10077 Results
Form:
photographs
photographs
Actions:
Reference number:
PH1986:1011:001-008
PH1986:1011:001-008
People:
Subject:
architecture
architecture
Title:
Carton publicitaire de monuments romains, Librairie J. Borely, place et boulevard de la Comédie, Nîmes
Actions:
PH1986:1011:001-008
Carton publicitaire de monuments romains, Librairie J. Borely, place et boulevard de la Comédie, Nîmes
Actions:
PH1986:1011:001-008
Form:
photographs
photographs
People:
Subject:
architecture
architecture
Form:
books
books
Title:
Various views of the archeological buildings and monuments, including two plans, Delhi, India
Various views of the archeological buildings and monuments, including two plans, Delhi, India
Reference number:
PH1983:0094:001-029
PH1983:0094:001-029
People:
Date:
published 1872
published 1872
Title:
Various views of the archeological buildings and monuments, including two plans, Delhi, India
PH1983:0094:001-029
Various views of the archeological buildings and monuments, including two plans, Delhi, India
PH1983:0094:001-029
Form:
books
books
Date:
published 1872
published 1872
People:
Form:
photographs
photographs
Title:
View of sepulchral monuments of the Andreani family attached to church, Corenno Plinio, Italy
View of sepulchral monuments of the Andreani family attached to church, Corenno Plinio, Italy
Actions:
Reference number:
PH1980:1090
PH1980:1090
People:
Date:
ca. 1860
ca. 1860
Title:
View of sepulchral monuments of the Andreani family attached to church, Corenno Plinio, Italy
Actions:
PH1980:1090
View of sepulchral monuments of the Andreani family attached to church, Corenno Plinio, Italy
Actions:
PH1980:1090
Form:
photographs
photographs
Date:
ca. 1860
ca. 1860
People:
Form:
articles
articles
Actions:
Yakin Kinger explores the politics of commemoration
Title:
Safeguarding Memory in Colonial India
Yakin Kinger explores the politics of commemoration
Actions:
Safeguarding Memory in Colonial India
Yakin Kinger explores the politics of commemoration
Actions:
Issue:
Keep Safe
Keep Safe
Form:
drawings, textual records, works of art
drawings, textual records, works of art
Reference number:
DR1974:0002:010:001-048
Description:
- This album contains original designs - mostly preliminary drawings - by Charles and possibly Hubert Rohault de Fleury for theatres and miscellaneous projects, record drawings and prints of French, and perhaps Italian, theatres, and prints for a diverse collection of other French subjects. Drawings and prints for theatres include: traced plans, perhaps of Italian theatres; preliminary plans for theatres designed by Charles Rohault de Fleury; a plan of Théâtre de variétés, Paris, signed by the architect, Jacques Cellérier; prints of Théâtre de l'Odéon, Paris, designed by Charles de Wailly and Marie-Joseph Peyre; a print of Théâtre de la Porte Saint-Martin, Paris, designed by Nicolas Lenoir; a proposal for an opera house, Paris, by Hector Horeau with a plan and perspective; and an engraving of the inscription for the first stone of the Grand-Théâtre, Lyon, designed by Antoine-Marie Chenavard and Jean Pollet. The remaining prints in the album date from the 18th and 19th centuries and include: a competition entry by Louis-Pierre Baltard for a monument at Bordeaux dedicated to the triumphs of the Republican army and to peace; a stable for the Czarina commissioned by Peter I and designed by François Bruant; decorations by Victor Louis for the "fêtes de paix" of 1763 and the inauguration of an equestrian statue of Louis XV for the Théâtre italien dedicated to the Marquis de Marigny; a funerary temple by Louis-Jean Desprez dedicated to Voltaire; a stable with two manèges by Jean François de Neufforge; a competition entry for an obelisk for Pont-Neuf, Paris, by Thomas Pierre Baraguay; a plan and two engravings of the Cirque for the Confédération générale, 14 July 1790, on the Champ-de-Mars; an advertising flyer for Louis Ambroise Dubut's book, "Architecture civile: maison de ville et de campagne"; and a prospectus and print of the Néothermes, rue de la Victoire, Paris, designed by Jean Charles Bringol. Three design drawings are for two projects by Charles Rohault de Fleury - an iron arcade for boulevard du Temple, Paris, and a bathroom or public bath (DR1974:0002:010:013, DR1974:0002:010:014 and DR1974:0002:010:044). A finished drawing for entrance gates (DR1974:0002:010:047) and unidentified sketches and notes (DR1974:0002:010:019 - DR1974:0002:010:022) are by either Hubert or Charles Rohault de Fleury.
DR1974:0002:010:001-048
Description:
- This album contains original designs - mostly preliminary drawings - by Charles and possibly Hubert Rohault de Fleury for theatres and miscellaneous projects, record drawings and prints of French, and perhaps Italian, theatres, and prints for a diverse collection of other French subjects. Drawings and prints for theatres include: traced plans, perhaps of Italian theatres; preliminary plans for theatres designed by Charles Rohault de Fleury; a plan of Théâtre de variétés, Paris, signed by the architect, Jacques Cellérier; prints of Théâtre de l'Odéon, Paris, designed by Charles de Wailly and Marie-Joseph Peyre; a print of Théâtre de la Porte Saint-Martin, Paris, designed by Nicolas Lenoir; a proposal for an opera house, Paris, by Hector Horeau with a plan and perspective; and an engraving of the inscription for the first stone of the Grand-Théâtre, Lyon, designed by Antoine-Marie Chenavard and Jean Pollet. The remaining prints in the album date from the 18th and 19th centuries and include: a competition entry by Louis-Pierre Baltard for a monument at Bordeaux dedicated to the triumphs of the Republican army and to peace; a stable for the Czarina commissioned by Peter I and designed by François Bruant; decorations by Victor Louis for the "fêtes de paix" of 1763 and the inauguration of an equestrian statue of Louis XV for the Théâtre italien dedicated to the Marquis de Marigny; a funerary temple by Louis-Jean Desprez dedicated to Voltaire; a stable with two manèges by Jean François de Neufforge; a competition entry for an obelisk for Pont-Neuf, Paris, by Thomas Pierre Baraguay; a plan and two engravings of the Cirque for the Confédération générale, 14 July 1790, on the Champ-de-Mars; an advertising flyer for Louis Ambroise Dubut's book, "Architecture civile: maison de ville et de campagne"; and a prospectus and print of the Néothermes, rue de la Victoire, Paris, designed by Jean Charles Bringol. Three design drawings are for two projects by Charles Rohault de Fleury - an iron arcade for boulevard du Temple, Paris, and a bathroom or public bath (DR1974:0002:010:013, DR1974:0002:010:014 and DR1974:0002:010:044). A finished drawing for entrance gates (DR1974:0002:010:047) and unidentified sketches and notes (DR1974:0002:010:019 - DR1974:0002:010:022) are by either Hubert or Charles Rohault de Fleury.
People:
Subject:
architecture, temporary architecture, interior design, military, urban planning
architecture, temporary architecture, interior design, military, urban planning
Date:
drawings executed ca. 1790-1868, manuscripts 1802-1868, printed 1717-1868
drawings executed ca. 1790-1868, manuscripts 1802-1868, printed 1717-1868
Title:
Album of drawings, prints, and manuscripts of theatres and of French projects for buildings, monuments and temporary structures, and drawings and prints by Hubert and Charles Rohault de Fleury for theatres and miscellaneous projects
DR1974:0002:010:001-048
Description:
- This album contains original designs - mostly preliminary drawings - by Charles and possibly Hubert Rohault de Fleury for theatres and miscellaneous projects, record drawings and prints of French, and perhaps Italian, theatres, and prints for a diverse collection of other French subjects. Drawings and prints for theatres include: traced plans, perhaps of Italian theatres; preliminary plans for theatres designed by Charles Rohault de Fleury; a plan of Théâtre de variétés, Paris, signed by the architect, Jacques Cellérier; prints of Théâtre de l'Odéon, Paris, designed by Charles de Wailly and Marie-Joseph Peyre; a print of Théâtre de la Porte Saint-Martin, Paris, designed by Nicolas Lenoir; a proposal for an opera house, Paris, by Hector Horeau with a plan and perspective; and an engraving of the inscription for the first stone of the Grand-Théâtre, Lyon, designed by Antoine-Marie Chenavard and Jean Pollet. The remaining prints in the album date from the 18th and 19th centuries and include: a competition entry by Louis-Pierre Baltard for a monument at Bordeaux dedicated to the triumphs of the Republican army and to peace; a stable for the Czarina commissioned by Peter I and designed by François Bruant; decorations by Victor Louis for the "fêtes de paix" of 1763 and the inauguration of an equestrian statue of Louis XV for the Théâtre italien dedicated to the Marquis de Marigny; a funerary temple by Louis-Jean Desprez dedicated to Voltaire; a stable with two manèges by Jean François de Neufforge; a competition entry for an obelisk for Pont-Neuf, Paris, by Thomas Pierre Baraguay; a plan and two engravings of the Cirque for the Confédération générale, 14 July 1790, on the Champ-de-Mars; an advertising flyer for Louis Ambroise Dubut's book, "Architecture civile: maison de ville et de campagne"; and a prospectus and print of the Néothermes, rue de la Victoire, Paris, designed by Jean Charles Bringol. Three design drawings are for two projects by Charles Rohault de Fleury - an iron arcade for boulevard du Temple, Paris, and a bathroom or public bath (DR1974:0002:010:013, DR1974:0002:010:014 and DR1974:0002:010:044). A finished drawing for entrance gates (DR1974:0002:010:047) and unidentified sketches and notes (DR1974:0002:010:019 - DR1974:0002:010:022) are by either Hubert or Charles Rohault de Fleury.
Album of drawings, prints, and manuscripts of theatres and of French projects for buildings, monuments and temporary structures, and drawings and prints by Hubert and Charles Rohault de Fleury for theatres and miscellaneous projects
DR1974:0002:010:001-048
Description:
- This album contains original designs - mostly preliminary drawings - by Charles and possibly Hubert Rohault de Fleury for theatres and miscellaneous projects, record drawings and prints of French, and perhaps Italian, theatres, and prints for a diverse collection of other French subjects. Drawings and prints for theatres include: traced plans, perhaps of Italian theatres; preliminary plans for theatres designed by Charles Rohault de Fleury; a plan of Théâtre de variétés, Paris, signed by the architect, Jacques Cellérier; prints of Théâtre de l'Odéon, Paris, designed by Charles de Wailly and Marie-Joseph Peyre; a print of Théâtre de la Porte Saint-Martin, Paris, designed by Nicolas Lenoir; a proposal for an opera house, Paris, by Hector Horeau with a plan and perspective; and an engraving of the inscription for the first stone of the Grand-Théâtre, Lyon, designed by Antoine-Marie Chenavard and Jean Pollet. The remaining prints in the album date from the 18th and 19th centuries and include: a competition entry by Louis-Pierre Baltard for a monument at Bordeaux dedicated to the triumphs of the Republican army and to peace; a stable for the Czarina commissioned by Peter I and designed by François Bruant; decorations by Victor Louis for the "fêtes de paix" of 1763 and the inauguration of an equestrian statue of Louis XV for the Théâtre italien dedicated to the Marquis de Marigny; a funerary temple by Louis-Jean Desprez dedicated to Voltaire; a stable with two manèges by Jean François de Neufforge; a competition entry for an obelisk for Pont-Neuf, Paris, by Thomas Pierre Baraguay; a plan and two engravings of the Cirque for the Confédération générale, 14 July 1790, on the Champ-de-Mars; an advertising flyer for Louis Ambroise Dubut's book, "Architecture civile: maison de ville et de campagne"; and a prospectus and print of the Néothermes, rue de la Victoire, Paris, designed by Jean Charles Bringol. Three design drawings are for two projects by Charles Rohault de Fleury - an iron arcade for boulevard du Temple, Paris, and a bathroom or public bath (DR1974:0002:010:013, DR1974:0002:010:014 and DR1974:0002:010:044). A finished drawing for entrance gates (DR1974:0002:010:047) and unidentified sketches and notes (DR1974:0002:010:019 - DR1974:0002:010:022) are by either Hubert or Charles Rohault de Fleury.
Form:
drawings, textual records, works of art
drawings, textual records, works of art
Date:
drawings executed ca. 1790-1868, manuscripts 1802-1868, printed 1717-1868
drawings executed ca. 1790-1868, manuscripts 1802-1868, printed 1717-1868
People:
Subject:
architecture, temporary architecture, interior design, military, urban planning
architecture, temporary architecture, interior design, military, urban planning
Form:
photographs
photographs
Reference number:
PH1979:0447.04:001-089
PH1979:0447.04:001-089
People:
Subject:
architecture, engineering, military, sculpture, topographic
architecture, engineering, military, sculpture, topographic
Date:
between 1857 and 1896
between 1857 and 1896
Form:
photographs
photographs
Date:
between 1857 and 1896
between 1857 and 1896
People:
Subject:
architecture, engineering, military, sculpture, topographic
architecture, engineering, military, sculpture, topographic
Form:
articles
articles
Title:
Empire
Empire
Actions:
Issue:
Let us assure you
Let us assure you
Keyword(s):
power, empire, Desert Storm, Victory Day, jet aircraft, bomber, flight, stealth, Lockheed, Boeing, helicopter, Washington DC, Washington Monument, Pentagon, Mall, Lincoln Memorial, grassy knoll, White House, Fed, dome, Senate, Arlington Memorial Bridge, Capitol, Treasury Building, Jefferson Memorial, World War II Memorial, reflecting pool
power, empire, Desert Storm, Victory Day, jet aircraft, bomber, flight, stealth, Lockheed, Boeing, helicopter, Washington DC, Washington Monument, Pentagon, Mall, Lincoln Memorial, grassy knoll, White House, Fed, dome, Senate, Arlington Memorial Bridge, Capitol, Treasury Building, Jefferson Memorial, World War II Memorial, reflecting pool
Published:
23 July 2009
23 July 2009
Issue:
Let us assure you
Let us assure you
Form:
exhibitions
exhibitions
Actions:
Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Location:
Main galleries
Main galleries
Date:
15 May 2003 to 14 September 2003
15 May 2003 to 14 September 2003
Title:
Traces of India: Photography, Architecture, and the Politics of Representation
Actions:
Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Traces of India: Photography, Architecture, and the Politics of Representation
Actions:
Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Form:
exhibitions
exhibitions
Date:
15 May 2003 to
14 September 2003
15 May 2003 to
14 September 2003
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
The exhibition examines the important role the Pantheon played in French artistic and political life from its foundation in 1744 well into the twentieth century. Coinciding with the international celebrations of the bicentennial of the French Revolution, the exhibition focuses on one of the central architectural episodes of the Revolution—the transformation of Saint(...)
The exhibition examines the important role the Pantheon played in French artistic and political life from its foundation in 1744 well into the twentieth century. Coinciding with the international celebrations of the bicentennial of the French Revolution, the exhibition focuses on one of the central architectural episodes of the Revolution—the transformation of Saint(...)
Location:
Main galleries
Main galleries
Date:
19 September 1989 to 19 November 1989
19 September 1989 to 19 November 1989
Title:
Le Panthéon: Symbol of Revolution
Actions:
Description:
The exhibition examines the important role the Pantheon played in French artistic and political life from its foundation in 1744 well into the twentieth century. Coinciding with the international celebrations of the bicentennial of the French Revolution, the exhibition focuses on one of the central architectural episodes of the Revolution—the transformation of Saint(...)
Le Panthéon: Symbol of Revolution
Actions:
Description:
The exhibition examines the important role the Pantheon played in French artistic and political life from its foundation in 1744 well into the twentieth century. Coinciding with the international celebrations of the bicentennial of the French Revolution, the exhibition focuses on one of the central architectural episodes of the Revolution—the transformation of Saint(...)
Form:
exhibitions
exhibitions
Date:
19 September 1989 to
19 November 1989
19 September 1989 to
19 November 1989
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Title:
Architecture as Evidence
Architecture as Evidence
Actions:
Description:
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
16 June 2016 to 11 September 2016
16 June 2016 to 11 September 2016
Title:
Architecture as Evidence
Actions:
Description:
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Architecture as Evidence
Actions:
Description:
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Form:
exhibitions
exhibitions
Date:
16 June 2016 to
11 September 2016
16 June 2016 to
11 September 2016
Location:
Octagonal gallery
Octagonal gallery
