395 Results
Level of archival description:
Series
Series
Title:
Max Taut
Max Taut
Reference number:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
People:
Date:
circa 1919 -1920
circa 1919 -1920
Title:
Max Taut
Actions:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
Max Taut
Actions:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
Level of archival description:
series
series
Date:
circa 1919 -1920
circa 1919 -1920
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Wells Coates fonds
Wells Coates fonds
Actions:
Reference number:
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
People:
Date:
1909-1986
1909-1986
Title:
Wells Coates fonds
Actions:
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
Wells Coates fonds
Actions:
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1909-1986
1909-1986
People:
Level of archival description:
Project
Project
Reference number:
CI005.S1.1948.PR2
Description:
The Grebbeberg National Army Memorial was designed as a commemoration to the soldiers who lost their lives in the battle at Grebbeberg in 1940 during the Second World War. During the German occupation, the mayor of Rhenen Bosch van Rosenthal, organized a secret collection of bronze cents and used part of this collection to fund the memorial. The Grebbeberg National Army Memorial Foundation commissioned Oud for its design in 1947. The bronze coins were also melted down to create the bell for the monument that was completed by Dutch foundries in 1953. The war memorial project resulted in modification of the Grebbeberg cemetery and the design of a new monument. Oud designed a monument with a central cross flanked by two stone lions on an inscribed pedestal. At the other end of the memorial, segmented walls surrounded a raised amphitheatre for speeches and commemorations. The centre held the tower and the bronze bell. Modification of the cemetery began in 1949. Construction for the memorial started in 1952 and its official dedication was held in May 1953 (Taverne et al. 2001, 453-456). Project series includes plans and sections for the bell tower and monument.
CI005.S1.1948.PR2
Description:
The Grebbeberg National Army Memorial was designed as a commemoration to the soldiers who lost their lives in the battle at Grebbeberg in 1940 during the Second World War. During the German occupation, the mayor of Rhenen Bosch van Rosenthal, organized a secret collection of bronze cents and used part of this collection to fund the memorial. The Grebbeberg National Army Memorial Foundation commissioned Oud for its design in 1947. The bronze coins were also melted down to create the bell for the monument that was completed by Dutch foundries in 1953. The war memorial project resulted in modification of the Grebbeberg cemetery and the design of a new monument. Oud designed a monument with a central cross flanked by two stone lions on an inscribed pedestal. At the other end of the memorial, segmented walls surrounded a raised amphitheatre for speeches and commemorations. The centre held the tower and the bronze bell. Modification of the cemetery began in 1949. Construction for the memorial started in 1952 and its official dedication was held in May 1953 (Taverne et al. 2001, 453-456). Project series includes plans and sections for the bell tower and monument.
People:
Date:
1948-1953
1948-1953
Title:
Grebbeberg National Army Memorial, Rhenen, Netherlands (1948-1953)
Actions:
CI005.S1.1948.PR2
Description:
The Grebbeberg National Army Memorial was designed as a commemoration to the soldiers who lost their lives in the battle at Grebbeberg in 1940 during the Second World War. During the German occupation, the mayor of Rhenen Bosch van Rosenthal, organized a secret collection of bronze cents and used part of this collection to fund the memorial. The Grebbeberg National Army Memorial Foundation commissioned Oud for its design in 1947. The bronze coins were also melted down to create the bell for the monument that was completed by Dutch foundries in 1953. The war memorial project resulted in modification of the Grebbeberg cemetery and the design of a new monument. Oud designed a monument with a central cross flanked by two stone lions on an inscribed pedestal. At the other end of the memorial, segmented walls surrounded a raised amphitheatre for speeches and commemorations. The centre held the tower and the bronze bell. Modification of the cemetery began in 1949. Construction for the memorial started in 1952 and its official dedication was held in May 1953 (Taverne et al. 2001, 453-456). Project series includes plans and sections for the bell tower and monument.
Grebbeberg National Army Memorial, Rhenen, Netherlands (1948-1953)
Actions:
CI005.S1.1948.PR2
Description:
The Grebbeberg National Army Memorial was designed as a commemoration to the soldiers who lost their lives in the battle at Grebbeberg in 1940 during the Second World War. During the German occupation, the mayor of Rhenen Bosch van Rosenthal, organized a secret collection of bronze cents and used part of this collection to fund the memorial. The Grebbeberg National Army Memorial Foundation commissioned Oud for its design in 1947. The bronze coins were also melted down to create the bell for the monument that was completed by Dutch foundries in 1953. The war memorial project resulted in modification of the Grebbeberg cemetery and the design of a new monument. Oud designed a monument with a central cross flanked by two stone lions on an inscribed pedestal. At the other end of the memorial, segmented walls surrounded a raised amphitheatre for speeches and commemorations. The centre held the tower and the bronze bell. Modification of the cemetery began in 1949. Construction for the memorial started in 1952 and its official dedication was held in May 1953 (Taverne et al. 2001, 453-456). Project series includes plans and sections for the bell tower and monument.
Level of archival description:
project
project
Date:
1948-1953
1948-1953
People:
Level of archival description:
Series
Series
Title:
James Stirling papers
James Stirling papers
Reference number:
AP140.S1
Description:
Series documents James Stirling student years and military service throughout his student projects, some personal documents and collected artworks and photographic materials. The bulk of the material in this series relates to James Stirling's student work at the Liverpool School of Architecture in Liverpool, England, and at the Association for Planning and Regional Reconstruction in London, England, between 1948 and 1952. Also included in this series are a few personal documents relating to his military service in the Second World War and its relation to his university education. Series also consists of drawings executed by Stirling as a student, other drawings collected by Stirling as gifts from friends and colleagues, and photographs and negatives taken by Stirling of architectural subject matters. Material in this series was produced between probably 1939 and 1990. Series contains architectural drawings, textual records, photographic materials and a presentation model, as well as other drawings, including several portraits and caricatures of James Stirling.
AP140.S1
Description:
Series documents James Stirling student years and military service throughout his student projects, some personal documents and collected artworks and photographic materials. The bulk of the material in this series relates to James Stirling's student work at the Liverpool School of Architecture in Liverpool, England, and at the Association for Planning and Regional Reconstruction in London, England, between 1948 and 1952. Also included in this series are a few personal documents relating to his military service in the Second World War and its relation to his university education. Series also consists of drawings executed by Stirling as a student, other drawings collected by Stirling as gifts from friends and colleagues, and photographs and negatives taken by Stirling of architectural subject matters. Material in this series was produced between probably 1939 and 1990. Series contains architectural drawings, textual records, photographic materials and a presentation model, as well as other drawings, including several portraits and caricatures of James Stirling.
People:
Date:
circa 1939-1990
circa 1939-1990
Title:
James Stirling papers
Actions:
AP140.S1
Description:
Series documents James Stirling student years and military service throughout his student projects, some personal documents and collected artworks and photographic materials. The bulk of the material in this series relates to James Stirling's student work at the Liverpool School of Architecture in Liverpool, England, and at the Association for Planning and Regional Reconstruction in London, England, between 1948 and 1952. Also included in this series are a few personal documents relating to his military service in the Second World War and its relation to his university education. Series also consists of drawings executed by Stirling as a student, other drawings collected by Stirling as gifts from friends and colleagues, and photographs and negatives taken by Stirling of architectural subject matters. Material in this series was produced between probably 1939 and 1990. Series contains architectural drawings, textual records, photographic materials and a presentation model, as well as other drawings, including several portraits and caricatures of James Stirling.
James Stirling papers
Actions:
AP140.S1
Description:
Series documents James Stirling student years and military service throughout his student projects, some personal documents and collected artworks and photographic materials. The bulk of the material in this series relates to James Stirling's student work at the Liverpool School of Architecture in Liverpool, England, and at the Association for Planning and Regional Reconstruction in London, England, between 1948 and 1952. Also included in this series are a few personal documents relating to his military service in the Second World War and its relation to his university education. Series also consists of drawings executed by Stirling as a student, other drawings collected by Stirling as gifts from friends and colleagues, and photographs and negatives taken by Stirling of architectural subject matters. Material in this series was produced between probably 1939 and 1990. Series contains architectural drawings, textual records, photographic materials and a presentation model, as well as other drawings, including several portraits and caricatures of James Stirling.
Level of archival description:
Series 1
Series 1
Date:
circa 1939-1990
circa 1939-1990
People:
Form:
articles
articles
Issue:
What the future looked like
What the future looked like
Form:
exhibitions
exhibitions
Description:
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
Location:
Main galleries
Main galleries
Date:
5 March 1997 to 25 May 1997
5 March 1997 to 25 May 1997
Title:
The New Spirit: Modern Architecture in Vancouver, 1938-1963
Actions:
Description:
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
The New Spirit: Modern Architecture in Vancouver, 1938-1963
Actions:
Description:
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
Form:
exhibitions
exhibitions
Date:
5 March 1997 to
25 May 1997
5 March 1997 to
25 May 1997
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Title:
Old Books New Cities
Old Books New Cities
Actions:
Description:
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Location:
Hall cases
Hall cases
Date:
12 December 2013 to 15 June 2014
12 December 2013 to 15 June 2014
Title:
Old Books New Cities
Actions:
Description:
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Old Books New Cities
Actions:
Description:
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Form:
exhibitions
exhibitions
Date:
12 December 2013 to
15 June 2014
12 December 2013 to
15 June 2014
Location:
Hall cases
Hall cases
Form:
articles
articles
Title:
Controlling Comfort
Controlling Comfort
Actions:
Text by Manfredo di Robilant
Issue:
The rest of your senses
The rest of your senses
Keyword(s):
20th century, advertisement, air conditioning, American Iron and Steel Institute, Amérique du Nord, Architectural Forum, Architectural Review, Chrysler, climatisation, Committee on Steel Pipe Research, États-Unis, House Beautiful, Manfredo di Robilant, National Electric Products, North America, Progressive Architecture, publication, publicité, Seconde Guerre mondiale, Second World War, technologie, technology, United States, XXe siècle
20th century, advertisement, air conditioning, American Iron and Steel Institute, Amérique du Nord, Architectural Forum, Architectural Review, Chrysler, climatisation, Committee on Steel Pipe Research, États-Unis, House Beautiful, Manfredo di Robilant, National Electric Products, North America, Progressive Architecture, publication, publicité, Seconde Guerre mondiale, Second World War, technologie, technology, United States, XXe siècle
Published:
1 October 2012
1 October 2012
Issue:
The rest of your senses
The rest of your senses
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Joseph Rykwert fonds
Joseph Rykwert fonds
Reference number:
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
People:
Date:
1928-2022
1928-2022
Title:
Joseph Rykwert fonds
Actions:
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Joseph Rykwert fonds
Actions:
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1928-2022
1928-2022
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Hazen Sise fonds
Hazen Sise fonds
Reference number:
AP112
Synopsis:
The Hazen Sise fonds contains negatives, drawings, and other documents dating from 1933 to 1959. The negatives, taken in the early 1930s, mostly depict participants of the conferences CIAM IV and CIRPAC, including Le Corbusier, László Moholy-Nagy, Alvar Aalto and Fernand Léger. The drawings document the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Le fonds Hazen Sise est composé de négatifs, dessins, et autres documents datés entre 1933 et 1959. Les négatifs, pris au début des années 30s, présentent des participants des congres IVe CIAM et CIRPAC, incluant Le Corbusier, László Moholy-Nagy, Alvar Aalto et Fernand Léger. Les dessins documentent la conception du pavillon du Lac aux Castors, construit pour la Ville de Montréal entre 1955 et 1959 dans le cadre du réaménagement du Parc du Mont-Royal.
AP112
Synopsis:
The Hazen Sise fonds contains negatives, drawings, and other documents dating from 1933 to 1959. The negatives, taken in the early 1930s, mostly depict participants of the conferences CIAM IV and CIRPAC, including Le Corbusier, László Moholy-Nagy, Alvar Aalto and Fernand Léger. The drawings document the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Le fonds Hazen Sise est composé de négatifs, dessins, et autres documents datés entre 1933 et 1959. Les négatifs, pris au début des années 30s, présentent des participants des congres IVe CIAM et CIRPAC, incluant Le Corbusier, László Moholy-Nagy, Alvar Aalto et Fernand Léger. Les dessins documentent la conception du pavillon du Lac aux Castors, construit pour la Ville de Montréal entre 1955 et 1959 dans le cadre du réaménagement du Parc du Mont-Royal.
People:
Date:
1933-1959
1933-1959
Title:
Hazen Sise fonds
Actions:
AP112
Synopsis:
The Hazen Sise fonds contains negatives, drawings, and other documents dating from 1933 to 1959. The negatives, taken in the early 1930s, mostly depict participants of the conferences CIAM IV and CIRPAC, including Le Corbusier, László Moholy-Nagy, Alvar Aalto and Fernand Léger. The drawings document the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Le fonds Hazen Sise est composé de négatifs, dessins, et autres documents datés entre 1933 et 1959. Les négatifs, pris au début des années 30s, présentent des participants des congres IVe CIAM et CIRPAC, incluant Le Corbusier, László Moholy-Nagy, Alvar Aalto et Fernand Léger. Les dessins documentent la conception du pavillon du Lac aux Castors, construit pour la Ville de Montréal entre 1955 et 1959 dans le cadre du réaménagement du Parc du Mont-Royal.
Hazen Sise fonds
Actions:
AP112
Synopsis:
The Hazen Sise fonds contains negatives, drawings, and other documents dating from 1933 to 1959. The negatives, taken in the early 1930s, mostly depict participants of the conferences CIAM IV and CIRPAC, including Le Corbusier, László Moholy-Nagy, Alvar Aalto and Fernand Léger. The drawings document the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Le fonds Hazen Sise est composé de négatifs, dessins, et autres documents datés entre 1933 et 1959. Les négatifs, pris au début des années 30s, présentent des participants des congres IVe CIAM et CIRPAC, incluant Le Corbusier, László Moholy-Nagy, Alvar Aalto et Fernand Léger. Les dessins documentent la conception du pavillon du Lac aux Castors, construit pour la Ville de Montréal entre 1955 et 1959 dans le cadre du réaménagement du Parc du Mont-Royal.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1933-1959
1933-1959
People:
