1087 Results
Form:
textual records
textual records
Actions:
Reference number:
ARCH174251
Description:
Correspondance de chantier acheminée par télécopieur entre l'atelier de Luc Laporte et la firme d'ingénierie Soprin concernant la structure du pavillon. Sujets : changement à la structure d'acier, renseignements concernant la polisseuse à glace, soumission de Gidev & Métal Charland, contrôle de la qualité du béton, plan d'agrandissement du Pavillon, plan du toit et détail de mur.
ARCH174251
Description:
Correspondance de chantier acheminée par télécopieur entre l'atelier de Luc Laporte et la firme d'ingénierie Soprin concernant la structure du pavillon. Sujets : changement à la structure d'acier, renseignements concernant la polisseuse à glace, soumission de Gidev & Métal Charland, contrôle de la qualité du béton, plan d'agrandissement du Pavillon, plan du toit et détail de mur.
People:
Date:
1992
1992
Title:
Correspondance de chantier avec la firme d'ingénierie, Pavillon du Bassin Bonsecours, Montréal, Québec
Actions:
ARCH174251
Description:
Correspondance de chantier acheminée par télécopieur entre l'atelier de Luc Laporte et la firme d'ingénierie Soprin concernant la structure du pavillon. Sujets : changement à la structure d'acier, renseignements concernant la polisseuse à glace, soumission de Gidev & Métal Charland, contrôle de la qualité du béton, plan d'agrandissement du Pavillon, plan du toit et détail de mur.
Correspondance de chantier avec la firme d'ingénierie, Pavillon du Bassin Bonsecours, Montréal, Québec
Actions:
ARCH174251
Description:
Correspondance de chantier acheminée par télécopieur entre l'atelier de Luc Laporte et la firme d'ingénierie Soprin concernant la structure du pavillon. Sujets : changement à la structure d'acier, renseignements concernant la polisseuse à glace, soumission de Gidev & Métal Charland, contrôle de la qualité du béton, plan d'agrandissement du Pavillon, plan du toit et détail de mur.
Form:
textual records
textual records
Date:
1992
1992
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
People:
Date:
circa 2014
circa 2014
Title:
La Mia Idea Di Architettura [My Idea of Architecture] (2014)
Actions:
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
La Mia Idea Di Architettura [My Idea of Architecture] (2014)
Actions:
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
Level of archival description:
Project
Project
Date:
circa 2014
circa 2014
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
People:
Date:
1991-1996
1991-1996
Title:
Olmsted: L'origine del parco urbano e del parco naturale contemporaneo (1996)
Actions:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
Olmsted: L'origine del parco urbano e del parco naturale contemporaneo (1996)
Actions:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
Level of archival description:
Subseries
Subseries
Date:
1991-1996
1991-1996
People:
Level of archival description:
Series
Series
Reference number:
AP133.S1
Description:
This series documents the research, writing, publishing and promotion of Pierre du Prey's "The Villas of Pliny: from antiquity to posterity." The focus of the book is Pliny the Younger’s continuous influence on the work of architects. The book was published in 1994 by The University of Chicago Press. Du Prey undertook this research and writing project after curating the Canadian Centre for Architecture's exhibition "The Villas of Pliny and Classical Architecture in Montréal" presented at the Musée des Beaux-arts de Montréal in 1983. In the exhibition, du Prey notes the influence of Pliny's work on Montréal architecture, including his influence on the work of architect Ernest Cormier. This theme of the exhibtion later became a chapter of his book. The series contains research material, such as notes by Pierre du Prey, sound recordings of interviews with experts and architectural historians, and correspondence. It also contains manuscripts, drafts and dummies for publication, as well as correspondence, financial documents related to publishing, and press clippings on Pierre du Prey and his book.
AP133.S1
Description:
This series documents the research, writing, publishing and promotion of Pierre du Prey's "The Villas of Pliny: from antiquity to posterity." The focus of the book is Pliny the Younger’s continuous influence on the work of architects. The book was published in 1994 by The University of Chicago Press. Du Prey undertook this research and writing project after curating the Canadian Centre for Architecture's exhibition "The Villas of Pliny and Classical Architecture in Montréal" presented at the Musée des Beaux-arts de Montréal in 1983. In the exhibition, du Prey notes the influence of Pliny's work on Montréal architecture, including his influence on the work of architect Ernest Cormier. This theme of the exhibtion later became a chapter of his book. The series contains research material, such as notes by Pierre du Prey, sound recordings of interviews with experts and architectural historians, and correspondence. It also contains manuscripts, drafts and dummies for publication, as well as correspondence, financial documents related to publishing, and press clippings on Pierre du Prey and his book.
People:
Date:
1983-2002
1983-2002
Title:
The Villas of Pliny : from antiquity to posterity, 1988-1994
Actions:
AP133.S1
Description:
This series documents the research, writing, publishing and promotion of Pierre du Prey's "The Villas of Pliny: from antiquity to posterity." The focus of the book is Pliny the Younger’s continuous influence on the work of architects. The book was published in 1994 by The University of Chicago Press. Du Prey undertook this research and writing project after curating the Canadian Centre for Architecture's exhibition "The Villas of Pliny and Classical Architecture in Montréal" presented at the Musée des Beaux-arts de Montréal in 1983. In the exhibition, du Prey notes the influence of Pliny's work on Montréal architecture, including his influence on the work of architect Ernest Cormier. This theme of the exhibtion later became a chapter of his book. The series contains research material, such as notes by Pierre du Prey, sound recordings of interviews with experts and architectural historians, and correspondence. It also contains manuscripts, drafts and dummies for publication, as well as correspondence, financial documents related to publishing, and press clippings on Pierre du Prey and his book.
The Villas of Pliny : from antiquity to posterity, 1988-1994
Actions:
AP133.S1
Description:
This series documents the research, writing, publishing and promotion of Pierre du Prey's "The Villas of Pliny: from antiquity to posterity." The focus of the book is Pliny the Younger’s continuous influence on the work of architects. The book was published in 1994 by The University of Chicago Press. Du Prey undertook this research and writing project after curating the Canadian Centre for Architecture's exhibition "The Villas of Pliny and Classical Architecture in Montréal" presented at the Musée des Beaux-arts de Montréal in 1983. In the exhibition, du Prey notes the influence of Pliny's work on Montréal architecture, including his influence on the work of architect Ernest Cormier. This theme of the exhibtion later became a chapter of his book. The series contains research material, such as notes by Pierre du Prey, sound recordings of interviews with experts and architectural historians, and correspondence. It also contains manuscripts, drafts and dummies for publication, as well as correspondence, financial documents related to publishing, and press clippings on Pierre du Prey and his book.
Level of archival description:
Series
Series
Date:
1983-2002
1983-2002
People:
Form:
photographs
photographs
Actions:
Reference number:
AP140.S2.SS1.D21.P4.16
Description:
Photographer and subjects identified by Stirling expert Marc Crinson 2012/07
AP140.S2.SS1.D21.P4.16
Description:
Photographer and subjects identified by Stirling expert Marc Crinson 2012/07
People:
Date:
5 October 1962
5 October 1962
Title:
View of the Assembly Hall, Brunswick Park Primary School, London, England with James Gowan's daughters
Actions:
AP140.S2.SS1.D21.P4.16
Description:
Photographer and subjects identified by Stirling expert Marc Crinson 2012/07
View of the Assembly Hall, Brunswick Park Primary School, London, England with James Gowan's daughters
Actions:
AP140.S2.SS1.D21.P4.16
Description:
Photographer and subjects identified by Stirling expert Marc Crinson 2012/07
Form:
photographs
photographs
Date:
5 October 1962
5 October 1962
People:
Level of archival description:
Project
Project
Reference number:
AP148.S1.1996.PR01
Description:
Project series comprises preparatory studies and competition drawings for a redevelopment project in the historical centre of Pontassieve, outside Florence, Italy, and particularly the area around its piazza Vittorio Emanuele. Material in this project series is dated 1996. Alessandro Poli was the project group leader, and collaborated with architect Giannantonio Vannetti, landscape architects Mariella Sgaravatti and Elena Morici, artist Hidetoshi Nagasawa, artistic heritage expert Guiliano Gori, and art historian and critic Lara Vinca Masini. It is unclear whether the project was successful. The studies and project drawings emphasize the teardrop shape of the piazza. Project materials feature sketches and painted studies, including two with cotton materials, as well as presentation drawings and collages, including a large photograph of the site.
AP148.S1.1996.PR01
Description:
Project series comprises preparatory studies and competition drawings for a redevelopment project in the historical centre of Pontassieve, outside Florence, Italy, and particularly the area around its piazza Vittorio Emanuele. Material in this project series is dated 1996. Alessandro Poli was the project group leader, and collaborated with architect Giannantonio Vannetti, landscape architects Mariella Sgaravatti and Elena Morici, artist Hidetoshi Nagasawa, artistic heritage expert Guiliano Gori, and art historian and critic Lara Vinca Masini. It is unclear whether the project was successful. The studies and project drawings emphasize the teardrop shape of the piazza. Project materials feature sketches and painted studies, including two with cotton materials, as well as presentation drawings and collages, including a large photograph of the site.
