textual records
DR2004:1430
Description:
binders and files including Delft Conference (1970) notes by JS, talk by CP; 'IVA Conference/Austria / 1970'; 'Architecture Workshop / Periphery / At the 'Haus der Architektur' 2 classes : Domenig, Zumthor (1989), Austria, inc. transparencies of exh, Graz, slides, photos; envelope 'CP writings' some postcards, offprints, exh cats; reprographic copies of photographs of CP and other individuals 'Duckland /Hamburg 3/4 day charette'; 'Photos by Cossack/city architect of Hamburg';
1970-1989
Binders and files including Delft Conference (1970) notes by JS
Actions:
DR2004:1430
Description:
binders and files including Delft Conference (1970) notes by JS, talk by CP; 'IVA Conference/Austria / 1970'; 'Architecture Workshop / Periphery / At the 'Haus der Architektur' 2 classes : Domenig, Zumthor (1989), Austria, inc. transparencies of exh, Graz, slides, photos; envelope 'CP writings' some postcards, offprints, exh cats; reprographic copies of photographs of CP and other individuals 'Duckland /Hamburg 3/4 day charette'; 'Photos by Cossack/city architect of Hamburg';
textual records
1970-1989
photographs
ARCH274001
Description:
File contains photographs of completed projects, including Keevil Beach House, Graham House, Waterfall Building, Fresno City Hall and other photographs labeled, "Various"; slides of the Montiverdi Estates and Simon Fraser University. This photographic documentation was kept at the offices of Nick Milkovich Architects, Vancouver, British Columbia.
ca. 2000
Photographs of various completed projects
Actions:
ARCH274001
Description:
File contains photographs of completed projects, including Keevil Beach House, Graham House, Waterfall Building, Fresno City Hall and other photographs labeled, "Various"; slides of the Montiverdi Estates and Simon Fraser University. This photographic documentation was kept at the offices of Nick Milkovich Architects, Vancouver, British Columbia.
photographs
ca. 2000
archives
Level of archival description:
Fonds
Alessandro Poli fonds
AP148
Synopsis:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
1963-1996
Alessandro Poli fonds
Actions:
AP148
Synopsis:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
archives
Level of archival description:
Fonds
1963-1996
archives
Level of archival description:
Fonds
AP168
Synopsis:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
1994-2004
Neil Denari Interrupted Projections project records
Actions:
AP168
Synopsis:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
archives
Level of archival description:
Fonds
1994-2004
drawings, textual records
DR1988:0022:001-010
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. This group includes theoretical texts and illustrations from Die gläserne Kette, as well as other correspondence. Most of the works are mimeographs.
1919-1920
Material from Hermann Finsterlin mostly for Die gläserne Kette
Actions:
DR1988:0022:001-010
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. This group includes theoretical texts and illustrations from Die gläserne Kette, as well as other correspondence. Most of the works are mimeographs.
drawings, textual records
1919-1920
archives
Level of archival description:
Fonds
Cedric Price fonds
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
1903-2006, predominant 1953-2000
Cedric Price fonds
Actions:
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
archives
Level of archival description:
Fonds
1903-2006, predominant 1953-2000
Project
Toronto International Airport, Terminal Two Parking Structures, Mississauga, Ontario (1974-1975)
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
1974-1975
Toronto International Airport, Terminal Two Parking Structures, Mississauga, Ontario (1974-1975)
Actions:
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
Project
1974-1975
Series
Architectural projects
AP206.S1
Description:
The Architectural projects series, 1957-2007, records 82 architectural projects of Aditya Prakash throughout his career as an architect in Chandigarh, India. Most of these projects were completed with his daughter, Chetna Prakash, through his private practice, Arcon Architects, from 1982-2007. These projects include private residences, housing complexes, university campuses, schools, factories, theatres, sport and yoga centres, offices and furniture, among others. The projects include built work, competition entries and proposals, though it is not always clear which projects were realized. While many projects were located in Chandigarh, the series documents projects across northern India, particularly in Jammu and Kashmir, Punjab, Haryana, Himachal Pradesh and Uttar Pradesh. The projects in this series were identified based on their unique locations and dates. Some projects, located at the same site, consisted of multiple buildings and were designed and/or constructed over long periods of time. The materials for projects like this are described together in one project series, instead of being separated out by building or time period. These projects are recorded largely through original drawings, which include sketches, plans, elevations, sections, perspectives, details, axonometric views and working drawings. However, materials for each project are sparse, often consisting of only 1-10 drawings. Textual records and photographs are also included in the materials for a few projects. The photographs show completed work, while the textual records primarily consist of client correspondence.
1957-2007
Architectural projects
Actions:
AP206.S1
Description:
The Architectural projects series, 1957-2007, records 82 architectural projects of Aditya Prakash throughout his career as an architect in Chandigarh, India. Most of these projects were completed with his daughter, Chetna Prakash, through his private practice, Arcon Architects, from 1982-2007. These projects include private residences, housing complexes, university campuses, schools, factories, theatres, sport and yoga centres, offices and furniture, among others. The projects include built work, competition entries and proposals, though it is not always clear which projects were realized. While many projects were located in Chandigarh, the series documents projects across northern India, particularly in Jammu and Kashmir, Punjab, Haryana, Himachal Pradesh and Uttar Pradesh. The projects in this series were identified based on their unique locations and dates. Some projects, located at the same site, consisted of multiple buildings and were designed and/or constructed over long periods of time. The materials for projects like this are described together in one project series, instead of being separated out by building or time period. These projects are recorded largely through original drawings, which include sketches, plans, elevations, sections, perspectives, details, axonometric views and working drawings. However, materials for each project are sparse, often consisting of only 1-10 drawings. Textual records and photographs are also included in the materials for a few projects. The photographs show completed work, while the textual records primarily consist of client correspondence.
Series
1957-2007
archives
Level of archival description:
Fonds
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
1936-2021
Cornelia Hahn Oberlander fonds
Actions:
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
archives
Level of archival description:
Fonds
1936-2021
Project
AP018.S1.1976.PR23
Description:
This project series documents the design of the new National Gallery of Canada for a limited architectural competition in Ottawa, Ontario in 1976. The office identified the project number as 7630. This project consisted of designing a new gallery to house Canada's most prized artworks and artefacts in a competition run by Public Works Canada on behalf of National Museums of Canada. The building site was down the street from Canada's parliament buildings, with views of the Ottawa River and across to Quebec. The design submitted by Parkin Architects Planners was highly modular, with cubes turned on an angle making up the majority of the building. The six-storey building design had three floors of galleries, while other levels were to be used for staff, services, and storage. A panel of international architects and representatives anonymously chose Parkin's design as the winner of the competition in early 1977. However, after cited lack of funds, and controversies over the chosen site and the way in which the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The dispute over this decision is recorded in materials from this project series and related project series. Eventually, Parkin did participate in the construction of the National Gallery's final design, but as the minor partner in a joint venture with Moshe Safdie (see materials in project series AP018.S1.1983.PR02 in this fonds for more information). The project is recorded through drawings, including presentation boards, photographs, and textual records dating from 1974-1985. The drawings are a mix of original design drawings and site drawings. The site drawings were prepared for the competitors by Public Works Canada and the National Capital Commission. The drawings prepared by these government agencies are bilingual. The textual records primarily consist of guidelines, specifications, and other information from Public Works Canada to the competitors. The textual documentation also includes financial records and correspondence on the controversy surrounding the competition.
1974-1985
National Gallery of Canada, Limited Architectural Competition, Ottawa, Ontario (1976)
Actions:
AP018.S1.1976.PR23
Description:
This project series documents the design of the new National Gallery of Canada for a limited architectural competition in Ottawa, Ontario in 1976. The office identified the project number as 7630. This project consisted of designing a new gallery to house Canada's most prized artworks and artefacts in a competition run by Public Works Canada on behalf of National Museums of Canada. The building site was down the street from Canada's parliament buildings, with views of the Ottawa River and across to Quebec. The design submitted by Parkin Architects Planners was highly modular, with cubes turned on an angle making up the majority of the building. The six-storey building design had three floors of galleries, while other levels were to be used for staff, services, and storage. A panel of international architects and representatives anonymously chose Parkin's design as the winner of the competition in early 1977. However, after cited lack of funds, and controversies over the chosen site and the way in which the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The dispute over this decision is recorded in materials from this project series and related project series. Eventually, Parkin did participate in the construction of the National Gallery's final design, but as the minor partner in a joint venture with Moshe Safdie (see materials in project series AP018.S1.1983.PR02 in this fonds for more information). The project is recorded through drawings, including presentation boards, photographs, and textual records dating from 1974-1985. The drawings are a mix of original design drawings and site drawings. The site drawings were prepared for the competitors by Public Works Canada and the National Capital Commission. The drawings prepared by these government agencies are bilingual. The textual records primarily consist of guidelines, specifications, and other information from Public Works Canada to the competitors. The textual documentation also includes financial records and correspondence on the controversy surrounding the competition.
Project
1974-1985