Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
7 December 2017
Come and Forget the Internet, with Evgeny Morozov
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Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Craig Hodgetts
29 March 2018
Come and Forget the Grid, with Craig Hodgetts
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Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Craig Hodgetts
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Johannes Grenzfurthner
12 April 2018
Come and Forget the Counterculture, with Johannes Grenzfurthner
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Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Johannes Grenzfurthner
Rebecca Solnit, 2008 CCA Mellon Senior Fellow, is an independent writer, historian, and activist with a particular interest in geography, landscape, slowness, insurrection, photography, indirect routes and subjects that escape category. She lives in San Francisco, has received various awards, including the Lannan, a Guggenheim, and the Western Writers of America Spur(...)
9 October 2008
Rebecca Solnit: The Ruins of Hope, Hope in the Ruins
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Description:
Rebecca Solnit, 2008 CCA Mellon Senior Fellow, is an independent writer, historian, and activist with a particular interest in geography, landscape, slowness, insurrection, photography, indirect routes and subjects that escape category. She lives in San Francisco, has received various awards, including the Lannan, a Guggenheim, and the Western Writers of America Spur(...)
photographs
AP173.S2.1994.D1.001
Description:
Group consists of 47 slides of installation of the exhibition of various projects including Dark Sections (1991), Fahrenheit 451 (1991) and Baroque Army (1993).
ca. 1994
Photographs of an unidentified exhibition of Lars Spuybroek projects
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AP173.S2.1994.D1.001
Description:
Group consists of 47 slides of installation of the exhibition of various projects including Dark Sections (1991), Fahrenheit 451 (1991) and Baroque Army (1993).
photographs
ca. 1994
ARCH400120
Description:
Notes and sketches planning the sequence of scenes with descriptions of the atmosphere (“cold dark space, without images”), lights, and sounds (“regular rhythm,” “Pygmy funeral song, Central Africa”).
ca. 1970-1971
Notes and sketches for Architettura Interplanetaria [Interplanetary Architecture]
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ARCH400120
Description:
Notes and sketches planning the sequence of scenes with descriptions of the atmosphere (“cold dark space, without images”), lights, and sounds (“regular rhythm,” “Pygmy funeral song, Central Africa”).
drawings, textual records
DR2004:0041
Description:
correspondence, trade catalogue of tubular structural components, working drawings of dark room and workshop enclosure, and full sets of reference drawings of air dome exhibition space
Correspondence, trade catalogue of tubular structural components
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DR2004:0041
Description:
correspondence, trade catalogue of tubular structural components, working drawings of dark room and workshop enclosure, and full sets of reference drawings of air dome exhibition space
drawings, textual records
photographs
PH1982:0346:017
Description:
- This photograph is a hand-coloured reprint by the Stillfried & Andersen photographic studio of a negative by Felice Beato. - Though faint, Mount Fuji (also known as Fuji-san) is visible at centre, beyond the darker hill.
topographic
between 1863 and 1877
View of Mount Fuji (also known as Fuji-san) and Ashino-ko (also known as Lake Hakone) showing a road and two men in the foreground, Hakone district, Japan
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PH1982:0346:017
Description:
- This photograph is a hand-coloured reprint by the Stillfried & Andersen photographic studio of a negative by Felice Beato. - Though faint, Mount Fuji (also known as Fuji-san) is visible at centre, beyond the darker hill.
photographs
between 1863 and 1877
topographic
drawings
Quantity:
15 File
ARCH39809
Description:
plans, girders, pipings, entrance details, stone sill, partition, re-location of room, sub-store room, elevator pits, steel beams, dark room, clock system, column cap
Plans, girders, pipings, entrance details, stone sill, partition, re-location of room
Actions:
ARCH39809
Description:
plans, girders, pipings, entrance details, stone sill, partition, re-location of room, sub-store room, elevator pits, steel beams, dark room, clock system, column cap
drawings
Quantity:
15 File
textual records
AP173.S5.001
Description:
Group consists of notes, photocopies of an article on Lars Spuybroek from the serial "de Architect" of November 1992 and photocopies of drawings for the various projects including Dark Sections (1991), Fahrenheit 451 (1991), Fossil Tower (1992) and Soft City (1993).
1992-1993
Dummy for a publication or promotional material
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AP173.S5.001
Description:
Group consists of notes, photocopies of an article on Lars Spuybroek from the serial "de Architect" of November 1992 and photocopies of drawings for the various projects including Dark Sections (1991), Fahrenheit 451 (1991), Fossil Tower (1992) and Soft City (1993).
textual records
1992-1993