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Today, spaces no longer represent a bourgeois haven; nor are they the sites of a classical harmony between work and leisure, private and public, the local and the global. The house is not merely a home but a position for negotiations with multiple spheres — the technological as well as the physical and the psychological. In A Topology of Everyday Constellations, Georges(...)
A topology of everyday constellations
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$39.95
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Today, spaces no longer represent a bourgeois haven; nor are they the sites of a classical harmony between work and leisure, private and public, the local and the global. The house is not merely a home but a position for negotiations with multiple spheres — the technological as well as the physical and the psychological. In A Topology of Everyday Constellations, Georges Teyssot considers the intrusion of the public sphere into private space, and the blurring of notions of interior, privacy, and intimacy in our societies. He proposes that we rethink design in terms of a new definition of the practices of everyday life. Teyssot considers the door, the window, the mirror, and the screen as thresholds or interstitial spaces that divide the world in two: the outside and the inside. Thresholds, he suggests, work both as markers of boundaries and as bridges to the exterior. The stark choice between boundary and bridge creates a middle space, an in-between that holds the possibility of exchanges and encounters. If the threshold no longer separates public from private, and if we can no longer think of the house as a bastion of privacy, Teyssot asks, does the body still inhabit the house — or does the house, evolving into a series of microdevices, inhabit the body?
Architectural Theory
books
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xxxi, 211 pages : illustrations ; 25 cm
Williamstown, Mass. : Sterling and Francine Clark Art Institute ; New Haven : Distributed by Yale University Press, ©2008.
The meaning of photography / edited by Robin Kelsey and Blake Stimson.
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xxxi, 211 pages : illustrations ; 25 cm
books
Williamstown, Mass. : Sterling and Francine Clark Art Institute ; New Haven : Distributed by Yale University Press, ©2008.
books
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154 pages : illustrations (some colors) ; 23 cm
Aarhus : Arkitektskolen Forlag, 2014., ©2014
Computed morphologies / Per Dombernowsky, Asbjørn Søndergaard.
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154 pages : illustrations (some colors) ; 23 cm
books
Aarhus : Arkitektskolen Forlag, 2014., ©2014
video
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1 streaming video file (1 hr., 6 min., 34 sec.) : sound, colour
[Montréal] : CCA, [2015]
Windows and screens : Georges Teyssot = Fenêtres et écrans : Georges Teyssot.
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1 streaming video file (1 hr., 6 min., 34 sec.) : sound, colour
video
[Montréal] : CCA, [2015]
books
Arts of living on a damaged planet / Anna Tsing, Heather Swanson, Elaine Gan, Nils Bubandt, editors.
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G174, M174 pages : illustrations ; 23 cm
Minneapolis : University of Minnesota Press, [2017], ©2017
Arts of living on a damaged planet / Anna Tsing, Heather Swanson, Elaine Gan, Nils Bubandt, editors.
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G174, M174 pages : illustrations ; 23 cm
books
Minneapolis : University of Minnesota Press, [2017], ©2017
books
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191 pages : illustrations (some color) ; 25 cm
London : Black Dog Pub., ©2007.
Thinking practice : reflections on architectural research and building work / edited by Nicholas Temple and Soumyen Bandyopadhyay.
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191 pages : illustrations (some color) ; 25 cm
books
London : Black Dog Pub., ©2007.
books
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239 pages : illustrations (chiefly color), maps ; 25 cm
Berlin : Jovis, 2010.
Bergbau Folge Landschaft : Konferenzdokumentation = Post-mining landscape : conference documentation / Internationale Bauausstellung Fürst-Pückler-Land 2000-2010 (Hrsg.).
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239 pages : illustrations (chiefly color), maps ; 25 cm
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Berlin : Jovis, 2010.
$56.95
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Summary:
What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called "the organic line." For much of the history of art, Clark’s(...)
The organic line: Toward a topology of modernism
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$56.95
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What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called "the organic line." For much of the history of art, Clark’s discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity that binds discrepant entities together, the organic line transforms planes into flexible topologies, borders into membranes, and interstices into points of connection. As a paradigm, the organic line has profound historiographic implications as well, inviting us to set aside traditional notions of influence and origin in favor of what Small terms weak links and plagiotropic relations.
Art Theory
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This book examines modern-day Switzerland and its changing spatial reality. Describing settlement areas as either ”urban” or ”rural” is no longer apt as we now live in a collage of urban, suburban, and rural elements which together form conglomerations with several centres over large areas of land. This requires new political solutions, challenging the institutional(...)
Architecture since 1900, Europe
August 2003, Basel
Urbanscape Switzerland : topology and regional development in Switzerland
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This book examines modern-day Switzerland and its changing spatial reality. Describing settlement areas as either ”urban” or ”rural” is no longer apt as we now live in a collage of urban, suburban, and rural elements which together form conglomerations with several centres over large areas of land. This requires new political solutions, challenging the institutional framework of federalism and the concept of local government. The study comprises contributions by experts from the fields of architecture, sociology, geography, politics and economics, which take into account the various perspectives. The prominent Dutch architect Winy Maas from MVRDV presents as an outsider a qualified vision for a Switzerland of the future, and also provides visual material to illustrate other contributions.
Architecture since 1900, Europe
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Untrammelled neoliberalism and the inexorable force of production have produced a 21st century crisis of community: a narcissistic cult of authenticity and mass turning-inward are among the pathologies engendered by it. We are individuals afloat in an atomised society, where the loss of the symbolic structures inherent in ritual behaviour has led to overdependence on the(...)
The disappearance of rituals: A topology of the present
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Untrammelled neoliberalism and the inexorable force of production have produced a 21st century crisis of community: a narcissistic cult of authenticity and mass turning-inward are among the pathologies engendered by it. We are individuals afloat in an atomised society, where the loss of the symbolic structures inherent in ritual behaviour has led to overdependence on the contingent to steer identity. Avoiding saccharine nostalgia for the rituals of the past, Han provides a genealogy of their disappearance as a means of diagnosing the pathologies of the present. He juxtaposes a community without communication – where the intensity of togetherness in silent recognition provides structure and meaning – to today’s communication without community, which does away with collective feelings and leaves individuals exposed to exploitation and manipulation by neoliberal psycho-politics. The community that is invoked everywhere today is an atrophied and commoditized community that lacks the symbolic power to bind people together. For Han, it is only the mutual praxis of recognition borne by the ritualistic sharing of the symbolic between members of a community which creates the footholds of objectivity allowing us to make sense of time.