articles
To remain in the no longer, Tripoli, Lebanon, housing crisis, urban planning, urban management, city government, Public Works Studio
28 August 2023
Tripoli: Who Took Away Our Land? (Part 1)
Public Works Studio presents the social and environmental repercussions of the city’s public management
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articles
To remain in the no longer, Tripoli, Lebanon, housing crisis, urban planning, urban management, city government, Public Works Studio
5 September 2023
Tripoli: Who Took Away Our Land? (Part 2)
Public Works Studio presents the social and environmental repercussions of the city’s public management
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archives
Level of archival description:
Fonds
Aldo Rossi fonds
AP142
Synopsis:
The Aldo Rossi fonds documents the professional practice of architect Aldo Rossi and that of his firm, Studio di Architettura (SDA). Drawings of nearly every project by Rossi and SDA are present, with significant Italian, German and Japanese projects particularly well represented. The fonds also includes material relating to exhibitions and some material on publications that feature the work of Rossi and his firm. Material in this fonds was produced between 1953 and 1997.
1953-1997, predominant 1962-1997
Aldo Rossi fonds
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AP142
Synopsis:
The Aldo Rossi fonds documents the professional practice of architect Aldo Rossi and that of his firm, Studio di Architettura (SDA). Drawings of nearly every project by Rossi and SDA are present, with significant Italian, German and Japanese projects particularly well represented. The fonds also includes material relating to exhibitions and some material on publications that feature the work of Rossi and his firm. Material in this fonds was produced between 1953 and 1997.
archives
Level of archival description:
Fonds
1953-1997, predominant 1962-1997
photographs
PH2019:0002:001-245
Description:
A collection of 245 photographs covering the entire built work of Robert Mallet-Stevens. The collection comprises views of models, buildings, from residences to public facilities, views of furniture and exhibition displays as well as some portraits. The photographers represented include Albin Salaün, Germaine Krull, Studio Chevojon, Marc Vaux and Laure Albin-Guillot among others.
1920-1939
A collection of photographs on the architecture of Robert Mallet-Stevens
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PH2019:0002:001-245
Description:
A collection of 245 photographs covering the entire built work of Robert Mallet-Stevens. The collection comprises views of models, buildings, from residences to public facilities, views of furniture and exhibition displays as well as some portraits. The photographers represented include Albin Salaün, Germaine Krull, Studio Chevojon, Marc Vaux and Laure Albin-Guillot among others.
photographs
1920-1939
archives
Level of archival description:
Fonds
Wells Coates fonds
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
1909-1986
Wells Coates fonds
Actions:
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
archives
Level of archival description:
Fonds
1909-1986
archives
Level of archival description:
Fonds
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
1914-2008
Gordon Matta-Clark collection
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CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
archives
Level of archival description:
Collection
1914-2008
Series
Project records from Mr. Koz
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
1996
Project records from Mr. Koz
Actions:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Series
1996
Sub-series
AP207.S3.SS04
Description:
The sub-series documents the two chapters "Area di progetto" and "Dai radicali a Memphis" written by Pettena for the publication "Sottsass Associati 1980-1999 frammenti" published by Rizzoli in 1999. The book focuses on the work of Ettore Sottsass' design consultant studio Sottsass Associati from 1980 to 1999. The publication accompanied an exhibition of the same name. The sub-series contains reference material on Ettore Sottsass Associatti, draft texts for Pettena's chapters, promotional material for the exhibition, and photographs of the exhibition.
circa 1999
Sottsass Associati 1980-1999 frammenti (1999)
Actions:
AP207.S3.SS04
Description:
The sub-series documents the two chapters "Area di progetto" and "Dai radicali a Memphis" written by Pettena for the publication "Sottsass Associati 1980-1999 frammenti" published by Rizzoli in 1999. The book focuses on the work of Ettore Sottsass' design consultant studio Sottsass Associati from 1980 to 1999. The publication accompanied an exhibition of the same name. The sub-series contains reference material on Ettore Sottsass Associatti, draft texts for Pettena's chapters, promotional material for the exhibition, and photographs of the exhibition.
Subseries
circa 1999
archives
Level of archival description:
Fonds
AP195
Synopsis:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
1996 - 2015
Zaha Hadid Architects Phaeno Science Centre project records
Actions:
AP195
Synopsis:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
archives
Level of archival description:
Fonds
1996 - 2015
archives
Level of archival description:
Fonds
Douglas C. Simpson fonds
AP076
Synopsis:
The Douglas C. Simpson fonds documents Simpson's 1938 graduation thesis project, residential projects from early in his career in Ottawa, furniture projects, and residential and commercial projects in British Columbia including those by the firm Semmens, Simpson. The fonds is composed primarily of drawings and photographs dating from 1938-1992, with the bulk of the documents ranging from ca. 1940 to ca. 1960.
1938-1992, [predominant ca. 1940-ca. 1960]
Douglas C. Simpson fonds
Actions:
AP076
Synopsis:
The Douglas C. Simpson fonds documents Simpson's 1938 graduation thesis project, residential projects from early in his career in Ottawa, furniture projects, and residential and commercial projects in British Columbia including those by the firm Semmens, Simpson. The fonds is composed primarily of drawings and photographs dating from 1938-1992, with the bulk of the documents ranging from ca. 1940 to ca. 1960.
archives
Level of archival description:
Fonds
1938-1992, [predominant ca. 1940-ca. 1960]