People:
Date:
1996
1996
Title:
Ideas competition, Riqualificazione centro Storico di Pontassieve [Redevelopment of the historical center of Pontassieve], Florence, Italy (1996)
Actions:
AP148.S1.1996.PR01
Description:
Project series comprises preparatory studies and competition drawings for a redevelopment project in the historical centre of Pontassieve, outside Florence, Italy, and particularly the area around its piazza Vittorio Emanuele. Material in this project series is dated 1996. Alessandro Poli was the project group leader, and collaborated with architect Giannantonio Vannetti, landscape architects Mariella Sgaravatti and Elena Morici, artist Hidetoshi Nagasawa, artistic heritage expert Guiliano Gori, and art historian and critic Lara Vinca Masini. It is unclear whether the project was successful. The studies and project drawings emphasize the teardrop shape of the piazza. Project materials feature sketches and painted studies, including two with cotton materials, as well as presentation drawings and collages, including a large photograph of the site.
Ideas competition, Riqualificazione centro Storico di Pontassieve [Redevelopment of the historical center of Pontassieve], Florence, Italy (1996)
Actions:
AP148.S1.1996.PR01
Description:
Project series comprises preparatory studies and competition drawings for a redevelopment project in the historical centre of Pontassieve, outside Florence, Italy, and particularly the area around its piazza Vittorio Emanuele. Material in this project series is dated 1996. Alessandro Poli was the project group leader, and collaborated with architect Giannantonio Vannetti, landscape architects Mariella Sgaravatti and Elena Morici, artist Hidetoshi Nagasawa, artistic heritage expert Guiliano Gori, and art historian and critic Lara Vinca Masini. It is unclear whether the project was successful. The studies and project drawings emphasize the teardrop shape of the piazza. Project materials feature sketches and painted studies, including two with cotton materials, as well as presentation drawings and collages, including a large photograph of the site.
Level of archival description:
Project
Project
Date:
1996
1996
People:
Form:
articles
articles
Actions:
Text by Tom Avermaete
Issue:
Journeys and translation
Journeys and translation
Keyword(s):
Ford Foundation, Douglas Ensminger, Casablanca Chandigarh: A Report on Modernization, How architects, experts, politicians, international agencies and citizens negotiate modern planning: Casablanca Chandigarh
Ford Foundation, Douglas Ensminger, Casablanca Chandigarh: A Report on Modernization, How architects, experts, politicians, international agencies and citizens negotiate modern planning: Casablanca Chandigarh
Published:
20 February 2016
20 February 2016
Issue:
Journeys and translation
Journeys and translation
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP074
Synopsis:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
AP074
Synopsis:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
People:
Date:
[ca. 1947], 1995, 1997
[ca. 1947], 1995, 1997
Title:
Catherine Chard Wisnicki fonds
Actions:
AP074
Synopsis:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Catherine Chard Wisnicki fonds
Actions:
AP074
Synopsis:
The Catherine Chard Wisnicki fonds contains photographs dating from about 1947, of a house project in West Vancouver which Chard Wisnicki, the first female graduate of the McGill School of Architecture, was assistant architect. The fonds also contains a videocassette recording of an interview with Chard Wisnicki from 1995, and one textual document from 1997.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
[ca. 1947], 1995, 1997
[ca. 1947], 1995, 1997
People:
Form:
events
events
Actions:
Description:
On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
Date:
27 November 2013
27 November 2013
Title:
In conversation: Yto Barrada & Takashi Homma
Actions:
Description:
On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
In conversation: Yto Barrada & Takashi Homma
Actions:
Description:
On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
Form:
events
events
Date:
27 November 2013
27 November 2013
Form:
events
events
Title:
Learning from... Nairobi
Learning from... Nairobi
Actions:
Description:
Italian documentary and architecture photographer Filippo Romano presents his ongoing study of Nairobi’s exploding slums. The city is represented through the many portraits of residents, workers and communities he captured, giving evidence of the built environment that shapes local urban cultures. The Learning From… series takes its title from Learning From Las Vegas(...)
Italian documentary and architecture photographer Filippo Romano presents his ongoing study of Nairobi’s exploding slums. The city is represented through the many portraits of residents, workers and communities he captured, giving evidence of the built environment that shapes local urban cultures. The Learning From… series takes its title from Learning From Las Vegas(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
9 October 2014 , 6pm
9 October 2014 , 6pm
Title:
Learning from... Nairobi
Actions:
Description:
Italian documentary and architecture photographer Filippo Romano presents his ongoing study of Nairobi’s exploding slums. The city is represented through the many portraits of residents, workers and communities he captured, giving evidence of the built environment that shapes local urban cultures. The Learning From… series takes its title from Learning From Las Vegas(...)
Learning from... Nairobi
Actions:
Description:
Italian documentary and architecture photographer Filippo Romano presents his ongoing study of Nairobi’s exploding slums. The city is represented through the many portraits of residents, workers and communities he captured, giving evidence of the built environment that shapes local urban cultures. The Learning From… series takes its title from Learning From Las Vegas(...)
Form:
events
events
Date:
9 October 2014
6pm
9 October 2014
6pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
