 October 1996 to 2 February 1997
Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James
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Through a commission from the CCA, three contemporary photographers spent six years interpreting the work of Frederick Law Olmsted (1822–1903), North America’s most important landscape architect. *Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James* presents 155 photographs from this commission to offer visitors an opportunity to understand(...)
Main galleries
British conceptual artist Victor Burgin has been influential both as an artist and as a theorist of the still and moving image. Commissioned by the CCA, Voyage to Italy comprises two series of black and white photographs and an evocative video that engage the timeless beauty and lasting resonance of a nineteenth-century Carlo Fratacci photograph of Pompeii in the CCA(...)
Octagonal gallery
7 December 2006 to 25 March 2007
Victor Burgin: Voyage to Italy
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British conceptual artist Victor Burgin has been influential both as an artist and as a theorist of the still and moving image. Commissioned by the CCA, Voyage to Italy comprises two series of black and white photographs and an evocative video that engage the timeless beauty and lasting resonance of a nineteenth-century Carlo Fratacci photograph of Pompeii in the CCA(...)
Octagonal gallery
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Main galleries
16 May 2012 to 14 October 2012
Notes from the Archive: James Frazer Stirling
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Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Main galleries
articles
White Walls and Black Tiles
White Walls and Black Tiles
Taro Cai and Peter Sealy on how travel photography reframed Chinese garden aesthetics
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Acts of Looking
works of art
ARCH7663
books
La porte noire de Besançon : contribution à l'étude de l'art triomphal des Gaules / Hélène Walter.
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2 volumes : illustrations ; 28 cm
Paris : Les Belles lettres, 1985-1986 printing.
La porte noire de Besançon : contribution à l'étude de l'art triomphal des Gaules / Hélène Walter.
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2 volumes : illustrations ; 28 cm
books
Paris : Les Belles lettres, 1985-1986 printing.
books
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340 p. : ill.,
Turnhout : Brepols, 2006.
Les monuments chrétiens de la côte orientale de la Mer Noire / Abkhazie, IVe - XIVe siècles.
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Description:
340 p. : ill.,
books
Turnhout : Brepols, 2006.
books
Description:
143 pages : chiefly color illustrations ; 31 cm
Heidelberg : Kehrer, ©2013.
Michel Campeau : photogénie et obsolescence de la chambre noire argentique = Photographic darkroom, photogenic obsolescence / [textes, Michel Campeau, Serge Tisseron, Olivier Asselin ; traduction, James Mayor, Marcia Couelle].
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Description:
143 pages : chiefly color illustrations ; 31 cm
books
Heidelberg : Kehrer, ©2013.
books
Paris : Chez Charles-Antoine Jombert, 1758.
books
Paris : Chez Charles-Antoine Jombert, 1758.