2956 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Paul-Philippe Cret fonds
Paul-Philippe Cret fonds
Actions:
Reference number:
AP031
Synopsis:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
AP031
Synopsis:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
People:
Date:
circa 1907-1950
circa 1907-1950
Title:
Paul-Philippe Cret fonds
Actions:
AP031
Synopsis:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
Paul-Philippe Cret fonds
Actions:
AP031
Synopsis:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1907-1950
circa 1907-1950
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
John Hejduk fonds
John Hejduk fonds
Reference number:
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
People:
Date:
1947-2000, predominant 1947-1996
1947-2000, predominant 1947-1996
Title:
John Hejduk fonds
Actions:
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
John Hejduk fonds
Actions:
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1947-2000, predominant 1947-1996
1947-2000, predominant 1947-1996
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
People:
Date:
1998-2002
1998-2002
Title:
Peter Yeadon Prix de Rome project records
Actions:
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
Peter Yeadon Prix de Rome project records
Actions:
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1998-2002
1998-2002
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Hazen Sise fonds
Hazen Sise fonds
Reference number:
AP112
Synopsis:
The Hazen Sise fonds contains negatives, drawings, and other documents dating from 1933 to 1959. The negatives, taken in the early 1930s, mostly depict participants of the conferences CIAM IV and CIRPAC, including Le Corbusier, László Moholy-Nagy, Alvar Aalto and Fernand Léger. The drawings document the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Le fonds Hazen Sise est composé de négatifs, dessins, et autres documents datés entre 1933 et 1959. Les négatifs, pris au début des années 30s, présentent des participants des congres IVe CIAM et CIRPAC, incluant Le Corbusier, László Moholy-Nagy, Alvar Aalto et Fernand Léger. Les dessins documentent la conception du pavillon du Lac aux Castors, construit pour la Ville de Montréal entre 1955 et 1959 dans le cadre du réaménagement du Parc du Mont-Royal.
AP112
Synopsis:
The Hazen Sise fonds contains negatives, drawings, and other documents dating from 1933 to 1959. The negatives, taken in the early 1930s, mostly depict participants of the conferences CIAM IV and CIRPAC, including Le Corbusier, László Moholy-Nagy, Alvar Aalto and Fernand Léger. The drawings document the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Le fonds Hazen Sise est composé de négatifs, dessins, et autres documents datés entre 1933 et 1959. Les négatifs, pris au début des années 30s, présentent des participants des congres IVe CIAM et CIRPAC, incluant Le Corbusier, László Moholy-Nagy, Alvar Aalto et Fernand Léger. Les dessins documentent la conception du pavillon du Lac aux Castors, construit pour la Ville de Montréal entre 1955 et 1959 dans le cadre du réaménagement du Parc du Mont-Royal.
People:
Date:
1933-1959
1933-1959
Title:
Hazen Sise fonds
Actions:
AP112
Synopsis:
The Hazen Sise fonds contains negatives, drawings, and other documents dating from 1933 to 1959. The negatives, taken in the early 1930s, mostly depict participants of the conferences CIAM IV and CIRPAC, including Le Corbusier, László Moholy-Nagy, Alvar Aalto and Fernand Léger. The drawings document the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Le fonds Hazen Sise est composé de négatifs, dessins, et autres documents datés entre 1933 et 1959. Les négatifs, pris au début des années 30s, présentent des participants des congres IVe CIAM et CIRPAC, incluant Le Corbusier, László Moholy-Nagy, Alvar Aalto et Fernand Léger. Les dessins documentent la conception du pavillon du Lac aux Castors, construit pour la Ville de Montréal entre 1955 et 1959 dans le cadre du réaménagement du Parc du Mont-Royal.
Hazen Sise fonds
Actions:
AP112
Synopsis:
The Hazen Sise fonds contains negatives, drawings, and other documents dating from 1933 to 1959. The negatives, taken in the early 1930s, mostly depict participants of the conferences CIAM IV and CIRPAC, including Le Corbusier, László Moholy-Nagy, Alvar Aalto and Fernand Léger. The drawings document the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Le fonds Hazen Sise est composé de négatifs, dessins, et autres documents datés entre 1933 et 1959. Les négatifs, pris au début des années 30s, présentent des participants des congres IVe CIAM et CIRPAC, incluant Le Corbusier, László Moholy-Nagy, Alvar Aalto et Fernand Léger. Les dessins documentent la conception du pavillon du Lac aux Castors, construit pour la Ville de Montréal entre 1955 et 1959 dans le cadre du réaménagement du Parc du Mont-Royal.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1933-1959
1933-1959
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Aldo Rossi fonds
Aldo Rossi fonds
Reference number:
AP142
Synopsis:
The Aldo Rossi fonds documents the professional practice of architect Aldo Rossi and that of his firm, Studio di Architettura (SDA). Drawings of nearly every project by Rossi and SDA are present, with significant Italian, German and Japanese projects particularly well represented. The fonds also includes material relating to exhibitions and some material on publications that feature the work of Rossi and his firm. Material in this fonds was produced between 1953 and 1997.
AP142
Synopsis:
The Aldo Rossi fonds documents the professional practice of architect Aldo Rossi and that of his firm, Studio di Architettura (SDA). Drawings of nearly every project by Rossi and SDA are present, with significant Italian, German and Japanese projects particularly well represented. The fonds also includes material relating to exhibitions and some material on publications that feature the work of Rossi and his firm. Material in this fonds was produced between 1953 and 1997.
People:
Date:
1953-1997, predominant 1962-1997
1953-1997, predominant 1962-1997
Title:
Aldo Rossi fonds
Actions:
AP142
Synopsis:
The Aldo Rossi fonds documents the professional practice of architect Aldo Rossi and that of his firm, Studio di Architettura (SDA). Drawings of nearly every project by Rossi and SDA are present, with significant Italian, German and Japanese projects particularly well represented. The fonds also includes material relating to exhibitions and some material on publications that feature the work of Rossi and his firm. Material in this fonds was produced between 1953 and 1997.
Aldo Rossi fonds
Actions:
AP142
Synopsis:
The Aldo Rossi fonds documents the professional practice of architect Aldo Rossi and that of his firm, Studio di Architettura (SDA). Drawings of nearly every project by Rossi and SDA are present, with significant Italian, German and Japanese projects particularly well represented. The fonds also includes material relating to exhibitions and some material on publications that feature the work of Rossi and his firm. Material in this fonds was produced between 1953 and 1997.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1953-1997, predominant 1962-1997
1953-1997, predominant 1962-1997
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2002.D12
Description:
The project series documents Abalos & Herreros’ assesment for the potential redevelopment of Catalonia. The firm identified this project as number 156. The firm was one of a few chosen consultants invited by the government of Catalonia and the Instituto de Arquitectura Avanzada de Cataluña (IAAC). Some of the other invited consultants included MVRDV, Duncan Lewis, FOA, NL Architects, West 8, UNStudio, IAN+, S&Aa, Xaveer de Geyter. Documenting the project are dummies, presentation documents, publications, and cartographic and reference materials.
AP164.S1.2002.D12
Description:
The project series documents Abalos & Herreros’ assesment for the potential redevelopment of Catalonia. The firm identified this project as number 156. The firm was one of a few chosen consultants invited by the government of Catalonia and the Instituto de Arquitectura Avanzada de Cataluña (IAAC). Some of the other invited consultants included MVRDV, Duncan Lewis, FOA, NL Architects, West 8, UNStudio, IAN+, S&Aa, Xaveer de Geyter. Documenting the project are dummies, presentation documents, publications, and cartographic and reference materials.
People:
Date:
1990-2003
1990-2003
Title:
HiperCatalunya, Catalonia, Spain (2002)
Actions:
AP164.S1.2002.D12
Description:
The project series documents Abalos & Herreros’ assesment for the potential redevelopment of Catalonia. The firm identified this project as number 156. The firm was one of a few chosen consultants invited by the government of Catalonia and the Instituto de Arquitectura Avanzada de Cataluña (IAAC). Some of the other invited consultants included MVRDV, Duncan Lewis, FOA, NL Architects, West 8, UNStudio, IAN+, S&Aa, Xaveer de Geyter. Documenting the project are dummies, presentation documents, publications, and cartographic and reference materials.
HiperCatalunya, Catalonia, Spain (2002)
Actions:
AP164.S1.2002.D12
Description:
The project series documents Abalos & Herreros’ assesment for the potential redevelopment of Catalonia. The firm identified this project as number 156. The firm was one of a few chosen consultants invited by the government of Catalonia and the Instituto de Arquitectura Avanzada de Cataluña (IAAC). Some of the other invited consultants included MVRDV, Duncan Lewis, FOA, NL Architects, West 8, UNStudio, IAN+, S&Aa, Xaveer de Geyter. Documenting the project are dummies, presentation documents, publications, and cartographic and reference materials.
Level of archival description:
Project
Project
Date:
1990-2003
1990-2003
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.1986.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Dr. Norman Keevil Residence (also known as The Hollies), located on Crescent street, at the corner of Hudson Street, in Vancouver, British Columbia. Oberlander worked on this project from 1984-1989 with architect Arthur Erickson. While Erickson was in charge of additions and restorations to classical revival house built in 1914, Oberlander was responsable of the restoration of the historic garden. The project also included the addition of a tennis court, and planters along the house. The project series also documents addition made to the residence in 2003 by Nick Milkovich Architect and Arthur Erickson as design consultant. Oberlander also worked on new planing for this project. The additions included a new roof deck for the music room and a new covered patio behing the music room. Oberlander landscape work consisted in addition new planting in the area surronding the music room. The project series contains photographs of the garden, specifications, correspondence with clients and consultants, some notes by Oberlander, press articles on the project and proposal for the building restoration by Arthur Erickson architects. The project series also comprises sketches, design development drawings, such as planting plans, and working drawings, including planting plans, irrigation plans and landscape plans. The project series also includes photographs of the other residence of the Keevils on Drummond Street, Vancouver, for which Oberlander also did the landscaping. Documents related to the 2003 additions includes planting sketches and design development drawings, including planting plans, site plans, and elevations of the residence showing the landscape work.
AP075.S1.1986.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Dr. Norman Keevil Residence (also known as The Hollies), located on Crescent street, at the corner of Hudson Street, in Vancouver, British Columbia. Oberlander worked on this project from 1984-1989 with architect Arthur Erickson. While Erickson was in charge of additions and restorations to classical revival house built in 1914, Oberlander was responsable of the restoration of the historic garden. The project also included the addition of a tennis court, and planters along the house. The project series also documents addition made to the residence in 2003 by Nick Milkovich Architect and Arthur Erickson as design consultant. Oberlander also worked on new planing for this project. The additions included a new roof deck for the music room and a new covered patio behing the music room. Oberlander landscape work consisted in addition new planting in the area surronding the music room. The project series contains photographs of the garden, specifications, correspondence with clients and consultants, some notes by Oberlander, press articles on the project and proposal for the building restoration by Arthur Erickson architects. The project series also comprises sketches, design development drawings, such as planting plans, and working drawings, including planting plans, irrigation plans and landscape plans. The project series also includes photographs of the other residence of the Keevils on Drummond Street, Vancouver, for which Oberlander also did the landscaping. Documents related to the 2003 additions includes planting sketches and design development drawings, including planting plans, site plans, and elevations of the residence showing the landscape work.
People:
Date:
1989-2003
1989-2003
Title:
Dr. Norman Keevil Residence, Vancouver, British Columbia (1986-1989)
Actions:
AP075.S1.1986.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Dr. Norman Keevil Residence (also known as The Hollies), located on Crescent street, at the corner of Hudson Street, in Vancouver, British Columbia. Oberlander worked on this project from 1984-1989 with architect Arthur Erickson. While Erickson was in charge of additions and restorations to classical revival house built in 1914, Oberlander was responsable of the restoration of the historic garden. The project also included the addition of a tennis court, and planters along the house. The project series also documents addition made to the residence in 2003 by Nick Milkovich Architect and Arthur Erickson as design consultant. Oberlander also worked on new planing for this project. The additions included a new roof deck for the music room and a new covered patio behing the music room. Oberlander landscape work consisted in addition new planting in the area surronding the music room. The project series contains photographs of the garden, specifications, correspondence with clients and consultants, some notes by Oberlander, press articles on the project and proposal for the building restoration by Arthur Erickson architects. The project series also comprises sketches, design development drawings, such as planting plans, and working drawings, including planting plans, irrigation plans and landscape plans. The project series also includes photographs of the other residence of the Keevils on Drummond Street, Vancouver, for which Oberlander also did the landscaping. Documents related to the 2003 additions includes planting sketches and design development drawings, including planting plans, site plans, and elevations of the residence showing the landscape work.
Dr. Norman Keevil Residence, Vancouver, British Columbia (1986-1989)
Actions:
AP075.S1.1986.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Dr. Norman Keevil Residence (also known as The Hollies), located on Crescent street, at the corner of Hudson Street, in Vancouver, British Columbia. Oberlander worked on this project from 1984-1989 with architect Arthur Erickson. While Erickson was in charge of additions and restorations to classical revival house built in 1914, Oberlander was responsable of the restoration of the historic garden. The project also included the addition of a tennis court, and planters along the house. The project series also documents addition made to the residence in 2003 by Nick Milkovich Architect and Arthur Erickson as design consultant. Oberlander also worked on new planing for this project. The additions included a new roof deck for the music room and a new covered patio behing the music room. Oberlander landscape work consisted in addition new planting in the area surronding the music room. The project series contains photographs of the garden, specifications, correspondence with clients and consultants, some notes by Oberlander, press articles on the project and proposal for the building restoration by Arthur Erickson architects. The project series also comprises sketches, design development drawings, such as planting plans, and working drawings, including planting plans, irrigation plans and landscape plans. The project series also includes photographs of the other residence of the Keevils on Drummond Street, Vancouver, for which Oberlander also did the landscaping. Documents related to the 2003 additions includes planting sketches and design development drawings, including planting plans, site plans, and elevations of the residence showing the landscape work.
Level of archival description:
Project
Project
Date:
1989-2003
1989-2003
People:
Form:
textual records
textual records
Reference number:
AP197.S3.014
Description:
This box is comprised of invitations, greeting cards, Christmas and New Year's cards, and ephemera from various architects, architecture firms, universities and other associations such as: Steven Holl; Richard Murphy, Architects; Harry Seidler & Associates; Dan Hanganu ; Illi Kunz Associates; Renzo Piano; the School of Architecture, Nanjing University; Grafton Architects; and more.
AP197.S3.014
Description:
This box is comprised of invitations, greeting cards, Christmas and New Year's cards, and ephemera from various architects, architecture firms, universities and other associations such as: Steven Holl; Richard Murphy, Architects; Harry Seidler & Associates; Dan Hanganu ; Illi Kunz Associates; Renzo Piano; the School of Architecture, Nanjing University; Grafton Architects; and more.
People:
Date:
circa 1966-2015
circa 1966-2015
Title:
Invitations, greeting cards, and ephemera
Actions:
AP197.S3.014
Description:
This box is comprised of invitations, greeting cards, Christmas and New Year's cards, and ephemera from various architects, architecture firms, universities and other associations such as: Steven Holl; Richard Murphy, Architects; Harry Seidler & Associates; Dan Hanganu ; Illi Kunz Associates; Renzo Piano; the School of Architecture, Nanjing University; Grafton Architects; and more.
Invitations, greeting cards, and ephemera
Actions:
AP197.S3.014
Description:
This box is comprised of invitations, greeting cards, Christmas and New Year's cards, and ephemera from various architects, architecture firms, universities and other associations such as: Steven Holl; Richard Murphy, Architects; Harry Seidler & Associates; Dan Hanganu ; Illi Kunz Associates; Renzo Piano; the School of Architecture, Nanjing University; Grafton Architects; and more.
Form:
textual records
textual records
Date:
circa 1966-2015
circa 1966-2015
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Pierre Dionne fonds
Pierre Dionne fonds
Actions:
Reference number:
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
People:
Date:
1948-1976
1948-1976
Title:
Pierre Dionne fonds
Actions:
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
Pierre Dionne fonds
Actions:
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1948-1976
1948-1976
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
People:
Date:
1986-1992
1986-1992
Title:
Art Gallery of Ontario, Phase 3, Toronto (1988-1993)
Actions:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Art Gallery of Ontario, Phase 3, Toronto (1988-1993)
Actions:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Level of archival description:
Project
Project
Date:
1986-1992
1986-1992
People:
