4192 Results
Form:
events
events
Description:
A conversation between Jean-Philippe Vassal of Lacaton Vassal architects, Paris, France, and Giancarlo Mazzanti of Mazzanti Arquitectos, Bogotá, Colombia, moderated by CCA Director and Chief Curator Mirko Zardini. The 2011 edition considers the role of architectural interventions that address social issues through projects of various scales and typologies. Urgency series(...)
A conversation between Jean-Philippe Vassal of Lacaton Vassal architects, Paris, France, and Giancarlo Mazzanti of Mazzanti Arquitectos, Bogotá, Colombia, moderated by CCA Director and Chief Curator Mirko Zardini. The 2011 edition considers the role of architectural interventions that address social issues through projects of various scales and typologies. Urgency series(...)
Date:
17 November 2011
17 November 2011
Title:
Urgency 2011: Jean-Philippe Vassal and Giancarlo Mazzanti
Actions:
Description:
A conversation between Jean-Philippe Vassal of Lacaton Vassal architects, Paris, France, and Giancarlo Mazzanti of Mazzanti Arquitectos, Bogotá, Colombia, moderated by CCA Director and Chief Curator Mirko Zardini. The 2011 edition considers the role of architectural interventions that address social issues through projects of various scales and typologies. Urgency series(...)
Urgency 2011: Jean-Philippe Vassal and Giancarlo Mazzanti
Actions:
Description:
A conversation between Jean-Philippe Vassal of Lacaton Vassal architects, Paris, France, and Giancarlo Mazzanti of Mazzanti Arquitectos, Bogotá, Colombia, moderated by CCA Director and Chief Curator Mirko Zardini. The 2011 edition considers the role of architectural interventions that address social issues through projects of various scales and typologies. Urgency series(...)
Form:
events
events
Date:
17 November 2011
17 November 2011
Form:
research
research
Title:
Visiting Scholars 2011
Visiting Scholars 2011
Actions:
Description:
Pedro Ignacio Alonso, Pontificia Universidad Católica de Chile, Santiago, Chile Topic: The Soviet I-464 Building System in Cuba and Chile, 1963-1973 Gaia Caramellino, Politecnico di Torino, Turin, Italy Topic: Architecture for Public Housing in the United States, 1930s-1940s Penelope Dean, University of Illinois, Chicago, United States Topic: Choice by Design,(...)
Pedro Ignacio Alonso, Pontificia Universidad Católica de Chile, Santiago, Chile Topic: The Soviet I-464 Building System in Cuba and Chile, 1963-1973 Gaia Caramellino, Politecnico di Torino, Turin, Italy Topic: Architecture for Public Housing in the United States, 1930s-1940s Penelope Dean, University of Illinois, Chicago, United States Topic: Choice by Design,(...)
Date:
April 2011 to October 2011
April 2011 to October 2011
Title:
Visiting Scholars 2011
Actions:
Description:
Pedro Ignacio Alonso, Pontificia Universidad Católica de Chile, Santiago, Chile Topic: The Soviet I-464 Building System in Cuba and Chile, 1963-1973 Gaia Caramellino, Politecnico di Torino, Turin, Italy Topic: Architecture for Public Housing in the United States, 1930s-1940s Penelope Dean, University of Illinois, Chicago, United States Topic: Choice by Design,(...)
Visiting Scholars 2011
Actions:
Description:
Pedro Ignacio Alonso, Pontificia Universidad Católica de Chile, Santiago, Chile Topic: The Soviet I-464 Building System in Cuba and Chile, 1963-1973 Gaia Caramellino, Politecnico di Torino, Turin, Italy Topic: Architecture for Public Housing in the United States, 1930s-1940s Penelope Dean, University of Illinois, Chicago, United States Topic: Choice by Design,(...)
Form:
research
research
Date:
April 2011 to
October 2011
April 2011 to
October 2011
Form:
articles
articles
Title:
2011: StackView / ShelfLife
2011: StackView / ShelfLife
Actions:
Issue:
What the future looked like
What the future looked like
Keyword(s):
book, Dewey Decimal system, Google, Harvard, Harvard Library Innovation Laboratory, Library of Congress, skeuomorphisme
book, Dewey Decimal system, Google, Harvard, Harvard Library Innovation Laboratory, Library of Congress, skeuomorphisme
Published:
5 July 2012
5 July 2012
Issue:
What the future looked like
What the future looked like
Form:
research
research
Title:
Support Grants 2011
Support Grants 2011
Actions:
Description:
Luis Burriel Bielza, Somos.arquitectos Benoît Jacquet, Ecole Française d’Extrême-Orient, Paris Catherine Maumi, École nationale supérieure d’architecture de Grenoble Brendan Cormier, Canadian Archive for Urban Speculation and Enquiry
Luis Burriel Bielza, Somos.arquitectos Benoît Jacquet, Ecole Française d’Extrême-Orient, Paris Catherine Maumi, École nationale supérieure d’architecture de Grenoble Brendan Cormier, Canadian Archive for Urban Speculation and Enquiry
Date:
14 March 2011 to 28 November 2011
14 March 2011 to 28 November 2011
Title:
Support Grants 2011
Actions:
Description:
Luis Burriel Bielza, Somos.arquitectos Benoît Jacquet, Ecole Française d’Extrême-Orient, Paris Catherine Maumi, École nationale supérieure d’architecture de Grenoble Brendan Cormier, Canadian Archive for Urban Speculation and Enquiry
Support Grants 2011
Actions:
Description:
Luis Burriel Bielza, Somos.arquitectos Benoît Jacquet, Ecole Française d’Extrême-Orient, Paris Catherine Maumi, École nationale supérieure d’architecture de Grenoble Brendan Cormier, Canadian Archive for Urban Speculation and Enquiry
Form:
research
research
Date:
14 March 2011 to
28 November 2011
14 March 2011 to
28 November 2011
Form:
research
research
Date:
January 2011 to December 2011
January 2011 to December 2011
Form:
research
research
Date:
January 2011 to
December 2011
January 2011 to
December 2011
Form:
research
research
Actions:
Description:
TD Bank Group-CCA Collection Research Grant recipients: Jordan Kauffman (Massachusetts Institute of Technology); Julia Tischer (McGill University); Mariana Mogilevich (Harvard University); Elizabeth McFarland (Cornell University); Alexandra Quantrill (Columbia University); Enrique Ramirez (Princeton University); Yoonchun Jung (McGill University); Mark Clintberg (Concordia(...)
TD Bank Group-CCA Collection Research Grant recipients: Jordan Kauffman (Massachusetts Institute of Technology); Julia Tischer (McGill University); Mariana Mogilevich (Harvard University); Elizabeth McFarland (Cornell University); Alexandra Quantrill (Columbia University); Enrique Ramirez (Princeton University); Yoonchun Jung (McGill University); Mark Clintberg (Concordia(...)
Date:
February 2011 to November 2011
February 2011 to November 2011
Title:
Doctoral Students Program 2011
Actions:
Description:
TD Bank Group-CCA Collection Research Grant recipients: Jordan Kauffman (Massachusetts Institute of Technology); Julia Tischer (McGill University); Mariana Mogilevich (Harvard University); Elizabeth McFarland (Cornell University); Alexandra Quantrill (Columbia University); Enrique Ramirez (Princeton University); Yoonchun Jung (McGill University); Mark Clintberg (Concordia(...)
Doctoral Students Program 2011
Actions:
Description:
TD Bank Group-CCA Collection Research Grant recipients: Jordan Kauffman (Massachusetts Institute of Technology); Julia Tischer (McGill University); Mariana Mogilevich (Harvard University); Elizabeth McFarland (Cornell University); Alexandra Quantrill (Columbia University); Enrique Ramirez (Princeton University); Yoonchun Jung (McGill University); Mark Clintberg (Concordia(...)
Form:
research
research
Date:
February 2011 to
November 2011
February 2011 to
November 2011
Level of archival description:
Project
Project
Title:
Architecture + Nature (2011)
Architecture + Nature (2011)
Actions:
Reference number:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
People:
Date:
2011-2017
2011-2017
Title:
Architecture + Nature (2011)
Actions:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
Architecture + Nature (2011)
Actions:
AP207.S1.2011.PR02
Description:
The project series documents the filmed performance "Architecture + Nature" produced by Pettena in 2011. The performance consists of the word "architecture" written in the sand slowly being erased by the movement of the waves. "The sea breaks slowly on the sandy beach... On it architecture stays. And the sea and its waves break with slow, constant, inexorable movements, like a bewitching, continual, eternal melody... And gradually architecture is dematerialized [...]." [1] The project series contains a video of the performance, a drawing, and six film stills. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-architecture-nature-2011-1/ (last accessed 23 January 2020)
Level of archival description:
Project
Project
Date:
2011-2017
2011-2017
People:
Level of archival description:
Project
Project
Title:
In Absence of Bodies (2011)
In Absence of Bodies (2011)
Actions:
Reference number:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
People:
Date:
2011-2015
2011-2015
Title:
In Absence of Bodies (2011)
Actions:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
In Absence of Bodies (2011)
Actions:
AP207.S1.2011.PR04
Description:
The project series documents the installation "In Absence of Bodies" designed by Pettena in 2011 for the Stromerein Performance Festival in Zurich, Switzerland. The installation consists of clothes lines hung in the main square of the city and refers to Pettena's previous installation "Laundry" in 1969. In this case "[...] it is not laundry that, being hung out in the main square of the city, polemically ‘violate’ the context of the power. Rather, it is a statement on the body in its absence, as the performance takes place in a dance and theatre festival where the body is always protagonist." [1] A second edition was also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2013. The project series contains a drawing of the installation, a sketch, details for the hanging lines, a printout of a photo montage of the installation, and photographs and a video of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-in-absence-2011-1/ (last accessed 23 January 2020)
Level of archival description:
Project
Project
Date:
2011-2015
2011-2015
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2011.PR01
Description:
The project series documents the installation "La Linea Del Tempo" presented at the Galleria Quadro 096, in Fiesole, in 2011. The installation consists of an architect's drawing table, of which the top gives the illusion of sinking in. The installation is accompanied by a television playing Pettena's 1971 movie "Intens" playing on a loop. "The idea of presenting together things that were conceived in years so distant that they can easily be thought of as two different seasons of life is meant to underline the author’s conceptual coherence on the subject of his own interest regarding the architect’s profession." [1] The project series contains three photographs of the installation and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-time-line-2011/ (last accessed 23 January 2020).
AP207.S1.2011.PR01
Description:
The project series documents the installation "La Linea Del Tempo" presented at the Galleria Quadro 096, in Fiesole, in 2011. The installation consists of an architect's drawing table, of which the top gives the illusion of sinking in. The installation is accompanied by a television playing Pettena's 1971 movie "Intens" playing on a loop. "The idea of presenting together things that were conceived in years so distant that they can easily be thought of as two different seasons of life is meant to underline the author’s conceptual coherence on the subject of his own interest regarding the architect’s profession." [1] The project series contains three photographs of the installation and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-time-line-2011/ (last accessed 23 January 2020).
People:
Date:
2011-2015
2011-2015
Title:
La Linea Del Tempo [Time Line] (2011)
Actions:
AP207.S1.2011.PR01
Description:
The project series documents the installation "La Linea Del Tempo" presented at the Galleria Quadro 096, in Fiesole, in 2011. The installation consists of an architect's drawing table, of which the top gives the illusion of sinking in. The installation is accompanied by a television playing Pettena's 1971 movie "Intens" playing on a loop. "The idea of presenting together things that were conceived in years so distant that they can easily be thought of as two different seasons of life is meant to underline the author’s conceptual coherence on the subject of his own interest regarding the architect’s profession." [1] The project series contains three photographs of the installation and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-time-line-2011/ (last accessed 23 January 2020).
La Linea Del Tempo [Time Line] (2011)
Actions:
AP207.S1.2011.PR01
Description:
The project series documents the installation "La Linea Del Tempo" presented at the Galleria Quadro 096, in Fiesole, in 2011. The installation consists of an architect's drawing table, of which the top gives the illusion of sinking in. The installation is accompanied by a television playing Pettena's 1971 movie "Intens" playing on a loop. "The idea of presenting together things that were conceived in years so distant that they can easily be thought of as two different seasons of life is meant to underline the author’s conceptual coherence on the subject of his own interest regarding the architect’s profession." [1] The project series contains three photographs of the installation and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-time-line-2011/ (last accessed 23 January 2020).
Level of archival description:
Project
Project
Date:
2011-2015
2011-2015
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2011.PR05
Description:
The project series documents the installation "Uno Spazio Per Pierre" designed by Pettena in 2011. It was presented in Turin at the Artissima 18, in 2011. The installation consists of a metal beam structure that is shaped like house. On the inside of the structure there is a table and chairs. The layout of all the elements inside the structure is based of the golden ratio. "Designed and built for a friend, Pierre Bal Blanc, this archetypal space [...] presents the artist/curator with a ‘tabula rasa’, that is to say with endless creative possibilities.." [1] The project series contains sketches and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-space-for-pierre-2011/ (last accessed 23 January 2020)
AP207.S1.2011.PR05
Description:
The project series documents the installation "Uno Spazio Per Pierre" designed by Pettena in 2011. It was presented in Turin at the Artissima 18, in 2011. The installation consists of a metal beam structure that is shaped like house. On the inside of the structure there is a table and chairs. The layout of all the elements inside the structure is based of the golden ratio. "Designed and built for a friend, Pierre Bal Blanc, this archetypal space [...] presents the artist/curator with a ‘tabula rasa’, that is to say with endless creative possibilities.." [1] The project series contains sketches and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-space-for-pierre-2011/ (last accessed 23 January 2020)
People:
Date:
2011-2015
2011-2015
Title:
Uno Spazio Per Pierre [A Space for Pierre] (2011)
Actions:
AP207.S1.2011.PR05
Description:
The project series documents the installation "Uno Spazio Per Pierre" designed by Pettena in 2011. It was presented in Turin at the Artissima 18, in 2011. The installation consists of a metal beam structure that is shaped like house. On the inside of the structure there is a table and chairs. The layout of all the elements inside the structure is based of the golden ratio. "Designed and built for a friend, Pierre Bal Blanc, this archetypal space [...] presents the artist/curator with a ‘tabula rasa’, that is to say with endless creative possibilities.." [1] The project series contains sketches and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-space-for-pierre-2011/ (last accessed 23 January 2020)
Uno Spazio Per Pierre [A Space for Pierre] (2011)
Actions:
AP207.S1.2011.PR05
Description:
The project series documents the installation "Uno Spazio Per Pierre" designed by Pettena in 2011. It was presented in Turin at the Artissima 18, in 2011. The installation consists of a metal beam structure that is shaped like house. On the inside of the structure there is a table and chairs. The layout of all the elements inside the structure is based of the golden ratio. "Designed and built for a friend, Pierre Bal Blanc, this archetypal space [...] presents the artist/curator with a ‘tabula rasa’, that is to say with endless creative possibilities.." [1] The project series contains sketches and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-space-for-pierre-2011/ (last accessed 23 January 2020)
Level of archival description:
Project
Project
Date:
2011-2015
2011-2015
People:
