36 Results
Form:
articles
articles
Title:
On Making Contact
On Making Contact
Actions:
Sierra Komar on Samuel Delany’s liquid urbanity and modes of sociality in the context of the smart city
Issue:
Figuring Territory
Figuring Territory
Keyword(s):
Sierra Komar, Samuel Delany, contact, liquid urbanity, sociabililty, smart city, cruising
Sierra Komar, Samuel Delany, contact, liquid urbanity, sociabililty, smart city, cruising
Published:
22 January 2023
22 January 2023
Title:
On Making Contact
Sierra Komar on Samuel Delany’s liquid urbanity and modes of sociality in the context of the smart city
Actions:
On Making Contact
Sierra Komar on Samuel Delany’s liquid urbanity and modes of sociality in the context of the smart city
Actions:
Issue:
Figuring Territory
Figuring Territory
Level of archival description:
Project
Project
Actions:
Reference number:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Title:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Level of archival description:
Project
Project
Date:
1997
1997
Level of archival description:
Project
Project
Actions:
Reference number:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
People:
Date:
1997-1998
1997-1998
Title:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Level of archival description:
Project
Project
Date:
1997-1998
1997-1998
People:
Form:
books
books
Actions:
Holdings:
Description:
xii, 185 pages : maps ; 24 cm
Description:
xii, 185 pages : maps ; 24 cm
Subject:
- Metropolitan areas Middle Atlantic States.,
- Sociology, Urban Middle Atlantic States.,
- Agglomérations urbaines États du Moyen-Atlantique (États-Unis),
- Sociologie urbaine États du Moyen-Atlantique (États-Unis),
- Economic history.,
- Metropolitan areas.,
- Population.,
- Sociology, Urban.,
- Ballungsraum,
- Bevölkerung.,
- Grossstadt.,
- Stadtsoziologie.,
- Middle Atlantic States Population.,
- Middle Atlantic States Economic conditions 21st century.,
- États du Moyen-Atlantique (États-Unis) Population.,
- États du Moyen-Atlantique (États-Unis) Conditions économiques 21e siècle.,
- Middle Atlantic States.,
- Oststaaten (USA),
- USA.,
- Sociology,
- Urban Middle Atlantic States
(See more)
Publication:
Washington, DC : Resources for the Future, ©2007.
Washington, DC : Resources for the Future, ©2007.
Title:
Liquid city : megalopolis and the contemporary Northeast / John Rennie Short.
Actions:
Holdings:
Description:
xii, 185 pages : maps ; 24 cm
Liquid city : megalopolis and the contemporary Northeast / John Rennie Short.
Actions:
Holdings:
Description:
xii, 185 pages : maps ; 24 cm
Form:
books
books
Publication:
Washington, DC : Resources for the Future, ©2007.
Washington, DC : Resources for the Future, ©2007.
Subject:
- Metropolitan areas Middle Atlantic States.,
- Sociology, Urban Middle Atlantic States.,
- Agglomérations urbaines États du Moyen-Atlantique (États-Unis),
- Sociologie urbaine États du Moyen-Atlantique (États-Unis),
- Economic history.,
- Metropolitan areas.,
- Population.,
- Sociology, Urban.,
- Ballungsraum,
- Bevölkerung.,
- Grossstadt.,
- Stadtsoziologie.,
- Middle Atlantic States Population.,
- Middle Atlantic States Economic conditions 21st century.,
- États du Moyen-Atlantique (États-Unis) Population.,
- États du Moyen-Atlantique (États-Unis) Conditions économiques 21e siècle.,
- Middle Atlantic States.,
- Oststaaten (USA),
- USA.,
- Sociology,
- Urban Middle Atlantic States
(See more)
Form:
graphic materials
graphic materials
Title:
Ville liquide = Liquid city.
Ville liquide = Liquid city.
Actions:
Holdings:
Description:
1 print (poster) : color ; 59 x 33 cm
- Library cage affiches cca 278749 | BIB 214398 | c. 1 | Available
- Library cage affiches cca 278750 | BIB 214398 | c. 2 | Available
(See more)
Description:
1 print (poster) : color ; 59 x 33 cm
Author:
Subject:
- Charrette interuniversitaire (17th : 2011 : Montréal, Québec),
- Charrettes Québec (Province) Montréal.,
- Charrettes (Planification) Québec (Province) Montréal.,
- Charrettes,
- Québec Montréal,
- Charettes Canada 2010-2020.,
- Student competitions Canada 2010-2020.,
- Urban design Canada Québec (Province) Montréal 2010-2020.,
- Water.,
- Posters.
(See more)
Publication:
Montréal : Centre canadien d'architecture, [2011]
Montréal : Centre canadien d'architecture, [2011]
Title:
Ville liquide = Liquid city.
Actions:
Holdings:
Description:
1 print (poster) : color ; 59 x 33 cm
Ville liquide = Liquid city.
Actions:
Holdings:
- Library cage affiches cca 278749 | BIB 214398 | c. 1 | Available
- Library cage affiches cca 278750 | BIB 214398 | c. 2 | Available
(See more)
Description:
1 print (poster) : color ; 59 x 33 cm
Form:
graphic materials
graphic materials
Publication:
Montréal : Centre canadien d'architecture, [2011]
Montréal : Centre canadien d'architecture, [2011]
Author:
Subject:
- Charrette interuniversitaire (17th : 2011 : Montréal, Québec),
- Charrettes Québec (Province) Montréal.,
- Charrettes (Planification) Québec (Province) Montréal.,
- Charrettes,
- Québec Montréal,
- Charettes Canada 2010-2020.,
- Student competitions Canada 2010-2020.,
- Urban design Canada Québec (Province) Montréal 2010-2020.,
- Water.,
- Posters.
(See more)
Form:
books
books
Title:
Globalization and urban change : capital, culture, and Pacific Rim mega-projects / Kris Olds.
Globalization and urban change : capital, culture, and Pacific Rim mega-projects / Kris Olds.
Actions:
Holdings:
Description:
xvii, 311 pages : illustrations ; 24 cm
Description:
xvii, 311 pages : illustrations ; 24 cm
Subject:
- Urban economics.,
- City planning.,
- Globalization.,
- City Planning,
- Économie urbaine.,
- Urbanisme.,
- Mondialisation.,
- globalism.,
- urban planning.,
- 74.72 urban planning.,
- Globalisierung,
- Stadtentwicklung,
- Verstädterung,
- Stadsplanning.,
- Stedelijke economie.,
- Internationalisatie.,
- Projets d'architecture Chine Shanghai (Chine),
- Projets d'architecture Canada Vancouver (Canada),
- Capitalistes et financiers Chine Hong Kong (Chine),
- Urbanisme Pacifique (région),
- Economie urbaine Cas, Etudes de.,
- Pazifischer Raum
(See more)
Publication:
Oxford ; New York : Oxford University Press, 2001.
Oxford ; New York : Oxford University Press, 2001.
Title:
Globalization and urban change : capital, culture, and Pacific Rim mega-projects / Kris Olds.
Actions:
Holdings:
Description:
xvii, 311 pages : illustrations ; 24 cm
Globalization and urban change : capital, culture, and Pacific Rim mega-projects / Kris Olds.
Actions:
Holdings:
Description:
xvii, 311 pages : illustrations ; 24 cm
Form:
books
books
Publication:
Oxford ; New York : Oxford University Press, 2001.
Oxford ; New York : Oxford University Press, 2001.
Subject:
- Urban economics.,
- City planning.,
- Globalization.,
- City Planning,
- Économie urbaine.,
- Urbanisme.,
- Mondialisation.,
- globalism.,
- urban planning.,
- 74.72 urban planning.,
- Globalisierung,
- Stadtentwicklung,
- Verstädterung,
- Stadsplanning.,
- Stedelijke economie.,
- Internationalisatie.,
- Projets d'architecture Chine Shanghai (Chine),
- Projets d'architecture Canada Vancouver (Canada),
- Capitalistes et financiers Chine Hong Kong (Chine),
- Urbanisme Pacifique (région),
- Economie urbaine Cas, Etudes de.,
- Pazifischer Raum
(See more)
Form:
video
video
Title:
Inter-university charrette.
Inter-university charrette.
Actions:
Holdings:
Description:
1 streaming video file (2 hr., 27 sec.) : sound, colour
Description:
1 streaming video file (2 hr., 27 sec.) : sound, colour
Author:
- Poddubiuk, Mark,
- Storey, Kim,
- Margolis, Liat,
- Lambert, Phyllis,
- Retailleau, Emilie,
- Centre canadien d'architecture,,
- Université du Québec à Montréal. École de design,,
- McGill University,,
- Université de Montréal,,
- Université Laval.,
- Carleton University.,
- Ryerson University.,
- University of Toronto.,
- Charrette interuniversitaire (17th : 2011 : Montréal, Québec)
(See more)
Subject:
- Brown and Storey Architects.,
- Charrette interuniversitaire (17th : 2011 : Montréal, Québec),
- Charrettes Québec (Province) Montréal.,
- Water Québec (Province) Montréal.,
- Public spaces Québec (Province) Montréal.,
- Charrettes (Planification) Québec (Province) Montréal.,
- Eau Québec (Province) Montréal.,
- Espaces publics Québec (Province) Montréal.,
- Charrettes,
- Public spaces,
- Water,
- Saint Lawrence River.,
- Saint-Laurent (Fleuve),
- North America Saint Lawrence River,
- Québec Montréal,
- Charettes Canada Québec (Province) Montréal 2010-2020.,
- Student competitions Canada 2010-2020.,
- Charettes.,
- Video recordings (physical artifacts),
- Streaming video.
(See more)
Publication:
[Montréal] : CCA, [2012]
[Montréal] : CCA, [2012]
Title:
Inter-university charrette.
Actions:
Holdings:
Description:
1 streaming video file (2 hr., 27 sec.) : sound, colour
Inter-university charrette.
Actions:
Holdings:
Description:
1 streaming video file (2 hr., 27 sec.) : sound, colour
Form:
video
video
Publication:
[Montréal] : CCA, [2012]
[Montréal] : CCA, [2012]
Author:
- Poddubiuk, Mark,
- Storey, Kim,
- Margolis, Liat,
- Lambert, Phyllis,
- Retailleau, Emilie,
- Centre canadien d'architecture,,
- Université du Québec à Montréal. École de design,,
- McGill University,,
- Université de Montréal,,
- Université Laval.,
- Carleton University.,
- Ryerson University.,
- University of Toronto.,
- Charrette interuniversitaire (17th : 2011 : Montréal, Québec)
(See more)
Subject:
- Brown and Storey Architects.,
- Charrette interuniversitaire (17th : 2011 : Montréal, Québec),
- Charrettes Québec (Province) Montréal.,
- Water Québec (Province) Montréal.,
- Public spaces Québec (Province) Montréal.,
- Charrettes (Planification) Québec (Province) Montréal.,
- Eau Québec (Province) Montréal.,
- Espaces publics Québec (Province) Montréal.,
- Charrettes,
- Public spaces,
- Water,
- Saint Lawrence River.,
- Saint-Laurent (Fleuve),
- North America Saint Lawrence River,
- Québec Montréal,
- Charettes Canada Québec (Province) Montréal 2010-2020.,
- Student competitions Canada 2010-2020.,
- Charettes.,
- Video recordings (physical artifacts),
- Streaming video.
(See more)
Form:
archives
archives
Actions:
Holdings:
Description:
18 items : illustrations, plans
- Library main vertical files competition 197958 | 197958 | Available
- Library main competition 197959 | NA2340.U8 1997 | Available
(See more)
Description:
18 items : illustrations, plans
Author:
Subject:
- USA Institute International Design Competition (7th : 1997),
- Architecture Competitions United States.,
- Terminals (Transportation) New York (State) New York.,
- Marine terminals New York (State) New York.,
- Harbors New York (State) New York.,
- Architecture Concours États-Unis.,
- Terminaux maritimes New York (État) New York.,
- Ports New York (État) New York.,
- Architecture Competitions,
- Buildings,
- Harbors,
- Marine terminals,
- Terminals (Transportation),
- New York (N.Y.) Buildings, structures, etc.,
- New York (State) New York,
- United States,
- Architectural Competitions United States 1990-2000.,
- Ferry Stations United States New York (State) New York 1990-2000.,
- Marine terminals United States New York (State) New York 1990-2000.,
- Harbors United States New York (State) New York 1990-2000.
(See more)
Title:
USA Institute International Design Competition : competition documents, 1997.
Actions:
Holdings:
Description:
18 items : illustrations, plans
USA Institute International Design Competition : competition documents, 1997.
Actions:
Holdings:
- Library main vertical files competition 197958 | 197958 | Available
- Library main competition 197959 | NA2340.U8 1997 | Available
(See more)
Description:
18 items : illustrations, plans
Form:
archives
archives
Subject:
- USA Institute International Design Competition (7th : 1997),
- Architecture Competitions United States.,
- Terminals (Transportation) New York (State) New York.,
- Marine terminals New York (State) New York.,
- Harbors New York (State) New York.,
- Architecture Concours États-Unis.,
- Terminaux maritimes New York (État) New York.,
- Ports New York (État) New York.,
- Architecture Competitions,
- Buildings,
- Harbors,
- Marine terminals,
- Terminals (Transportation),
- New York (N.Y.) Buildings, structures, etc.,
- New York (State) New York,
- United States,
- Architectural Competitions United States 1990-2000.,
- Ferry Stations United States New York (State) New York 1990-2000.,
- Marine terminals United States New York (State) New York 1990-2000.,
- Harbors United States New York (State) New York 1990-2000.
(See more)
Form:
books
books
Actions:
Holdings:
Description:
249 pages : illustrations (chiefly color), maps ; 21 cm.
Description:
249 pages : illustrations (chiefly color), maps ; 21 cm.
Subject:
- Architecture Japan Tokyo Western influences.,
- Architecture Japan Tokyo History.,
- Architecture Japon Tōkyō.,
- Architecture.,
- Architecture Western influences.,
- Architecture japonaise.,
- Architecture urbaine.,
- Construction.,
- Urbanisme.,
- Tōkyō (Japon) Constructions.,
- Japan Tokyo.,
- Tokyo (Japon),
- History.
(See more)
Publication:
New York : Universe, 2004.
New York : Universe, 2004.
Title:
Tokyo : city and architecture / Livio Sacchi ; introduction by Franco Purini ; art editor, Franco Mercuri.
Actions:
Holdings:
Description:
249 pages : illustrations (chiefly color), maps ; 21 cm.
Tokyo : city and architecture / Livio Sacchi ; introduction by Franco Purini ; art editor, Franco Mercuri.
Actions:
Holdings:
Description:
249 pages : illustrations (chiefly color), maps ; 21 cm.
Form:
books
books
Publication:
New York : Universe, 2004.
New York : Universe, 2004.
Subject:
- Architecture Japan Tokyo Western influences.,
- Architecture Japan Tokyo History.,
- Architecture Japon Tōkyō.,
- Architecture.,
- Architecture Western influences.,
- Architecture japonaise.,
- Architecture urbaine.,
- Construction.,
- Urbanisme.,
- Tōkyō (Japon) Constructions.,
- Japan Tokyo.,
- Tokyo (Japon),
- History.
(See more)
Form:
books
books
Actions:
Holdings:
Description:
xiii, 167 pages : illustrations (some color) ; 24 cm.
Description:
xiii, 167 pages : illustrations (some color) ; 24 cm.
Subject:
- Water and architecture West (U.S.) Case studies.,
- Water and architecture Environmental aspects.,
- Architectural design Environmental aspects.,
- Sustainable architecture.,
- Eau et architecture Aspect de l'environnement.,
- Design architectural Aspect de l'environnement.,
- Architecture durable.,
- ARCHITECTURE / General.,
- Water and architecture,
- West United States,
- Case studies,
- Études de cas.
(See more)
Publication:
Austin : University of Texas Press, 2022., ©2022
Austin : University of Texas Press, 2022., ©2022
Title:
Blue architecture : water, design, and environmental futures / Brook Muller.
Actions:
Holdings:
Description:
xiii, 167 pages : illustrations (some color) ; 24 cm.
Blue architecture : water, design, and environmental futures / Brook Muller.
Actions:
Holdings:
Description:
xiii, 167 pages : illustrations (some color) ; 24 cm.
Form:
books
books
Publication:
Austin : University of Texas Press, 2022., ©2022
Austin : University of Texas Press, 2022., ©2022
Subject:
- Water and architecture West (U.S.) Case studies.,
- Water and architecture Environmental aspects.,
- Architectural design Environmental aspects.,
- Sustainable architecture.,
- Eau et architecture Aspect de l'environnement.,
- Design architectural Aspect de l'environnement.,
- Architecture durable.,
- ARCHITECTURE / General.,
- Water and architecture,
- West United States,
- Case studies,
- Études de cas.
(See more)
