310 Results
Form:
exhibitions
exhibitions
Actions:
Description:
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
Location:
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
Date:
26 November 2013 to 20 April 2014
26 November 2013 to 20 April 2014
Title:
How architects, experts, politicians, international agencies and citizens negotiate modern planning: Casablanca Chandigarh
Actions:
Description:
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
How architects, experts, politicians, international agencies and citizens negotiate modern planning: Casablanca Chandigarh
Actions:
Description:
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
Form:
exhibitions
exhibitions
Date:
26 November 2013 to
20 April 2014
26 November 2013 to
20 April 2014
Location:
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
Form:
works of art
works of art
Title:
Carnival number -tobogganing; representative houses of old Montréal; and modern Montréal politicians
Carnival number -tobogganing; representative houses of old Montréal; and modern Montréal politicians
Actions:
Reference number:
DR1982:0264 R/V
DR1982:0264 R/V
People:
Date:
1885
1885
Title:
Carnival number -tobogganing; representative houses of old Montréal; and modern Montréal politicians
Actions:
DR1982:0264 R/V
Carnival number -tobogganing; representative houses of old Montréal; and modern Montréal politicians
Actions:
DR1982:0264 R/V
Form:
works of art
works of art
Date:
1885
1885
People:
Form:
events
events
Actions:
Description:
Architects are traditionally uncomfortable with acknowledging their dependence on other actors, so My Invisible Friend invites them to present projects made with non-architects and to reveal the invisible friends without whom their work would be impossible.
Architects are traditionally uncomfortable with acknowledging their dependence on other actors, so My Invisible Friend invites them to present projects made with non-architects and to reveal the invisible friends without whom their work would be impossible.
Location:
YouTube and Instagram
YouTube and Instagram
Date:
2 July 2020 to 3 July 2020
2 July 2020 to 3 July 2020
Title:
Video release and next-day live Q&A: My Invisible Friend: Kim Courrèges and Felipe De Ferrari on “Plan Común” and a young politician
Actions:
Description:
Architects are traditionally uncomfortable with acknowledging their dependence on other actors, so My Invisible Friend invites them to present projects made with non-architects and to reveal the invisible friends without whom their work would be impossible.
Video release and next-day live Q&A: My Invisible Friend: Kim Courrèges and Felipe De Ferrari on “Plan Común” and a young politician
Actions:
Description:
Architects are traditionally uncomfortable with acknowledging their dependence on other actors, so My Invisible Friend invites them to present projects made with non-architects and to reveal the invisible friends without whom their work would be impossible.
Form:
events
events
Date:
2 July 2020 to
3 July 2020
2 July 2020 to
3 July 2020
Location:
YouTube and Instagram
YouTube and Instagram
Level of archival description:
Project
Project
Reference number:
AP207.S1.1968.PR03
Description:
This project series documents Pettena's installation entitled "Milite Ignoto". This project is the second of a series of three installations created in 1968 which consisted of large three-dimensional letters, forming words, and made of perishable materials that slowly disintegrated once exposed to the elements. The words "Milite Ignoto" of this installation refers to "another stereotype, typical of hypocritical rhetoric and the ceremonies staged by politicians and generals." [1] This installation was presented outside the Palazzo dei Diamanti, in Ferrara. The project series contains installation photographs of the finished project at the Palazzo dei Diamanti, a drawing of the installation, photographs of a later model of the cardboard word, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-unknown-soldier-1968/ (last accessed 30 October 2019)
AP207.S1.1968.PR03
Description:
This project series documents Pettena's installation entitled "Milite Ignoto". This project is the second of a series of three installations created in 1968 which consisted of large three-dimensional letters, forming words, and made of perishable materials that slowly disintegrated once exposed to the elements. The words "Milite Ignoto" of this installation refers to "another stereotype, typical of hypocritical rhetoric and the ceremonies staged by politicians and generals." [1] This installation was presented outside the Palazzo dei Diamanti, in Ferrara. The project series contains installation photographs of the finished project at the Palazzo dei Diamanti, a drawing of the installation, photographs of a later model of the cardboard word, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-unknown-soldier-1968/ (last accessed 30 October 2019)
People:
Date:
circa 1968
circa 1968
Title:
Milite Ignoto [Unknown Soldier] (1968)
Actions:
AP207.S1.1968.PR03
Description:
This project series documents Pettena's installation entitled "Milite Ignoto". This project is the second of a series of three installations created in 1968 which consisted of large three-dimensional letters, forming words, and made of perishable materials that slowly disintegrated once exposed to the elements. The words "Milite Ignoto" of this installation refers to "another stereotype, typical of hypocritical rhetoric and the ceremonies staged by politicians and generals." [1] This installation was presented outside the Palazzo dei Diamanti, in Ferrara. The project series contains installation photographs of the finished project at the Palazzo dei Diamanti, a drawing of the installation, photographs of a later model of the cardboard word, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-unknown-soldier-1968/ (last accessed 30 October 2019)
Milite Ignoto [Unknown Soldier] (1968)
Actions:
AP207.S1.1968.PR03
Description:
This project series documents Pettena's installation entitled "Milite Ignoto". This project is the second of a series of three installations created in 1968 which consisted of large three-dimensional letters, forming words, and made of perishable materials that slowly disintegrated once exposed to the elements. The words "Milite Ignoto" of this installation refers to "another stereotype, typical of hypocritical rhetoric and the ceremonies staged by politicians and generals." [1] This installation was presented outside the Palazzo dei Diamanti, in Ferrara. The project series contains installation photographs of the finished project at the Palazzo dei Diamanti, a drawing of the installation, photographs of a later model of the cardboard word, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-unknown-soldier-1968/ (last accessed 30 October 2019)
Level of archival description:
Project
Project
Date:
circa 1968
circa 1968
People:
Form:
exhibitions
exhibitions
Description:
In the second iteration of the Out of the Box: Amancio Williams series, Claudia Shmidt focuses on letters both sent and received by Amancio Williams. These letters, written to politicians, leading cultural institutions, and influential architects, help to situate Williams’s practice and elaborate on his persistence in bringing his projects to life.
In the second iteration of the Out of the Box: Amancio Williams series, Claudia Shmidt focuses on letters both sent and received by Amancio Williams. These letters, written to politicians, leading cultural institutions, and influential architects, help to situate Williams’s practice and elaborate on his persistence in bringing his projects to life.
Location:
Octagonal gallery Keyword(s):
Amancio Williams, Claudia Shmidt, Buenos Aires, Out of the box, Argentina
Octagonal gallery Keyword(s):
Amancio Williams, Claudia Shmidt, Buenos Aires, Out of the box, Argentina
Date:
12 October 2023 to 28 January 2024
12 October 2023 to 28 January 2024
Title:
Far from Nostalgia: Amancio Williams selected by Claudia Shmidt
Actions:
Description:
In the second iteration of the Out of the Box: Amancio Williams series, Claudia Shmidt focuses on letters both sent and received by Amancio Williams. These letters, written to politicians, leading cultural institutions, and influential architects, help to situate Williams’s practice and elaborate on his persistence in bringing his projects to life.
Far from Nostalgia: Amancio Williams selected by Claudia Shmidt
Actions:
Description:
In the second iteration of the Out of the Box: Amancio Williams series, Claudia Shmidt focuses on letters both sent and received by Amancio Williams. These letters, written to politicians, leading cultural institutions, and influential architects, help to situate Williams’s practice and elaborate on his persistence in bringing his projects to life.
Form:
exhibitions
exhibitions
Date:
12 October 2023 to
28 January 2024
12 October 2023 to
28 January 2024
Location:
Octagonal gallery Keyword(s):
Amancio Williams, Claudia Shmidt, Buenos Aires, Out of the box, Argentina
Octagonal gallery Keyword(s):
Amancio Williams, Claudia Shmidt, Buenos Aires, Out of the box, Argentina
Form:
events
events
Actions:
Description:
On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
Date:
27 November 2013
27 November 2013
Title:
In conversation: Yto Barrada & Takashi Homma
Actions:
Description:
On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
In conversation: Yto Barrada & Takashi Homma
Actions:
Description:
On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
Form:
events
events
Date:
27 November 2013
27 November 2013
Form:
exhibitions
exhibitions
Title:
Old Books New Cities
Old Books New Cities
Actions:
Description:
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Location:
Hall cases
Hall cases
Date:
12 December 2013 to 15 June 2014
12 December 2013 to 15 June 2014
Title:
Old Books New Cities
Actions:
Description:
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Old Books New Cities
Actions:
Description:
The pressing need to reconstruct cities after the Second World War and the sudden post-war rise in population led the public sector to assume an ever-increasing role in the design and construction of the urban environment. In different political contexts, large urban developments or the construction of entirely new towns were directed by municipal or state powers and(...)
Form:
exhibitions
exhibitions
Date:
12 December 2013 to
15 June 2014
12 December 2013 to
15 June 2014
Location:
Hall cases
Hall cases
Form:
articles
articles
Actions:
Text by Tom Avermaete
Issue:
Journeys and translation
Journeys and translation
Keyword(s):
Ford Foundation, Douglas Ensminger, Casablanca Chandigarh: A Report on Modernization, How architects, experts, politicians, international agencies and citizens negotiate modern planning: Casablanca Chandigarh
Ford Foundation, Douglas Ensminger, Casablanca Chandigarh: A Report on Modernization, How architects, experts, politicians, international agencies and citizens negotiate modern planning: Casablanca Chandigarh
Published:
20 February 2016
20 February 2016
Issue:
Journeys and translation
Journeys and translation
Form:
events
events
Actions:
Description:
None
None
Date:
14 December 2017
14 December 2017
Title:
Eve Blau, Richard Pare, and Phyllis Lambert on Photographic Evidence
Actions:
Description:
None
Eve Blau, Richard Pare, and Phyllis Lambert on Photographic Evidence
Actions:
Description:
None
Form:
events
events
Date:
14 December 2017
14 December 2017
Form:
events
events
Title:
Learning from... London
Learning from... London
Actions:
Description:
Kieran Long presents a story about the difficulty of describing a city in all its richness. London contains stories and meanings that are alive to its citizens, but apparently too difficult to talk about, too rich, and too messy to be allowed to affect those who decide how the city changes. The deafness of developers, politicians and architects to these narratives is so(...)
Kieran Long presents a story about the difficulty of describing a city in all its richness. London contains stories and meanings that are alive to its citizens, but apparently too difficult to talk about, too rich, and too messy to be allowed to affect those who decide how the city changes. The deafness of developers, politicians and architects to these narratives is so(...)
Location:
Paul Desmarais Theater
Paul Desmarais Theater
Date:
10 March 2011 , 7pm
10 March 2011 , 7pm
Title:
Learning from... London
Actions:
Description:
Kieran Long presents a story about the difficulty of describing a city in all its richness. London contains stories and meanings that are alive to its citizens, but apparently too difficult to talk about, too rich, and too messy to be allowed to affect those who decide how the city changes. The deafness of developers, politicians and architects to these narratives is so(...)
Learning from... London
Actions:
Description:
Kieran Long presents a story about the difficulty of describing a city in all its richness. London contains stories and meanings that are alive to its citizens, but apparently too difficult to talk about, too rich, and too messy to be allowed to affect those who decide how the city changes. The deafness of developers, politicians and architects to these narratives is so(...)
Form:
events
events
Date:
10 March 2011
7pm
10 March 2011
7pm
Location:
Paul Desmarais Theater
Paul Desmarais Theater
